Search the Community

Francais Deutsch How do I balance the volume of my presets? A: The best way to balance your presets is to first store your cleanest/quietest preset with the channel volume at 90-95%. You can then balance the volume of your other presets against this preset by using the channel volume control and storing each sound. This is the sole purpose of the Channel/Tone Volume knob. It does not increase/decrease gain, change tone or otherwise alter the preset - just volume. Q: How do I create a sound like an artist? A: There are a number of ways to create patches to emulate a specific guitarist. Perhaps the quickest/easiest way is to find a patch in your Line 6 unit that is similar to the sound you are trying to emulate, make the modifications necessary and then rename/save the patch (see your manual for the specifics on how to save your patches). You can also find ready-made Line 6 tones in the style of particular artists at www.customtone.com, then install these tones on your Line 6 unit. We recommend doing a bit of research on the guitarist you are trying to emulate if you are interested in creating patches from scratch. Web sites such as www.guitargeek.com and www.uberproaudio.com, list the rigs of many well-known guitarists, and Guitar and recording magazines often print accurate diagrams and layouts (sometimes with the actual microphones used and distance from the cabinet).Finding the following information will help you create an artist tone from scratch: Amplifier, speaker and cabinet. Generally speaking, open-back guitar cabinets (such as a 2x12 cabinet found on many Fender and Vox amplifiers) will have less low-end response than a closed-back cabinet (such as a 4x12 closed-back cabinet used with many Marshall® and Mesa/Boogie® amplifiers) Guitar (make/model) and pickup type. Alder or Ash bodies (commonly found on many Fender® guitars) sound different than mahogany bodies with or without maple tops (commonly found on many Gibson® guitars). Single-coil pickups (often used for bright/clean tones) sound different than humbuckers (which sound darker than single-coil pickups but not as noisy when used for higher gain tones) Pedals, effects and signal-chain placement. Effects can drastically change a guitar tone so you should know what effects were used and where they were placed (between the instrument and amplifier, or after the amplifier). Microphone type and placement. If possible, find out the kind of microphone used to record the tone and its angle and distance from the speaker. All of these play a significant role in changing the sound. On top of the following good information called out below, this website is an AMAZING resource for finding out which artist plays what gear: http://www.uberproaudio.com/who-plays-what Use the following list of artist guitar rigs to help emulate some well-known guitar tones: Ace Frehley/KISS: Gibson Les Paul Custom w/ Dimarzio Super Distortion (3 pickup version) > Vox Wah > Mutron Octave divider > Echoplex > Various Marshall heads and cabinets. Adam Dutkiewicz/Killswitch Engage: Caparison PLM-3 guitars w/ EMG 85 in the Bridge > Maxon OD808 Overdrive > H&K Triamp or Mesa Triple Recto/Roadster > Maxon AD9 Delay (FX Loop) > Mesa 412 w/ Vintage 30 speakers. Adam Jones/Tool: Dunlop Wah > Ibanez Delay > Ibanez Flanger SPLIT Mesa Dual Recto, Marshall Bass Head, Diezel VH4 w/ 4 12 cabs (GG.com) Adrian Smith/ Iron Maiden Piece of Mind Tour (1983): Gibson Guitar > Cry Baby Wah > MXR Preamp > Yamaha Flanger > Yamaha Phaser > Yamaha analog delay > Marshall Mk II 100w head > Marshall 412 cabinet with EV speakers. Guitar World December 2006: Fender Strat (HB) or Gibson SG > TS9 > Digitech Whammy Pedal > Dunlop Wah > Marshall 30th Anniversary 100w (6100LM) Head > FX LOOP (PV Tubefex) > Marshall 412 w/ Celestion 75w G12-T75 Al Mckay/Earth Wind & Fire: Tele (SC) and ES-335 (HB) > Boss PS-2 > Rat distortion > CE-2 > JC120 Albert King: 1958 Gibson Flying V > Acoustic 261 head and 261 cabinet. (Guitar Xtra Nov 2007) Albert Lee: Fender Telecaster > Echoplex tape delay > Ernie Ball 410 combo. Alexi Laiho/Children of Bodom: ESP Alexi Laiho Signature guitars w/ EMG Pickups > Lee Jackson Perfect Connection GP-1000 tube preamp > RSP 2400 Hush/Enhancer/Exciter > Rocktron Intellifex > VHT Two/Fifty/Two Stereo tube poweramp > Marshall 1960B 4×12 Cab w/ G12T-75 Speakers Allan Holdsworth: Custom SB (HB) > Boogie Mk I combo for Clean into 1x12, Dual rectos for solos - FX loop: (2) PCM 41s, (2) Yamaha 1500, (2) Roland SDE-3K, (2) Delta Lab Effectrons > Mesa Dual recto 212 cabinet. (Guitar shop 1994, The Recording Guitarist by John Chappell) Alex Lifeson/Rush * 70s rig: Gibson SB (HB) volume pedal, Cry Baby, BOSS CE-1, Mistress flanger, phase shifters, tape delays, Plexi Marshall, Marshall Cabs * Moving Picture era: Gibson or Fender > Morley Volume Pedal > MXR distortion > MXR Micro Amp > Roland 301 Echo Unit > AAD Delay > Electric Mistress > Roland chorus SPLIT (2) Marshall combos and (2) Hiwatt 100 heads > (2) 4x12 cabinets and 1 Leslie cabinet (Moving Pictures tour book) Amir Derakh/Orgy: Jackson SB (HB), Boss FZ-2, Boss PH-2, Boss PS-3, Boss GE-7, Marshall JMC 2000 (FX Loop TC 2290) > Marshall 412 w/ V30s (GG.com) Andy Summers/Police: 1961 Fender Tele > MXR Dynacomp > EH Flanger > MXR delay > Maestro Echolplex > Marshall 100w head > 412 cabinet. (Guitar Edge May/June 2009) Andrew Stockdale/Wolfmother: Gibson guitar > Fulltone Clyde Deluxe Wah > Boss Metal Zone > Fulltone Supa-Trem Tremolo > Boss Tremolo > Digitech Whammy pedal > Electro Harmonix Micro Synth > Electro-Harmonix Small Stone phaser > Orange AD30 and Thunderverb 200 and PCC412 cabinets, Marshall non-master volume superleads, Vox AC30 amplifier head Angus Young/ AC/DC: Gibson SG > Marshall JTM 45 or 1969 SLP reissues, Marshall 412 cabs w/ Vintage 30s or 25w Greenbacks (December 96 Guitar Shop, May 1996 Guitar World) A Levine/Maroon 5: Gibson SB (HB) > Line 6 DL4 > Ibanez TS9 > Boss NS2 SPLIT: Fender tone master and/or Triple Recto > Marshall 312 w/ 75w Celestions (October 2005 G1) Billy Joe Armstrong/Green Day: Black Les Paul, Les Paul Junior, Fernandez Strat (w/ SD JB) > TS-9 > Ibanez Phaser > Boss Tremelo > Marshall 100w Plexi heads (w/ Dookie Mod w/ better preamp and biasing) > Marshall 412 w/ V30. Also has a CAE Preamp > Marshall power amp rig (Jan 2005 G1) Billy Duffy/The Cult: (Dreamline and Love albums): 70s Gretch Falcon > Roland JC 120 (August 2007 Guitar Edge) (Electric album): Les Paul > Cry Baby Wah > MXR Phase 100 > Boss DM2 > Boss DD3 > Marshall JCM 800(August 2007 Guitar Edge) Billy Gibbons/ZZ Top: Les Paul (HB) > 1959 Marshall Plexi through a 2x12 cab Brad Nowell/Sublime: Ibanez S-470 > Boss OS-2 > Boss DD-3 (splitter) Marshall JCM 800 combo 212 and JC-120 (GG.com) Billy Howedel/Perfect Circle: Les Paul (Tom Anderson HB) > Lexicon MPX G2 > 1978 Marshall JPM 100w Superlead (FX Loop send) > TC Fireworx > Digitech GSP 2101 > Eventide Orville > TC Electronics G Force VHT Straight cabs w. 25w Celestion Greenbacks and Vintage 30s (Guitar World July 2004) Brad Whitford/Aerosmith: Crybaby wah, Marshall guvner, Boss CD-2, Boss CE-5, Chandler Echo, Bogner Extacy head, Bogner cabinet (internet) Brett Hinds/Mastadon: Gibson V or Explorer > Monster Effect Mastortion > Tube Screamer > Boss EQ, Delay > CS-3 > Marshall JCM800 Split channel (Guitar Edge May/June 2009) Brett Mason: Strats, Teles, Les Pauls > Bassman or Showman head or AC30 combo Brian May/Queen: Custom SB w/ 3 SC > Brian May treble booster > Dunlop Cry baby > Eventide H3K > Vox AC30 w/ TB (no EQ or Cut). Eventide H3K used for stereo flanger, 800 & 1600 ms DDL w/ no repeats (Guitar shop 1994, GG.com) Brian Setzer/Stray Cats: Signature Gretsch Semi-hollow > TS9 > Roland 301 Echo unit or Echolplex > fender tremolo > 63 Fender Bassman head > 212 cabs w/ Celestion V30. Buckethead: Superstrat > Peavey Reknown > Boss ME50, Alesis Midiverb, Rocktron Intellifex, Rockman XP100 (in FX loop) > Harry Kolbe 412 cabinets (Guitar Shop May 1997) Chuck Berry: Gibson ES335 > Fender Bassman, Fender Twin, or Fender Super Reverb (GG.com) Chuck Schuldiner/Death: 1988 BC Rich Stealth w/ Dimarzio XN2 > Marshall Valvestate w/ BBE unit > Marshall 412 (Guitar School Sep 93) Claudio Sanchez/Coheed and Cambria: Gibson Explorer with EMG-81/85 pick-ups > Dunlop CryBaby Wah > Line 6 Tremolo > Bogner Uberschall and/or Mesa Triple Rectifier >Mesa 412 Recto Cab. Clean amp: Fender 65 Twin Reverb amp. Cristiano Migliore/Lacuna Coil: ESP/LTD SC-607B Stephen Carpenter 7-strings with standard EMG pickups > Dunlop Dime Crybaby from Hell > Line 6 Hd 147 heads > Mesa Boogie Cabinets C Muncey/Jet: Gibson flying V (HB) > TS-9 > SD-1 > Boss Tremelo > 50 Marshall head > Marshall 412 (March 2005 G1) Corey Beaulieu/Trivum: Jackson with EMG HB > Dunlop Wah> MXR OD > MXR Smart Gate > Peavey 6505 > Marshall 412 with Celestion 75w speakers (Guitar World Mar 2010) Dan Donegan/Disturbed: Les Paul Standard (HB) > E Ball Volume > Whammy Pedal > Boss PH-2 > Crybaby Wah > Mesa Triple Recto > Mesa 412 w/ V30s (GG.com) Dave Grohl/Foo Fighters: Gibson SB (HB) > Boss TR-2 > Ernie Ball Volume > Boss DD-2 > MXR Phase 90 > Boss BF-2 > Mesa Road King > TC G Force (in FX loop) > Mesa 412 w/ Celestion Vintage 30s (Jan 2006, Guitar One) David Gilmour/Pink Floyd: Strat w/ EMGs, Tube driver, Rat distortion, Boss CS-2, MXR comp, Boss HM-2, Boss GE7, univibe, T.C. 2290, Lexicon PCM 70, MXR rack DDL, Hiwatt head > Marshall 412 & Doppola (miced w/ u87 and SM57s) (Guitar Shop December 1996). Dave Keuning/Killers: Electro-Harmonix Big Muff Pi > banez TS-9 Tube Screamer > Boss CE-1 chorus pedal > Ibanez Analog Delay (for shorter delay) > XR Phase 100 pedals > Hiwatt Gilmour 100 head > Hiwatt 4x12 cabs Dave Murray/Iron Maiden: Piece of Mind Tour (1983): 1957 Super Strat > Cry Baby Wah > MXR 10 band EQ > Boss FET Preamp > MXR Distortion Plus > MXR Phase 90 > Yamaha Analog Delay > Marshall Mk II 50 head > > Marshall 4x12 w/ Celestion speakers Guitar World February 07: Super Strat > JMP 1 > Marshall JFX > JCM 2K (power amp) > Marshall 4x12 w/ 75w speakers Dave Mustaine/Megadeth: ESP signature Solid bodies w/ SD HBs > Rocktron Prophesy > Marshall 100/100 (EL34s) > Marshall 412 w/ V30s (May 2005 G1) Dave Navarro/Jane’s Addition, Red Hot Chili Peppers: Ibanez or PRS > Cry Baby Wah > Boss Distortion DS-1 > Boss Phaser PH2 > Boss Octave OC2 > Boss Chorus CH1 > Boss Delay DD3 > Marshall JCM900 > Marshall 412. Dean DeLeo/Stone Temple Pilots: Gibson or PRS > Dunlop Cry Baby Wah (Fassel Inducter) > Boss CE1 >> SPLIT 1) Sib! Overdrive > VOX AC30 2) Demeter Preamp > Rocktron Intelliverb > VHT Power amp > Marshall 412 cabinet w/ Celestion Vintage 30s Note – Both rigs are powered at all times (August 2009 Guitar Edge) Derek Trucks: Custom Washburn > 1964 Fender Super Reverb (July 1998 Guitar Shop) “Dimebagâ€� Darrell Abbott/Pantera: Dean guitar (HM) > Digitech WH-1 Whammy Original > Dunlop 535Q Wah Pedal > Boss PS-3 > Boss DS-2 > Boss DD-3 > Furman PQ-3 Parametric EQ > MXR Flanger/Doubler > Randall Century 200 HD > Randall 4x12 cabinet w/ Celestion vintage 30s (March 1999 Guitar Shop, GG.com, The Recording Guitarist by John Chappell) Duane Allman/Allman Brothers: 1959 Les Paul Standard > Marshall 50 watt head Edward Van Halen (70s Rig) Superstrat w/ Gibson PAF humbucker > MXR Phase 90 > MXR Flanger > Echoplex > Unicox EC-80 echo (divebomb of Eruption only) > 1966 Marshall Superlead w/Variac > Marshall 412 > (2) SM 57 mics (one on the cone, one offset) (Guitar World May 1996) (90s Rig) Wolfgang SB (HB) > Boss SD-1 > Boss OC-2 > MXR Phase 90 > Cry baby Wah > 5150 head > (FX loop H3K > (2) Roland SDE-3K > PCM-70 > Peavey 412 w/ 75w speakers (Guitar Shop, Spring 1994) Edge/U2: (early years) Explorer or Strat > Big Muff > Boss GE-7 > Boss CS-2 > Memory Man > SPX 90 > Yamaha Rev 7 > 1964 Vox AC30 (later years) Various guitars > Digitech Whammy > Dunlop Wah pedal > Lovetone Envelope Filter > Lovetone Phaser/Vibrato > Electro-Harmonix Big Muff > Ibanez TS-9 Tuber Screamer > Boss GE-7 EQ > Boss CS-2 Compressor > Boss FA-1 Preamp booster > Eventide Ultra Harmonizer > (2) Lexicon Processors > (4) TC Electronics 2290 delay units, (2) AMS delay units, (2) Korg SDD 3000 delays units > 1964 Vox AC-30 Eric Clapton: Cream era: Gibson ES-335, Firebird, or Les Paul / SG Standard > Vox 847 Wah > Dallas Arbiter Fuzz Face, Marshall Supa Fuzz, UniVox Super Fuzz, or Vox Tone Bender > Marshall JTM-45 Head > Marshall 4x12 