Just spotted a bargain for sale...

[Graemey]

... set of two L3M Stagesource speakers at a very nice price (used, with just a few surface scuffs).

 

I am currently running one L2T in mono, which is pretty nice (and portable).

 

I quite fancy running on stage in stereo.

Should I pull the trigger, or would the above set-up be total overkill?

[MusicLaw]

If the price is compelling grab 'em. You can always sell them if you don't find they work for you.

[FlyingsCool]

Depends on how loud you want to get.  The L3 series gets very loud.

I recommend doing some research on the effectiveness of using stereo on stage, however, as that may color your opinion on the purchase.

 

In my extremely limitied experience, but I've seen this repeated by many seasoned pros, stereo is great in the studio and bedroom, but it doesn't really translate to the audience from speakers on stage (it may be more obvious on a widely separated FOH system), depending, of course, on a whole lot of variables.

 

But I don't want to discourage you.  And maybe your hearing it while you play is what's really important :)

[cclement]

In my extremely limitied experience, but I've seen this repeated by many seasoned pros, stereo is great in the studio and bedroom, but it doesn't really translate to the audience from speakers on stage (it may be more obvious on a widely separated FOH system), depending, of course, on a whole lot of variables.

 

There is also the option of doing a Wet/Dry setup with two monitors. While not "stereo" it can give a bit more depth to the sound. YMMV.

[AlexKenivel]

Don't forget the option of running mono and having two sources for your sound. Better volume spread if front of house is not an option

[Graemey]

Some interesting points there.

Obviously there is nothing stopping me monitoring onstage in mono but sending a stereo signal to FOH.

I just love the sound of stereo behind me onstage, but as mentioned above, this will not translate to the audience so may be a bit of an indulgence.

 

Perhaps I could sell my single L2 and add some money, then look for a Gemini 2 Mission Engineering stereo cab? Or add a second L2?

 

Decisions decisions...

[PeterHamm]

Why Stereo.

Is the room good for stereo? Most aren't, and many PAs aren't even really running in stereo.

And if you DO run in stereo, you end up having such a wide sound with so much content that it ends up getting buried in the mix.

 

Stereo is awesome for recording, not so much for a full band.

 

The one caveat is if the room is really good for stereo and if you are the only guitarist in the band then it is totally awesome.

[PiFromBRC]

Why Stereo.

 

Is the room good for stereo? Most aren't, and many PAs aren't even really running in stereo.

 

And if you DO run in stereo, you end up having such a wide sound with so much content that it ends up getting buried in the mix.

 

Stereo is awesome for recording, not so much for a full band.

 

The one caveat is if the room is really good for stereo and if you are the only guitarist in the band then it is totally awesome.

mostly disagree.  I always run dedicated stereo signals and balance it during sound checks.  It just adds another dimension to delays and mods.  However have to admit that your comment regarding multiple guitars is spot on.