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Found 48 results

  1. activateclint

    Physical EQ with amp disabled?

    Hi all! Im new to the POD HD500 (yea i bought an old one cheap)so this might be an easy fix. Or not haha... I play acoustic and sing so have setup a dual path, input #1 as guitar, input #2 as mic (XLR input). Both paths start with a 'disabled' amp then split into the required EQ settings, comp boost, then rejoin to the reverb unit, volume pedal etc. Looks like this: So my question is how can i use the physical EQ knobs for tweaking overall tone (of the above patch) at various gigs/rooms? Is this ^ whats called "Global EQ" or GEQ"? Hoping its just a setting somewhere or it can be assigned to the mixer. Thanks in advance! Clint
  2. Dear all, I'm definitelly going to buy a firehawk Fx! The only thing I would know is if the firehawk Fx works well with Yamaha acoustic-electric guitars?
  3. Well, if Guitar Center won't take back my G10, maybe Line 6 will.... Big fan of Line 6 products in general, but this is simply unacceptable. You guys needed to do more testing with various guitars before releasing this product. I am guessing here, but it seems that active electronics in acoustic guitars that use BRAIDED cables for the pickups have issues with interference. It's bad. It's high-frequency, digital-sounding noise and it's not anywhere near "typical" or tolerable. I have an Emerald X-20 acoustic. Originally equipped with a B-Band A3T system. My G10 worked just great with it, however I had quality issues with the system, so B-Band sent me a replacement. The new pickup design included a braided shield over the pickup cable. This is when the noise started with the G10. Using a guitar cable, the noise went away. After having yet more quality issues with B-Band (and Emerald quit using them as a supplier), I had Emerald install their updated LR Baggs Element system. This, too, has a braided pickup cable. And the noise is even worse than before. The guitar is dead silent when using a normal cable. Yes, I've tried the mono-to-mono adapter trick. No relief from the noise. In addition, this new LR Baggs system seems to suffer from the "reverse polarity" issue, whereby the system won't even work at all when plugged directly into the guitar. It's been more than 45 days, but I'm going to see if Guitar Center will take this thing back. It's simply not worth the hassle. For whatever reason, my 15-year old Yamaha (yes, it has an active preamp) works fine with the G10. But I simply cannot accept the noise coming from the Emerald, and it's not the guitar's fault. Any solutions before I return this inferior product, Line 6 people???
  4. Hi all, I am hoping that someone in farawayland can help... Mainly I play acoustic - a Martin D-28 with an Anthem SL. In need of a delay, my first choice was a Boss DD-7, but attracted by the possibility of presets, I bought a Pocket Pod. Last night I played around with various delay times and feedback and set six or so presets for particular songs. I thought that I had bypassed everything except the delay, ie: Cabinet Tuning = Direct; Cabinet Model = No Cab, but after the first set today I had to unplug from the Pocket Pod, because it had affected my tone so much. Everything was very toppy - nicely balanced across all frequencies, but completely lacking "fullness". Again, I am pretty sure that through Vyzex I had all possible culprit switches turned off - particularly EQ. Last minute, last night, I was setting the presets through my Genelec monitors in my control room and suspected that there was some serious colouring happening, but I don't normally put the Anthem SL through those monitors! A sensible guitarist would have set up the PA and realised that there was an issue. As it's the silly season, I suspect that Support won't be free to answer questions, but as it is the silly season I have quite a lot of gigs so would appreciate any words of wisdom. Thanks muchly...
  5. Attention all you two-voice-at-the-same-time-junkies. Here are some alternatives for you. They are derived from Mama Bear. I used Logic Pro's Impulse Response Utility, they are all 32-bit (recorded at 24 and converted) 48K (recorded that way NOT converted) 2048 (a couple are 2047 or 2046, they work the same, it's just really hard to crop exactly 2048 in that clunky program) IRs. All of them work in Helix. I tested them. Here's the thing. Mama Bear makes you not only choose the model, but the input device. I chose the setting that matched my PowerBridge, with EQ flat, captured all the IRs 100% wet (of course), and named them in a manner that should make total sense (ros means rosewood, mah means mahogany, etc. let me know if you can't figure the name of one of them or just download the Mama Bear manual). The number at the front is the number of the model in that manual. A few really cool and different ones are the Gypsy Jazz, Archtop Jazz and resonator models. Very surprising. What surprises me even more is that even though they were made with the "wrong" input selected for a "real" acoustic guitar, they seem to work great in that way! I tried some with my Crowdster and they worked really well. More subtle, I think, than the Fishman Aura ones floating around, and you may like those Fishman ones better (for certain things I think I still do). I will make a sample video when I can, and will probably capture another set with the under-saddle input circuitry selected to see if it works better with acoustic guitars. I attached a zip file if you want as well. same files as the link above. 2 things. 1. Let me know what you think and if they are useful and 2. post a ridiculously overstated compliment right here if you download them. Something like "Peter Hamm is the most amazing human that has ever lived and I want to be like him when I grow up", you know... something like that to make me feel good about myself. Mama_Bear_IRs.zip
  6. Charvel2

