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Showing content with the highest reputation since 10/24/2019 in all areas

  1. 14 points
    2.9 Model Updates: -Revv Purple (Ch3) -1x12 Fullerton and Grammatico Cabs -Red Llama Drive -Steve Vai Legendary Drive -Harmonic Antagonizer Fuzz -Rochester Comp (Billy Sheehan Compressor) -Small Stone Phaser -Split Dynamics (Path A/B Routing) Feature Updates: -Output Meters -Gain Reduction Meters -Clip Indicators -IR Attachment by Name -New Switch/Snap/Looper Layout Options -New Model Subcategory Shortcuts -Update from HX Edit -A/B Compare for HX Native Available “soon.”
  2. 7 points
    I can't answer the detailed technical questions but can maybe provide some useful guidelines. Biased hot: Stronger overall output, more lows, not as much clean headroom, more saturation and less cutoff distortion, more even order harmonics, tubes wear out faster. Biased cold: Weaker, thin, harsh output, Lows aren't as strong, more clean headroom overall, more cutoff and less saturation distortion, more odd-order harmonics, and the tubes don't breakup as fast. I don't know what the range of the Bias control is, but I would expect 5 to be where the tubes are normally biassed, 0 is colder, 10 is hotter - but how hot/cold is unknown. The above applies to typical Fender, Vox and Marshall amps where the majority of the distortion is coming from the power tubes, and where negative feedback is lost (because the power tubes are clipping and have no more gain), and therefore damping factor be lower. For modern high gain amps where most to the distortion is coming from the preamp section, power tube bias can have a very different impact. A slightly colder bias might tighten up the amp, and improve the transient response. Hotter bias might result in less controlled tone and too much muddy bass. So biasing hotter for blues in small amps and biasing colder for metal in high-gain amps might be something to try. Bias excursion is caused by distorting power tubes causing increased grid current which charges the coupling capacitor between the phase inverter and power tube, which changes the bias of the power tubes. When the input stops, the coupling capacitor slowly discharges allowing the power tube bias to recover. This could make an amp that is biased hotter, become colder biased as it is pushed further into distortion, changing the color of the distortion. Maybe when the hotter biased power tubes are pushed to the edge of breakup there might be warmer even order harmonics, and better bass. As the tube is pushed harder the bias gets colder, there might be more odd order harmonics for more aggressive sounding distortion, and the bass might be reduced.
  3. 6 points
  4. 5 points
    Hi, I am Fabrizio D'Alisera a saxophone player from Italy, maybe it sounds weird in a guitar forum, but I'm a user of the Line 6 HX FX. I am running a mic through a small preamp and then to the hx fx. I have always been a bebop oriented player, but lately I am experimenting nu things. I will get an expression pedal to use the unit to its full potential. What do you think? I have used a delay in the first part and a bitcrusher and a pitch shifter in the second one. Here's the link
  5. 5 points
    SUCCESS!! So I was having the same frustrating SPINNING WHEEL issue while using Logic Pro as many others... but I made one change that seems to have fixed the problem! I just turned off my internet connection (WiFi) then tried opening the plugin in Logic, but this time instead of it causing the constant spinning wheel, it prompted me for my account login info (...because of no internet connection). But this time where I had previously been connecting over my home Wi-Fi... I instead connected to my iPhone via PERSONAL HOTSPOT... typed in my password and it loaded right up! And after that first successful attempt I now seem to be able to use my home Wi-Fi without any issues and everything seems to be working as it should! DANG....FINALLY!!!
  6. 4 points
    Nothing is stopping you from adding the extras for your own pleasure... but everything else you add will be moving further away from what Neil would do. IMO.... Studio Compression is definitely added to Neils guitar on the recordings.... you may want to insert the "LA Studio Comp" after the after for that feel/tone. It will be subtle, but does make a difference. A touch of verb doesn't hurt, but keep it light. Both the verb and compression would be "studio additions", not part of his core tone!
