-
Content Count
302 -
Joined
-
Last visited
-
Days Won
1
napynap last won the day on December 13 2014
napynap had the most liked content!
Community Reputation
35 NeutralAbout napynap
-
Rank
Iknowathingortwo
Contact Methods
-
Website URL
http://www.napynap.com/bio
Profile Information
-
Gender
Male
-
Location
Palmdale, CA
-
Interests
Audio and Video Production, Live Performance Production, DVD and Blu Ray Authoring, Guitar Playing, Amp Modeling, Tone.
-
Registered Products
4
Recent Profile Visitors
664 profile views
-
Sold it for $200. The interesting thing is the buyer reports a lot of these amps on the used market no longer have their vintage Celestion 30 speakers. Mine still did.
-
OK here's my acoustic guitar chain for POD HD Desktop to PA: Connections: Acoustic GTR->POD INPUT->POD OUTPUT to DI Box to PA (DI Box only necessary if you need XLR to a snake, but go balanced 1/4 if you can connect directly to the board.) POD Chain: Dynamics Red Comp (Sustain 38, Level %85) -->Amp Class A-15 Pre (112 BlueBell, 409 Dynamic mic) --> add your own blocks of chorus->delay->reverb in that order
-
I've been using Pod HD Desktop direct to PA for years (same engine as POD HD500x). I set it for Studio/Direct mode and all of my presets have amp sims. I mainly use a super strat style guitar and also an actual acoustic guitar. When I change guitars, I just change to the bank of 4 presets I need, so you may not need to change setlists unless you have so many presets that you HAVE to go to setlists.
-
In the last year at family/party/house jams I noticed most metal/rock players bringing Boss Katana amps. They sound great, they have a small footprint, and they're not heavy.
-
Ah ok, I just took that 'Why on earth' question a little too literally. I see what you're asking. Good points.
-
Pianoguy: 1,) I agree 2.) Great question 3.) Although I've been using PodHD desktop direct to PA for years, I actually just bought a VOX AC15 as an alternate setup to sit in as a guest with other bands where I don't know if the PA/monitor will be adequate (or operators of it), and for jam sessions or house party jams. For those situations, I used to bring PodHD desktop w/FBV along with an Alto 10 monitor, but it was a lot of cables and cumbersome setup. So there's an example of some situations where the option of a real amp can be beneficial. Having said all of that, I would never 'move on' from PodHD because I'm still going to mainly use it for the right gig.
-
While reading your question I was thinking to myself that's the perfect feature of the Line6 DT series amps, and right then I read that you sold it. NOOOOOO!!
-
My SV 212-MKii Bogner is in great condition, but I no longer have a working FBV footpedal for it. I tried to sell it with an official L6 case for $250 US, and got no bites on local FB and CL sites. It made me wonder if the lack of a pedal to control it has become the major factor, or is it that big, heavy, and loud amps are no longer needed in today's gig venues. What do you think?
-
The subject of this thread reminds me of a question I once got at a job interview for technical support: "Can you explain what the internet is to a child"? , but I digress, there have already been good answers to your question about the the preamps, so I'll let those stand...
-
Received the screw and this part works perfectly.
-
To answer your question, I would go with HX Effects, as anything more would be overkill for acoustic guitar, both in terms of features, cost, and footprint. Personally, for acoustic duo acts, I use a Line6 POD HD Desktop with the small FBV pedal on a semi hollow body acoustic for coloring leads with a bit of drive and spacious triad rhythm accompaniment for another player. He plays through a Fishman ToneDEQ which is perfect for most acoustic guitarists that want simple knobs for compression, EQ, reverb/delay, chorus/vibrato, and Lead Boost and monitor. We use both units direct to PA.
-
Yes, maybe it will be available in an upcoming 'Explicit Pack' which also contains some effects used by '2 Live Crew'... LOL
-
napynap started following HX Effects - Output Control?
-
Thank you codamedia & soundog, those are good options! honorable mention to datacommando for trying, which I also appreciate. :-)
-
Can the HX Effects control which output the final MONO signal goes to? For example, Output Left or Output Right? I checked the manual, and this forum, but didn't see anything clearly addressing this. Maybe there is a better way? I'm thinking of getting an HX Effects for use with a single guitar and amplifier in MONO and wondered if it can be used to eliminate an A/B/A+B output box. I have a VOX AC15-c1x guitar amplifier that has 2 inputs. One is generally for clean tones, and the other for overdrive/boost tones. Unfortunately, the amp itself has no way to switch between the two channels, other than pulling out the 1/4" cable and plugging it into the other channel, which means I need an A/B/A+B box to switch between both channels (or have both channels on at the same time A+B). If I could eliminate the extra switcher box, that would make for a cleaner/easier setup/teardown.
-
Smashcraaft is correct. I was referred there from the L6 website, but it can be difficult to find the part, so here's a great link for all of the L6 parts at Full Compass. https://www.fullcompass.com/brand/ln6-line-6/replacement-parts/ edit: Hmmm, maybe this is what you are looking for? https://www.fullcompass.com/prod/179734-line-6-30-45-0020-line-6-guitar-amps-knob