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Found 4 results

  1. Would like to know if anyone has done a comparison. For my setup at home I have the Helix Lt hooked to a DT25 using the l6link (this is my stage setup for monitoring my stage sound). I run XLR L an R cables to a berringer XR18 mixer which has two EV ZLX 12P's hooked to it (this simulates the FOH for shows). This gives me a beautiful full sound! I have the helix set so the big knob controls digital only. This sends a full signal out of the XLR's to the board and lets me control my stage volume (dt25) with the big knob. Again, this works great. I love the DT25 and have two of them. I have two of them because they are (at least in my case) very fragile. One DT25 died when I was trying to upgrade it to 2.0 to be able to use it with the Helix. Because the DT25 is fragile, I've been thinking about using powercabs (either two cab pluses or one 212) for gigs. Then today, I thought... hey, why not just use the EV ZLX's instead. If I am not mistaken, wouldn't that be the same as using the FRFR part of the powercabs? So my question (I know, finally:O) is has anyone done a comparison between the powercabs and using the EV ZLX's for live gigs. Mainly for on stage monitoring. I used to use the zlx sometimes with the HD500x for gigs when the DT25 was in the shop and that sounded pretty good. Did not quite cut through though. Thanks everyone, I look forward to seeing what you guys think!
  2. Hi, What kind of quality (and usability) can I expect from the Helix? As an audio interface, would it compare, in terms of sound quality, to a RME or Focusrite Clarett? My guess is, that guitar-wise it would but microphone-wise it would be behind a 'real' interface (more noise, more latency). Can you prove me wrong? When it comes to handling, switching between different outputs (i.e. 2 sets of active speakers); is that easy and quick? Can the volume be adjusted really quickly? P.S. My idea is to replace a RME Babyface Pro with a Helix.
  3. So does a variax guitar model sound exactly the same on a different model JTV - have a listen and decide for yourself. JTV59 and JTV69 both at fw 2.1 as supplied (not tweaked in Workbench HD) and using SEMI position 5. Both played via VDI into same HD500 patch and recorded in Sonar X3 without any post production. Same chord sequence. Are these samples identical? If not - what differences can be heard? And can you tell which sample is the JTV59 and which is the JTV69? Recording can be found here: https://soundcloud.com/eddie-wicker/jtv-59-69-semi-compare
  4. Below are all the 2nd and 3rd generation wireless products in one document: Wireless Comparison Sheet.xlsx
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