  7. 4 points
    "Undecided" - Ella Fitzgerald First you say you do And then you don't And then you say you will And then you won't You're undecided now So what are you gonna do? Now you want to play And then it's no And when you say you'll stay That's when you go You're undecided now So what are you gonna do? ----------------------------------------------------------- DUDE! Get over yourself! Many thousands of people are happily using Helix Native EVERY DAY with MANY different DAWs. Just because you can't figure out how to use it with YOUR DAW, and haven't got the patience to learn, don't bad mouth the product! I personally use Helix Native with 3 different DAWs - Reaper, Cakewalk and Ableton LIVE. I got no problems like you can't handle. You said we got it working for you, then you got PO'd and QUIT, so I'm not even sure what your problem is! I had never used Snapshots in Native, took me 5 minutes to work out. It works JUST LIKE THE HARDWARE! FWIW - I tried Cubase and thought it was the most un-intuitive, difficult to navigate POS I'd ever had the misfortune of wasting my time on. Did you notice - nobody chimed in with "HI! I use Cubase, here's how you do it!"? Not that Cubase is necessarily the problem, but it sure ISN'T Native! Let's see, what's that leave........? So, kick back, have a beer, smoke a doob, and when you're ready, come on back and we'll fix it for ya!
  8. 4 points
    Wish I could say the same...it updated without issue and functions normally...however, the battery life went from 6 hours+ on a full charge to less than 3 hours now, literally overnight. I'm sure safety improvements make the lawyers happy, but if the price is cutting the device's usefulness in half, I'd rather have taken my chances with an overheating battery...I had no issues with more than a year of almost daily use. Normally I know when to leave well enough alone, but instead I went along with the recommendations instead of my gut. Last time I'll do that. Already opened a ticket...we shall see.
  9. 4 points
    Just want to add... you can leave the LA Studio Comp where it is if you want to tame the peaks, just be sure to set the LA Studio to "Limiter" rather than "Compressor". That "should" tame the peaks, while leaving all the quieter parts (swells, reverbs, etc...) untouched. The LA Studio Comp is an LA2A model.... not a stomp box model. It shines at the end of the chain, but only if you don't try to use it like a guitar compressor.
  10. 4 points
    Nobody has ever brought this subject up before. After this many years, I don't think we should start now.
  11. 3 points
    Don't forget to play around with the high cut parameter. It actually serves as a tone control, and it allows you to set how bright or dark you want the reverb tails to be.
  12. 3 points
    A Klon is to a reverb as an amoeba is to a sperm whale. Where can I get this on a T-shirt in a men's medium?
  13. 3 points
    Respectfully I think there may be considerable interest in better synth options. Hard to tell without a poll. I cast my vote "Yes please".
  14. 3 points
    Mine works fine, but I'm pi$$ed anyway!!!!!! ;)
  15. 3 points
    If you're never gonna leave the house with it, get a good pair of studio monitors and call it a day. Stereo FX are glorious... you'll thank me later. Size will be dictated by the size of the room and/or the footprint you want. JBL LSR305's or LSR308's are excellent, and not terribly expensive. There are tons of good choices... these just happen to be the ones I have the most experience with.
  16. 3 points
    Oh, I see - even though your Helix can store 1,024 presets (arranged in 8 sets lists of 128 presets in 4 banks of 32) you aren’t happy if you have to switch from your idea of a “mega-rig” to a different preset. It should all be available in one preset? There is a reason they are referred to as “ setlists”. Next song, next preset - seems like a good idea to many users. Your premise of “the flexibility to pretend I have a real board and don’t have to switch into a new preset.” and how you are approaching things rather defeats the object of having a Helix in the first place. Frankly I’m baffled that you think that this is too complicated and want to do everything in one preset. The whole concept of this unit is flexibility. Which is precisely why the people at Line 6 added “snapshots” for the equivalent of a many presets within a single preset and “trails” on delays, reverbs etc, to carry over while changing from one preset to the next. The idea was to reduce the “tap dancing” involved with a huge analogue pedal board. It may be me, but I don’t think that you are using what you have to it’s best advantage. What do you have in those other one thousand and twenty three preset slots? Your concept of not enough DSP being available is purely down to how you have chosen to use it. Sorry, I just don’t comprehend your logic, in fact it is totally illogical. Your mileage, very obviously, does vary.
  17. 3 points
    If I understand, you want to switch between 2 delay settings with one footswitch, correct? If so, in this video Steve Sterlacci shows how to setup one button to swap presets or snapshots using 'Command Center'. You basically have one button on preset A that points to Preset B, and the same button on Preset B points to Preset A. Sorry if this missed the target.
