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DBCrocky

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DBCrocky last won the day on March 3 2018

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About DBCrocky

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  1. You can tap the send from your Rectifier preamp without sending it a return back, it's not a problem. Or you might try this: Guitar -> Helix Input Helix Send 1 @ instrument level -> Rectifier Preamp Input Rectifier Preamp Main (Live) Output (just use one of them...) -> Helix Return 2 @ Line Level Helix Outputs @ line level -> Power Amp Inputs In this setup you don't even use the FX Loop of the Rectifier Preamp. On my Triaxis, using the Output instead of the Send includes the volume knob on the front panel, so I can turn it down and use the same Send set @ instrument level. - or - You can set the send/return block to Line Level and turn down the send level of the block, as rd2rk suggested. (The issue is that a your rectifier preamp definitely takes and instrument level input, and probably sends line level out of the output for a power amp.) Another little trick is to use the circular output block at the end of the first line/DSPchip as your Send, and then use the circular input block the beginning of your bottom line/DSPchip for your Return. The Return input block will have a Noise Gate built in. This can save you two or three blocks, but has the side effect of putting all the pre-Rectifier blocks on one DSP chip and the post-Rectifier chips on the other. However, since you are not using any Amp/Cab models in the Helix, processing power limitations probably won't be an issue for you. Yet another option would be to run Helix -> Rectifier -> Power Amp. This means all of your effects, including delays and reverbs, run before the Rectifier, but a lot of folks put delays and reverbs on their pedalboards and run them into their amps and are just fine with it. It all comes down to what you prefer. It also turns your rig effectively mono, so that might be a dealbreaker for you. EDIT: I just looked at the Rectifier Preamp manual, and it doesn't look like you can completely turn off the dry signal back to the FX Loop return, you can only turn it down to 10%) Also, on page 12 there are a couple of paragraphs that basically say people prefer the sound by NOT using the FX Loop.
  2. I ran something very similar with my Mesa Boogie Mark I reissue: Helix Send 3 @ instrument level -> Mark I Guitar Input Mark I FX Loop Send (level knob maxed) -> Helix Return 4 @ line level Helix Main Output @ line level -> Mark 1 FX Loop Return I always get some hum from a tube preamp, I put a Noise Gate Block directly after the preamp return or send/return block. If the hum is too loud that it is noticeable against the guitar volume, I would look at the preamp, possibly it needs to have a gnd switch flipped or just better conditioned power or a tube replaced...etc. Sorry if any of this is repeated from above. Anyways, you will always get a little hum from the tube power amp as well. I recently switched to a Line6 Powercab, I use a Triaxis preamp always followed by a Noise Gate block, and I get complete silence when I am not playing, even at extremely loud levels, it's a bit spooky! Edit: Not sure why you are running back through the Rectifier preamp to get to your power amp. Have you tried running directly from the Helix to your power amp? Edit: You are using a LOT of gain - rectifier gain on 9 and sending it a boosted signal, that is going to create a lot of hum.
  3. After much experimentation, I have found using an Amp model without a cab in conjunction with a real tube preamp on an effect loop into the PowerCab to be a really nice sound. Also, just a real tube preamp directly into the powercab without any Helix amp/preamp/cab models at all is excellent as well. If you are just going to use Helix w/o an external tube preamp, I think the Amp models do a better job then just the Preamp models. Just how I hear it, YMMV.
  4. So FYI, I just found out today you can order the Mission Ep-1-L6 from the Mission Engineering site with a Spring Load option. This means when you take your foot off, a spring will return the pedal to heel position. Then in Bypass assign for your wah/effect, you can turn the wah off when the pedal is in heel position, on otherwise. Now you've got the Morley Bad Horsey type wah where you turn it on just by pushing the pedal, and when you take your foot off the spring will put the pedal into heel position, turning it off. No having to use a toe switch! This is for Helix, not sure if the feature is available in HX Effects...
  5. I don't generally use large ambient reverbs, I am sure you are correct.
  6. A reverb hint that I really like is to turn the PreDelay up to about 130ms
  7. The new Stomp Mode is indeed now very versatile and worth investing some time into getting up to speed with. FYI - There is another simple solution here - just get an external footswitch and program it for your boost function. Also, there is a global setting that will control whether your snapshots remain where you've changed them or always revert back to the saved state.
  8. Have you possibly set the Expression Pedal to/from Snapshot/Global in the Settings?
  9. So, to continue pushing you toward a Control... I have the Helix Rack and Control, and one really nice thing is that the VDI cable caries all signals AND power. You won't get the integration between the Rack and Controller with other MIDI controllers, all with only one cable run from the rack to controller. You can even add three pedals and it all still works on one cable. And with the new Helix Command Center options from firmware 2.9 you are no longer stuck with only 4 buttons and a bank down button on the bottom row... I use the Mission Line-6 expression pedals, you can get ones with or without a toe switch. Good Luck!
  10. Besides doing alternate tunings, the Variax can do reasonable approximations or Resonator acoustics, banjo, and sitar. Also you can turn the volume level of various strings up or down with the Variax. For example, if you wanted to start with a twelve string acoustic, turn the bottom two strings off and retune the top four strings to 5ths, you can get a reasonable Mandolin. Finally, the Poly capo and 12 string simulator blocks in Helix 3.0 eat up a lot of DSP and are prone to have weird artifacts if you don't play them perfectly, while the Variax 12 string sims and alternate tunings take NO DSP and do not suffer from weird artifacts.
  11. What is your problem? I posted my first impressions of the PowerCab 212. I had lots of nice things to say, and a couple of things that bothered me. Why is this such a big problem for you?
  12. Not sure when it will come out, but when it does it should be called the "Double Helix"
  13. I would like to have a standby switch, thank you. That's why I posted it.
  14. Just got a PowerCab 212 yesterday. It was bit bigger than I thought, but hey, it's a 2-12 cab. About the size of a Fender Twin, but not nearly as heavy. So far it's been really nice. I am having fun programming for it. Sounds really really nice, and so far I have just been doing dual Shade (Boogie Black Shadow C90) mode, with my Boogie Triaxis in Rhythm Green the clean sound is so beautiful sounding, I haven't got much further yet. I Needed to set Helix on full on line output, big knob all the way dimed, all the PowerCab settings to 0.0 db, and adjust volume using PowerCabs input knob. Seems to be about perfect looking at the PowerCab LED's, going into yellow commonly, red rarely on clean and lead settings. I noticed you can't run one speaker in FULL mode while the other one was in SPEAKER mode. With a Variax, I was thinking I could make a More Than a Feeling patch with acoustic 12 string on one side and electric 6 string w/chorus on the other. Not a big deal, I could probably achieve it with DUAL IR mode, or put a Speaker Cab block or IR on the Helix electric and run the PowerCab in FULL mode. What I miss the most, coming from using real tube amps, is a Standby Switch! While I know since it's not a tube amp we don't technically need one, it's would be nice to have a switch that mutes the rig for setbreaks and such without having to turn the amp off (and hoping it boots ok again) or turning a knob down (and losing it's setting).
  15. The MIDI Solutions Event Processor is a small box that will convert one MIDI command into two. It could also do your alternating commands for latching. It can do a lot of other MIDI manipulations as well. You'll have to use their small software tool to program it. It may not be the right solution for you but maybe it will. It is a very useful little MIDI box: http://midisolutions.com/prodevp.htm
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