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MartinDorr last won the day on February 19 2015

MartinDorr had the most liked content!

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About MartinDorr

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    Arizona, U.S.A.
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  1. MartinDorr

    Best speakers for Helix at home

    If you need to stay at medium volume levels for home use and have the space to set them up, good studio monitors (5” and up) were my solution. Which ones work for you are a matter of personal preference. They do not feel like a guitar amp, but they can sound like good guitar recordings through a beefy sound system. I don’t know whether there is a great product that can handle both gig volume and medium volume home use, especially if your home room is space limited.
  2. MartinDorr

    Helix to Helix LT Patches

    Same number of foot switches. Just no label strips and less I/O, e.g., no MIC in, less send/returns, and external amp controls, ... Downloaded patches are hit and miss as your other equipment and guitars typically do not match the stuff from the author.
  3. Hoping for an unannounced extra model in the release to ‘ease’ the wait. ... and next week release would be extra motivating for Line 6 (so they have another good week to release a patch if needed before NAMM ;-)!
  4. MartinDorr

    Wireless USB from Editor to Helix?

    I haven’t tried one o these, but there are a number of companies offering Bluetooth/ MIDI converters. For example, https://www.amazon.com/BM-A01-Wireless-Bluetooth-Adapter-Interface/dp/B07RFJFXHN.
  5. MartinDorr

    Yamaha SPX90 Symphonic preset

    Mine did too about a year ago after trying it for kicks within 30 minutes. Did a bit searching and found the most likely failure is due to leaking capacitors in the power supply. In fact after opening it up the capacitors leaked in mine. Have not found the time and patience to find replacement parts and try a home repair though ...
  6. MartinDorr

    How do I know if I am clipping

    Worthwhile as a quick check when you are in doubt and have no baseline from other tones or no DAW. Be aware though that changing your input pad is like changing your amp model drive dial, which may have an audible impact on your tone, especially if it is on the verge of breaking up. Thus you may think of hearing the onset of clipping, but It’s just amp distortion.
  7. Title says it all. Searching for past discussions did not find anything ...
  8. MartinDorr

    DT25 Head Voicing Switch does what it wants

    Check how old your tubes are and and consider replacing. They may no longer work reliably in all modes and it appears as if the mode switch is broken.
  9. MartinDorr

    Experiments With Helix Master Volume Settings

    I suspect that any real tone changes would be due to the post-amp modeling chain. I have never come across a situation where a change in Channel Volume seem to have impacted the dynamic response of an amp when there was no post processing.
  10. MartinDorr

    Experiments With Helix Master Volume Settings

    I am curious what the Channel Volume values were before and after your adjustments. The Channel Volume knob is neither linear nor exponential, but seems to have a few regions were its effect is fairly fine grain to pretty corse when you make a 0.1 change. Maybe there is even more going on ...
  11. MartinDorr

    Levels. Sitting around -12db max

    Forgot to comment on the Channel volume. Do not use some target Channel Volume level as a guideline. Its only purpose is to keep the amp output level at your target peak and/or RMS level. First of all it will need to be dialed in primarily based on your amp model choice and the selected Drive setting combined with amp input signal level. Obviously the other amp dial settings matter too, but usually to a lesser degree. Use your Master to fine tune your volume to the environment.
  12. MartinDorr

    Levels. Sitting around -12db max

    I used play through an HD500 for a few years and found that it introduced soft compression when sound levels peaked higher than -9 dBFS, possibly even a bit earlier. The Helix does not seem to do that. From what I can tell (and when I measured) Helix stays clean (undistorted by levels) up to or very close to the clipping level. So you have a bit more freedom depending on what you play for. For studio/recording or working with a sound guy a peak target of -12 to -9 dBFS I have seen recommended several times. You want the mixing engineer have plenty of headroom to work with. For live in a small venue when playing with others that produce fat sounds (high RMS levels) you can consider pushing the peaks of clean sounds a bit higher so they have a chance of standing their ground. RMS levels of a good mix should be about 9-12 dB less than peaks if I remember right.
  13. MartinDorr

    Fender Clean?

    Would you mind sharing a few of you tone stack settings combined with your guitar type, pickup, tone and volume settings you use with them? I never had the opportunity to get my own experience on a Deluxe and struggle to get really different cleans on Fenders (from creamy mellow over full bodied to bushy eyed bright or funky).