titchyblackcat Posted May 26, 2015 Share Posted May 26, 2015 Is there a way to get the delays to be less that 20mS When i enter 10 in manually it goes back to 20mS. Quote Link to comment Share on other sites More sharing options...
pianoguyy Posted May 26, 2015 Share Posted May 26, 2015 20 seems to be the min Quote Link to comment Share on other sites More sharing options...
titchyblackcat Posted May 26, 2015 Author Share Posted May 26, 2015 Cheers pianoguyy. Quote Link to comment Share on other sites More sharing options...
SteveKudlacek Posted May 26, 2015 Share Posted May 26, 2015 You probably can't tell a delay difference at 10,000 nths of a second. Quote Link to comment Share on other sites More sharing options...
CipherHost Posted May 26, 2015 Share Posted May 26, 2015 You probably can't tell a delay difference at 10,000 nths of a second. From: http://www.soundonsound.com/sos/1995_articles/apr95/digitaldelays.html PHASING Early phasing on records was done with two tape machines playing almost in sync. Nowadays, we tend to refer to this effect as tape flanging, but in the days when it was actually used, everyone knew it as phasing. It's a simple matter to convert the earlier vibrato effect to phasing by setting the mix control to exactly half way; the best effects are obtained with delay times of between 1 and 10mS. With such a short delay time, the individual harmonics that make up your sound are moved in and out of phase with each other so that some cancel while others add. This has the effect of filtering the sound in a very dynamic and complex way -- you'll recognise the effect as being similar to that produced by guitar phaser pedals. Try changing the rate control from a slow sweep to a fast modulation and you'll see that the range of effects is quite wide. A very slow modulation rate generates a nice, evolving sweep which can sound great on pad keyboard sounds, while faster rates can sound similar to a rotary speaker cabinet. You can also 'tune' which harmonics are affected by changing the basic delay time; the shorter the delay time, the higher the frequencies that are affected, and vice versa. A delay time of between 1 and 3mS gives a thin, whining phase sound, whereas longer times sound fatter or smoother. Quote Link to comment Share on other sites More sharing options...
taylorbeats Posted May 26, 2015 Share Posted May 26, 2015 you can get it but not with traditional time based effects in the POD. See MeAmBobbo's Guide http://foobazaar.com/podhd/toneGuide/ regarding in and out of phase etc. I think page 108 with a link to a google spreadsheet. Difficult though, lot of math and left brain and right brain working together. Quote Link to comment Share on other sites More sharing options...
titchyblackcat Posted May 27, 2015 Author Share Posted May 27, 2015 There are some good uses for delay of 0 to 10mS so I'm surprised that the lowest delay is 20mS Quote Link to comment Share on other sites More sharing options...
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