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Hillman1312

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About Hillman1312

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  1. Hillman1312

    Powercab considerations and thoughts

    Thank you dnostrand, yes this is very helpful. I'm aware that creating presets using headphones has its challenges; in fact, thinking of it it may actually be part of the issue I had with the wedge monitors. Still keeps me puzzled as to why the FOH sound was good (to the extent I really know, just hearsay; I probably need to talk again to the soundguy). I guess a very important factor here are the speakers used for FOH. My understanding is that these are essentially also supposed to be "FRFR", but given that no FRFR speaker sounds like the other this term is actually pretty meaningless to me. Anyway ...... With regards to your setup, I like the idea of having enough stage volume for gigs that don't need FOH signal and that you "simply" go from the PC+ to the mixer via XLR if so needed. For whatever reason I overlooked that option. And this brings me to my next misunderstanding which is about the mic modelling. If I understand correctly then the PC+ models are models of the actual cabinets without mic...... So theoretically you could still mic a PC+ using (for example) a real SM57 should you not want to use the modeled SM57. I was under the false assumption that a mic model was part of the sound coming from the PC+. This only seems true when it is in FRFR mode (and the cab + mic model come from the Helix). Now, the downside of your setup for me would be that I need two devices connected when practising/ developing patches at home and I would need to use this setup with " normal volume", which I'm sure my wife and kids won't appreciate all the time :-) Altogether enough food for thought on how to achieve what I want (sufficient on-stage volume of decent quality). Based on my learnings so far I'm probably better of with a FRFR speaker (again, whatever that means) and leave the PC for what it is for the time being. Thanks again for your reply, this forum is really a great source of information and positive input/support from experienced people is highly appreciated !!!
  2. Hillman1312

    Powercab considerations and thoughts

    Hello, As many others I bought a Helix (couple of months ago) with mainly two purposes: - to use as an all-in-one-unit for practising at home. Unfortunately I need to use headphones as there's no space to practice/possibility with my studio monitors (which are basically collecting dust at the moment) - to use at gigs using the presets I made (with headphones ;-)) and going direct into the mixer via XLR Fyi, this is purely a hobby with the occasional gig, just for fun. I had my first " Helix-direct-gig" couple of weeks ago and the sound guy sent a mix to the floor monitors (the mix also having the other instruments and vocals). It sounded bad (extremely harsh) and more importantly I was having a lot of difficulty hearing what I was playing. The FOH was quite good soundwise, so it was not really a preset issue but rather a monitor issue. Also, I assumed I would have a dedicated monitor with only guitar, but will never make that assumption again ... why the sound was so harsh is still a mystery to me. Anyway, now I'm looking at an FRFR or other solution that still gives me sufficient stage volume and reasonable sound. Plenty of options ...... " FX-only" presets I have tried; It works, but requires me to bring a seperate amp that in turn needs to be mic-ed. Or, I would nee to create patches with seperate outs on XLR and line. All possible, but complexity is what I want to avoid. In a hunt for a cheap solution I bought myself a Behringer 207MP3 monitor unit, but I will probably return that very soon; It works, gives me sufficient volume and my own "monitor mix" , but quality wise just not what I hoped for. And so I'm now saving up for more dedicated tools like the Line 6 Powercab. Here's where I get lost a bit, because the Powercab seems to be much more than an FRFR cabinet. Actually I see lots of people saying that this product really starts to shine once you use the built in cabinet/ speaker models. This is where I get confused, because to me that means that the purpose of the Helix gets lost as I would have a setup with an amplifier in one device (the Helix) and the cab model in another (the powercab). Essentially it would link the Powercab and the Helix which for my purpose would again create more complexity than needed. Also I wonder why there would be a difference in sound between a cabinet modeled in the Helix and a cabinet modeled in the Powercab. Doesn't make too much sense to me yet ... aren't these the exact same models? I haven't made up my mind yet and I do find the Powercab appealing (visually, technically), but for my purpose a cheaper FRFR solution may work better (e.g. Headrush, Alto). No worries, I won't ask for advice here, plenty of threads about that :-) But I do wonder if anyone figured out this alleged difference in cab model issue. Any other comments welcome of course, I may be overlooking something. Again I'm looking for simple flexibility (which was the main reason for buying the Helix). Thanks so much !!
  3. Hillman1312