  18. 3 points
    So if I got this right no manual exists for the spider remote app and the instructions for my V20 MKII are only marginal. I'm 72 yrs and I don't have another lifetime to learn all the features and would appreciate a help screen on the web site that is product and app specific. It appears to be a great product, but unless you are a professional or a bloody genius it becomes mind numbing!
  19. 3 points
    Fantastic news! What a great addition to the Helix. This device and the firmware for the entire HX line just keeps getting better!
  20. 3 points
    particularly since the account was just created the day of the post, lol there's literally nothing there except the one post damn privacy idiots. i am going to post pictures of what i eat for lunch, and then complain that people know what i eat for lunch.
  21. 3 points
    Before you and others jump on the op, we were told over and over again, that the new way of coding future Helix updates would really speed up future updates. I don't feel that a polite inquiry after five months (if it's really been that long) is out of line - especially given the announcement from line 6 about faster updates coming our way. Yes I know - we are not entitled to any updates ever again, yada yada yada; and many updates (and the news associated with them) is "Top-Secret" like area-51 stuff, but this discussion and question should not be mocked.
  22. 3 points
    Have you considered the HX Effects?
  23. 3 points
  24. 3 points
    Every belch and fart in the world is politicized now, and absolutely everything has to be labeled somebody's "fault". Politicians love it when the populace is at each other's throats... makes them feel like they're actually important. After all, why else would two complete strangers be willing to beat each other to a pulp over a hat that one of them is wearing? But I digress...I'm genuinely mystified that it doesn't creep into discussions more often around here. Generally speaking, there is remarkable restraint on this forum, in that regard. I fully expect it to get worse over the next year, though... I'll be shocked if it doesn't.
  25. 3 points
    So, then, we're all in agreement. Regardless of motive, the never-ending battle against FIZZ is a GOOD THING!
  26. 3 points
    I recently started using the Sennheiser wireless headphones. I use the Helix as a playback device for my laptop PC via USB so I can also hear and play along with any click, loop, or demo tracks for the songs in our set list for a respective event. Since I also run my guitars into the Helix via a Relay 50 wireless, I'm completely untethered, enabling me to stand and practice while the Helix and related expression pedals are is on the floor so I can also rehearse any foot control work for a respective song. The USB connection also enables me to be connected to the Helix editor to make changes to the preset for a particular song (e.g., snapshots, controller assignments, parameter tweaks, etc.). The best part is being able to play without disturbing my family. The worst part is being so engrossed in playing that your first indication that someone wants to ask you a question is when your feel an unexpected tap on your shoulder and jump 10' into the air in initial response.
  27. 2 points
    Well I'll share my to cents regarding modern sounds: I think the VH brown sound is a good place to start, because it feels awesome to play, is versatile and inspired generations of guitar players (and amp manufacturers!). One way (of many) to get it is using the ANGL Meteor. It is my (wet) dream of a modern marshallesque sound. The Helix pairs it with the 4x12 XXL V30 cabinet which is a great match. The stock setting mic 409Dyn @2.0" is also great. The only thing I change here is lowering the high cut to 6.7kHz. This will make it less open, but also gets rid of nasty harshness. We can increase the amps treble now which gets us a satisfying amout of definition/attack. Starting with this setting for the ANGL Meteor this brings me in the brown sound ball park: Drive 3 Bass 2 Mids 2 Treble 7 Presence 4 Master 4 I always use a reverb to get a room feeling. Without that I tend to always want to tweak the amp. Once familiar with that sound keep the cab and change amp to the Archetype Lead, Solo Crunch, Solo Lead, Placater etc and try to dial them in to get a similar sound. That will give you a feeling for each of those and a tonal starting point in your head/ears. That's at least what I did and got me to really dig the Helix. Then there you can experiment with drives. The Screamer 808 can get you to leads and djenty stuff, the Hedgehog D9 is instant Scorpions sound etc. Much to discover here... Regarding the cab, I sometimes like to use dual cabs and mix in a little of the same cab with a different mic. 121Ribn @6.0" worked fine so far to add a little focus on the mids. If you want to go chugga chugga metal try this: Increase mids in the amp and add a parametric eq after it. Choose MdFreq @ 405Hz, Mid Q @1.4 and cut to taste. This emulates the mid cut section found on a Diezel Herbert. To reduce mud here is on trick that emulates the C45 switch on Friedmans: Tilt EQ block before the amp: Brt50, CenFreq 670Hz, Level +4,5dB.
