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Given the resurgence of bands and artist turning to old school plugins such as Pod Farm...What are the chances we might see a 3.0 update or at the bare minimum, a simple impulse response cabinet module so we can all ditch the 3rd party loaders? I've gotten back into it lately and I'm finding it more enjoyable than most of the new stuff coming out, but the stock cabs have always sucked. A man can dream! A paid add-on could make it worth their while...maybe. I'd be happy to shell out a few bucks for an Ir module in an instant.

I was going to wait for Apple's announcement on new Mac Studios in June, but now I'm aware the Pod Studio is never going to work on Tahoe, I've had to change my plans. So, I'm thinking of an M4 Studio & keeping it on Sequoia. Can I assume it will run Line 6 Central 1.04 which will enable me to authorise my Pod Farm models on the new Mac? Anything else to watch out for?

That's really disappointing! Thanks for reporting back, anyway. Much appreciated.

Posted too soon, I figured it out. I had the Helix Rack connected via a USB that has a ground lift. This is because without that it (and other powered USB devices I own) will put noise onto the USB that my audio interfaces put into my speakers. When I tried using a non-ground-lifted USB, it works. I put up with the noise during the restore. Hope this helps others, if you get my symptoms, it's likely the USB connection.

I was having trouble with the Editor and the wi-fi connection dropping out or just not connecting, so I bought a TP Link Roam 6 AX1500 ($38 US) to create a Hotspot to connect both my Laptop and the Stadium XL. It works perfectly. It connects every time, and never drops out anymore. Loaded 24 songs, with 3 tracks each, into the Stadium seamlessly. Hope this helps someone!

This is a great rock tone here. At the end I show the blocks

I have sent Helix for a repair of an LED light. It was returned to me within 2 weeks. But I did have to escalate it due to other reasons. If the Helix is 2 weeks old, then it's a problem, and you should return in for a refund. Otherwise, if everything is structurally sound, then all is needed is lithium grease and tightening a few screws. I've greased my pedal 5 years ago and not a peep to this day. All it takes is taking the back off, and adding a generous amount of grease. I didn't have to disassemble anything, but I did have to tighten the screws of the "claw" that attaches to the actual pedal mechanism. On my Helix, those screws were loose, so the pedal started getting crooked, and was scraping against the side and also was getting loosened from that. Some people say lithium grease is bad for plastic.. in my case no issues.

Sure, the first and powerful point to start with is the global EQ for your specific output on which it sounds muffled.

I've got a dozen outdoor gigs on the schedule already and I'm concerned that the scribble strips will be impossible to see. The Helix Floor has LCDs which are highly visible in direct sunlight, but the Stadium's OLEDs wash out. Making a sunshade is on my list of things to do next week.

This guys video covers waaay more than the manual

After a few years of using the Pod Go Wireless, I switched to the Stadium and to find the same sound sensation that on PA systems often becomes too sharp at the beginning, I had to set a high cut at 4300 Hz. I was quite surprised because with the Pod Go I used the Global EQ like this: Low cut 120 Hz and Hi cut 6300 Hz obtaining a very credible and pleasant sound on the high frequencies. The difference between the two machines left me very perplexed, and even with the hi-cut at 4300 Hz, the Stadium for my ears had something wrong. Then one day I started playing with the input impedances and now finally setting the impedance to 22K I found again that sensation of real sound that I had with the Pod Go and the Hi-cut on the Stadium is now at 6300 Hz. With these settings (impedance 22k, Low-cut 120 Hz 6dB per oct., Hi-cut 6300 Hz 18dB per oct.) I find that the sound is truly beautiful and credible. Even the dynamic response becomes more "true" and the amplifier models respond to the tones in a more realistic way. I emphasize that with the Pod Go I used either a buffer in front or I used it wirelessly therefore with a buffer to overcome the well-known problem of input impedance which, unlike the Stadium, made the duo too opaque.

Got it from general knowledge of many years as a computer programmer. (Search USB host/Usb client) If you don't want a computer in the mix to provide host, you need another device that can provide host like a Morningstar MC4/6/8 midi controller, or others. "USB-C PORTS: DEVICE AND HOST The Host port is a built-in MIDI USB host. With this, MC6 Pro can directly control other USB devices such as the Source Audio C4 Synth, Line 6 Pod Go and Zoom Multistomps. No need for a separate MIDI USB host that is both costly and cumbersome"