alienux

I actually haven't been on here in awhile, and just uploaded a new patch to Customtone today and decided to check out the forums. It's always good to hear that a patch works for someone else. You never know how it will sound with a different guitar/speaker/PA etc. Glad to know that you like it and can get some use out of it.

Yeah, this is what I was getting at. I know that the POD itself won't be affected by the authorization, I just wasn't sure if Edit would see all of the models from the POD on my computer when I connect it if I missed an authorization step or something like that. Thanks for all of the answers everyone. Sounds like it should be pretty straightforward. Still, I'm going to wait until after playing this weekend to proceed.

I have a new computer that I'd like to move my HD500X and Monkey, HD500X Edit, etc. to. I've read horror stories about people having trouble getting a POD set up on their computer when buying it from another owner, but in this case, it's just my POD that I purchased new, so I'm the original owner. Are there any gotchas or recommendations for just moving from an old PC to a new one? I'm moving from Windows 8.1 to Windows 10. Edit: I also have the model packs. Is there anything additional to move/set up for those on the new computer for HD500X Edit to be able to use them?

I accidentally left mine on overnight one day last week. That's about the longest mine has ever been on continuously.

You might want to look at this: http://line6.com/support/topic/4586-pod-hd500-hd500x-input-settings-phase-issue-myth-and-facts-single-input-vs-both-inputs/ But yes, for dual amps. you'll need to have the second input set to same (or something that contains "same") or you'll have no signal going to the second path.

I'm going to have to agree with everyone else here. Just because you don't personally hear a difference doesn't mean there isn't one, especially without us knowing exactly what kind of other equipment you have it going through. If you aren't happy, return for a refund and be done with it.

Peter, I'm curious what you did to the PV Panama amp for your sound demo. I love the model, but I've found the default settings for that amp to have a harshness that needs to be tamed. I've lowered the gain, reduced treble, and lowered presence and have a tone that I am starting to like. I tried using the PEQ and found the 80% range to be where some of the harshness lies. Just curious on others' approaches and discoveries with that particular model.

I've had some for my HD500X for several months. Here's a picture of how they look:

I've been playing since the 80s, and I'm in my early 40s now. I honestly still prefer a real amp, but the POD does a great job and saves so much time and effort regarding lugging equipment around, and it helps me deal with not having to worry about stage volume and beaming, so switching was a no brainer for me.

Thanks for the suggestions everyone, I'll look into the EP1-L6.

Is there a good, reliable expression pedal made by a 3rd party that works well with the PODs? It's not critical that I get one before this weekend, but I would like to if possible, and none of the local places sell the Line 6 add-on pedal. I don't have time to order one from Amazon by then, either. What are some other brand external expression pedals I could look into at a Guitar Center or some place like that?

I think that this is what I'll end up doing in the long run.

Heh, looking back at this old thread, I have to admit that I'd forgotten all about this. I've been using my HD500X live regularly since posting this last year and I don't think I've had the problem when playing live and pressing the switch with my foot.

I think I'd have a little trouble adjusting to using it reversed like that, but I think I'll give it a try since it would be less clicking to keep track of. Thanks for the suggestion.

I just created a patch to use this weekend using the Pitch Glide with the EXP 1 setting. It's my first time using Pitch Glide this way. I have volume using EXP 2, so at first I just assigned the Pitch Glide effect so that it would activate when I pressed the toe switch and changing to EXP 1. This was great to turn on the pitch glide effect and allow me to use the pedal, but when I press the toe switch again to return to EXP 2 and disable the Pitch Glide, it leaves the pitch at +24, which obviously sounds awful when I need to play chords after turning off the pitch glide. I ended up assigning FS2 to actually turn the Pitch Glide on and off, so I have to press FS2 to turn on the effect and then press the toe switch to actually enable the pitch control. Then when I'm ready to go back to normal, I have to press FS2 to turn off the effect so it doesn't stay at +24 when I press the toe switch, and then I have to press the toe switch again to be able to use the volume pedal. This is workable and I'll end up using it this way if I have to, but is there a way to just use the toe switch to turn it on and off without having it go up to +24 and stay there when engaging the toe switch?