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Showing results for tags 'splits'.
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I have an external midi pedal, Harley Benton MP-500. The menu and configurations are pretty limited and I'm almost certain that the default firmware can only send values 0 & 64. This works fine fore effects but with any of the splits the first value chooses L or A but the second value of 64 only sets the balance to almost center (R1 or B1). How can I get the 64 value to et the balance to R100 or B100? -
I was wondering, for those of you who split your delay and/or reverb off onto a separate path, what percentage do you generally dial in ( A versus B ) on your split block? I have been varying it depending on the preset but I was wondering if anyone had any tips or "rules" they use to determine the best split values? I guess this is another way of asking about wet/dry routing. Sometimes I find the sound better through a simple super serial path with the entire signal routed through the delay and reverb (split is set to B 100% through the delay/reverb path and the mix parameter on delay/reverb is set to taste) and other times I find that sending some signal through direct and some to reverb sounds better (Even split or some ratio that sends signal bypassing the delay/reverb path as well as through the delay/reverb path).