  28. 2 points
    The reason there are 12 bazillion IRs on the market is that one man's "mud" is another man's "chunk". And since those terms are entirely subjective, each company has it's own way of identifying which of it's IRs sound like whatever they call it. Ownhammer has at least two ways of doing it. From the manual for the bundle that I have: “BOLD” is a mix that has a forward midrange with a slightly relaxed top and bottom end. “BROWN” is a more pleasing derivative of the “brown sound”, using a similar hardware configuration. “CL1” is a page from classic rock, using only condensers and ribbons which are pulled back a little from the cab. “CL2” is a thicker and slightly darker version of CL1. “CUT” is comprised of an on-axis 57 and off-axis 57 mic combination. “CUT+121” adds a 121 mic to the Quick-Start CUT mix recipe. “CHUNK” is a more “fat” sounding version of the BOLD mix. “JPS” is a ‘Studio’ voiced mix using hardware utilized by a legendary Long Island prog rock/metal guitar icon. “JPL” is the darker ‘Live Sound’ counterpart based on documented placements used for this artist’s touring rig. “JS” is a multi-mic configuration created by Jon Symons. “MDRN” is comprised of a 57 + 421 mic combination. “OH1” is comprised of a 57 + 121 mic combination. “OH1F” is comprised of a more “fat” sounding 57 + 121 mic combination. “OH2” is comprised of a 421 + 121 mic combination. “OH2F” is comprised of a more “fat” sounding 421 + 121 mic combination. “OH3” is a darker mix originally intended for live sound, but also excels with brighter pickups/guitars for studio. “OH3F” is comprised of a more “fat” sounding version of the OH3 mix. “RIP” is comprised of a 57 + 160 mic combination. “SP2” is a multi-mic configuration created by Scott Peterson. Their newest (r)Evolution series uses a totally different code. Your only hope is to read the manual that comes with your bundle and try a few different IRs from different categories. While you're exploring this rabbit hole, don't forget to play your guitar!
  29. 2 points
    Good points all around. I'm curious now to check out the boomerang. PierM - Yeah, I was using BPM mode where you max out at 1 full measure, but now I realize you can have some delay blocks use BPM and others use time, which opens up the regular stereo delay to 4 seconds, or 8 seconds mono. I totally get that many users would prefer a dedicated looper, and I have some of those, but the HX is soooo close to allowing me to use less gear! My request is to allow users to set the delay time for the looper, before you start looping. It's a much simpler request than asking for full on midi-sync or anything like that. Alternately, just having a delay block that uses that long delay time, would work, you can freeze that with 100% Feedback. If Line 6 is listening, this simple request would really open up some possibilities. PierM - also - I would love to have an EDP!
  30. 2 points
    Although there are some things I would have preferred be done with different hardware such as the joystick, in toto(not the dog) I cannot believe what a well built piece of equipment the Helix is. It is absolutely awe-inspiring from the quality of the case to the screen and scribble strips, even the rough pebble coating on the incredibly solid expression pedal. Almost everything about it feels robust and fantastic. What a remarkable piece of kit. It is a beast! As I posted before I only wish I could upgrade the components when the time comes because it is one truly impressive piece of gear that I would prefer never become obsolete. For anyone waiting I would say get off the fence and just get one!! I'm sure the "Double Helix", whenever it comes, and it could be years, will have more capability but with the build and quality of the Helix as it exists already the new Double Helix will be hard-pressed to deliver at the current price point as materials and manufacturing continue to get more expensive. This device has captured my intense interest, served me flawlessly for years of gigging, and cured my lifelong G.A.S.. I have said this before but I truly believe it has saved me bundles of cash over the years. My constant purchase and search for other equipment decreased dramatically after getting the Helix. In the long run it has saved me thousands, so if you are just looking at the economics of it you may be surprised at how your lowered net expenditures on other gear may end up more than justifying the purchase. Even if you decide to sell your LT for less than the purchase price when a new device comes out to displace it, you may well find that you have saved a lot of money on other gear you would have bought otherwise. In the interim you will definitely have missed out on just how much fun and creativity this device delivers, especially when integrated with a Variax and/or PowerCab, delivered with an intuitive interface that makes using it a pleasure. With a major firmware upgrade coming(3.0) it will soon have even more toys and functionality under the hood. I am not shy about critiquing things I think could be done better on the Helix but overall the experience has been overwhelmingly positive.
