jpdennis

I may be off base, however, I believe Stomp B was added to "extend" Stomp A capability, not as an isolated stomp location. My thought would be that you need to have a identical FX block. For sonic constancy I would put it next to the block you are talking about. Then the first FX block has a footswitch assigned in Stomp A and the next FX block has a footswitch assigned in Stomp B. Maybe not the most elegant method and you wouldn't be able to change them both at the same time in both stomp areas. There may be others that have a better method that does work. If so I pray someone adds more thoughts to your question.

@CKucznierz Are you saying that once you go to the support page and scroll to the middle of the page you cannot create a support ticket or text or call? I am referencing the following page ... https://line6.com/support/tickets/

@who842 Here an older thread concerning midi command differences between the OG and the Stadium. I am not sure if this is an exact scenario for you but it may clarify a couple of items. Please let me know if this helps or if I am way off base. Thanks Dennis

Has anyone followed the following tutorial link for the 10 tutorial videos? While it may not be exactly the learning path some may want it is free for now.

@rvroberts Click on focus view on the compressor block. Let me know if that makes sense and you find what you are asking. Dennis

I will be creating a new clone soon. The goal is that the new one will not be required to reduce post gain. Once I have that one and a channel 2 crunch ready I will see about posting on Customtone. As always, thanks for your help & support. Dennis

Pinney's Law - Murphy was an optimist. ;-/

Are you set to manually connect the Stadium to the app once you log in to the app or are you actually set to automatically connect and it isn't working which forces you to manually connect? Dennis

@Wondo100 My first thought is that the Agoura amp models are very easy to use and adjust to taste. Of course Is there an specific real world guitar amplifier you like the tone of? And/or is there a guitarist you are wanting to emulate as far as tone? I have used the Tonex with my Stadium XL and, while I like it, I am also using proxy to model two of my amps and getting quite good results based upon the tone I like - it is of course all subjective. As to the combined use question - One of the other guitarist at church has been using the Tonex with the Stadium XL and just purchased the newest Tonex Board which he used last Sunday. He swears by it. Here are two links for two different very well know musicians in the industry regarding your question. Both from 9 months ago. Have fun - Dennis

That is, if I get any feedback.

@boynigel Yea, I hear you. I have a card reader for multiple physical sizes of SD Cards. I will periodically use the Maintenance screen to eject the SD card. I then use the reader to backup to my USB drives and a special backup hard drive I have. It may be a little convoluted but it does work well. Also, at one point it was suggested backing up the complete folder structure of the SD card this way. It helps if you format a new SD card and the folder structure is not rebuilt. The only "at once" trick I found does not backup global settings. However, if I highlight all my presets and perform an export it does backup all the preset individually at once. It DOES NOT ask if you want to over right any existing however. Dennis

@boynigel Look at the bottom of the online manual for "Helix Stadium Maintenance" (and I have included the direct link below). It has more maintenance features including how to backup. https://manuals.line6.com/en/helix-stadium/live/helix-stadium-maintenance Hope this helps Dennis

@silverhead Thanks for the suggestion. I haven't yet. For now I just wanted the forum users to see if they find this interesting. It sits well in the mix for me. However, I am a woody kind of mid boost guy. All my Mesa amps since 1974 gave me what I liked that way; I've had . This JP-2C seems to be clearer than the stock Line 6 Helix SXL amp + cabs. It could very well be the EQ1 settings on the JP-2C Combo I used. Next time I clone I will have to reduce the level about -5dB below unity or maybe even more. I had really attacked the strings with a power chord and thought it was slightly below unity in the green. What I forgot was I was at the 7 setting on all controls of Les Paul and should have at the very least set the volumes to 10. When I get more feedback I may post to Customtone. Dennis

All, I am attaching a clone I just completed using a Premium Bubinga Wood Combo Cab with a 12" Black Shadow (Celestion) that Mesa built for me. The Clone is a little hot so you can reduce the post gain to better sample if you'd like. This is a very clean patch for use with my 1970 Gibson customized Les Paul which has two reworked 1959 humbuckers I had since about 1974 sitting in a darn spare parts bin. They were installed along with the bumble bee caps about 2018. I made the clone using LP pickup selector switch in the middle and vol & tone pots set to 7 (yes all four). I put note in the clone but had no where to put the JP-2C EQ1 settings Dennis Clean 2C.clone

@Kryz87 Since I don't have all your connection details I may be repeating what you've already done. I had to use a USB-C to USB-C cable connector from workstation to Helix Stadium XL. I exported my stem files using 44.1 kHz 32 bit for the audio rate and size. Except for the learning curve of specifics on how to consistently order the files and flags the wav files imported perfectly. The Stadium does the conversion to the rate(s) it wants anyway. I know my rates may not be norm but that is what I found and the sound quality was actually pretty good. Dennis