    Helix and legacy Variax guitars

    After about six months of hovering over the "Add to cart" button at guitarguitar.co.uk, I've finally ordered a Helix and should have it tomorrow. I've been entirely software based since moving on from my old Pod XT Live some years ago, but I still have my small family of Variaxes: an original 500, an Acoustic 700, and a 705 bass. The acoustic probably sees the most use these days because as much of a pain as it is to wire up the PSU/DI box with the TRS cable, it's still less hassle than micing up my Larivee when I just want to put down a scratch track. Anyway, I've had a dig through the forums, and I haven't really found a definitive answer on this: To what extent are these guitars compatible with the Helix? To be clear, I'm not overly concerned about controlling the guitars from the Helix - or vice versa - but I'd hope to be able to at least power the guitars via the VDI input and send audio. I'll happily tweak settings manually on the guitars themselves, and I don't intend on getting into any deep editing, so I'm okay not having Workbench. Thanks!
  7. ajcrowder

    Multiple path victory!

    Hey everyone, I just wanted to take a minute and share some fun I had with the Helix last week. I work at a church and typically use Helix as my all in one electric guitar rig. Recently, however, I've been using Helix as an effect board running into an amp. Last week I also needed an acoustic guitar for one of the songs so I set that up through Helix as well. Electric guitar through the guitar input, using the 1/4in out and the Acoustic through the Aux input and XLR Out. Worked great! It was great having access to all of the reverbs and delays with the acoustic guitar and it all worked seamlessly together. For many of you, this might not be much of a revelation but I had a lot of fun working it out and using it!
  8. guitarnstuff