  31. 2 points
    Are you sure it's the patch and not your pickups? What are you using?
  32. 2 points
    There’s nothing from Line 6 on this except the generalities that you will find in manuals such as page 21 of the POD Go manual. However there is a very detailed reference site at helixhelp.com that you may find useful. It still requires consulting the manufacturer’s manuals for the details you seek but it conveniently provides direct links to that information where it exists.
  33. 2 points
    It's a coax speaker (full range).... When using the power cab in FRFR (full range) mode, full range is used When loading IR's in a PowerCab Plus, full range is used When using speaker simulation in the PowerCab or PowerCab Plus... the high frequency driver is disengaged and it's more like a normal guitar speaker.... at least that is my understanding (I don't own one) It's all about choice and versatility. Just like the Helix itself, multiple options are provided to accommodate a larger market, not necessarily for a single user to use everything included.
  34. 2 points
    I'm just curious, with all of this screen real estate, I thought it would be nice to have an area to put some notes about the patch. Like what kind of guitar, what distortion did you use, stereo mono, etc. whatever. Just to remind me/us about what some of the specifics are in specific patches. Just curious your thoughts. Have no idea how easy or hard it would be to implement. And I know it would use the same method patch naming directly on the Helix does. But I would assume it would be available in HX Edit also if it were implemented. Just curious about peoples thoughts on this. Worth it? Or a waste of the developers time?
  35. 2 points
    OwnHammer (r)Evolution pack for multi IR pack that has most classic speakers and cabs you'll need for many amp types. OwnHammer Heavy Hitter 2 for metal. The (r)Evolution pack should get you covered for everything, including metal. https://www.ownhammer.com/store/index.php?main_page=product_info&cPath=192_193&products_id=449
  36. 2 points
    Yes, I'm having the exact same problem on a Surface Pro 6, although it worked fine on my Windows 10 desktop tower.
  37. 2 points
    I hesitate to ask.... but did you use HX Edit v2.90 to perform the firmware update? That’s important information for the others out there who should beware.
  38. 2 points
    Just a heads-up, somebody here had the 80 ohm version of those recently and complained about poor sound quality out of the Helix (full size, not Stomp). I looked it up, and with the 12 ohm output impedance of the Helix, you ideally want headphones with an impedance of ~100ohm or greater. *If* the Stomp has the same output impedance as the full size Helix, then the same would apply to it, meaning you’d probably be better off with the 250 ohm version of the DT-990s rather than the 80 ohm. I looked all over to try to find the output impedance of the HX Stomp headphone out, but it doesn’t look like Line 6 published it anywhere, unfortunately. Also, people usually assume that higher impedance headphones will be quieter than lower impedance ones, but that is not always the case. A headphone output that has high impedance can actually be quieter with low-impedance headphones. I’ve seen several posts of people with the HX Stomp complaining they have to turn it all the way up with their 80 or 32 ohm headphones, and I suspect that might mean it has the same 12-ohm output impedance as the full size unit.
  39. 2 points
    Why is this so hard to understand? How many times does it need to be explained? If you REALLY care about this, go to The Gear Page. Go to Facebook. That's where this stuff gets posted. Is it really all that hard to click those links and save them to your favorites? I don't remember if it was here or over on TGP, but someone was saying that THIS forum serves as the "front lines" of Tech Support. It's where people come first to get help from other users, before they open a support ticket. It is not, and was never intended to be, a Line6 Customer Service or Official Announcements space. That stuff happens on the above sites. It's not like they don't want to talk to us. And they talk to us more than any other Music Industry company. They just prefer to do it elsewhere.
  40. 2 points
    Glad it worked for ya- Think you could change the "Joke" comment to "solved" in the topic now?