    Phantom power Helix LT

    Thanks again! Indeed I know it is not a DI box and this is actually what caused the confusion. The way I understood this product is that it can do (at least) 3 things: - shield my Helix from phantom power (which you confirmed) while using only XLR connections and (hence) balanced cables - eliminate hum (which is not the case right now, but who knows when I might need it for that purpose) - to go from any one of 1/4", RCA or XLR to another (or the same) output (whether line or mic level; not sure how much I'd need that, but it's a nice option) What I'm still not fully sure about is whether an unbalanced input (1/4"or RCA) will be "transformed" (not sure it is the right word) to a balanced (XLR) output. A DI box would (as I understand) transform an unbalanced line level to a balanced mic level. But I already set my XLR to "mic" level, so there's no need for such transformation; moreover I want (for now) to use the 1/4" out for other purposes. Will move on now to making music (which is a much bigger challenge and not dependent on too much technology :-))
  4. Hillman1312

    Phantom power Helix LT

    Thanks !!! On the box of the ART it says "1:1 unity gain", so not sure if indeed it is step down. What I do is Helix (XLR out) to ART (XLR in) and then ART (XLR out) to Mixer (XLR in). No unbalanced signals as far as I understand.
  5. Hillman1312

    Phantom power Helix LT

    Hello Forum members, I've recently bought a Helix LT and very happy with it so far. The way I use it (for now) is that in live situations (rehearsal, we don't gig yet) I have patches set up with two signal paths. The effects only go to the 1/4" out which feed into the the front of the tube-amp we have in our rehearsal room. At home I don't have an external amp, so the effects + amp + cab simulation go to the XLR and I play using headphones. Maybe not ideal, but it does the job and allows me to set up patches quickly. But what I want to do next is to feed the XLR to the mixing desk in the rehearsal room so as to have both the amp as well as a signal for mixing. This mixing desk may have phantom power turned on (although usually off) and as multiple bands use the same rehearsal room I don't want to risk feeding phantom power to my Helix. I have browsed through the forums and found a lot of valuable information; an often used method is to go from the 1/4" to a DI box. But what I want to do is to use the XLR out (at mic level) and feed that to the mixing desk. I have purchased an "ART DTI" transformer/ isolator as I found some people recommending that device. My understanding is that compared to a DI box it leaves the signal level intact (i.e. MIC in = MIC out). Other than that it works pretty much the same as a DI box (but I do not know that for sure..... I don't know too much about electronics) All this said, I am confused about the following and hope someone could give me a clear answer on this: 1) Does this ART DTI indeed prevent the phantom power from going to the XLR outputs of the Helix? 2) I noted that when turning phantom power on there is a " plop" in the signal (I did some experimenting at home using my Focusrite soundcard; my headphones were connected to the soundcard). If I disconnect the Helix but leave the ART DTI still connected this "plop" is hardly noticeable. Does this still mean that even when the DTI is connected some signal is being sent to the Helix? 3) What actually happens when the Helix is exposed to phantom power? Will the electronics be damaged? I know that Line 6 clearly states not to use phantom power, but it is unclear at least what might actually happen, i.e. what the risk is. 4) What is actually the difference between dedicated " phantom power blockers" and the ART DTI isolator/transformer. Please don't suggest me to do things differently. I'm quite aware of what the Helix can do in terms of routing and indeed there may better ways to do what I want to achieve. I'm just trying to understand how this phantom power issue works and whether the additional product I bought actually protects me or not. Thanks a lot !!!
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