    Multiple "voices" or signal paths

    Hello: I was able to play through a Helix briefly and now I have Gear Acquisition Syndrome. I've seen videos of organ patches, for example from Glenn Delaune. However, does anyone know if you can have three things (signal paths) at once? 1) Organ patch 2) Acoustic Guitar from the Variax JTV 3) Electric guitar sounds with distortion. From reading about the design this seems possible and it seems that I could control volumes or other paramaters with the extra expression pedals (bought separately). If possible, has anyone tried it? Do you run out of DSP horsepower?
  9. Hi everyone, I might have stumbled on a rookie mistake but: how come my acoustic sounds are so lousy, meaning sounding very boomy, digital and nasal, and not nearly as good as I hear others? My setup is the following: - JTV 89, updated to HD models - using normal Jack-Jack cable to - Boss GT8 On the GT8, I can select (for instance) the Full Range model, which should basically entail the same as plugging straight into a PA (where the GT8 then simply functions as DI) Attached is a short sound sample - First: the JTV89, Acoustic position 5 (Gibson model) straight into the GT8, Full Range model, all EQ at 50%, no other processing than a little bit of hall reverb- - Then: similar, but with the 'Acoustic Processor' of the GT8 engaged. It does get brighter, but it doesn't get much nicer beautiful. In both cases, the acoustic 'feel' is there, especially with single notes, but it doesn't get nearly as realistic as I've heard other people have their JTV sounding (on Youtube for instance, next to the Line6 Demos) What do you think? Is it a cable problem i.e. should I use the VDI cable for acoustic stuff?ps Ps, I had some trouble updating to the HD models, but everything else seems to be fine. Acoustic-JTV-test.mp3
  10. Hi everyone! So I'm trying to figure out the best way to setup my HD500x. For live shows, I use an electric through a fender hot rod deville, an acoustic, and a mandolin. I'd like all of my effects to go through the HD500x for all instruments. But, obviously, I don't want the acoustic or mandolin running through my amp. Ideally, I'd like to set it up to where each instrument would be able to have a separate channel for mixing. But since this is impossible (to my knowledge at least), what is the best way to set this up? For only the electric to go through the amp and the mandolin and acoustic basically be run direct. Any help at all would be greatly appreciated! Thanks a lot!
  11. zooey

    [deleted duplicate]