Cabinet (Guitargeek.com, Guitar Extra, November 2007) Eric Johnson: Strat w/ Dimarzio HS-2 single coil pickups sent to A/B boxes, to split to three (3) rigs: * Rig 1: Echoplex > Chandler Tube Driver > 1966-68 100w Marshall plexi head > Marshall 412 cabinets * Rig 2: Dallas Arbiter fuzzface > MXR DDL and/or Echoplex > 1966-68 100w Marshall plexi head > Marshall 412 cabinets * Rig 3: Echoplex > TC Electronics Chorus >> (2) Fender Vibrolux Amplifiers (Guitar Shop October 1996, September 1997, The Recording Guitarist by John Chappell) Greg Tribbett/Mudvayne: Gibson Les Paul Studio > BBE 482 Noise Reduction > Morley Wah SPLIT to JC 120 & Line 6 DL4 > VHT Pitbull Ultra Lead > Mesa 412 cabinet (May 2002 G1) H Garza/Los Lonely Boys: Fender Strat (SC) > Vox Wah > Ibanez TS808 SPLIT: Marshall 2K (w/ Fender reverb unit) > Tone Tubby 412, Fender Twin w/ Jensen speakers (Holiday 2005 G1) Head/ Korn: Ibanez 7 string > DOD Metal Distortion > Boss Super Phaser > Boss Stereo Chorus > Mesa Triple recto > Marshall 412 w/ V30s (Guitar World July 97 and GG.Com) In Flames (Bjorn Gelotte/ Jesper Stromblad): Gibson Les Paul Custom with EMG 85 > Peavey 5150 amp > Line 6 Effects > 412 cab J Garvey/Hinder: Gibson Les Paul or Explorer (HB w/ drop C tuning) > Boss CE1 > Ibanez TS9 > TC Nova Delay > Mesa Dual Roadster head > Mesa 412 w/ celestion vintage 30 speakers. Gibson J-185 acoustic to DI (Feb 2009 Guitar World). J Milligan/Anberlin: Les Paul > POD XTLive > Marshall JCM 2000 > Marshall 412 w/ 75 watt speakers . Also uses Fender Tele and Alvarez 12 string (April 2009 GW) J Valentine/Maroon 5: Fender SB > EB Volume > wah > Line 6 DL4 > MXR Phase 90 > Fulltone Deja Vibe > Z Vex SD Fuzz SPLITTER: Tonemaster 100, FTR 37, RSA 23, Two Rock Custom Reverb > 112 (V30) and 212 (V30 and Alnico Bulldog) (October 2005 G1) J.D. Conrise/ The Sword: Gibson Explorer > ElectroHarmonix Metal Muff > MXR Phase 90 > Orange OR80 head > Orange 412 cab (Guitar World Holiday 2009 Jade Puget/A.F.I.: Les Paul Studio > Dunlop Rotovibe > Dunlop Dime CryBaby from Hell > Ibanez Tube Screamer pedals > TC Electronic G Major rack unit > Mesa Dual Recto or Marshall Plexi >Marshall 412 or JC120 Jack White/White Stripes: Digitech Whammy IV > MXR Micro-Amp > Electro-Harmonix Big Muff Pi > Electro-Harmonix Polyphonic Octave Generator > Boss CS3 > 1970's Fender Twin Reverb amp. James Hetfield/Metallica: ESP guitars with EMG Pickups (10-46 string) Boss SE-50, BBE > Rocktron Juice Extractor > Aphex Parametric EQ > Hush Noise Reduction > Mesa Boogie Mk IIC+ head > Marshall 412 w/ Celestion Vintage 30s, JC-120 combo for clean (May 1996 Guitar World) James Honeyman-Scott/Pretenders: Gibson or Fender guitar > Boss compressor > Boss Chorus > Boss Overdrive > Marshall 100 watt head > 412 cabinet Jason Hook/ Five Finger Death Punch: Gibson Explorer with EMG HB > Marshall JMP1 > GCX = TC G-Major, Line 6 Echo Pro, Line 6 Mod Pro > Marshall 9200 power amp > Marshall 412 with V30 speakers (Guitar World April 2010) Jeff Beck (Guitar Shop recording): Strat or Tele > (2) Fender the Twin, Fender Princeton Reverb II. (Guitar World May 1996) Stage rig: Strat or Tele > Rat distortion Pedal > Boss DD-2 > Late 60s Marshall 50w head (Guitar World May 1996) Jerry Cantrell/Alice in Chains *Guitar Shop Spring 1994: G&L Rampage w/ Duncan HB pickup & Kahler tremolo > Dunlop Crybaby wah > Bogner Fish Preamp > Rocktron Intelliverb > Mosvalve 500 power amp > Marshall 412 w/Celestion 30-watt Vintage and 25-watt Celestion Greenback speakers. Taylor G10 acoustic guitar with Fishman preamp > Trace Elliot TA100R amplifier. *November 1992 Guitar (Dirt recording): G&L Rampage w/ Duncan HB pickup & Kahler tremolo or Gibson Les Paul split to Bogner and Marshall panned the opposite direction. Jimi Hendrix: Fender Strat (SC) > Crybaby or Vox Wah > Axis Fuzz > Arbiter Fuzz Face > Univibe (w/ pedal) > Octavia > Marshall Plexi 100w > Marshall 4x12s (Guitar shop 94, The Recording Guitarist by John Chappell) Jim Root (7)/Slipknot: Warlock guitar > Marshall JPM1 > Boss FX unit > Mesa 2:90 > Carvin 400w 412 cabinet (Guitargeek.com 2001) Joan Jett & the Blackhearts: Gibson Melody Maker > Ibanez TS-9 > Mesa Boogie mark III 112 combo sent out to vox 212 cabinet (J Jett Backline Rider - 2005) Joey Ramone/Ramones: Mosrite guitar > Marshall 1959 Superlead (no master volume) > Marshall 412 w/ 25w Celestions (rockometer.com) Joe Satriani: Superstrat > Cry Baby wah > Boss DS-1 > Whammy Pedal > Fulltone Ultimate Octave > Boss CH-1 > Boss DD-2/3 > Chandler DDL (450-550 ms) > Chandler DDL (600-800ms) > Marshall 6100 (Anniversary) head with 6550 power tubes > Marshall 412 w/ V30s. (Guitar Shop Summer 94, Nov 97, GG.com, The Recording Guitarist by John Chappell) Joe Walsh/James Gang, Eagles: Fender Tele or Strat > Heil Talk Box > Vox or Crybaby Wah > Echoplex > Fender Vibrolux, Twins, and Super Reverbs, Leslie cabinets. John 5/Rob Zombie: Fender Tele with HB > Dunlop Wah > Boss CH1 > Boss SD1 > Boss NS2 > Marshall JCM900 > Marshall 412 with 75w Celestion speakers (Guitar World Jan 2010). John Christ/Danzig: BC Rich SB (HB) > VHT Pitbull Classic Head, Rocktron Intellifex > VHT Chromeface power amp > Marshall 412 cabs (Guitar Shop 1994) John Fogerty/Creedence Clearwater Revival, Solo: Gibson Les Paul Custom or ES-175 > Fender Vibrolux silver face with two 12" JBL , Fender Concert, or Kustom amp. John Frusciante/Red Hot Chili Peppers: Rig 1: 50s or 60s Fender > Boss DS-2 > Big Muff Pi > Phase 90 > Ibanez Wah > CE-1 SPLIT to Marshall Major 200w head and Marshall Silver Anniversary head > Marshall 412 cabs. (GG.com) Rig 2: 50s Gretsch Falcon > DS-1 > Fender showman head > Marshall 412 (GG.com) John Jorgenson/Hellcasters: G& L ASAT (tele style) > Ibanez TS5 > TS 808 > Boss DC 2 > Boss DD2 (125 ms) > Boss RV-2 > Matchless SC-30 (Guitar shop 1995, The Recording Guitarist by John Chappell) John Scofield: Ibanez AS200 (semihollow) > Digitech Whammy > Vox AC 30 (March 2009 Guitar Edge) John Petrucci/Dream Theater: Guitar Shop - Summer 94: Custom Ibanez SB (HB) > Mesa Triaxis > DBX 166 > TC 2290 > PCM 70 > Mesa 2:90 > Mesa Recto cabs Guitar Edge – August 2007: Signature series Music Man guitar (9-42) > Boss DS-1 > Boss TR-2 > MXR EVH Flanger > MXR EVH Phaser > Ernie Ball Volume > DBX 266 compressor > Eventide DSP700 > TC 2290 > TC M3000 Multi-effects > Mesa Mark IV (distortion) & Mesa Lone Star (Clean) > Mesa 412 Stiletto Cabinet. Johnny Winter Early rig: Fender Mustang > Fender Twin Later Rig: Gibson Firebird (HB, open D tuning for Slide) > CE-2 (rate = 10 pm, depth = 2 pm, always on) > Musicman 410 w/ Celestion Vintage 10 (all tones @ 0 except treble at 10, no reverb) (April 2005 G1) Jonny Greenwood/Radiohead: Fender Tele Plus > Marshall shred master > Boss RV-3 > Boss SD-1 > Volume to: * RIG 1: Fender Deluxe (SS) * RIG 2: Whammy pedal > Trem (home made) > DOD envelope filter > EH Small Stone > Space echo > Mutron Mutator > Vox AC-30. Jonny Lang: 1975 Fender Thinline > Ibanez 808 Tube Screamer > Hard-on Distortion pedal > Vox Wah > Fender Vibro King (May 1997 Guitar Shop) Joshua Cain/Motion City Sountrack: Les Paul Jr with P-90 > Z-Vex Super Duper > TC Vintage Dual Distortion > Morley echo/reverb > KJ Audio head > Marshall 412 with G-12 speakers (Guitar World June 2010) Kirk Hammett (Metallica): ESP Guitar (active HB) > Ernie Ball Wah pedal > Marshall JMP-1 preamp, Mesa Triaxis preamp, and Mesa Dual Rectifier preamp > Mesa Power amp > Mesa 412 cabinet (The Recording Guitarist by John Chappell) Kurt Cobain/Nirvana: Nevermind session: Fender Mustang, Jaguar or Strat with Dimarzio humbuckers > Boss DS-1 > EH Small Clone chorus > Mesa Studio 22 miked with a Shure 57, U87, 414, or 421. Also used a Vox AC 30 for clean and Rat distortion pedal. Lithium used a EH Big Muff > Fender bassman > U87 microphone. "In Utero" Live rig: Fender "Jag-stang" > Boss DS-2 > Sansamp (as distortion) > EH Poly Flange > EH Small Tone > Mesa Studio or Quad Preamp > Crest 4801 Power amp > Marshall 4x12 cabs (May 1997 Guitar Shop) Kim Thayill/Soundgarden: Guild SG w/ HB > cry baby > DOD FX 10 preamp > CE-2 > Mesa Dual Recto head > to Mesa cabs or Fender Leslie (Guitar Shop 1994) Kenny Wayne Sheppard: Late 50s/ early 60s Strats (SC, 11-58): Dunlop CB wah > TS 808 (modded) > TS9 (modded) > Octavia > L6 DM4 > L6 DL4 > Analog Man chorus > SPLIT: Blackface Twin reissue (EVL speakers), Fuchs 100 OD supreme > Fuchs 410 (v30s), Marshall 1959 SLP reissue > Marshall 412 (V30s) (July 2005 G1) Kerry King/Slayer Guitar Shop 1995: Jackson w/ EMG HB > Bogner Shark Preamp, Eventide H3K, Boss EQ, VHT Power amps (Wet), Marshall JCM 800s (6550s) (Dry) > Marshall 4x12 w/ 75w Celestions August 2005 G1: ESP guitars (EMG pickups) > Dunlop Wah > Boss RGE-10 EQ > Yamaha SPX 900 > Eventide H3K > JCM800 w/ 6550 > Marshall 412 w/ Celestion Vintage 30s Lenny Kravitz: Gibson SB (HB) > rack splitter > Boss OC-3 > Fat boost > MXR Dynacomp > MXR Phase 90 > L6 Echo Pro > L6 Mod pro > L6 Filter Pro > L6 POD pro SPLIT > (2) Fender Deluxe reverbs > 112 Greenback, (2) Marshall 50w Plexi Heads > Marshall 412 w/ 25 greenback, (2) Twin Reverbs > 212 80w G12s. (November 2005 G1) Malcolm Young/AC/DC: Gretsch Semi hollow w/ 12-56 gauge strings > 1966 Marshall 100w Plexi > Marshall 412 w/ 25w Greenbacks. (May 1996 Guitar World) Mark Morton/Lamb of God: Jackson Custom (HB) > Dunlop wah > MXR GT-OD > MXR EVH Phase 90 > DBX compressor > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge) Matt Bellamy/Muse: Manson custom guitar (HB) > Digitech WH-1 Whammy Reissue > MXR Phase 90 > Diezel VH4 > TC2990 Delay > Soldano 4x12 cabinet (various research) Matt DeVries/Chimaira: ESP (with EMG 81) > Peavey 5150II/6505 (Boss CE-20 in FX Loop) > Mesa 412 cabinet with Celestion Vintage 30 (Guitar World Holiday 2009) Michael Amott/Carcass, Arch Enemy: - Dunlop Zakk Wylde wah-wah pedal > Ibanez TS-808 Tube Screamer > MXR Phase 90 > Ibanez AD-9 Analog Delay > Roland SDE-3000 Rack Delay Unit > Peavey 5150 > Krank "Revolution" cabs (loaded with Celestion Vintage 30's) Michael Schenker: Flying V (w/ HBs) > Dunlop Wah (rack mounted) > Boss DD3 > Boss CE-5 > JCM800 50w (dist) SPLIT JCM 2k (clean) > Marshall 412 w/ 75w Celestions (June 2005 G1) Mike Campbell/Tom Petty: Cry Baby > Camel Toe overdrive > Boss EQ > Line 6 DL4 > Line 6 MM4 > Fender Reverb SPLIT TO Fender Blackface deluxe, Vox AC30, Fender Tweed Deluxe, Fender Princeton > Vox 412 speaker cabinet (Guitar Edge May/June 2009) Mike Izinger/Incubus: Semi Hollow PRS > H&K Rotosphere > (2) Boss PH-2 > DOD Gonlulator (ring modulation) > Boss RV-3 > MXR Phase 90 > DOD FX25 (envelope filter) > Boss CS-3 > DOD FX75 Flanger > Boss GE7 > OC-2 > DOD overdrive > Mesa Dual Trem-o-verbs (1 clean, 1 distorted) > mesa 212 or 412 cabs w/ V30s (Sep 2002 Guitar One, GG.com) M Padget/Bullet for My Valentine: ESP Flying Vs w/ EMG 81/85 > Slash Dumlop Wah > TS9 > TC Electronics G-Force SPLIT Mesa Triple Rectifier (Dirty) > Mesa 300w 412 cab and JC120 (Clean). Mike Schleimbaum/Darkest Hour: Washburn N4 (HB) > Tubescreamer > Digitech Whammy > MXR Phase 90 > Dunlop Wah > Line 6 DL4 > 5150 III (FX loop – Alesis Quadraverb) > 5150 cabs w/ EVH Celestion G12 (Guitar World Anniversary 2010) Munkey/ Korn: Ibanez 7 string > Digitech Whammy pedal > Univibe > EH Flanger > EH Big Muff > EH Small Stone Phase Shifter > Boss Rev/DDL > DOD FX25 Envelope Filter > Mesa Triple Recto > Marshall 4x12 w/ V30 speakers (November 1998 Guitar Shop) Neal Schon/Journey: Les Paul > Crybaby Wah > Boss DS-1 > Ibanez TS9 > Boss CS-3 > Boss NS-2 SPLIT Hiwatt Custom 100 (FX Loop - Roland DDS) > Marshall 412 w/ Greenbacks, Hot Rod Deville 410 (composite of Journey 80s rig and January 98 Guitar Shop). Noodles/Offspring: Ibanez Talman > Mesa Boogie Mark IV > Alesis Quadraverb (in FX Loop) > Mesa 4x12 cabinets (September 1997 Guitar Shop) Nuno Bettencourt/Extreme, solo: Extreme: Washburn signature series > Rat distortion > Marshall JMC 800 (Guitar Xtra Nov 2007) Solo: Washburn signature series > MXR Phase 90 >Boss OC2 > Demeter Tremlator > Marshall, H&K or Fender Head w/ Boss DD3 in FX loop > Marshall 412 cabinet (May 1997 Guitar Shop) N Cester/Jet: Gibson ES 335 (Semi hollow, HB) > Z-Vex Fuzz Factory > Hot Cake distortion > Hiwatt 50w Custom > Marshall 412 (March 2005 G1) Omar Rodrugiez-Lopez/ Mars Volta, At the Drive in: Fender and Gibsons > BOSS HR-2 harmonist > BOSS CE-3 > BOSS Phaser > Boss reverb > Orange AD140HTC guitar amplifier heads > 4x12 Orange Cabinets Otis Rush: custom strat > Mesa Mk III > Mesa 412 cab (Guitar Shop Winter 1994) Oli Herbert/All That Remains: Washburn, Gibson, Ibanez guitars > Peavey 5150 and 6105 heads > Mesa Boogie 412 cabinets (Feb 2009 Guitar Edge) Page Hamilton/Helmet: ESP SB (HB) Vox Wah > MXR Dist+ > Dyna-comp > Tech 21 double drive > Z Vex Fuzz Factory > ProCo Rat > PE COB > octave Pedal > MSC Microamp > MXR Bass octave > Whammy pedal > ADA FLanger > MXR Stereo chorus > DD6 > VHT Pitbull Head > VHT 412 w/ Eminence 50w (September 2005 G1) Pete Townshend/Who (Who's Next Album): 1957 Gretsch 2180 guitar > Edwards volume pedal > late 50s tweed Bandmaster. (Guitar World May 1996) Randy Rhoads/Osbourne, Ozzy: Les Paul > MXR Distortion plus > MXR EQ (heavy midrange emphasis)> MXR Chorus > MXR Flanger > Korg Echo unit > Cry Baby or Vox wah > Marshall 1959 Super Lead Plexi heads > Marshall 4x12 cabinets with Altec speakers. Shure 57s close-miked on cabinet, Neumann U87 20' away. Robby Krieger/Doors: Gibson SG > Maestro Fuzz-tone > Fender Twin Reverb or Acoustic 260 Robert Cray: early 60s strats & Gibson 345, (2) Fender Super Reverbs Ron Thall/Guns & Roses: Vigier and Les Paul guitars w/ Dimarzio humbucking pickups and Ernie Ball Strings> Line 6 Vetta (Feb 2009 Guitar Edge). Scott Ian/Anthrax: Jackson guitar w. EMG Humbuckers > TC Distortion > JCM 800 > Marshall cabs. Slash: Les Paul (HB) > EMB Remote Wah > Marshall 25th Anniversary series head > Marshall 412 w/ Celestion Vintage 30s (Guitar Shop 1995, June 1996) Sonny Landreth: Strat (SC) > MXR Dynacomp >> Split to 1954 Fender Deluxe and Demeter TGA-3 > Demeter silent Speaker chamber with a Celestion Vintage 30 and Shure SM-57 (The Recording Guitarist by John Chappell) Son Seals: Gibson ES-335 > mid 60s Fender Super reverb (Guitar Shop 95) Steve Jones/Sex Pistols: Les Paul > Fender silverface Twin w/ Gause Speakers (May 1996 Guitar World) Steve Miller: Fender Strat > Fender Bassman (w/ SM 57)http://www.guitarplayer.com/story.aspx?id=23214&terms=steve+miller Stevie Ray Vaughan: Fender Strat (Rosewood fretboard) > Vox Wah > Diaz Square fuzz or TS808 > Tychobrahe Octavia > Boss Chorus > Split to: Leslie Speaker cabinet, Fender Vibroverb (2x10), Fender Super Reverb (4x10), Fender Bassman head with 2x12 cabinet, Marshall head (6550 power tubes) > Marshall 4x12 cab with EVM speakers ( The Recording Guitarist by John Chappell) Steve Stevens/Billy Idol: Hamer SB (HB) > crybaby wah > Rat dist > MXR Phase 90 > Boss CS-2 > 1969 Marshall head > Lexicon PCM 41 & 70, Yamaha XPS 90, Eventide 969 in looping system > Marshall 412 w/ 25w speakers. (July 87 Guitar World) Steve Vai * Guitar Shop 1994: Ibanez SB (HB) > Boss SD-1 > Cry baby wah > Whammy Pedal > JCM 8/900 > Roland SDE 3K > Eventide H3K > Marshall 412 w/ Celestion Vintage 30. * Guitar Shop 1995: Ibanez SB (HB) > Boss DS-2 > Cry baby wah > Whammy Pedal > Laney and Bogner Extacy > Roland SDE 3K > Eventide H3K & H4K > Marshall 412 w/ Celestion Vintage 30s * December 2005 G1: Ibanez SB (HB) > Morley Volume > Digitech whammy > Boss DS1 > Ibanez TS9 > MXR Phase 90 & Phase 100 > Carvin Legacy HD (loop w/ Eventide Harmonizer & TC G Force) > Carvin 412 w/ Celestion Vintage 30s. Stone Gossard/ Pearl Jam: * Rig 1: Les Paul > TS-9 > mid 70s Twin reverb (EV 75w speakers) * Rig 2: Les Paul > TS-9 > Matchless HC30 head > Marshall 412 w/ 25w speakers * Rig 3: Les Paul > TS-9 > 1968 Marshall Plexi Super bass > Marshall 412 w/ 25w speakers (Guitar Shop 1994) Tom Delong/Blink 182: Superstrat SPLIT to Marshall JCM 900 (clean) and Mesa Triple Recto (distortion) > Mesa 412 cab (GG.com) Tom Dumont/No Doubt: Hamer Explorer style guitar w/ humbucking or SC pickups (10-45 gauge) > Crybaby wah > MXR Microamp (boost for solos) > Dunlop tremolo > Univibe Split Fender Tone Master > 4x12 Tone Master Cab AND Mesa Dual Recto > 4x12 Tonemaster cab. Acoustic Guitars: Guild D25, Takamine NP65C nylon string. Tony Iommi/Black Sabbath: SG with humbuckers > Tychobrahe ParaPedal Wah > Ranger Master Treble booster > Laney 100Watt Supergroup Head > Laney 412 cabinet (Guitar World May 1996, Guitargeek.com) Tom Morello: RATM/Audioslave: Superstrat w/ EMG humbuckers> crybaby wah > Whammy Pedal > Boss DD3 > DOD EQ > Ibanez digital Flanger > Marshall JCM 2205 50w > Peavey 412 Cab (November 97 Guitar Shop) Tom Petty: Tele or Rickenbacker (SC)> Vox Wah > Red Llama OD > Ibanez TS-9 > Boss CE-2 > Boss RV-3 SPLIT TO: Fender Bassman and Vox AC 30 (GG.com) Tom Scholz/Boston: 1968 Gibson Deluxe Gold top Les Paul with Dimarzio Super Humbucker pickups > EQ > Cry baby wah > Maestro Echoplex > 100-watt Marshall head > Marshall 412 (EMT Gold Plate reverb used on mixing). Trevor Rabin/Yes (90215 Era): Fender strat (HB) > Boss DS-1 > Boss Chorus > Ampeg VT 120 (Guitar Edge November 2009) Warren Hayes/Allman Brothers: Fender Strat w/ Lace pickups, PRS (Humbuckers), Les Paul Standard w/ Pearly Gates Pickups > Soldano SLO 100 (FX loop – Alesis Quadraverb) > 412 cab w/ EV 16 ohm speakers. Amp settings: normal gain: 1 pm, Overdrive gain: 9:30, treble 2 pm, mid 11 pm, bass 2 pm, normal output: max, overdrive master: max, presence: almost maxed. 425 MS ddl, hall reverb 1.8s to 2.4 second @ ~ 50%. (Guitar Shop Spring 94) Wayne Lozinak/Hatebreed: Jackson with EMG HB > Dunlop Wah > Boss SD1 > Boss DD3 > Boss NS2 > Marshall JCM2000 > Marshall 412 with 75w Celestion speakers (Guitar World Feb 2010) Wes Borland/Limp Bizkit: Ibanez 7 string > noise Gate > MXR Bluebox > Mutron III > Morley Volume/wah > MXR Phase 90 > Boss reverb/delay > Fulltone Deja Vibe > DOD Buzz Box > Mesa Dual Recto > Mesa 4x12 cabinet (September 1998 Guitar Shop) Willie Adler/ Lamb of God: ESP Custom w/Seymour Duncan (HB) > DBX compressor > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge) Yngwie Malmsteen: Strat w/ HM3 pickups > BF-2 Flanger > Marshall JMP 50w MK II heads > (2) KORG DDL (DDL and Chorus) > Roland SDE 3K > Marshall 412 w/ 25w speakers. (GG.com, Guitar Shop Winter 95) Zach Myers/Shinedown: PRS signature with HB > whammy pedal > Dunlop Wah > Univibe > Boss DC-2 > Digitech Hyperphase > TS9 > CS-3 > DL4 > Micro POG split to three heads >>>Fender bassman (Clean) Diamond Spitfire (Dirty) Diezel Herbert (dirty) > Engl 212 cabinet (Guitar World Dec 2010) Zack Blair/Rise Against: Gibson with HB > MXR Phase 90 > Marshall JCM900 AND Mesa Dual Recto > Mesa 412 with Celestion V30s (Guitar Edge Nov 2010) Zakk Wylde/Ozzy Osbourne, Black Label Society: - Les Paul w/ EMG HB > Dunlop Rotovibe > Crybaby > Boss SD-1 > Boss CH-1 > Marshall JCM 800 > Marshall 412 w/ 75w speakers. (Guitar Shop 94, GG.com) Zoltan Bathory/5 Finger Death Punch: BC Rich Assassin (HB) > Diamond Nitrox HD > Digitech GSP1101 (FX loop) > Diamond 412 cab w/ V30s (March 2009 GW) Création et ajustement des sons Comment est-ce que j'ajuste le volume de mes presets? Veuillez enregistrez votre preset le plus propre et calme premièrement pendant que Channel Volume est sur 90 à 95%. Maintenant, vous pouvez égaler les autres presets avec ce preset en utilisant l'option Channel Volume. Enregistrez chaque son. Ceci est la seul fonction du bouton Channel/Tone. Cette réglage n'augmente ni réduite le Gain, change des sons ou presets, elle uniquement règle le volume. Comment est-ce que je peux créer un son comme un artiste? Il existe plusieurs chemins pour créer des Patchs afin de copier guitaristes. Le chemin le probablement plus facile et rapide est de trouver un Patch sur votre appareil Line 6 qui est similaire, ajustez et enregistrez le. (Consultez le mode d'emploi de votre appareil pour voir comment vous pouvez enregistrer et ajuster des Patchs.) Vous pouvez trouver des sons finis Line 6 de certains artistes sur www.customtone.com également. Simplement installez le modèle téléchargé sur votre appareil. Nous recommandons une recherche sur le guitariste dont vous êtes intéressé, si vous voulez créer un nouveau modèle. Les sites web comme www.guitargeek.com et www.uberproaudio.com ont des listes des Rigs des différents guitaristes. En outre, les magazines de guitare et enregistrement souvent impriment des diagrammes et des schémas détaillés, que vous pouvez utiliser également. (Parfois avec des microphones et ces distances jusqu'aux haut-parleurs.) Les informations suivantes peuvent vous aider à créer un complètement nouveau modèle: Amplis, haut-parleurs et baffles. Généralement, ce sont les amplis d'arrière ouvert (par exemple: les baffles 2x12 comme la plupart des amplis Fender® et Vox®.) qui ont une plus petite bande de fréquence basse que les amplis d'arrière fermé. (par exemple: les baffles 4x12 comme la plupart des amplis Marshall® et Mesa/Boogie®.) Type de guitare (fabricant et modèle) et micro de guitare. Corps de frêne ou aulne (souvent avec les guitares Fender®) sonnent différent que les corps acajou avec ou sans haut d'érable (souvent avec les guitares Gibson®). Les micros single coil, comme utilisé avec les sons clairs et lumineux sonnent différent que les micros humbucker, qui sonnent plus sombres que les micros single coil mais pas si bruyant aux sons avec un Gain très fort. Pédales, effets et la position dans la chaîne des signaux. Attention, les effets peuvent changer le son de guitare radicalement donc vous devez savoir lesquels effets vous souhaitez d'utiliser et ou vous les voulez placer. (Entre ampli et instrument ou après l'ampli.) Type et placement du micro. Si possible, vous devriez essayer de trouver quel microphone était utilisé pour l'enregistrement et l'angle dans lequel il a été placé. Tout cela joue un rôle majeur dans le changement du son. En plus de l'information ci-dessus, vous pouvez voir l'équipement de nombreux artistes sur le site web suivant: http://www.uberproaudio.com/who-plays-what Utilisez la liste suivante des Rigs-guitares pour copier des artistes: Ace Frehley/KISS: Gibson Les Paul Custom avec Dimarzio Super Distorsion (3 Pickups Version) > Vox Wah > Mutron Octave divider > Echoplex > Divers têtes d'ampli et baffles Marshall. Adam Dutkiewicz/Killswitch Engage: Guitares Caparison PLM-3 avec EMG 85 dans le pont> Maxon OD808 Overdrive > H&K Triamp ou Mesa Triple Recto/Roadster > Maxon AD9 Delay (FX Loop) > Mesa 412 avec haut-paleur Vintage 30. Adam Jones/Tool: Dunlop Wah > Ibanez Delay > Ibanez Flanger SPLIT Mesa Dual Recto, Marshall Bass Head, Diezel VH4 avec haut-parleurs 4x12 (GG.com). Adrian Smith/ Iron Maiden *Piece of Mind Tour (1983): Guitare Gibson > Cry Baby Wah > préampli MXR> Yamaha Flanger > Yamaha Phaser > Yamaha Delay analogue > tête d'ampli Marshall Mk II 100w> baffle Marshall 412 avec haut-parleurs EV. *Guitar World December 2006: Fender Strat (HB) ou Gibson SG > TS9 > Digitech Whammy pédale > Dunlop Wah > Marshall 30th Anniversary 100w (6100LM) Topteil > FX LOOP (PV Tubefex) > Marshall 412 avec Celestion 75w G12-T75 Al Mckay/Earth Wind & Fire: Tele (SC) et ES-335 (HB) > Boss PS-2 > Rat Distorsion > CE-2 > JC120 Albert King: 1958 Gibson Flying V > tête d'ampli Acoustic 261 et baffle 261. (Guitar Xtra Nov 2007) Albert Lee: Fender Telecaster > Echoplex Tape Delay > Ernie Ball 410 Combo. Alexi Laiho/Children of Bodom: Guitares ESP Alexi Laiho Signature avec micros EMG > préampli de tube Lee Jackson Perfect Connection GP-1000 > RSP 2400 Hush/Enhancer/Exciter > Rocktron Intellifex > ampli de puissance tube VHT Two/Fifty/Two Stereo > baffle Marshall 1960B 4×12 avec haut-parleurs G12T-75. Allan Holdsworth: Custom SB (HB) > Boogie Mk I Combo avec 1x12, Dual Rectos pour les Solos - FX loop: (2) PCM 41s, (2) Yamaha 1500, (2) Roland SDE-3K, (2) Delta Lab Effectrons > baffle Mesa Dual Recto 212. (Guitar shop 1994, The Recording Guitarist by John Chappell) Alex Lifeson/Rush *70s rig: Pédale de volume Gibson SB (HB), Cry Baby, BOSS CE-1, Mistress flanger, phase shifters, tape delays, Plexi Marshall, baffles Marshall. *Moving Picture era: Gibson ou Fender > Pédale de volume Morley > MXR Distorsion > MXR Micro Amp > Roland 301 Echo Unit > AAD Delay > Electric Mistress > Roland chorus SPLIT (2) Marshall Combos et (2) têtes d'ampli Hiwatt 100 > (2) baffles 4x12 et 1 baffle Leslie (Moving Pictures tour book) Amir Derakh/Orgy: Jackson SB (HB), Boss FZ-2, Boss PH-2, Boss PS-3, Boss GE-7, Marshall JMC 2000 (FX Loop TC 2290) > Marshall 412 avecV30s (GG.com) Andy Summers/Police: 1961 Fender Tele > MXR Dynacomp > EH Flanger > MXR delay > Maestro Echolplex > tête d'ampli Marshall 100w> baffle 412. (Guitar Edge May/June 2009) Andrew Stockdale/Wolfmother: Guitare Gibson > Fulltone Clyde Deluxe Wah > Boss Metal Zone > Fulltone