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silverhead

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silverhead last won the day on March 28

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  1. I think you’re looking for something that doesn’t exist in the Stadium. There is no Envelope controller. You will need to explore other FX blocks to see if you can find something that will provide the touch sensitivity you want.
  2. Re: Sum to Mono: If the Output jack is stamped "L/Mono" then using a single jack in that L/R pair will sum to mono. If the stamp says only "L" then summing will not occur.
  3. This could be a temporary issue with the Line 6 server. Is it still happening? If so, try doing the search again from scratch. If still happening I suggest you open a support ticket.
  4. Have you tried increasing the level in the Output block of the STOMP XL preset? This will not affect the Native preset.
  5. I don’t think you can adjust the level inside the Stadium after the signal hits the Guitar Input jack. The DI signal gets tapped immediately at the input point. I believe even the Pad setting in the Input block must affect the signal after it enters the Stadium device, and hence after the DI tap. I expect you will need to attenuate the signal either before it hits the Stadium or after it leaves Stadium, i.e. in your DAW.
  6. Are you certain about that? The longest of the imported files determines the length of the song. In any case, no there is currently no way to trim the Song files/tracks after import. You need to trim them before import. Check each wav file for the dead space you don’t want and trim them.
  7. You’re not wrong; that’s a warranted concern. Early anecdotal measurements suggest that an amp clone uses roughly the same amount of DSP as an Agoura amp model. So pending further detailed specs it’s fair to consider them equals. So the question becomes: can you create a preset now using Agoura amp models that does what you want? If so you’ll likely be able to simply substitute the clones when you have them. If not you’re likely to run into a similar DSP constraint. Another relevant point: some have wondered whether you can swap clones in and out in a preset using Snapshots. Specifically, would you be able to use your 3 clones in a single Clone block in the preset? The answer is no for the same reason that you can’t do that with amp or FX blocks. Each clone, like amps or FX, has its own DSP requirements that need to be calculated during preset construction. For instance, you can’t put a generic Reverb block in a preset and change reverb models using Snapshots.
  8. Sorry if you were offended. I, of course, had no idea of you at your background. Similar responses to others sometimes get a different follow-up about how they would like me to explain further due their lack of technical knowledge. How is one to know? Hope to see you back if and when Stadium becomes the device you want it to be.
  9. Have you restarted all devices (computer, WiFi/router, Stadium) to test if that fixes things? If you conclude that this is a bug that should be reported and open a support ticket this is something that will likely be asked, so no harm in doing it soon, at your convenience.
  10. Yes, two amp+cab blocks can be used in a preset. Depending on the block choices they may not be able to be placed in the same path due to the DSP constraints that you mention. As I hinted earlier you should consider using a dual path preset. That will ensure you can do both. Using two amp+cab blocks in serial with both on will probably sound terrible. If placed in serial you will need to toggle them on/off oppositely. It is very common for two amp+cab blocks to be used in parallel, blending the levels as desired. I’m not sure but there may be a factory preset in the Templates setlist that demonstrates the setup.
  11. You should not have to redo any clones you are satisfied with. Of course you can redo them to see if the quality is improved. Only you can decide that.
  12. That’s a known issue, especially when using load boxes, that I believe will be addressed in the next update. Patience.
  13. I'd be really interested to hear the results of that. Please report back.
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