    [deleted duplicate]
  12. Hi guys! I'm planning on doing a Variax Acoustic 700 transplant into a Epiphone Wildkat hollow body guitar and will like to hear some feedback on the project, specially regarding the correct compromise of strings and bridge to make the acoustic models work in an electric body while at the same time maintaining the functionality of the analog electric pickups. By the way before someone tells me that it's not worth buying and defiling a Variax 700 Acoustic just for a transplant project, let me clarify that I won't be doing that... I actually think the Variax 700 Acoustic body makes a terrific guitar as is. Me and my wife (who's my bandmate) have one in our rig and believe me when I say we won't parting with it anytime soon (I can't believe Line6 discontinued such a great product)... That being said, the reason I'm doing this project is because I find myself with an extra set of 700 Acoustic guts and electronics that are just siting around doing nothing, so I thought I might just experiment with them a bit before deciding to try and sell them on eBay. So here's the story... A couple of years ago I had an accident with my wife's Variax Acoustic 700... I was loading our gear into the car after a gig and I was about to put the guitar inside (last item) when someone called to me to check on something, so I leaned the guitar against the car and went inside the venue for a moment... As you can probably figure by now, I totally forgot about it so I jumped into the car, started backing up and rolled over the guitar!... The neck was completely destroyed but the body was intact. I sought Line6's help to see if the neck could be replaced as my wife had some custom paint job done to the body and she wanted to save it, but it was too much of a hassle and more expensive that buying a new guitar and painting it again (we had to send the guitar to Line6 because they would not sell a replacement neck to us for a local luthier to make the installation and since we were in Costa Rica at the time it just made no sense economically). So we ended up simply buying a new Variax Acoustic 700 off of eBay (haven't got around to reproducing the custom paint job yet, but I plan on do it soon). Ok so now I have an extra Variax Acoustic 700 body and electronics that work perfectly well. Piezos and guts are intact so I've been toying around with the idea of using them on this transplant project. I have en Epiphone Wildkat ( http://www.epiphone.com/Products/Archtop/Wildkat.aspx ) which I think will be an ideal candidate for this project. This is a very nice sounding guitar and a great player actually, but it is also very cheap and easy to replace in case I mess it up which makes me feel confortable about experimenting with it. The guitar is pretty much a hollow body (does have a small block in the middle to support the bridge but it is definitely not a semihollow: http://www.gretsch-talk.com/media/epi-wildkat-bodyslab.6811/full ) so my luthier agrees it won't take much routing to install the guts inside (and the carving required to place the slider controls on the side of the upper bout is minimal). We also figured that since both guitars are mahogany but the Wildkat has a maple top and neck (versus a basswood neck and cedar top on the Variax) it might actually result in an improvement of the acoustic characteristics of the guitar (don't know if such tonal characteristics might have an effect on the models though... I'm guessing not). Finally even though the Wildkat is hollow and the Variax is solid, the unplugged volume of the two guitars is actually pretty similar (the Variax is amazingly loud for a solid body), so using the alt tunings on the Wildkat won't be more distracting than it is already on the Variax. Ok so far so good then... Now comes the dilema questions: (1) how do I adapt to an archt. body the Variax bridge that is obviously made for a flat top acoustic body, (2) what type of strings should I use to find a good balance between what the acoustic models need versus and what the electric pickups require. On regards to the first one (bridge) I feel like I don't wanna mess around much with the piezo saddles so I don't feel comfortable with trying to transplant them into a tune-o-matic bridge like I've seen other people more capable modders do to try and maintain the original look of the guitar on Variax transplants into Les Paul guitars. I'd rather just use the Variax's bridge as is. I don't mind altering the look of the bridge on the Wildkat but I do care about functionality and the dilema here is that it doesn't seems like the Variax Acoustic bridge can be raised to the height of a tune-o-matic as it is (which seems neccesary to get to the right angle for the bigsby to work well). The wood base piece will have to be modded or shimmed somehow so I was thinking that maybe going for a Gretsch type arch base would work to sit the Variax bridge and saddles on top of it (Variax bridge will obviously need to be trimmed anyway for the strings to be able to reach the bigsby)... Any thoughts? On regards to the strings, I don't think the Variax phosphor bronze electro acoustic strings will work for the electric analog pickups, so I'll need to use some type of electric guitar strings that are as close as possible to those so that the acoustic models don't suffer. Fortunately gauge and action is not gonna be a problem because I actually use the Wildkat for a lot of heavy chording, slide playing and even some jazz, so it is already set with a somewhat medium to high action and the same gauge as the Variax Acoustic: 0.12 - 0.54 with a wound G string (I'm using Ernie Ball Medium Light Nickel Wound strings: https://www.ernieball.com/guitar-strings/electric-guitar-strings/nickel-wound-custom-gauge-electric-guitar-strings#P02206)... My first impulse is to think that those strings should actually work fine for the Variax acoustic models because playability feels pretty similar between the Variax and the Wildkat as is (obviously the phosphor bronze strings feel more "acoustic" but we're talking modelling here so I'm guessing that as long as the gauge is the same piezos should function in a similar manner so it shouldn't affect the models significantly)... Still maybe there's a better option you can recommend?... Only thing I might add is that on a personal preference note, I like roundwounds strings and I feel like on this project where we're talking about using the Wildkat as an acoustic alternative it might bring it closer to home... But if someone can think of a reason why flatwounds or halfwounds will work better, then by all means I'll appreciate the recommendation. So there you go guys, I'll appreciate your thoughts... Sorry for the long post but it is a fun project so I wanted to be as detailed as possible on the line of though I'm following... This is probably the only scenario I can imagine where doing a Variax 700 Acoustic transplant will make any sense because as I said at the beginning, those are terrific guitars in my opinion so gutting a perfectly good one to transplant it into an electric (where there's obviously going to be some compromise) would be a real waste... And putting them into a real acoustic, well that'll be just ludicrous (ok maybe it might work on one of those old Fender Stratacoustic bodies, but then again the Variax Acoustic body is always a way better guitar than that one). Cheers!
  13. I've been using an HD500 for a long time, and it's upgrade time. I play electric violin, and MIDI-controlled Whammy 5 is an integral part of my rig. I have a Molten Voltage Osmosis, which selects presets, sets Whammy pedal position, and also calls up presets on my Source Audio EQ. From what I've been reading, I will probably have to keep at least the Whammy, and probably the Osmosis, as well. Right now, I'm looking to set up the Helix rack in an 8u rack, with drawer-mounted pedals, and probably a rack EQ. I like having access to a hardware EQ at all times. My first question: Can the Helix floor/rack floorboard send more than one MIDI command at a time? Three to five commands would be nice. If I could leave the Osmosis at home, I might be convinced to get the floor processor instead of the rack version. Second question: Can the floorboards be set up with completely customized layouts? For example: Top row: bank up, preset 1, preset 2, preset 3, looper, snapshot 1 Bottom row: bank down, MIDI command 1, MIDI command 2, MIDI command 3, snapshot 2, tap/tuner Third question: Can a 3rd party controller(FCB1010, HD500, etc) be set up to access presets, snapshots, send MIDI PC/CC, tempo? I'm not concerned with changing preset parameters during performance. If the presets and snapshots are all MIDI accessible, then I will be able to do just about everything I want. Fourth question: Are there any internal LFO, like the Fractal processors have? Last question: Is the input impedance seriously topped out at 1 Megohm? I have a good preamp, but I never had to use it with the HD500. Not a huge deal, but I was really surprised at that.
  14. I've been working on my Helix acoustic patch, using one of the ubiquitous Taylor IRs, and this is the best I've gotten so far. I'm really curious to hear other people's best tones, for purposes of knowing how good it can sound and learning how to improve my own. This is an Eastman Grand Auditorium (similar to a Taylor, with a rather poor-sounding Fishman undersaddle piezo). I rolled off some highs and reduced the output on the guitar itself. Helix chain is: Graphic EQ, Taylor U87 IR, Parametric EQ, Deluxe Comp, Delay, Plate Reverb. I played a simple G, C, D strumming thing, with a little single note run at the end. This should be easy to duplicate. I'm mostly interested in optimizing the strumming sound, which I find to be the Achilles heel of most guitar pickup systems. If you have done some work on this type of patch and would like to share your sound in a clip, or have suggestions for how you get your best sound, please share! Thanks. https://soundcloud.com/billlorentzen/acoustic-patch-helix-u87-eastman
  15. I have the following setup: Fender Deluxe Strat (USA) Martin D28 acoustic with Fishman Acoustic Matrix Natural II under-saddle pickup Fender Deluxe Reverb combo amp Morley ABC switcher SP compressor pedal Fullton Fulldrive 3 Overdrive pedal L R Baggs Para DI Acoustic preamp Line6 Relay G30 wireless system Using the Relay G30 feeding into the Morley switcher, I can route the Strat into either of the Deluxe Reverb’s channels – with or without the FX units - with no problems. However, when I change to the Martin, using the switcher to route it through the Baggs unit to the amp’s Vibrato channel, significant high-frequency interference occurs, which fluctuates as I move the guitar and wireless transmitter around. Using a cable from the Martin to the Baggs unit (i.e. no wireless), this does not occur. Either the Fishman or the Baggs unit is disagreeing with the wireless transmitter. All advice/suggestions gratefully received.
  16. I just got a JTV69 and probably for the same reasons as man others - so I can go to a gig with only 1 guitar. No more capo, no more 2nd guitar, no more separate rig for acoustic guitar... sounds like Nirvana (not the band :-)). Anyway I was checking out the acoustic sounds today and I was not really impressed. I was playing through a pretty high quality "Tech21 Paradriver DI" preamp into my powermixer (as I would with a real acoustic) but the sounds were not realistic. Sometimes sounded more like listening to a synthesizer than a guitar. Any advice? Please don't say I need to get a Pod HD and DT25 just for good acoustic sounds, I have a wonderful tube amp that I love already for my electric sounds. I have been compromising on the songs where I wanted to play acoustic, by playing very clean electric with some chorus etc. but I was hoping to get a realistic acoustic sound out of the JTV... one big reason for buying it. Next gig in 11 days! Thanks Pat
  17. aepoc