Supa-Trem Tremolo > Boss Tremolo > Digitech Whammy Pédale > Electro Harmonix Micro Synth > Electro-Harmonix Small Stone phaser > Orange AD30 et Thunderverb 200 et baffles PCC412, Marshall Superleads sans Master Volume, tête d'ampli Vox AC30. Angus Young/ AC/DC: Gibson SG > Marshall JTM 45 ou 1969 SLP reissues, beffles Marshall 412 avec Vintage 30s ou 25w Greenbacks (December 96 Guitar Shop, May 1996 Guitar World) A Levine/Maroon 5: Gibson SB (HB) > Line 6 DL4 > Ibanez TS9 > Boss NS2 SPLIT: Fender tone master et/ou Triple Recto > Marshall 312 avec 75w Celestions (October 2005 G1) Billy Joe Armstrong/Green Day: Black Les Paul, Les Paul Junior, Fernandez Strat (avec SD JB) > TS-9 > Ibanez Phaser > Boss Tremelo > têtes d'ampli Marshall 100w Plexi (avec Dookie Mod et préampli et biasing augementé) > Marshall 412 avec V30. A aussi un préampli CAE > Marshall Rig d'ampli de puissance (Jan 2005 G1) Billy Duffy/The Cult: (albums Dreamline et Love): 70s Gretch Falcon > Roland JC 120 (August 2007 Guitar Edge) (album Electric): Les Paul > Cry Baby Wah > MXR Phase 100 > Boss DM2 > Boss DD3 > Marshall JCM 800 (August 2007 Guitar Edge) Billy Gibbons/ZZ Top: Les Paul (HB) > 1959 Marshall Plexi à travers d'une baffle 2x12. Brad Nowell/Sublime: Ibanez S-470 > Boss OS-2 > Boss DD-3 (splitter) Marshall JCM 800 combo 212 et JC-120 (GG.com) Billy Howedel/Perfect Circle: Les Paul (Tom Anderson HB) > Lexicon MPX G2 > 1978 Marshall JPM 100w Superlead (FX Loop send) > TC Fireworx > Digitech GSP 2101 > Eventide Orville > TC Electronics G Force baffles VHT Straight avec 25w Celestion Greenbacks et Vintage 30s (Guitar World July 2004) Brad Whitford/Aerosmith: Crybaby wah, Marshall guvner, Boss CD-2, Boss CE-5, Chandler Echo, tête d'ampli Bogner Extacy, baffle Bogner (internet) Brett Hinds/Mastadon: Gibson V ou Explorer > Monster Effect Mastortion > Tube Screamer > Boss EQ, Delay > CS-3 > Marshall JCM800 Split channel (Guitar Edge May/June 2009) Brett Mason: Strats, Teles, Les Pauls > Bassman ou tête d'ampli Showman ou AC30 Combo. Brian May/Queen: Custom SB avec 3 SC > Brian May treble booster > Dunlop Cry baby > Eventide H3K > Vox AC30 avec TB (no EQ or Cut). Eventide H3K pour stereo flanger, 800 & 1600 ms DDL sans repeats (Guitar shop 1994, GG.com) Brian Setzer/Stray Cats: Signature Gretsch Semi-hollow > TS9 > unité Roland 301 Echo ou Echolplex > Fender Tremolo > tête d'ampli 63 Fender Bassman > baffles 212 avec Celestion V30. Buckethead: Superstrat > Peavey Reknown > Boss ME50, Alesis Midiverb, Rocktron Intellifex, Rockman XP100 (in FX loop) > baffles Harry Kolbe 412 (Guitar Shop May 1997) Chuck Berry: Gibson ES335 > Fender Bassman, Fender Twin ou Fender Super Reverb (GG.com) Chuck Schuldiner/Death: 1988 BC Rich Stealth avec Dimarzio XN2 > Marshall Valvestate avec unité BBE> Marshall 412 (Guitar School Sep 93) Claudio Sanchez/Coheed and Cambria: Gibson Explorer avec micros EMG-81/85 > Dunlop CryBaby Wah > Line 6 Tremolo > Bogner Uberschall et/ou Mesa Triple Rectifier >Mesa 412 Recto Cab. Ampli Clean: Ampli Fender 65 Twin Reverb. Cristiano Migliore/Lacuna Coil: ESP/LTD SC-607B Stephen Carpenter 7-strings avec micros standart EMG> Dunlop Dime Crybaby from Hell > tête d'ampli Line 6 Hd 147> baffles Mesa Boogie. C Muncey/Jet: Gibson flying V (HB) > TS-9 > SD-1 > Boss Tremelo > tête d'ampli 50 Marshall> Marshall 412 (March 2005 G1). Corey Beaulieu/Trivum: Jackson avec EMG HB > Dunlop Wah> MXR OD > MXR Smart Gate > Peavey 6505 > Marshall 412 avec haut-parleurs Celestion 75w (Guitar World Mar 2010). Dan Donegan/Disturbed: Les Paul Standard (HB) > E Ball Volume > Whammy Pédale > Boss PH-2 > Crybaby Wah > Mesa Triple Recto > Mesa 412 avec V30s (GG.com). Dave Grohl/Foo Fighters: Gibson SB (HB) > Boss TR-2 > Ernie Ball Volume > Boss DD-2 > MXR Phase 90 > Boss BF-2 > Mesa Road King > TC G Force (in FX loop) > Mesa 412 avec Celestion Vintage 30s (Jan 2006, Guitar One) David Gilmour/Pink Floyd: Strat avec EMGs, Tube driver, Rat Distorsion, Boss CS-2, MXR comp, Boss HM-2, Boss GE7, univibe, T.C. 2290, Lexicon PCM 70, MXR rack DDL, tête d'ampli Hiwatt> Marshall 412 & Doppola (mélange avec u87 et SM57s) (Guitar Shop December 1996). Dave Keuning/Killers: Electro-Harmonix Big Muff Pi > Ibanez TS-9 Tube Screamer > Boss CE-1 pédale chorus > Ibanez Analog Delay (pour delay réduit) > XR Phase 100 Pédale > tête d'ampli Hiwatt Gilmour 100> baffles Hiwatt 4x12 Dave Murray/Iron Maiden: Piece of Mind Tour (1983): 1957 Super Strat > Cry Baby Wah > MXR 10 band EQ > préampli Boss FET> MXR Distorsion Plus > MXR Phase 90 > Yamaha Analog Delay > tête d'ampli Marshall Mk II 50> > Marshall 4x12 avec haut-parleurs Celestion. Guitar World February 07: Super Strat > JMP 1 > Marshall JFX > JCM 2K (ampli de puissance) > Marshall 4x12 avec haut-parleurs 75w. Dave Mustaine/Megadeth: ESP signature Solid bodies avec SD HBs > Rocktron Prophesy > Marshall 100/100 (EL34s) > Marshall 412 avec V30s (May 2005 G1) Dave Navarro/Jane’s Addition, Red Hot Chili Peppers: Ibanez ou PRS > Cry Baby Wah > Boss Distorsion DS-1 > Boss Phaser PH2 > Boss Octave OC2 > Boss Chorus CH1 > Boss Delay DD3 > Marshall JCM900 > Marshall 412. Dean DeLeo/Stone Temple Pilots: Gibson ou PRS > Dunlop Cry Baby Wah (Fassel Inducter) > Boss CE1 >> SPLIT 1) Sib! Overdrive > VOX AC30 2) Demeter Vorverstärker > Rocktron Intelliverb > VHT Endstufe > Marshall 412 Box avec Celestion Vintage 30s Attention, les deux rigs doivent toujours être allumés. (August 2009 Guitar Edge) Derek Trucks: Custom Washburn > 1964 Fender Super Reverb (July 1998 Guitar Shop) “Dimebagâ€� Darrell Abbott/Pantera: Guitare Dean (HM) > Digitech WH-1 Whammy Original > Dunlop 535Q Wah Pédale > Boss PS-3 > Boss DS-2 > Boss DD-3 > Furman PQ-3 Parametric EQ > MXR Flanger/Doubler > Randall Century 200 HD > Randall 4x12 Box avec Celestion vintage 30s (March 1999 Guitar Shop, GG.com, The Recording Guitarist by John Chappell) Duane Allman/Allman Brothers: 1959 Les Paul Standard > tête d'ampli Marshall 50 watt Edward Van Halen: (70s Rig) Superstrat avec Gibson PAF micro humbucker > MXR Phase 90 > MXR Flanger > Echoplex > Unicox EC-80 echo (seulement divebomb of Eruption) > 1966 Marshall Superlead avec Variac > Marshall 412 > (2) microphones SM 57 (un à la bobine et un à l'extérieur) (Guitar World May 1996) (90s Rig) Wolfgang SB (HB) > Boss SD-1 > Boss OC-2 > MXR Phase 90 > Cry baby Wah > tête d'ampli 5150 > (FX loop H3K > (2) Roland SDE-3K > PCM-70 > Peavey 412 avec haut-parleurs 75w (Guitar Shop, Spring 1994) Edge/U2: (les années précédentes) Explorer ou Strat > Big Muff > Boss GE-7 > Boss CS-2 > Memory Man > SPX 90 > Yamaha Rev 7 > 1964 Vox AC30 (plus tard) Divers guitares > Digitech Whammy > Dunlop Wah Pédale > Lovetone Envelope Filter > Lovetone Phaser/Vibrato > Electro-Harmonix Big Muff > Ibanez TS-9 Tuber Screamer > Boss GE-7 EQ > Boss CS-2 Compressor > Boss FA-1 Preamp booster > Eventide Ultra Harmonizer > (2) Lexicon Processors > (4) unités TC Electronics 2290 Delay, (2) unités AMS Delay, (2) unités Korg SDD 3000 Delay > 1964 Vox AC-30 Eric Clapton: Cream era: Gibson ES-335, Firebird, ou Les Paul / SG Standard > Vox 847 Wah > Dallas Arbiter Fuzz Face, Marshall Supa Fuzz, UniVox Super Fuzz, ou Vox Tone Bender > tête d'ampli Marshall JTM-45> baffle Marshall 4x12 (Guitargeek.com, Guitar Extra, November 2007) Eric Johnson: Strat avec micros single coil Dimarzio HS-2 qui envoyent aux baffles A/B, pour partager aux 3 rigs: * Rig 1: Echoplex > Chandler Tube Driver > tête d'ampli 1966-68 100w Marshall plexi> baffles Marshall 412 * Rig 2: Dallas Arbiter fuzzface > MXR DDL et/ou Echoplex > tête d'ampli 1966-68 100w Marshall plexi> baffles Marshall 412 Rig 3: Echoplex > TC Electronics Chorus >> (2) amplis Fender Vibrolux (Guitar Shop October 1996, September 1997, The Recording Guitarist by John Chappell) Greg Tribbett/Mudvayne: Gibson Les Paul Studio > BBE 482 Noise Reduction > Morley Wah partagent à JC 120 et Line 6 DL4 > VHT Pitbull Ultra Lead > Mesa 412 Box (May 2002 G1) H Garza/Los Lonely Boys: Fender Strat (SC) > Vox Wah > Ibanez TS808 SPLIT: Marshall 2K (avec unite Fender reverb) > Tone Tubby 412, Fender Twin avec haut-parleurs Jensen (Holiday 2005 G1) Head/ Korn: Ibanez 7 String > DOD Metal Distorsion > Boss Super Phaser > Boss Stereo Chorus > Mesa Triple recto > Marshall 412 avec V30s (Guitar World July 97 und GG.Com) In Flames (Björn Gelotte/ Jesper Strömblad): Gibson Les Paul Custom avec EMG 85 > ampli Peavey 5150 > effets Line 6> baffle 412 J Garvey/Hinder: Gibson Les Paul ou Explorer (HB avec drop C tuning) > Boss CE1 > Ibanez TS9 > TC Nova Delay > tête d'ampli Mesa Dual Roadster > Mesa 412 avec haut-parleurs Celestion vintage 30. Gibson J-185 acoustic DI (Feb 2009 Guitar World). J Milligan/Anberlin: Les Paul > POD XTLive > Marshall JCM 2000 > Marshall 412 avec haut-parleurs 75 watt. Également utilise Tele et Alvarez 12 string (April 2009 GW) J Valentine/Maroon 5: Fender SB > EB Volume > wah > Line 6 DL4 > MXR Phase 90 > Fulltone Deja Vibe > Z Vex SD Fuzz SPLITTER: Tonemaster 100, FTR 37, RSA 23, Two Rock Custom Reverb > 112 (V30) et 212 (V30 et Alnico Bulldog) (October 2005 G1) J.D. Conrise/ The Sword: Gibson Explorer > ElectroHarmonix Metal Muff > MXR Phase 90 > tête d'ampli Orange OR80> baffle Orange 412 (Guitar World Holiday 2009) Jade Puget/A.F.I.: Les Paul Studio > Dunlop Rotovibe > Dunlop Dime CryBaby from Hell > Ibanez Tube Screamer pédales > unités TC Electronic G Major rack > Mesa Dual Recto ou Marshall Plexi >Marshall 412 ou JC120 Jack White/White Stripes: Digitech Whammy IV > MXR Micro-Amp > Electro-Harmonix Big Muff Pi > Electro-Harmonix Polyphonic Octave Generator > Boss CS3 > ampli 1970's Fender Twin Reverb. James Hetfield/Metallica: guitares ESP avec micros EMG (10-46 string) Boss SE-50, BBE > Rocktron Juice Extractor > Aphex Parametric EQ > Hush Noise Reduction > Mesa Boogie Mk IIC+ tête d'ampl > Marshall 412 avec Celestion Vintage 30s, JC-120 Combo (May 1996 Guitar World) James Honeyman-Scott/Pretenders: guitar Gibson ou Fender > Boss compressor > Boss Chorus > Boss Overdrive > tête d'ampli Marshall 100 watt > 412 Box Jason Hook/ Five Finger Death Punch: Gibson Explorer avec EMG HB > Marshall JMP1 > GCX = TC G-Major, Line 6 Echo Pro, Line 6 Mod Pro > ampli de puissance Marshall 9200> Marshall 412 avec haut-parleurs V30 (Guitar World April 2010) Jeff Beck (Guitar Shop enregistrement): Strat ou Tele > (2) Fender “the Twinâ€�, Fender Princeton Reverb II. (Guitar World May 1996) Rig de stage: Strat ou Tele > Rat distorsion Pédale > Boss DD-2 > tête d'ampli Late 60s Marshall 50w (Guitar World May 1996) Jerry Cantrell/Alice in Chains *Guitar Shop Spring 1994: G&L Rampage avec micro Duncan HB et Kahler Tremolo > Dunlop Crybaby wah > préampli Bogner Fish > Rocktron Intelliverb > ampli de puissance Mosvalve 500> Marshall 412 avec Celestion 30-watt Vintage et haut-parleurs 25-watt Celestion Greenback. Guitare acoustique Taylor G10 avec préampli Fishman > ampli Trace Elliot TA100R. *November 1992 Guitar (Dirt recording): G&L Rampage avec micro Duncan HB et Kahler Tremolo ou Gibson Les Paul partagant à Bogner et Marshall, qui sont tournés dans l'autre direction. Jimi Hendrix: Fender Strat (SC) > Crybaby ou Vox Wah > Axis Fuzz > Arbiter Fuzz Face > Univibe (avec pédale) > Octavia > Marshall Plexi 100w > Marshall 4x12 (Guitar shop 94, The Recording Guitarist by John Chappell) Jim Root (7)/Slipknot: guitare Warlock > Marshall JPM1 > unité Boss FX > Mesa 2:90 > baffle Carvin 400w 412 (Guitargeek.com – 2001) Joan Jett & the Blackhearts: Gibson Melody Maker > Ibanez TS-9 > Mesa Boogie mark III 112 combo qui envoy à une baffle Vox 212 (J Jett Backline Rider - 2005) Joey Ramone/Ramones: guitare Mosrite > Marshall 1959 Superlead (sans Master Volume) > Marshall 412 avec 25w Celestions (rockometer.com) Joe Satriani: Superstrat > Cry Baby wah > Boss DS-1 > Whammy Pédale > Fulltone Ultimate Octave > Boss CH-1 > Boss DD-2/3 > Chandler DDL (450-550 ms) > Chandler DDL (600-800ms) > tête d'ampli Marshall 6100 (Anniversary) avec tube 6550> Marshall 412 avec V30s. (Guitar Shop Summer 94, Nov 97, GG.com, The Recording Guitarist by John Chappell) Joe Walsh/James Gang, Eagles: Fender Tele ou Strat > baffle Heil Talk > Vox ou Crybaby Wah > Echoplex > Fender Vibrolux, Twins, et Super Reverbs, baffles Leslie. John 5/Rob Zombie: Fender Tele avec HB > Dunlop Wah > Boss CH1 > Boss SD1 > Boss NS2 > Marshall JCM900 > Marshall 412 avec haut-parleurs 75w Celestion (Guitar World Jan 2010). John Christ/Danzig: BC Rich SB (HB) > VHT Pitbull Classic Topteil, Rocktron Intellifex > VHT Chromeface Endstufe > baffles Marshall 412 (Guitar Shop 1994) John Fogerty/Creedence Clearwater Revival, Solo: Gibson Les Paul Custom ou ES-175 > Fender Vibrolux silver face avec deux 12" JBL , Fender Concert, ou ampli Kustom. John Frusciante/Red Hot Chili Peppers: *Rig 1: 50s or 60s Fender > Boss DS-2 > Big Muff Pi > Phase 90 > Ibanez Wah > CE-1 SPLIT après tête d'ampli Marshall Major 200w et tête d'ampli Marshall Silver Anniversary > baffles Marshall 412. (GG.com) *Rig 2: 50s Gretsch Falcon > DS-1 > tête d'ampli Fender showman > Marshall 412 (GG.com) John Jorgenson/Hellcasters: G& L ASAT (tele style) > Ibanez TS5 > TS 808 > Boss DC 2 > Boss DD2 (125 ms) > Boss RV-2 > Matchless SC-30 (Guitar shop 1995, The Recording Guitarist by John Chappell) John Scofield: Ibanez AS200 (semi-creuse) > Digitech Whammy > Vox AC 30 (March 2009 Guitar Edge) John Petrucci/Dream Theater: *Guitar Shop - Summer 94: Custom Ibanez SB (HB) > Mesa Triaxis > DBX 166 > TC 2290 > PCM 70 > Mesa 2:90 > baffles Mesa Recto *Guitar Edge – August 2007: guitare Signature Music Man (9-42) > Boss DS-1 > Boss TR-2 > MXR EVH Flanger > MXR EVH Phaser > Ernie Ball Volume > DBX 266 compresseur > Eventide DSP700 > TC 2290 > TC M3000 Multi-effects > Mesa Mark IV (distorsion) & Mesa Lone Star (Clean) > Mesa 412 Stiletto Box. Johnny Winter Rig plus tôt: Fender Mustang > Fender Twin Rig plus tard: Gibson Firebird (HB, open D tuning pour Slide) > CE-2 (rate = 10 pm, depth = 2 pm, toujours allumé) > Musicman 410 avec Celestion Vintage 10 (tous les sons à 0 mais Treble à 10, pas de reverb) (April 2005 G1) Jonny Greenwood/Radiohead: Fender Tele Plus > Marshall shred master > Boss RV-3 > Boss SD-1 > vers: * RIG 1: Fender Deluxe (SS) * RIG 2: Whammy Pédale > Trem > DOD Envelope Filter > EH Small Stone > Space echo > Mutron Mutator > Vox AC-30. Jonny Lang: 1975 Fender Thinline > Ibanez 808 Tube Screamer > pédale Hard-on Distorsion > Vox Wah > Fender Vibro King (May 1997 Guitar Shop) Joshua Cain/Motion City Sountrack: Les Paul Jr avec P-90 > Z-Vex Super Duper > TC Vintage Dual Distorsion > Morley echo/reverb > tête d'ampli KJ Audio> Marshall 412 avec haut-parleurs G-12 (Guitar World June 2010) Kirk Hammett (Metallica): ESP Guitar (active HB) > pédale Ernie Ball Wah > préampli Marshall JMP-1, préampli Mesa Triaxis et préampli Mesa Dual Rectifier > ampli de puissance Mesa > baffles Mesa 412 (The Recording Guitarist by John Chappell) Kurt Cobain/Nirvana: *Nevermind session: Fender Mustang, Jaguar ou Strat avec Dimarzio micros humbucker > Boss DS-1 > EH Small Clone Chor > Mesa Studio 22 mélangé avec Shure 57, U87, 414, ou 421. Utilisez également Vox AC 30 pour Clean et Rat Distorsion Pédale. Lithium utilise un EH Big Muff > Fender bassman > microphone U87. *"In Utero" Live rig: Fender "Jag-stang" > Boss DS-2 > Sansamp (comme distorsion) > EH Poly Flange > EH Small Tone > Mesa Studio ou préampli Quad > ampli de puissance Crest 4801> baffles Marshall 4x12 (May 1997 Guitar Shop) Kim Thayill/Soundgarden: Guild SG avec HB > cry baby > préampli DOD FX 10 > CE-2 > tête d'ampli Mesa Dual Recto> vers baffles Mesa ou Fender Leslie (Guitar Shop 1994) Kenny Wayne Sheppard: Strats de fin des années 50/ début des années 60 (SC, 11-58): Dunlop CB wah > TS 808 (moddé) > TS9 (moddé) > Octavia > L6 DM4 > L6 DL4 > Analog Man Chorus > SPLIT: Blackface Twin reissue (jhaut-parleur EVL), Fuchs 100 OD supreme > Fuchs 410 (v30s), Marshall 1959 SLP reissue > Marshall 412 (V30s) (July 2005 G1) Kerry King/Slayer *Guitar Shop 1995: Jackson avec EMG HB > préampli Bogner Shark, Eventide H3K, Boss EQ, ampli de puissance VHT (Wet), Marshall JCM 800s (6550s) (Dry) > Marshall 4x12 avec 75w Celestions. *August 2005 G1: guitares ESP (micros EMG) > Dunlop Wah > Boss RGE-10 EQ > Yamaha SPX 900 > Eventide H3K > JCM800 avec 6550 > Marshall 412 avec Celestion Vintage 30s. Lenny Kravitz: Gibson SB (HB) > rack splitter > Boss OC-3 > Fat boost > MXR Dynacomp > MXR Phase 90 > L6 Echo Pro > L6 Mod pro > L6 Filter Pro > L6 POD pro SPLIT > (2) Fender Deluxe reverbs > 112 Greenback, (2) têtes d'ampli Marshall 50w Plexi> Marshall 412 avec 25 greenback, (2) Twin Reverbs > 212 80w G12s. (November 2005 G1) Malcolm Young/AC/DC: Gretsch semi-creuse avec cordes 12-56 > 1966 Marshall 100w Plexi > Marshall 412 avec 25w Greenbacks. (May 1996 Guitar World) Mark Morton/Lamb of God: Jackson Custom (HB) > Dunlop wah > MXR GT-OD > MXR EVH Phase 90 > DBX compresseur > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge) Matt Bellamy/Muse: guitare Manson custom (HB) > Digitech WH-1 Whammy Reissue > MXR Phase 90 > Diezel VH4 > TC2990 Delay > Soldano 4x12 Box Matt DeVries/Chimaira: ESP (avec EMG 81) > Peavey 5150II/6505 (Boss CE-20 in FX Loop) > baffle Mesa 412 avec Celestion Vintage 30 (Guitar World Holiday 2009) Michael Amott/Carcass, Arch Enemy: - Dunlop Zakk Wylde wah-wah Pédale > Ibanez TS-808 Tube Screamer > MXR Phase 90 > Ibanez AD-9 Analog Delay > Roland SDE-3000 Rack Delay Unit > Peavey 5150 > baffles Krank "Revolution" (avec Celestion Vintage 30's) Michael Schenker: Flying V (avec HBs) > Dunlop Wah (dans un rack) > Boss DD3 > Boss CE-5 > JCM800 50w (Dist) SPLIT JCM 2k (Clean) > Marshall 412 avec 75w Celestions (June 2005 G1) Mike Campbell/Tom Petty: Cry Baby > Camel Toe overdrive > Boss EQ > Line 6 DL4 > Line 6 MM4 > Fender Reverb SPLIT TO Fender Blackface deluxe, Vox AC30, Fender Tweed Deluxe, Fender Princeton > baffle Vox 412 (Guitar Edge May/June 2009) Mike Izinger/Incubus: PRS semi-creuse> H&K Rotosphere > (2) Boss PH-2 > DOD Gonlulator (ring modulation) > Boss RV-3 > MXR Phase 90 > DOD FX25 (envelope filter) > Boss CS-3 > DOD FX75 Flanger > Boss GE7 > OC-2 > DOD overdrive > Mesa Dual Trem-o-verbs (1 clean, 1 distorted) > Mesa 212 ou 412 Boxen avec V30s (Sep 2002 Guitar One, GG.com) M Padget/Bullet für My Valentine: ESP Flying Vs avec EMG 81/85 > Slash Dunlop Wah > TS9 > TC Electronics G-Force SPLIT Mesa Triple Rectifier (Dirty) > baffle Mesa 300w 412 et JC120 (Clean). Mike Schleimbaum/Darkest Hour: Washburn N4 (HB) > Tubescreamer > Digitech Whammy > MXR Phase 90 > Dunlop Wah > Line 6 DL4 > 5150 III (FX loop – Alesis Quadraverb) > baffles 5150 avec EVH Celestion G12 (Guitar World Anniversary 2010) Munkey/ Korn: Ibanez 7 String > Digitech Whammy Pédale > Univibe > EH Flanger > EH Big Muff > EH Small Stone Phase Shifter > Boss Rev/DDL > DOD FX25 Envelope Filter > Mesa Triple Recto > Marshall 4x12 avec haut-parleurs V30 (November 1998 Guitar Shop) Neal Schon/Journey: Les Paul > Crybaby Wah > Boss DS-1 > Ibanez TS9 > Boss CS-3 > Boss NS-2 SPLIT Hiwatt Custom 100 (FX Loop - Roland DDS) > Marshall 412 avec Greenbacks, Hot Rod Deville 410 (Partie du Journey 80s Rig et January 98 Guitar Shop). Noodles/Offspring: Ibanez Talman > Mesa Boogie Mark IV > Alesis Quadraverb (in FX Loop) > baffles Mesa 4x12 (September 1997 Guitar Shop) Nuno Bettencourt/Extreme, solo: Extreme: Washburn signature series > Rat distorsion > Marshall JMC 800 (Guitar Xtra Nov 2007) Solo: Washburn signature series > MXR Phase 90 >Boss OC2 > Demeter Tremlator > Marshall, H&K ou tête d'ampli Fender avec Boss DD3 in FX loop > abffle Marshall 412 (May 1997 Guitar Shop) N Cester/Jet: Gibson ES 335 (semi-creuse, HB) > Z-Vex Fuzz Factory > Hot Cake distorsion > Hiwatt 50w Custom > Marshall 412 (March 2005 G1) Omar Rodrugiez-Lopez/ Mars Volta, At the Drive in: Fender et Gibsons > BOSS HR-2 harmonist > BOSS CE-3 > BOSS Phaser > Boss reverb > préampli de guitare Orange AD140HTC> baffles 4x12 Orange Otis Rush: custom strat > Mesa Mk III > baffle Mesa 412 (Guitar Shop Winter 1994) Oli Herbert/All That Remains: guitares Washburn, Gibson, Ibanez> têtes d'ampli Peavey 5150 et 6105> baffles Mesa Boogie 412 (Feb 2009 Guitar Edge) Page Hamilton/Helmet: ESP SB (HB) Vox Wah > MXR Dist+ > Dyna-comp > Tech 21 double drive > Z Vex Fuzz Factory > ProCo Rat > PE COB > octave Pédale > MSC Microamp > MXR Bass octave > Whammy pédale > ADA FLanger > MXR Stereo chorus > DD6 > VHT Pitbull Head > VHT 412 avec Eminence 50w (September 2005 G1) Pete Townshend/Who (album Who’s Next): guitare 1957 Gretsch 2180> Pédale de volume Edwards > late 50s tweed Bandmaster. (Guitar World May 1996) Randy Rhoads/Osbourne, Ozzy: Les Paul > MXR Distorsion plus > MXR EQ (milieu de gamme très fort)> MXR Chorus > MXR Flanger > unité Korg Echo> Cry Baby ou Vox wah > têtes d'ampli Marshall 1959 Super Lead Plexi> baffles Marshall 4x12 avec haut-parleurs Altec. Shure 57s close-miked on cabinet, Neumann U87 20' away. Robby Krieger/Doors: Gibson SG > Maestro Fuzz-tone > Fender Twin Reverb ou Acoustic 260 Robert Cray: Strats des début des années 60 & Gibson 345, (2) Fender Super Reverbs Ron Thall/Guns & Roses: guitares Vigier et Les Paul avec micros Dimarzio humbucker et cordes Ernie Ball > Line 6 Vetta (Feb 2009 Guitar Edge). Scott Ian/Anthrax: guitare Jackson avec micros EMG humbucker > TC Distorsion > JCM 800 > baffles Marshall. Slash: Les Paul (HB) > EMB Remote Wah > tête d'ampli de série Marshall 25th Anniversary> Marshall 412 avec Celestion Vintage 30s (Guitar Shop 1995, June 1996) Sonny Landreth: Strat (SC) > MXR Dynacomp >> partagant à 1954 Fender Deluxe et Demeter TGA-3 > Demeter Silent Speaker Chamber avec Celestion Vintage 30 et Shure SM-57 (The Recording Guitarist by John Chappell) Son Seals: Gibson ES-335 > Fender Super reverb du début des années 60 (Guitar Shop 95) Steve Jones/Sex Pistols: Les Paul > Fender “silverfaceâ€� Twin avec haut-parleurs Gause (May 1996 Guitar World) Steve Miller: Fender Strat > Fender Bassman (avec SM 57) http://www.guitarpla...ms=steve miller Stevie Ray Vaughan: Fender Strat (Rosewood fretboard) > Vox Wah > Diaz Square fuzz or TS808 > Tychobrahe Octavia > Boss Chorus > partagé vers: baffle Leslie, Fender Vibroverb (2x10), Fender Super Reverb (4x10), tête d'ampli Fender Bassman avec baffle 2x12, tête d'ampli Marshall (tube 6550)> baffle Marshall 4x12 avec haut-parleurs EVM ( The Recording Guitarist by John Chappell) Steve Stevens/Billy Idol: Hamer SB (HB) > crybaby wah > Rat dist > MXR Phase 90 > Boss CS-2 > tête d'ampli 1969 Marshall> Lexicon PCM 41 & 70, Yamaha XPS 90, Eventide 969 dans le système looping> Marshall 412 avec haut-parleurs 25w. (July 87 Guitar World) Steve Vai *Guitar Shop 1994: Ibanez SB (HB) > Boss SD-1 > Cry baby wah > Whammy Pédale > JCM 8/900 > Roland SDE 3K > Eventide H3K > Marshall 412 avec Celestion Vintage 30. *Guitar Shop 1995: Ibanez SB (HB) > Boss DS-2 > Cry baby wah > Whammy Pédale > Laney et Bogner Extacy > Roland SDE 3K > Eventide H3K & H4K > Marshall 412 avec Celestion Vintage 30s *December 2005 G1: Ibanez SB (HB) > Morley Volume > Digitech whammy > Boss DS1 > Ibanez TS9 > MXR Phase 90 & Phase 100 > Carvin Legacy HD (Loop avec Eventide Harmonizer® & TC G Force) > Carvin 412 avec Celestion Vintage 30s. Stone Gossard/ Pearl Jam: *Rig 1: Les Paul > TS-9 > mid 70s Twin reverb (haut-parleurs EV 75w) *Rig 2: Les Paul > TS-9 > tête d'ampli Matchless HC30> Marshall 412 avec haut-parleurs 25w *Rig 3: Les Paul > TS-9 > 1968 Marshall Plexi Super Bass > Marshall 412 avec haut-parleurs 25w (Guitar Shop 1994) Tom Delong/Blink 182: Superstrat partagant vers Marshall JCM 900 (clean) et Mesa Triple Recto (distorsion) > Mesa 412 Box (GG.com) Tom Dumont/No Doubt: guitar Hamer Explorer style avec micro humbucker ou micros SC (10-45) > Crybaby wah > MXR Microamp (boost for solos) > Dunlop Tremolo > Univibe Split Fender Tone Master > 4x12 Tone Master Boc et Mesa Dual Recto > 4x12 Tonemaster Box. Guitars acoustiques: Guild D25, Takamine NP65C corde nylon. Tony Iommi/Black Sabbath: SG avec micros humbucker > Tychobrahe ParaPedal Wah > Ranger Master Treble booster > tête d'ampli Laney 100Watt Supergroup> baffle Laney 412 (Guitar World May 1996, Guitargeek.com) Tom Morello: RATM/Audioslave: Superstrat avec micros EMG humbucker> crybaby wah > Whammy Pédale > Boss DD3 > DOD EQ > Ibanez digital Flanger > Marshall JCM 2205 50w > baffle Peavey 412 (November 97 Guitar Shop) Tom Petty: Tele ou Rickenbacker (SC)> Vox Wah > Red Llama OD > Ibanez TS-9 > Boss CE-2 > Boss RV-3 SPLIT TO: Fender Bassman et Vox AC 30 (GG.com) Tom Scholz/Boston: 1968 Gibson Deluxe Gold top Les Paul avec micros Dimarzio Super Humbucker Pickups > EQ > Cry baby wah > Maestro Echoplex > tête d'ampli 100-watt Marshall> Marshall 412 (EMT Gold Plate reverb pour mélanger). Trevor Rabin/Yes (90215 Era): Fender strat (HB) > Boss DS-1 > Boss Chorus > Ampeg VT 120 (Guitar Edge November 2009) Warren Hayes/Allman Brothers: Fender Strat avec micros Lace, PRS (Humbucker), Les Paul Standard avec micros Pearly Gates> Soldano SLO 100 (FX loop – Alesis Quadraverb) > 412 Box avec haut-parleurs EV 16 ohm. Réglages de la préampli: normal gain: 1 pm, Overdrive gain: 9:30, treble 2 pm, mid 11 pm, bass 2 pm, normal output: max, overdrive master: max, presence: fast Maximum. 