Jump to content


  • Content Count

  • Joined

  • Last visited

  • Days Won


SiWatts69 last won the day on June 3 2015

SiWatts69 had the most liked content!

Community Reputation

116 Good

About SiWatts69

  • Rank
  • Birthday 04/04/1969

Contact Methods

  • Website URL

Profile Information

  • Gender
  • Location
    South Yorkshire, UK
  • Registered Products

Recent Profile Visitors

617 profile views
  1. It is a complete digital system. Each speaker tells the M20d what it is (ie model) and what it is being used for (based upon orientation). Crossover points are then set by the environment with simple/easy switch of purposing via the manage L6Link screen. Use autotrim to set input gains on each channel (assuming your performers understand what you need them to do). Let feedback suppression on individual channels take care of the rest. If you place a driverack type system in play, you lose all the benefits of digital interconnect because you can not run L6Link. I've used my rig in a multitude of places, including some challenging rooms, and almost never had a problem. Problems tend to arise with a) singers with poor mic technique, b) performers who fiddle with their on stage volume when cabs are mic'd up. c) drummers who refuse to use dampers but have ridiculously loud kits meaning everyone else needs ridiculously high on stage volumes. d) over-rigging (too big a rig) or under-rigging (too small a rig) a room. Most feedback I've encountered has always been monitor first. IMHO cutting out a feedback frequency across all performers is just ruining your overall sound. Why cut a particular frequency from drums when its not the drums creating feedback on that frequency?
  2. The Stagescape and Stagesource setup is a complete environment when used with L6Link. There is no need for driverack type management.
  3. Simple answer is, I guess, NO. Most of the functionality of that item will be irrelevant when used with the M20d To use aither of the two remote channels you need a simple on/off switch for each. Some of the control options allow use of a momentary type switch, others require a latching switch. I bought a BOSS FS-6 (to control both) though an FS-7 (new since I bought) will do the same job. Alternatively, two FS-5's will suffice. I rigged up a two channel multicore cable with a TRS jack at the footwsitch end, and TS jacks on the mixer end. Used the functionality... ONCE and decided not to bother lol Palmer have simple switch options too and Radial may even do something though it seems overkill to go down the Radial route for what is essentially an on/off loop.
  4. I have the Line6 carry bag for my M20d and use a K&M 42040 https://produkte.k-m.de/en/Accessories-for-stagestudio-and-home-recording/Ampmonitor-and-mixer-stands/42040-Mixer-stand-black
  5. Yes. Simplest method; Duplicate your channel on the M20d. (save your channel as a preset, then add a new channel and apply your preset to it). Playback recording with your original channel muted, you playing/jamming through the new duplicated channel The slightly more complex method is to remove the recording of your channel from the memory card, but this can sometimes result in your M20d not being able to read the memory card back in.
  6. Have to say, I've not floated around the forums for a while now but, I have a complete setup (2x L3s, 2x L3m, 2x L2m and 2x L2t) and have NEVER been underwhelmed by the bass. Indeed I've just done a weekend festival with 13 bands and not one (most were rock covers) were disappointed by the sound delivered, indeed a couple came over afterwards and commented that they'd discounted the line6 speakers and were now going to take a look more seriously. What you do have to understand though is that the system is precisely that... a system. It is all designed to work in perfect harmony with all the components in the chain, running via L6link (which I have *never* experienced a problem with except when we mistakenly used a right angle connector into an L2 in monitor mode and the connector rattled out) and driven from the M20d
  7. Simple with an apple router capable of "AirPlay" Connect the apple router to the desk as usual and add a 3/8" stereo jack to jack connector from the back of the router into the 17/18 Aux input On ipad, swipe up from bottom of screen (when your isingworship app is open) and select the airplay option, then just choose the apple router to receive the audio.
  8. Mine works fine with the new version of the app. Have used it several times since app release, though I did wait to update the iOS until the app was out!
  9. I was going to reply with much the same as said above. Get a pair of L3S before a second pair of L3T/M BUT for the sake of helping out... I have mounted a pair of K&M 20mm pole recepticles into the tops of my L3M's BUT I do not use them for mounting another speaker! I use them for a lighting pole to reduce on tripods/stands. There was a thread some time ago which included my "how to" BUT do not mount another speaker on top!!! http://line6.com/support/topic/7024-solutions-for-mounting-and-lights/
  10. L6Link is a proprietary system, so any connections form other desks needs to be analog. Run an ordinary XLR from main out L on your Midas to first L3s on Left Run an ordinary XLR from main out R on your Midas to first L3s on Left Run L6Link cable to daisy chain all the Line6 speakers via their L6Link in/outs Set Crossover frequency on L3s Alternatively, you can cable each side of the stage from its dedicated L/R output and just run the L6Link daisy chain within the 4 speakers in the stack on each side. There's a visual of the recommended setup on page 22 of the stagesource L3s manual: #http://uk.line6.com/data/6/0a06434d9ac8502007180aca2/application/pdf/StageSource%20L3%20Quick%20Start%20Guide%20-%20English%20(%20Rev%20C%20).pdf
  11. You don't say whether you are using the M20d as mixer. If you are, run the M20d to your Line6 speakers using L6Link, then use the analog L/R main outs to send to the HK's. If you're not using an M20d, then yes, in/out through should suffice.
  12. If the files appear empty, it is usually because you forgot to stop the recording before shutting the M20d down. They can be recovered, but I can't remember how off the top of my head! Try searching the forum as the topic has been discussed before.
  13. No. I assume you mean saved with a setup. But, NO, the main out level and the Monitor 1-4 main levels are not saved with a setup, and there is no way of doing so. They are however retained between power cycles, ie the levels will be retained when you switch off and switch back on again.
  14. The simple fact that your mic plugs into the keyboard first suggests it is likely your prime candidate. Probably a stoopid question, but is there a phantom power option on your k/b and is it on? If it is on, does it need to be? If it isn't needed, can it be turned off and does the issue go away? Another possibly stooped question, but does the issue seem more prevalent when you are wearing specific clothes? Just wondering if it is static and the source of the power is you! Is the behaviour exhibited if you take your k/b out of the loop, ie plug only the mic into your L3/L2. You could place an inline isolator into your mic>k/b chain and a DI box (with ground lift enabled) into the k/b>speaker chain which would physically isolate the three/four elements of your chain. Must say though that given your chain mic > k/b > speakers, it seems unlikely that the ground issue (if that is what it is) originates from the speakers.
  • Create New...