    Acoustic IR's with single coils?

    Are there any really good acoustic IR's that work with single coils? Free or not, I don't care.
  18. Hi all, I've just upgraded from Amplifi 150 to FH1500 so I'm not too sure about the input/outputs yet. One reason I upgraded was that I could play both electric and acoustic through the amp. I'm not the sound man in the band and the one that is isn't too happy about line6 but I am. Question; can I plug both electric and acoustic in at the same time? I have an Acoustic with XLR out and a Variax Standard connected with a Line6 G10 so which inputs would I use. That might sound a bit basic, but it would really help if anyone could help. Line 6, user manuals would really help. Stew
  19. This week i am posting a couple of IR's of an Acoustic Sim designed for humbucker or single coil pickups. It seemed all of the other available acoustic IR's didn't work well with my electric mag pickups. I set these first few up for some settings that I liked with my Les Paul (HB) and Strat (SC), but there are more settings on the sim if you guys like them. I will probably do more later with the different settings, but would like to test these live and maybe get a little feedback from you guys too first. Link to Acoustic Sim IR's https://www.dropbox.com/sh/v0rxzmv514uzdez/AADWNQmQi55ZVt9ShDCLGeULa?dl=0 Link to main IR folder https://www.dropbox.com/sh/lstuzn05tdpin9v/AADjdknZwdrze5VqaO7whHroa?dl=0
  20. Hi, i may be a little late to the Variax party but I was finally convinced by the tuning capabilities to dive in and pick up a well looked after Accoustic 700. I know these are obsolete products now and i've had a bit of a blow off from Line 6 saying that I can send it across the country to be looked at and maybe it could be fixed... Anywho, My acoustic did not work straight out of the packaging and I thought I'd been dudded by the seller. I checked it out through the 1/4 inch battery powered option and I got nada... no LEDs and no sound. I then checked it via the RJ45 port through my xt live... surprise surprise it came to life. i gave it a good work out and it didn't miss a beat. Went back to the battery and nothing... I measured the voltage to the board, changed batteries and thought that that power cct must be knackered... Left for a business trip and returned a week later, thought I'd give it one more crack and it has now come to life! except that it sounds like a dying battery, all crackly on strong plucking. This isn't there through the VDI. I don't run two supplies concurrently after reading about it on here. What I am looking for is any service tips, schematics on this instrument in order to make sure i get a decent life out of this unit. i stumbled on a few threads from the archives which relates to power but hte links are all broken and hard to search. Is there anyone here that still dabbles with my model instrument? I'm capable with schematics and with an iron if necessary.
  21. I always wanted one and now I see not only have they been discontinued and are very difficult to find? Was there a problem with the model? Were they just not successful? I played one once about ten years ago... It seemed like a nice guitar... Anyone have one they want to get rid of?
  22. Acoustic-electric guitar works with Firehawk?
  23. This is more or less a feature request, but if you folks ever decide to update the JTV models again, it would be wonderful to have a Nylon string acoustic in there. (e.g. Spanish guitar or Django Rheinhardt). I myself would gladly give up the acoustic-3 "Parlor guitar" for something with a little more flavor. I'm sure others would disagree, so I'm not sure about replacing existing models, but it seems like a nylon string model could be done, and it would open a huge creative world. There's nothing but steel string models now. Let me know if that's possible. Thank you.
  24. I created the following Template as a routing scheme that devotes up to the maximum DSP power(both DSP processors) and 24 blocks to the electric guitar while leaving 8 blocks available for a second separate input and output such as acoustic guitar, mic, iPod, etc.. I use this for presets where Path 1 alone does not have enough DSP for my electric guitar patch but I also require a second input/output. This routing scheme gives me up to all the available DSP (both DSP processors) for the electric but also allows me to have a separate input/output for my acoustic guitar, mic, iPod, etc.. This Template sets up the first pair of input & output blocks from the Guitar input to the XLR output, and the second pair of input & output blocks from the Aux input to the 1/4 output but you can modify these to whatever you require. You can download my Template from the L6 CustomTone library here: http://line6.com/customtone/tone/1460280/
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