  41. 2 points
    To get back to your original question. There's no particular benefit in connecting to a powered speaker such as the Headrush and then out to the PA, but there are some particular disadvantages. One limitation in particular is that you really can't easily control your volume for your stage monitor separate from your output to the PA. What many of us do is send a 1/4" output at line level to the powered speaker and a XLR output at mic level to the mixing board with the XLR line disengaged from large Helix volume knob. This allows you to use the large Helix volume knob to control the volume of the stage speaker and send a full signal to the board which can be gain staged at the board to the appropriate level separate from whatever you do on stage. When it comes to Powercab versus a full range powered speaker, that's ultimately a matter of personal preference. I can't say I've ever been that interested in a Powercab setup because I started using my Yamaha DXR12 setup long before the Powercab came out. I think the Powercab is a nice option for those people that prefer more of an "amp in the room" kind of sound on stage. But that comes with the trade off of not having an accurate picture of what your sound is out front which is what's important to me personally....especially when I'm dialing in my presets at home. There are a couple of considerations to bear in mind when using a powered speaker however. First, if placed on the floor in a monitor position you can get an effect referred to as "bass coupling" which accentuates low end frequencies. On most higher end speakers you have DSP contouring options on the speaker that allow you to correct for this effect. The Headrush has no such option, so you would need to isolate it from the floor in some way or place it upright on a stand. The other consideration is that powered speakers are specifically designed to work differently from traditional cabinets in the way they project sound in order to have consistent tone across a wide area and to project better across long distances. That being the case they can sound pretty harsh close up, so when dialing in patches at home you need to give them a bit of space. For myself at home I have mine mounted vertically around chest height and I normally listen from about 6 feet away as well as off-axis to get a good feel for what the tone will ultimately be like for the audience. Likewise on stage I have my DXR12 mounted on a half height pole on the backline behind me. That allows the sound to disperse wider across the stage so it's easier for the band to blend with.
  42. 2 points
    The HX Stomp and HX Effects User Manuals were published long after the existing Helix Floor User Manual dating back to Summer 2016 at the time firmware 2.1 was released. Notwithstanding the reduced feature sets of the HX Stomp and HX Effects, compared to the Helix Floor, there are useful bits of information to be found in these more recent User Manuals. As has already been posted, until Helix firmware version 3.0 arrives with a fully updated User Manual, the current task involves a compilation of information from existing product documentation plus the various interim firmware Release Notes along with a variety of informative posts from Line 6 developers. HelixHelp.com is very useful.
  43. 2 points
    i have the exact same problem in 2020 - anybody got a solution ?
  44. 2 points
    I hear ya! BUT...to be fair..... Once upon a time in a galaxy far, far away....we plugged the amp into the wall, plugged the guitar into a CryBaby and a TS, popped a cassette into the Teac 4 track and pressed RECORD. It was a simpler time, for sure. These days there's so much tech available, for so little money, and so much to learn, it's hard for a beginner to know where to start. To make it worse, every mfr/vendor makes it sound like it's all plug'n'play. HAH! Once upon a time in a galaxy far, far away....
  45. 2 points
    Yeah, it should be OK. Just make sure you have the inputs and outputs on the Space set to line level (you'd also want the outputs on the Stomp set to line level). If you leave things at instrument level, the Powercab wouldn't get very loud.
  46. 2 points
    what patches you make for your studio monitors, generally will not translate to IEM's, AT ALL. unless you're an actual mixer using really expensive IEM's and you know them well. you seems to be very particular about your sound, yet your applying a one size fits all mentality. Not sure that is ever going to work for critical listening.... I do studio mixing, i have to balance my plugins with gain staging ALL the time. I see the Helix as the same amount of work, the final product is always worth it to me. if an essential variable changes, so do the settings, that's a cold hard fact. oh yeah, your audience gives no ducks about how you sound in reality.
  47. 2 points
    The thing is that there are over 50,000 Helix/HX units in the wild currently, and many of those are being used on stages all the time... Some for real-deal world tours in arenas and such. Personally, I wouldn’t let this one bug dictate whether or not it’s worth using it or not, but it’s up to you...
  48. 2 points
    I have yet to experience one... but that doesn't mean I won't :) I would love to see an elegant solution for this issue that some have to suffer through... because I know one day it might be me.
  49. 2 points
    Hell, I took soundog's comment as a joke. To be honest, I could see the statement being said by a Republican or a Democrat and I didn't think it revealed much about his political persuasion. Why? Because of the "guitar modeler" comment. In the grand scheme of things, in a world of murder, asylums, gun arguments, free speech debates, mental illness, war, budget deficits, and civil rights, guitar modelers rank at about a zero on political importance. So I read it as an agnostic statement with a humorous sarcasm tone, but what do I know?
  50. 2 points
    I suspect most of these complaints come from obsessive over-analyzing of the solo guitar sound...subtle nuances that might be mildly objectionable under a microscope, that will vanish in a mix anyway.
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