Elephantstomp

Check out this video. This is me and it worked wonderful! Read description as well for details. It´s in german, but just watching is self-explanatory.

Hi, my Mutant filter (auto-wah) settings changed in two different presets the same way. One of them wasn´t even used/activated. So it´s kind of a confirmation to me that the update to 3.80 caused a change of this parameter. I was wondering about the dull sound of the auto-wah and found it out fortunately before my next gig. Hope this helps others.

Wtf, "3.8, that´s it?" It´s about all of it, 3.8 included. THAT´S IT! There is a whole world of gear since the beginning of rock´n´roll up to now within my stomp. Not to speak about all that extra gear you would need for switching/routing all that stuff compared to analog. Endless possibilities...but people focus on what´s not in there. If you are a "musician" and care about tools to express your creativity, you should be happily covered. If you suffer from GAS (HX Stomp cured me) and can´t stop thinking about new stuff you won´t ever be happy. Write good music, play and enjoy! I can´t imagine that the lack of something within this unit could hold anyone back from this.

Ok, so far I did all I can for a sound that´s good to me. So I will continue to live in peace.

Did all you suggested in §1. Regarding §2: 100% for recording/mixing. For live surely similar, but will leave it to the FOH.

Yes, this would be a nice solution, but I´ve got no blocks left on my HX-Stomp. Should have mentioned this. Thanks!

I came up with those cut offs over time after listening to our rehearsal and live recordings (of course I read about this topic as well). As a highly wanted side effect this optimized my IEM guitar sound as well. It may be better to leave the whole bandwidth to the sound guy for sculpting, but then I would have to give up the benefits to ME. So far, as your link for EQ tips confirms, I am within the ball park (although this was for recording), right?

Hello, I applied a low cut 80Hz and hi cut 6,8 - 7,5 kHz for gain, 12kHz for clean (all 12dB slope) to my presets. Sounds sweet at gigs, home and IEM. No FOH guy ever complained, but I don´t know how experienced they were. Gigs were small and big, so I guess it was fine with those cuts. Anyways, I like to ask YOU if you think I narrowed the bandwidth too much for soundguys? I guess it should be fine... Thanks!

Oh, with this I meant that my pretty basic presets had withing blocks and output section volume set to 0dB. I don´t know the actually dB of "the analog signal level output".

Exactly. And there will be manuals of other equipment where such useful information is not mentioned. I thought the Rolls was faulty. Wouldn´t have thought to feed it with -20dB.

My HX Stomps output was 0dB. This was fine for everything until I started using a Rolls PM50se Personal Monitor Amp on my Pedalboard. The Signal was clipping. I had to reduce the stomps output to -20dB to be fine for the Rolls. I am just saying that 0dB might be to hot for some equipment (even though gain staging within presets is fine). No one ever complained about my -20dB signal. I just increase dB for recordings.

The problem was caused by my Shure GLXD16 (wireless). A broken cable caused the "too much gain phenomenon". My HX-Stomp works flawless since I used a new cable. Could´t find it out so easy because the issue occured sporadically. I hope you get this problem solved!

Hello, true, you´re right. But the already existing idea EQ Cut filters FULL frequency spectrum AND adjustable db/8va Adjustable high and low pass slopes for cabs and ir's doesn´t clearly mention to include it in the cab block. That´s what I am hoping for. Would be sad if it gets just implemented in EQ block (sad for HX Stomp users). What should I do?

Hello, to reduce harshness I use a hi-cut. Because the cab block´s hi-cut curve is to wide it cuts off too much wanted frequency of my tone. So I use a separate EQ block. Kind of a waste with limited blocks (HX Stomp). Same for lo-cut. A perfect situation would be to be able to choose from different curves for hi/lo-cut within the cab block: -6dB, -12dB, -18dB, -24db/Oct. But I would always go with the steepest curve (-24dB/Oct) for a most narrow cut. Thanks & please vote UP :-) https://line6.ideascale.com/c/idea/90122

Hello rd2rk, (wrote r2d2 first...) Your presets worked without a flaw. (You´re suggested global setting changes made no difference). I used them as a base to recreate my presets. But after recreating the switching was buggy again. But this time I found out what it caused and guess this is definetely a bug. So... In my old buggy "main preset" there were those commands: PRESET A FS1: Snaphot 1 FS2: Preset 101 (fancy sound) FS3: Snaphot 3 PRESET B (Used for fancy sound due to limited blocks in HX-Stomp) FS1: Preset 100 (for easy return to PRESET A) FS2: Preset 100 (for easy return to PRESET A) FS3: Preset 100 (for easy return to PRESET A) I used all three switches here to just step somewhere to go back. But exactly this brought up the bug. More precise: In PRESET B should be just one "Preset 100 (for easy return to PRESET A)" and it has to be on the same FS in both presets (like it was in yours). Or at least it must not be on a position where a Snaphot is in PRESET A. Otherwise it is buggy. Puh, can you follow? A bit tricky to explain. More strange: It only worked with your presets. When I reduced my PRESET B to one return button, it could´t be fixed. On the other hand, when I put three return buttons in your PRESET B the bug came up as well. An stays, even though you correct it later. Strange things... Anyways, I used your presets as a foundation and fixed returnall my buggy presets (one return!). Now I can switch everything on press (not release). That´s so satisfying and on point changes happen in all my presets finally. Thank you so much for your support!!!