425 MS ddl, hall reverb 1.8s à 2.4 seconds à ~ 50%. (Guitar Shop Spring 94) Wayne Lozinak/Hatebreed: Jackson avec EMG HB > Dunlop Wah > Boss SD1 > Boss DD3 > Boss NS2 > Marshall JCM2000 > Marshall 412 avec haut-parleurs 75w Celestion (Guitar World Feb 2010) Wes Borland/Limp Bizkit: Ibanez 7 string > noise Gate > MXR Bluebox > Mutron III > Morley Volume/wah > MXR Phase 90 > Boss reverb/delay > Fulltone Deja Vibe > DOD Buzz Box > Mesa Dual Recto > baffle Mesa 4x12 (September 1998 Guitar Shop) Willie Adler/ Lamb of God: ESP Custom avec Seymour Duncan (HB) > DBX compresseur > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge) Yngwie Malmsteen: Strat avec micros HM3> BF-2 Flanger > têtes d'ampli Marshall JMP 50w MK II > (2) KORG DDL (DDL et Chorus) > Roland SDE 3K > Marshall 412 avec haut-parleurs 25w. (GG.com, Guitar Shop Winter 95) Zach Myers/Shinedown: PRS signature avecHB > whammy pédale > Dunlop Wah > Univibe > Boss DC-2 > Digitech Hyperphase > TS9 > CS-3 > DL4 > Micro POG partagant à trios têtes d'ampli >>>Fender bassman (Clean) Diamond Spitfire (Dirty) Diezel Herbert (dirty) > baffle Engl 212 (Guitar World Dec 2010) Zack Blair/Rise Against: Gibson avec HB > MXR Phase 90 > Marshall JCM900 AND Mesa Dual Recto > Mesa 412 avec Celestion V30s (Guitar Edge Nov 2010) Zakk Wylde/Ozzy Osbourne, Black Label Society: - Les Paul avec EMG HB > Dunlop Rotovibe > Crybaby > Boss SD-1 > Boss CH-1 > Marshall JCM 800 > Marshall 412 avec haut-parleurs 75w. (Guitar Shop 94, GG.com) Zoltan Bathory/5 Finger Death Punch: BC Rich Assassin (HB) > Diamond Nitrox HD > Digitech GSP1101 (FX loop) > Diamond 412 Box avec V30s (March 2009 GW) Die Erstellung und Abstimmung von Klängen Wie kann ich die Lautstärke meiner Presets abstimmen? Vorerst sollten Sie Ihr sauberstes und ruhigstes Preset abspeichern während Channel Volume auf 90-95% ist. Dann können Sie die Lautstärke anderer Presets mit diesem Preset abstimmen indem Sie die Channel Volume Einstellung verwenden und so jeden Sound abspeichern. Dies ist die einzige Aufgabe des Channel/Tone Knopfes. Diese Einstellung erhöht oder verringert Gain nicht, ändert keine Klänge oder verändert Presets er stellt ausschließlich die Lautstärke ein. Wie kann ich einen Sound wie ein Künstler erstellen? Es gibt mehrere Wege Patches zu erstellen, um bestimmte Gitarristen nachzuahmen. Der Wahrscheinlich einfachste und schnellste Weg ist es, einen Patch auf Ihrem Line 6 Gerät zu finden, der ähnlich dem Sound ist, den Sie versuchen nachzuahmen und passen Sie diesen Patch an dann speichern Sie ihn ab (Schauen Sie sich dazu das Benutzerhundbuch Ihres Gerätes an um zu sehen wie Sie ein Patch Abspeichern/Verändern können.). Außerdem können Sie fertige Line 6-Klänge im Stil eines bestimmten Artisten auch auf www.customtone.com finden, installieren Sie dann dieses Modell einfach auf Ihr Gerät. Wir empfehlen ein wenig Nachforschung über den Gitarristen zu betreiben, für den Sie sich interessieren, sollten Sie ein komplett neues Modell erstellen wollen. Webseiten, wie www.Guitargeek.com und www.uberproaudio.com haben Listen der Rigs der verschiedenen Gitarristen. Zusätzlich drucken Gitarren- und Aufnahmemagazine oft genaue Diagramme und Layouts aus, die Sie vielleicht auch benutzen können (manchmal sogar mit den eigentlichen Mikrofonen und Distanzen zu den Boxen, die benutzt wurden.). Folgende Informationen werden Ihnen helfen ein komplett neues Modell zu erstellen: Verstärker, Lautsprecher und Boxen. Im Allgemeinen sind dies Verstärker mit offener Rückseite (z.B. 2x12 Boxen wie bei den meisten Fender® und Vox® Verstärkern.), die einen kleineren Low-End-Frequenzbereich haben als Boxen mit geschlossener Rückseite (z.B. 4x12 Boxen wie bei vielen Marshall® und Mesa/Boogie® Verstärkern.). Gitarren- (Hersteller und Modell) und Pickup Typ. Erle- oder Eschekorpora (oft bei Fender® Gitarren) klingen unders als Mahagonikorpora mit oder ohne Ahorntops (oft bei Gibson® Gitarren). Single-Coil Pickup, wie sehr oft bei klaren und hellen Tönen verwendet, klingen unders als Humbucker, die dunkler als Single-Coil Pickup Klingen jedoch nicht so rauschig bei Klängen mit hohem Gain. Pedale, Effekte und die Platzierungen in der Signalkette. Effekte können den Gitarren-Sound drastisch verändern also sollten Sie genau wissen welche Effekte Sie verwenden wollen und wohin Sie diese plazieren. (zwischen Instrument und Verstärker oder nach dem Verstärker) Mikrofon-Art und Platzierung. Wenn möglich sollten Sie versuchen herauszufinden welches Mikrofon zur Tonaufnahme benutzt und den Winkel in dem es aufgestellt wurde. All das spielt eine große Rolle in der Veränderung des Klangs. Zusätzlich zu den oben genannten Informationen können Sie auf dieser Seite das Equipment vieler Artisten einsehen: http://www.uberproaudio.com/who-plays-what Benutzen Sie die folgende Liste von Gittaren-Rigs, da sie Ihnen helfen kann diese nachzuahmen: Ace Frehley/KISS: Gibson Les Paul Custom mit Dimarzio Super Distortion (3 Pickups Version) > Vox Wah > Mutron Octave divider > Echoplex > Verschiedene Marshall Topteile und Boxen. Adam Dutkiewicz/Killswitch Engage: Caparison PLM-3 Gitarren mit EMG 85 in der Brücke > Maxon OD808 Overdrive > H&K Triamp oder Mesa Triple Recto/Roadster > Maxon AD9 Delay (FX Loop) > Mesa 412 mit Vintage 30 Lautsprecher. Adam Jones/Tool: Dunlop Wah > Ibanez Delay > Ibanez Flanger SPLIT Mesa Dual Recto, Marshall Bass Head, Diezel VH4 mit 4x12 Boxen (GG.com). Adrian Smith/ Iron Maiden *Piece of Mind Tour (1983): Gibson Gitarre > Cry Baby Wah > MXR Vorverstärker > Yamaha Flanger > Yamaha Phaser > Yamaha analoges Delay > Marshall Mk II 100w Topteil > Marshall 412 Box mit EV Lautsprechern. *Guitar World December 2006: Fender Strat (HB) oder Gibson SG > TS9 > Digitech Whammy Pedal > Dunlop Wah > Marshall 30th Anniversary 100w (6100LM) Topteil > FX LOOP (PV Tubefex) > Marshall 412 mit Celestion 75w G12-T75 Al Mckay/Earth Wind & Fire: Tele (SC) und ES-335 (HB) > Boss PS-2 > Rat Distortion > CE-2 > JC120 Albert King: 1958 Gibson Flying V > Acoustic 261 Topteil und 261 Box. (Guitar Xtra Nov 2007) Albert Lee: Fender Telecaster > Echoplex Tape Delay > Ernie Ball 410 Combo. Alexi Laiho/Children of Bodom: ESP Alexi Laiho Signature Gitarren mit EMG Pickups > Lee Jackson Perfect Connection GP-1000 Röhrenvorverstärker > RSP 2400 Hush/Enhancer/Exciter > Rocktron Intellifex > VHT Two/Fifty/Two Stereo Röhrenendstufe > Marshall 1960B 4×12 Box mit G12T-75 Lautsprechern. Allan Holdsworth: Custom SB (HB) > Boogie Mk I Combo in 1x12, Dual Rectos für Solos - FX loop: (2) PCM 41s, (2) Yamaha 1500, (2) Roland SDE-3K, (2) Delta Lab Effectrons > Mesa Dual Recto 212 Box. (Guitar shop 1994, The Recording Guitarist by John Chappell) Alex Lifeson/Rush *70s rig: Gibson SB (HB) Lautstärkepedal, Cry Baby, BOSS CE-1, Mistress flanger, phase shifters, tape delays, Plexi Marshall, Marshall Boxen. *Moving Picture era: Gibson or Fender > Morley Lautstärkepedal > MXR Distortion > MXR Micro Amp > Roland 301 Echo Unit > AAD Delay > Electric Mistress > Roland chorus SPLIT (2) Marshall Combos und (2) Hiwatt 100 Topteile > (2) 4x12 Boxen und 1 Leslie Boxe (Moving Pictures tour book) Amir Derakh/Orgy: Jackson SB (HB), Boss FZ-2, Boss PH-2, Boss PS-3, Boss GE-7, Marshall JMC 2000 (FX Loop TC 2290) > Marshall 412 mit V30s (GG.com) Andy Summers/Police: 1961 Fender Tele > MXR Dynacomp > EH Flanger > MXR delay > Maestro Echolplex > Marshall 100w Topteil > 412 Box. (Guitar Edge May/June 2009) Andrew Stockdale/Wolfmother: Gibson Gitarre > Fulltone Clyde Deluxe Wah > Boss Metal Zone > Fulltone Supa-Trem Tremolo > Boss Tremolo > Digitech Whammy Pedal > Electro Harmonix Micro Synth > Electro-Harmonix Small Stone phaser > Orange AD30 und Thunderverb 200 und PCC412 Boxen, Marshall Superleads ohne Master Volume, Vox AC30 Verstärkertopteil. Angus Young/ AC/DC: Gibson SG > Marshall JTM 45 or 1969 SLP reissues, Marshall 412 Boxen mit Vintage 30s oder 25w Greenbacks (December 96 Guitar Shop, May 1996 Guitar World) A Levine/Maroon 5: Gibson SB (HB) > Line 6 DL4 > Ibanez TS9 > Boss NS2 SPLIT: Fender tone master und/oder Triple Recto > Marshall 312 mit 75w Celestions (October 2005 G1) Billy Joe Armstrong/Green Day: Black Les Paul, Les Paul Junior, Fernandez Strat (mit SD JB) > TS-9 > Ibanez Phaser > Boss Tremelo > Marshall 100w Plexi Topteile (mit Dookie Mod und besserem Vorverstärker und Biasing) > Marshall 412 mit V30. Hat außerdem einen CAE Vorverstärker > Marshall Endstufen-Rig (Jan 2005 G1) Billy Duffy/The Cult: (Dreamline und Love Alben): 70s Gretch Falcon > Roland JC 120 (August 2007 Guitar Edge) (Electric Album): Les Paul > Cry Baby Wah > MXR Phase 100 > Boss DM2 > Boss DD3 > Marshall JCM 800 (August 2007 Guitar Edge) Billy Gibbons/ZZ Top: Les Paul (HB) > 1959 Marshall Plexi durch eine 2x12 Box. Brad Nowell/Sublime: Ibanez S-470 > Boss OS-2 > Boss DD-3 (splitter) Marshall JCM 800 combo 212 und JC-120 (GG.com) Billy Howedel/Perfect Circle: Les Paul (Tom Anderson HB) > Lexicon MPX G2 > 1978 Marshall JPM 100w Superlead (FX Loop send) > TC Fireworx > Digitech GSP 2101 > Eventide Orville > TC Electronics G Force VHT Straight Boxen mit 25w Celestion Greenbacks und Vintage 30s (Guitar World July 2004) Brad Whitford/Aerosmith: Crybaby wah, Marshall guvner, Boss CD-2, Boss CE-5, Chandler Echo, Bogner Extacy Topteil, Bogner Box (internet) Brett Hinds/Mastadon: Gibson V oder Explorer > Monster Effect Mastortion > Tube Screamer > Boss EQ, Delay > CS-3 > Marshall JCM800 Split channel (Guitar Edge May/June 2009) Brett Mason: Strats, Teles, Les Pauls > Bassman oder Showman Topteil oder AC30 Combo. Brian May/Queen: Custom SB mit 3 SC > Brian May treble booster > Dunlop Cry baby > Eventide H3K > Vox AC30 mit TB (no EQ or Cut). Eventide H3K für stereo flanger, 800 & 1600 ms DDL ohne repeats (Guitar shop 1994, GG.com) Brian Setzer/Stray Cats: Signature Gretsch Semi-hollow > TS9 > Roland 301 Echo Einheit oder Echolplex > Fender Tremolo > 63 Fender Bassman Topteil > 212 Boxen mit Celestion V30. Buckethead: Superstrat > Peavey Reknown > Boss ME50, Alesis Midiverb, Rocktron Intellifex, Rockman XP100 (in FX loop) > Harry Kolbe 412 Boxen (Guitar Shop May 1997) Chuck Berry: Gibson ES335 > Fender Bassman, Fender Twin oder Fender Super Reverb (GG.com) Chuck Schuldiner/Death: 1988 BC Rich Stealth mit Dimarzio XN2 > Marshall Valvestate mit BBE Einheit > Marshall 412 (Guitar School Sep 93) Claudio Sanchez/Coheed and Cambria: Gibson Explorer mit EMG-81/85 Pick-ups > Dunlop CryBaby Wah > Line 6 Tremolo > Bogner Uberschall und/oder Mesa Triple Rectifier >Mesa 412 Recto Cab. Clean Verstärker: Fender 65 Twin Reverb Verstärker. Cristiano Migliore/Lacuna Coil: ESP/LTD SC-607B Stephen Carpenter 7-strings mit standart EMG Pickups > Dunlop Dime Crybaby from Hell > Line 6 Hd 147 Topteile > Mesa Boogie Boxen. C Muncey/Jet: Gibson flying V (HB) > TS-9 > SD-1 > Boss Tremelo > 50 Marshall Topteil > Marshall 412 (March 2005 G1). Corey Beaulieu/Trivum: Jackson mit EMG HB > Dunlop Wah> MXR OD > MXR Smart Gate > Peavey 6505 > Marshall 412 mit Celestion 75w Lautsprechern (Guitar World Mar 2010). Dan Donegan/Disturbed: Les Paul Standard (HB) > E Ball Volume > Whammy Pedal > Boss PH-2 > Crybaby Wah > Mesa Triple Recto > Mesa 412 mit V30s (GG.com). Dave Grohl/Foo Fighters: Gibson SB (HB) > Boss TR-2 > Ernie Ball Volume > Boss DD-2 > MXR Phase 90 > Boss BF-2 > Mesa Road King > TC G Force (in FX loop) > Mesa 412 mit Celestion Vintage 30s (Jan 2006, Guitar One) David Gilmour/Pink Floyd: Strat mit EMGs, Tube driver, Rat Distortion, Boss CS-2, MXR comp, Boss HM-2, Boss GE7, univibe, T.C. 2290, Lexicon PCM 70, MXR rack DDL, Hiwatt Topteil > Marshall 412 & Doppola (gemischt mit u87 und SM57s) (Guitar Shop December 1996). Dave Keuning/Killers: Electro-Harmonix Big Muff Pi > Ibanez TS-9 Tube Screamer > Boss CE-1 chorus pedal > Ibanez Analog Delay (für verringerten Delay) > XR Phase 100 Pedale > Hiwatt Gilmour 100 Topteil > Hiwatt 4x12 Boxen Dave Murray/Iron Maiden: *Piece of Mind Tour (1983): 1957 Super Strat > Cry Baby Wah > MXR 10 band EQ > Boss FET Vorverstärker > MXR Distortion Plus > MXR Phase 90 > Yamaha Analog Delay > Marshall Mk II 50 head > > Marshall 4x12 mit Celestion Lautsprecher. *Guitar World February 07: Super Strat > JMP 1 > Marshall JFX > JCM 2K (Endstufe) > Marshall 4x12 mit 75w Lautsprechern. Dave Mustaine/Megadeth: ESP signature Solid bodies mit SD HBs > Rocktron Prophesy > Marshall 100/100 (EL34s) > Marshall 412 mit V30s (May 2005 G1) Dave Navarro/Jane’s Addition, Red Hot Chili Peppers: Ibanez or PRS > Cry Baby Wah > Boss Distortion DS-1 > Boss Phaser PH2 > Boss Octave OC2 > Boss Chorus CH1 > Boss Delay DD3 > Marshall JCM900 > Marshall 412. Dean DeLeo/Stone Temple Pilots: Gibson oder PRS > Dunlop Cry Baby Wah (Fassel Inducter) > Boss CE1 >> SPLIT 1) Sib! Overdrive > VOX AC30 2) Demeter Vorverstärker > Rocktron Intelliverb > VHT Endstufe > Marshall 412 Box mit Celestion Vintage 30s Achtung, beide Rigs sind durchgehend eingeschaltet. (August 2009 Guitar Edge) Derek Trucks: Custom Washburn > 1964 Fender Super Reverb (July 1998 Guitar Shop) “Dimebagâ€� Darrell Abbott/Pantera: Dean Gitarre (HM) > Digitech WH-1 Whammy Original > Dunlop 535Q Wah Pedal > Boss PS-3 > Boss DS-2 > Boss DD-3 > Furman PQ-3 Parametric EQ > MXR Flanger/Doubler > Randall Century 200 HD > Randall 4x12 Box mit Celestion vintage 30s (March 1999 Guitar Shop, GG.com, The Recording Guitarist by John Chappell) Duane Allman/Allman Brothers: 1959 Les Paul Standard > Marshall 50 watt Topteil Edward Van Halen *70s Rig: Superstrat mit Gibson PAF Humbucker > MXR Phase 90 > MXR Flanger > Echoplex > Unicox EC-80 echo (Nur divebomb of Eruption) > 1966 Marshall Superlead mit Variac > Marshall 412 > (2) SM 57 Mikrofonen (eines an der Abdeckkappe, eines außerhalb) (Guitar World May 1996) *90s Rig: Wolfgang SB (HB) > Boss SD-1 > Boss OC-2 > MXR Phase 90 > Cry baby Wah > 5150 Topteil > (FX loop H3K > (2) Roland SDE-3K > PCM-70 > Peavey 412 mit 75w Lautsprechern (Guitar Shop, Spring 1994) Edge/U2: *(In frühen Jahren) Explorer oder Strat > Big Muff > Boss GE-7 > Boss CS-2 > Memory Man > SPX 90 > Yamaha Rev 7 > 1964 Vox AC30 *(später dann) Verscheidene Gitarren > Digitech Whammy > Dunlop Wah Pedal > Lovetone Envelope Filter > Lovetone Phaser/Vibrato > Electro-Harmonix Big Muff > Ibanez TS-9 Tuber Screamer > Boss GE-7 EQ > Boss CS-2 Compressor > Boss FA-1 Preamp booster > Eventide Ultra Harmonizer > (2) Lexicon Processors > (4) TC Electronics 2290 Delay Einheiten, (2) AMS Delay Einheiten, (2) Korg SDD 3000 Delay Einheiten > 1964 Vox AC-30 Eric Clapton: Cream era: Gibson ES-335, Firebird, oder Les Paul / SG Standard > Vox 847 Wah > Dallas Arbiter Fuzz Face, Marshall Supa Fuzz, UniVox Super Fuzz, oder Vox Tone Bender > Marshall JTM-45 Head > Marshall 4x12 Box (Guitargeek.com, Guitar Extra, November 2007) Eric Johnson: Strat mit Dimarzio HS-2 single coil pickups die an A/B Boxen senden, um die 3 Rigs zu teilen: *Rig 1: Echoplex > Chandler Tube Driver > 1966-68 100w Marshall plexi Topteil > Marshall 412 Boxen *Rig 2: Dallas Arbiter fuzzface > MXR DDL und/oder Echoplex > 1966-68 100w Marshall plexi Topteil > Marshall 412 Boxen *Rig 3: Echoplex > TC Electronics Chorus >> (2) Fender Vibrolux Verstärker (Guitar Shop October 1996, September 1997, The Recording Guitarist by John Chappell) Greg Tribbett/Mudvayne: Gibson Les Paul Studio > BBE 482 Noise Reduction > Morley Wah SPLIT nach JC 120 & Line 6 DL4 > VHT Pitbull Ultra Lead > Mesa 412 Box (May 2002 G1) H Garza/Los Lonely Boys: Fender Strat (SC) > Vox Wah > Ibanez TS808 SPLIT: Marshall 2K (mit Fender reverb Einheit) > Tone Tubby 412, Fender Twin mit Jensen Lautsprechern (Holiday 2005 G1) Head/ Korn: Ibanez 7 String > DOD Metal Distortion > Boss Super Phaser > Boss Stereo Chorus > Mesa Triple recto > Marshall 412 mit V30s (Guitar World July 97 und GG.Com) In Flames (Björn Gelotte/ Jesper Strömblad): Gibson Les Paul Custom mit EMG 85 > Peavey 5150 Verstärker > Line 6 Effekten > 412 Box J Garvey/Hinder: Gibson Les Paul oder Explorer (HB mit drop C tuning) > Boss CE1 > Ibanez TS9 > TC Nova Delay > Mesa Dual Roadster Topteil > Mesa 412 mit Celestion vintage 30 Lautsprechern. Gibson J-185 Acoustic nach DI (Feb 2009 Guitar World). J Milligan/Anberlin: Les Paul > POD XTLive > Marshall JCM 2000 > Marshall 412 mit 75 watt Lautsprechern. Benutzt außerdem Fender Tele und Alvarez 12 string (April 2009 GW) J Valentine/Maroon 5: Fender SB > EB Volume > wah > Line 6 DL4 > MXR Phase 90 > Fulltone Deja Vibe > Z Vex SD Fuzz SPLITTER: Tonemaster 100, FTR 37, RSA 23, Two Rock Custom Reverb > 112 (V30) und 212 (V30 und Alnico Bulldog) (October 2005 G1) J.D. Conrise/ The Sword: Gibson Explorer > ElectroHarmonix Metal Muff > MXR Phase 90 > Orange OR80 Topteil > Orange 412 Box (Guitar World Holiday 2009 Jade Puget/A.F.I.: Les Paul Studio > Dunlop Rotovibe > Dunlop Dime CryBaby from Hell > Ibanez Tube Screamer pedals > TC Electronic G Major rack Einheit > Mesa Dual Recto or Marshall Plexi >Marshall 412 oder JC120 Jack White/White Stripes: Digitech Whammy IV > MXR Micro-Amp > Electro-Harmonix Big Muff Pi > Electro-Harmonix Polyphonic Octave Generator > Boss CS3 > 1970's Fender Twin Reverb Verstärker. James Hetfield/Metallica: ESP Gitarren mit EMG Pickups (10-46 string) Boss SE-50, BBE > Rocktron Juice Extractor > Aphex Parametric EQ > Hush Noise Reduction > Mesa Boogie Mk IIC+ Topteil > Marshall 412 mit Celestion Vintage 30s, JC-120 Combo (May 1996 Guitar World) James Honeyman-Scott/Pretenders: Gibson oder Fender Gitarre > Boss compressor > Boss Chorus > Boss Overdrive > Marshall 100 watt Topteil > 412 Box Jason Hook/ Five Finger Death Punch: Gibson Explorer mit EMG HB > Marshall JMP1 > GCX = TC G-Major, Line 6 Echo Pro, Line 6 Mod Pro > Marshall 9200 Endstufe > Marshall 412 mit V30 Lautsprechern (Guitar World April 2010) Jeff Beck (Guitar Shop Aufnahme): Strat oder Tele > (2) Fender “the Twinâ€�, Fender Princeton Reverb II. (Guitar World May 1996) Bühnen-Rig: Strat oder Tele > Rat distortion Pedal > Boss DD-2 > Late 60s Marshall 50w Topteil (Guitar World May 1996) Jerry Cantrell/Alice in Chains *Guitar Shop Spring 1994: G&L Rampage mit Duncan HB pickup & Kahler Tremolo > Dunlop Crybaby wah > Bogner Fish Vorverstärker > Rocktron Intelliverb > Mosvalve 500 Endstufe > Marshall 412 mit Celestion 30-watt Vintage und 25-watt Celestion Greenback Lautsprecher. Taylor G10 akustische Gitarre mit Fishman Vorverstärker > Trace Elliot TA100R Verstärker. *November 1992 Guitar (Dirt recording): G&L Rampage mit Duncan HB Pickup & Kahler Tremolo oder Gibson Les Paul aufgeteilt nach Bogner und Marshall, die in die andere Richtung gedreht sind. Jimi Hendrix: Fender Strat (SC) > Crybaby oder Vox Wah > Axis Fuzz > Arbiter Fuzz Face > Univibe (mit Pedal) > Octavia > Marshall Plexi 100w > Marshall 4x12 (Guitar shop 94, The Recording Guitarist by John Chappell) Jim Root (7)/Slipknot: Warlock Gitarre > Marshall JPM1 > Boss FX Einheit > Mesa 2:90 > Carvin 400w 412 Box (Guitargeek.com – 2001) Joan Jett & the Blackhearts: Gibson Melody Maker > Ibanez TS-9 > Mesa Boogie mark III 112 combo sendet an Vox 212 Box (J Jett Backline Rider - 2005) Joey Ramone/Ramones: Mosrite Gitarre > Marshall 1959 Superlead (ohne Master Volume) > Marshall 412 mit 25w Celestions (rockometer.com) Joe Satriani: Superstrat > Cry Baby wah > Boss DS-1 > Whammy Pedal > Fulltone Ultimate Octave > Boss CH-1 > Boss DD-2/3 > Chandler DDL (450-550 ms) > Chandler DDL (600-800ms) > Marshall 6100 (Anniversary) Topteil mit 6550 Elektronenröhre > Marshall 412 mit V30s. (Guitar Shop Summer 94, Nov 97, GG.com, The Recording Guitarist by John Chappell) Joe Walsh/James Gang, Eagles: Fender Tele oder Strat > Heil Talk Box > Vox oder Crybaby Wah > Echoplex > Fender Vibrolux, Twins, und Super Reverbs, Leslie Boxen. John 5/Rob Zombie: Fender Tele mit HB > Dunlop Wah > Boss CH1 > Boss SD1 > Boss NS2 > Marshall JCM900 > Marshall 412 mit 75w Celestion Lautsprechern (Guitar World Jan 2010). John Christ/Danzig: BC Rich SB (HB) > VHT Pitbull Classic Topteil, Rocktron Intellifex > VHT Chromeface Endstufe > Marshall 412 Boxen (Guitar Shop 1994) John Fogerty/Creedence Clearwater Revival, Solo: Gibson Les Paul Custom oder ES-175 > Fender Vibrolux silver face mit zwei 12" JBL , Fender Concert, oder Kustom Verstärker. John Frusciante/Red Hot Chili Peppers: *Rig 1: 50s or 60s Fender > Boss DS-2 > Big Muff Pi > Phase 90 > Ibanez Wah > CE-1 SPLIT nach Marshall Major 200w Topteil und Marshall Silver Anniversary Topteil > Marshall 412 Boxen. (GG.com) *Rig 2: 50s Gretsch Falcon > DS-1 > Fender showman Topteil > Marshall 412 (GG.com) John Jorgenson/Hellcasters: G& L ASAT (tele style) > Ibanez TS5 > TS 808 > Boss DC 2 > Boss DD2 (125 ms) > Boss RV-2 > Matchless SC-30 (Guitar shop 1995, The Recording Guitarist by John Chappell) John Scofield: Ibanez AS200 (halbhohl) > Digitech Whammy > Vox AC 30 (March 2009 Guitar Edge) John Petrucci/Dream Theater: *Guitar Shop - Summer 94: Custom Ibanez SB (HB) > Mesa Triaxis > DBX 166 > TC 2290 > PCM 70 > Mesa 2:90 > Mesa Recto Boxen *Guitar Edge – August 2007: Signature Music Man Gitarre (9-42) > Boss DS-1 > Boss TR-2 > MXR EVH Flanger > MXR EVH Phaser > Ernie Ball Volume > DBX 266 Kompressor > Eventide DSP700 > TC 2290 > TC M3000 Multi-effects > Mesa Mark IV (distortion) & Mesa Lone Star (Clean) > Mesa 412 Stiletto Box. Johnny Winter Früheres Rig: Fender Mustang > Fender Twin Späteres Rig: Gibson Firebird (HB, open D tuning für Slide) > CE-2 (rate = 10 pm, depth = 2 pm, immer an) > Musicman 410 mit Celestion Vintage 10 (Alle Klänge auf 0 außer Treble auf 10, kein reverb) (April 2005 G1) Jonny Greenwood/Radiohead: Fender Tele Plus > Marshall shred master > Boss RV-3 > Boss SD-1 > Lautstärke nach: * RIG 1: Fender Deluxe (SS) * RIG 2: Whammy Pedal > Trem (selbstgemacht) > DOD Envelope Filter > EH Small Stone > Space echo > Mutron Mutator > Vox AC-30. Jonny Lang: 1975 Fender Thinline > Ibanez 808 Tube Screamer > Hard-on Distortion Pedal > Vox Wah > Fender Vibro King (May 1997 Guitar Shop) Joshua Cain/Motion City Sountrack: Les Paul Jr mit P-90 > Z-Vex Super Duper > TC Vintage Dual Distortion > Morley echo/reverb > KJ Audio Topteil > Marshall 412 mit G-12 Lautsprechern (Guitar World June 2010) Kirk Hammett (Metallica): ESP Guitar (active HB) > Ernie Ball Wah Pedal > Marshall JMP-1 Vorverstäker, Mesa Triaxis Vorverstärker und Mesa Dual Rectifier Vorverstärker > Mesa Endstufe > Mesa 412 Boxen (The Recording Guitarist by John Chappell) Kurt Cobain/Nirvana: *Nevermind session: Fender Mustang, Jaguar oder Strat mit Dimarzio Humbuckern > Boss DS-1 > EH Small Clone Chor > Mesa Studio 22 gemischt mit Shure 57, U87, 414, oder 421. Benutzte außerdem Vox AC 30 für Clean und Rat Distortion Pedal. Lithium benutzte ein EH Big Muff > Fender bassman > U87 Mikrofon. *"In Utero" Live rig: Fender "Jag-stang" > Boss DS-2 > Sansamp (als distortion) > EH Poly Flange > EH Small Tone > Mesa Studio oder Quad Vorverstärker > Crest 4801 Endstufe > Marshall 4x12 Boxen (May 1997 Guitar Shop) Kim Thayill/Soundgarden: Guild SG mit HB > cry baby > DOD FX 10 Vorverstärker > CE-2 > Mesa Dual Recto Topteil > nach Mesa Boxen oder Fender Leslie (Guitar Shop 1994) Kenny Wayne Sheppard: Late 50s/ early 60s Strats (SC, 11-58): Dunlop CB wah > TS 808 (gemoddet) > TS9 (gemoddet) > Octavia > L6 DM4 > L6 DL4 > Analog Man Chor > SPLIT: Blackface Twin reissue (EVL Lautsprecher), Fuchs 100 OD supreme > Fuchs 410 (v30s), Marshall 1959 SLP reissue > Marshall 412 (V30s) (July 2005 G1) Kerry King/Slayer *Guitar Shop 1995: Jackson mit EMG HB > Bogner Shark Vorverstärker, Eventide H3K, Boss EQ, VHT Endstufen (Wet), Marshall JCM 800s (6550s) (Dry) > Marshall 4x12 mit 75w Celestions. *August 2005 G1: ESP Gitarren (EMG Pickups) > Dunlop Wah > Boss RGE-10 EQ > Yamaha SPX 900 > Eventide H3K > JCM800 mit 6550 > Marshall 412 mit Celestion Vintage 30s. Lenny Kravitz: Gibson SB (HB) > rack splitter > Boss OC-3 > Fat boost > MXR Dynacomp > MXR Phase 90 > L6 Echo Pro > L6 Mod pro > L6 Filter Pro > L6 POD pro SPLIT > (2) Fender Deluxe reverbs > 112 Greenback, (2) Marshall 50w Plexi Topteile > Marshall 412 mit 25 greenback, (2) Twin Reverbs > 212 80w G12s. (November 2005 G1) Malcolm Young/AC/DC: Gretsch halbhohl mit 12-56 Saiten > 1966 Marshall 100w Plexi > Marshall 412 mit 25w Greenbacks. (May 1996 Guitar World) Mark Morton/Lamb of God: Jackson Custom (HB) > Dunlop wah > MXR GT-OD > MXR EVH Phase 90 > DBX Kompressor > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge) Matt Bellamy/Muse: Manson custom Gitarre (HB) > Digitech WH-1 Whammy Reissue > MXR Phase 90 > Diezel VH4 > TC2990 Delay > Soldano 4x12 Box Matt DeVries/Chimaira: ESP (with EMG 81) > Peavey 5150II/6505 (Boss CE-20 in FX Loop) > Mesa 412 Box mit Celestion Vintage 30 (Guitar World Holiday 2009) Michael Amott/Carcass, Arch Enemy: - Dunlop Zakk Wylde wah-wah Pedal > Ibanez TS-808 Tube Screamer > MXR Phase 90 > Ibanez AD-9 Analog Delay > Roland SDE-3000 Rack Delay Unit > Peavey 5150 > Krank "Revolution" Boxen (mit Celestion Vintage 30's) Michael Schenker: Flying V (mit HBs) > Dunlop Wah (im Rack) > Boss DD3 > Boss CE-5 > JCM800 50w (Dist) SPLIT JCM 2k (Clean) > Marshall 412 mit 75w Celestions (June 2005 G1) Mike Campbell/Tom Petty: Cry Baby > Camel Toe overdrive > Boss EQ > Line 6 DL4 > Line 6 MM4 > Fender Reverb SPLIT TO Fender Blackface deluxe, Vox AC30, Fender Tweed Deluxe, Fender Princeton > Vox 412 Lautsprecherbox (Guitar Edge May/June 2009) Mike Izinger/Incubus: PRS halbhohl > H&K Rotosphere > (2) Boss PH-2 > DOD Gonlulator (ring modulation) > Boss RV-3 > MXR Phase 90 > DOD FX25 (envelope filter) > Boss CS-3 > DOD FX75 Flanger > Boss GE7 > OC-2 > DOD overdrive > Mesa Dual Trem-o-verbs (1 clean, 1 distorted) > mesa 212 or 412 Boxen mit V30s (Sep 2002 Guitar One, GG.com) M Padget/Bullet für My Valentine: ESP Flying Vs mit EMG 81/85 > Slash Dunlop Wah > TS9 > TC Electronics G-Force SPLIT Mesa Triple Rectifier (Dirty) > Mesa 300w 412 Box und JC120 (Clean). Mike Schleimbaum/Darkest Hour: Washburn N4 (HB) > Tubescreamer > Digitech Whammy > MXR Phase 90 > Dunlop Wah > Line 6 DL4 > 5150 III (FX loop – Alesis Quadraverb) > 5150 Boxen mit EVH Celestion G12 (Guitar World Anniversary 2010) Munkey/ Korn: Ibanez 7 String > Digitech Whammy Pedal > Univibe > EH Flanger > EH Big Muff > EH Small Stone Phase Shifter > Boss Rev/DDL > DOD FX25 Envelope Filter > Mesa Triple Recto > Marshall 4x12 mit V30 Lautsprechern (November 1998 Guitar Shop) Neal Schon/Journey: Les Paul > Crybaby Wah > Boss DS-1 > Ibanez TS9 > Boss CS-3 > Boss NS-2 SPLIT Hiwatt Custom 100 (FX Loop - Roland DDS) > Marshall 412 mit Greenbacks, Hot Rod Deville 410 (Teil des Journey 80s Rig und January 98 Guitar Shop). Noodles/Offspring: Ibanez Talman > Mesa Boogie Mark IV > Alesis Quadraverb (in FX Loop) > Mesa 4x12 Boxen (September 1997 Guitar Shop) Nuno Bettencourt/Extreme, solo: Extreme: Washburn signature series > Rat distortion > Marshall JMC 800 (Guitar Xtra Nov 2007) Solo: Washburn signature series > MXR Phase 90 >Boss OC2 > Demeter Tremlator > Marshall, H&K oder Fender Topteil mit Boss DD3 in FX loop > Marshall 412 Box (May 1997 Guitar Shop) N Cester/Jet: Gibson ES 335 (Semi hollow, HB) > Z-Vex Fuzz Factory > Hot Cake distortion > Hiwatt 50w Custom > Marshall 412 (March 2005 G1) Omar Rodrugiez-Lopez/ Mars Volta, At the Drive in: Fender and Gibsons > BOSS HR-2 harmonist > BOSS CE-3 > BOSS Phaser > Boss reverb > Orange AD140HTC Gitarrenvorverstärker> 4x12 Orange Boxen Otis Rush: custom strat > Mesa Mk III > Mesa 412 Box (Guitar Shop Winter 1994) Oli Herbert/All That Remains: Washburn, Gibson, Ibanez Gitarren > Peavey 5150 und 6105 Topteile > Mesa Boogie 412 Boxen (Feb 2009 Guitar Edge) Page Hamilton/Helmet: ESP SB (HB) Vox Wah > MXR Dist+ > Dyna-comp > Tech 21 double drive > Z Vex Fuzz Factory > ProCo Rat > PE COB > octave Pedal > MSC Microamp > MXR Bass octave > Whammy pedal > ADA FLanger > MXR Stereo chorus > DD6 > VHT Pitbull Head > VHT 412 mit Eminence 50w (September 2005 G1) Pete Townshend/Who (Who’s Next Album): 1957 Gretsch 2180 Gitarre > Edwards Lautstärkepedal > late 50s tweed Bandmaster. (Guitar World May 1996) Randy Rhoads/Osbourne, Ozzy: Les Paul > MXR Distortion plus > MXR EQ (heavy midrange emphasis)> MXR Chorus > MXR Flanger > Korg Echo Einheit > Cry Baby oder Vox wah > Marshall 1959 Super Lead Plexi Topteile > Marshall 4x12 Boxen mit Altec Lautsprechern. Shure 57s close-miked on cabinet, Neumann U87 20' away. Robby Krieger/Doors: Gibson SG > Maestro Fuzz-tone > Fender Twin Reverb oder Acoustic 260 Robert Cray: early 60s strats & Gibson 345, (2) Fender Super Reverbs Ron Thall/Guns & Roses: Vigier und Les Paul Gitarren mit Dimarzio Humbucker Pickups und Ernie Ball Strings> Line 6 Vetta (Feb 2009 Guitar Edge). Scott Ian/Anthrax: Jackson Gitarre mit EMG Humbuckern > TC Distortion > JCM 800 > Marshall Boxen. Slash: Les Paul (HB) > EMB Remote Wah > Marshall 25th Anniversary series Topteil > Marshall 412 mit Celestion Vintage 30s (Guitar Shop 1995, June 1996) Sonny Landreth: Strat (SC) > MXR Dynacomp >> geteilt nach 1954 Fender Deluxe und Demeter TGA-3 > Demeter Silent Speaker Chamber mit einem Celestion Vintage 30 und Shure SM-57 (The Recording Guitarist by John Chappell) Son Seals: Gibson ES-335 > mid 60s Fender Super reverb (Guitar Shop 95) Steve Jones/Sex Pistols: Les Paul > Fender “silverfaceâ€� Twin mit Gause Lautsprechern (May 1996 Guitar World) Steve Miller: Fender Strat > Fender Bassman (mit SM 57) http://www.guitarpla...ms=steve miller Stevie Ray Vaughan: Fender Strat (Rosewood fretboard) > Vox Wah > Diaz Square fuzz or TS808 > Tychobrahe Octavia > Boss Chorus > Geteilt nach: Leslie Lautsprecherbox, Fender Vibroverb (2x10), Fender Super Reverb (4x10), Fender Bassman Topteil mit 2x12 Box, Marshall Topteil (6550 Elektronenröhre) > Marshall 4x12 Box mit EVM Lautsprechern ( The Recording Guitarist by John Chappell) Steve Stevens/Billy Idol: Hamer SB (HB) > crybaby wah > Rat dist > MXR Phase 90 > Boss CS-2 > 1969 Marshall Topteil > Lexicon PCM 41 & 70, Yamaha XPS 90, Eventide 969 im looping System > Marshall 412 mit 25w Lautsprechern. (July 87 Guitar World) Steve Vai *Guitar Shop 1994: Ibanez SB (HB) > Boss SD-1 > Cry baby wah > Whammy Pedal > JCM 8/900 > Roland SDE 3K > Eventide H3K > Marshall 412 mit Celestion Vintage 30. *Guitar Shop 1995: Ibanez SB (HB) > Boss DS-2 > Cry baby wah > Whammy Pedal > Laney und Bogner Extacy > Roland SDE 3K > Eventide H3K & H4K > Marshall 412 mit Celestion Vintage 30s *December 2005 G1: Ibanez SB (HB) > Morley Volume > Digitech whammy > Boss DS1 > Ibanez TS9 > MXR Phase 90 & Phase 100 > Carvin Legacy HD (Loop mit Eventide Harmonizer® & TC G Force) > Carvin 412 mit Celestion Vintage 30s. Stone Gossard/ Pearl Jam: * Rig 1: Les Paul > TS-9 > mid 70s Twin reverb (EV 75w Lautsprechern) * Rig 2: Les Paul > TS-9 > Matchless HC30 Topteil > Marshall 412 mit 25w Lautsprechern * Rig 3: Les Paul > TS-9 > 1968 Marshall Plexi Super Bass > Marshall 412 mit 25w Lautsprechern (Guitar Shop 1994) Tom Delong/Blink 182: Superstrat SPLIT nach Marshall JCM 900 (clean) und Mesa Triple Recto (distortion) > Mesa 412 Box (GG.com) Tom Dumont/No Doubt: Hamer Explorer style Gitarre mit Humbuckern oder SC Pickups (10-45 gauge) > Crybaby wah > MXR Microamp (boost for solos) > Dunlop Tremolo > Univibe Split Fender Tone Master > 4x12 Tone Master Boc und Mesa Dual Recto > 4x12 Tonemaster Box. Acoustic Guitars: Guild D25, Takamine NP65C Nylon Saite. Tony Iommi/Black Sabbath: SG mit Humbuckern > Tychobrahe ParaPedal Wah > Ranger Master Treble booster > Laney 100Watt Supergroup Topteil > Laney 412 Box (Guitar World May 1996, Guitargeek.com) Tom Morello: RATM/Audioslave: Superstrat mit EMG Humbuckern> crybaby wah > Whammy Pedal > Boss DD3 > DOD EQ > Ibanez digital Flanger > Marshall JCM 2205 50w > Peavey 412 Box (November 97 Guitar Shop) Tom Petty: Tele oder Rickenbacker (SC)> Vox Wah > Red Llama OD > Ibanez TS-9 > Boss CE-2 > Boss RV-3 SPLIT TO: Fender Bassman und Vox AC 30 (GG.com) Tom Scholz/Boston: 1968 Gibson Deluxe Gold top Les Paul mit Dimarzio Super Humbucker Pickups > EQ > Cry baby wah > Maestro Echoplex > 100-watt Marshall Topteil > Marshall 412 (EMT Gold Plate reverb zum mixen). Trevor Rabin/Yes (90215 Era): Fender strat (HB) > Boss DS-1 > Boss Chorus > Ampeg VT 120 (Guitar Edge November 2009) Warren Hayes/Allman Brothers: Fender Strat mit Lace pickups, PRS (Humbuckern), Les Paul Standard mit Pearly Gates Pickups > Soldano SLO 100 (FX loop – Alesis Quadraverb) > 412 Box mit EV 16 ohm Lautsprechern. Verstärkereinstellungen: normal gain: 1 pm, Overdrive gain: 9:30, treble 2 pm, mid 11 pm, bass 2 pm, normal output: max, overdrive master: max, presence: fast Maximum. 425 MS ddl, hall reverb 1.8s auf 2.4 Sekunden bei ~ 50%. (Guitar Shop Spring 94) Wayne Lozinak/Hatebreed: Jackson mit EMG HB > Dunlop Wah > Boss SD1 > Boss DD3 > Boss NS2 > Marshall JCM2000 > Marshall 412 mit 75w Celestion Lautsprechern (Guitar World Feb 2010) Wes Borland/Limp Bizkit: Ibanez 7 string > noise Gate > MXR Bluebox > Mutron III > Morley Volume/wah > MXR Phase 90 > Boss reverb/delay > Fulltone Deja Vibe > DOD Buzz Box > Mesa Dual Recto > Mesa 4x12 Box (September 1998 Guitar Shop) Willie Adler/ Lamb of God: ESP Custom mit Seymour Duncan (HB) > DBX Kompressor > Mesa Mark IV > Mesa 412 (March 2009 Guitar Edge) Yngwie Malmsteen: Strat mit HM3 Pickups > BF-2 Flanger > Marshall JMP 50w MK II Topteilen > (2) KORG DDL (DDL und Chor) > Roland SDE 3K > Marshall 412 mit 25w Lautsprechern. (GG.com, Guitar Shop Winter 95) Zach Myers/Shinedown: PRS signature mit HB > whammy pedal > Dunlop Wah > Univibe > Boss DC-2 > Digitech Hyperphase > TS9 > CS-3 > DL4 > Micro POG aufgeteilt auf drei Topteile >>>Fender bassman (Clean) Diamond Spitfire (Dirty) Diezel Herbert (dirty) > Engl 212 Box (Guitar World Dec 2010) Zack Blair/Rise Against: Gibson mit HB > MXR Phase 90 > Marshall JCM900 AND Mesa Dual Recto > Mesa 412 mit Celestion V30s (Guitar Edge Nov 2010) Zakk Wylde/Ozzy Osbourne, Black Label Society: - Les Paul mit EMG HB > Dunlop Rotovibe > Crybaby > Boss SD-1 > Boss CH-1 > Marshall JCM 800 > Marshall 412 mit 75w Lautsprechern. (Guitar Shop 94, GG.com) Zoltan Bathory/5 Finger Death Punch: BC Rich Assassin (HB) > Diamond Nitrox HD > Digitech GSP1101 (FX loop) > Diamond 412 Box mit V30s (March 2009 GW)

Note: The Spider III was released in 2006 and discontinued in 2010. The Spider III is now listed as a Legacy Product. Q: How are the Artist preset banks categorization and alphabetized? A:When looking at the list of the banks in the unit, the banks seem to be broken into four different sections: 1. Albert Lee - Julien K 2. Ash - Volto 3. The Accident Experiment - Thursday 4. Songs 50's - Misc. Fun Each of the first 3 sections (artist banks) is alphabetized. Is there a reason all the artist presets overall aren't alphabetized? The artist banks are categorized by Clean, Dirty and Heavy: 1. Albert Lee - Julien K: Cleaner patches 2. Ash - Volto: Midgainy patches 3. The Accident Experiment - Thursday: Heavily overdriven patches Q: How do I perform a factory reset on my Spider III? Line 6 Device Factory Reset Procedures Q: How do I use the compare mode (to find where the knobs were originally set)? A: Press and hold the Tap button, then turn the Amp Models knob. This activates Spider III's "Compare mode". Now turn any knob other than Amp Model and Master Volume, and the channel lights will tell you whether you need to turn that knob up (Channel A lights) or down (Channel D lights) to match the stored setting. The Channel B & C lights will be lit at the same time once the knob position matches the stored setting exactly. Q: How do I connect the Spider III HD 150 to the Spider Cabinet? A: The Spider III HD 150 is designed to see a load on *both * speaker outputs by connecting the left and the right inputs to the Spider cabinet with speaker cables. Running the Spider III HD 150 into a 4 ohm load may result in damage to the amplifier. Please see the following link for more information: Cabinet Connection and Ohm F.A.Q. Q: Can I use two Spider III cabinets with the Spider III HD 150? A:The Spider III HD 150 was designed to power a single Spider III Stereo Cabinet with a stereo 8 ohm load. Using two Spider III cabs would require a modification to each cab so that they are each rewired to produce a 8 ohm mono load. This modification would preferably be done by an authorized Line 6 service center, which can be located from the Service Center link on the Support page. Q: How do I connect external speakers to my Spider III 150 amplifier? A: You will need to disconnect the internal speakers (covering the dry-solder clips with electrical tape) and connect both external speaker outputs to an 8 ohm (or higher) load. Do not connect just one side, as this may cause a power amp failure. Powering the internal speakers along with a external speakers may cause a power amp failure and is not supported. Q: What type of speaker is used on the Spider III combo series? Spider III 15: Custom 15 (4 ohm) Spider III 30: Celestion G12E50 (4 ohm) Spider III 75/150: Celestion G12P80 (8 ohm) Spider III 120:(2) Celestion G10P80 (8 ohm)