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About Parapentep70

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  1. Parapentep70

    Quality of legacy effects

    I would not say "better" or "worse", but some of the legacy effects work for my bass better than their modern counterpart. Some examples not covering all blocks (from my notes some time ago): I like "Heavy Distortion" (legacy) for a kind of fuzz tones with split / crossover. At low gains it does not pass bass without blending. I recommend to try Screamer, very different from Scream 808. Not better or worse, completely different. Without blending the legacy version takes bass EQ better in my opinion. Colordrive: good because of the way it blends with clean signal to keep bass. But it is just one of the many drives that works well. Facial Fuzz (legacy): Best fuzz for me for bass use. But I am not a seasoned Fuzz user, maybe most people don't agree. Please try and share opinions! Boost Comp: Simple compressor with flat response, it is effective on bass. Some bass users reported it as the best. To me it is not as good as Deluxe Comp or 3 band compressor, but I found it useful. Some reverbs: Lower on resources than new ones?, they can be effective for bass. I use Room, Octo and Cave to create ambients... but I also use Plateaux and Particle Verb.
  2. Parapentep70

    Bass Content

    Agreed! Some of the guitar cabs are far better than many bass cabs... for bass use! One important trick for me is to avoid the use of certain mics (57 Dyn cuts lows!). In my experience, a close (1'') 414 Cond or 121 Ribbon give me the best results. If some cab is too dark, then the 47 Cond helps (this is what comes with the SVT by default). Then the 4038 Ribbon boosts lows too much, it is useful sometimes, but I am not sure if there is the need to boost lows when there are so many cabs that work well. Avoiding medium distance "57 Dyn" is what makes MANY guitar cabs usable for me. My favorites bass cabs (Forgive comments in "Spanglish"): Also "No cab" works really well for me. With some EQ to tame and "voice" high frequencies, but totally transparent with lows. It avoids phasing issues. We bass players have enough with our "FRFR" cabs, they are not that "transparent" in the lows, so there is no need to make the problem twice as bad. I have certain theory why some "good" or "professional" or "thoroughly recorded" cab models are not so great with the Helix or any other modeller. Their responses are anything but "tight". 1x18 Woody Blue may sound good with headphones, but I doubt it is good with the full band and using any practical real cab in stage with the full band at high volume. To me it sounds really BAD. I can understand why some bass multi effect users are enthusiastic with their presets tuned with headphones without a band and then in the first rehearsal the band tell them "This is for guitars, your old bass amp sounded way better". ================== About the blend: Some overdrives / distortion have. And this is great because this avoids certain subtle problems that appear when using parallel paths. The problem with parallels paths (besides being very limited in number) has to do with phasing issues, they are different for each amplifier or overdrive. These issues are far worse in bass than in guitar. I know that this topic can be very controversial. Some ODs don't have a blend control, but they work at low / moderate gains "as if" they had a clean parallel path. If you play bass I recommend to try Teemah! for this reason. Teemah! and Obsidian 7000 are my favorite dirts. I have a preset that is simply Teemah! plus an EQ (instead of cab) plus effects, this is one of my favorites with the band. Because it is "rich enough" but "TIGHT". And I need my bass to sound very tight in many songs / band situations. Next in my "OD" list are 3 bass amps (SV Beast and Tuck'n'Go) and then Clawthorn Drive. There are many usable blocks to create OD / Distortion, some are bass amps, some are guitar amps. IME many of them are totally unusable for bass. But there are some surprises, for example the LEGACY heavy distortion (this one requires a parallel path). Or the Tube Screamer emulation is too "treebly", but does not CUT bass, so it admits EQ to restore bass... and does not require a parallel path! (it works better in a band context this way). I really would like to add a blend control in overdrives and distortions. Now I know it is not trivial to add if done properly. Hope it helps.
  3. Parapentep70

    Helix Native vs Hardware

    There might be an important difference that depends a lot on the computer, operating system and interface you are using. Helix Hardware has very low latency (you hear what you play with minimum delay) while, depending on system, Native might give you acceptable or totally inacceptable latency. This can completley change your experience. Tweaking relatively good PCs and interfaces for live operation is not trivial (unfortunately). Helix is always very good in this area. Also I/Os in Helix are very good while PC interfaces can be (being practical) as good, acceptable or noticeably worse. But "sound", "tone", options and possibilities are basically the same with some obvious exceptions (like changing input impedance or trying to use external loops)
  4. Parapentep70

    Helix or Helix It for bass

    A few years ago there was something similar to what you like. It was the "SWR Amplite", a power amplifier designed for bass. I don't know if they produce it any longer. My guess is that products like this were not too popular when a standard PA amplifier can do the same (or more) for less money. As njglover said, I tend to think power amps in pedal format cannot provide enough power for bass in certain situations. Some time ago I used my TC Electronic RH-750 as a power amp for my old Zoom B3 (using the power amp input). At the time I considered the possibility to swap it for an Ashdown Little Giant 1000 because the power stage (the only thing I was using) was comparable and the price lower. But I kept (and I still have) the RH750 just in case I decided to do a gig without any multi-effect. I checked and noticed your BH250 does not have the independent power amplifier input. But I'd try to see if the "buil-in" EQ in your BH250 is acceptable for your needs. Possibly with some tweaks it will be good enough, then you can save for a really good powered FRFR cab that is perfect for bass. In the last 7 years I've been using a standard PA power amplifier, first with the Zoom B3, then with the Helix. Something like the new Behringer NX1000 is inexpensive and probably good enough. I've been using the larger NU6000DSP to power my bi-amp "dream rig" since 2011. Now, if stolen or damaged, I'd buy a Barefaced FR800 active cab. Strictly equivalent to my rig when I leave 1 cab home, i.e. HUGE sounds, but weighting just 15 Kg! In my opinion there is not much choice for powerful active FRFR speakers good enough for bass and that don't weight a ton.
  5. Parapentep70

    Cut to the chase - Formant Filter

    Not sure if this is the same or not. But I think Helix should include some kind of harmony effect (similar to "pitch" or "dual pitch") that preserves formants. This is a basic (or perhaps THE basic) effect for vocals. I think this should be included in Helix since it can process 2 or more paths, and Helix includes a good microphone pre-amp. This effect does NOT require any special DSP resource (like, for example, a looper with a longer time or a convolutional reverb with long impulse responses). The effect is intended to generate vocal harmonies avoiding "smurf" or "monster" voices (when raising / lowering pitch, respectively). Someone asked for this in Ideascale. I think it is a must for musicians who sing and play guitar. Not my case, I cannot sing! : )
  6. Parapentep70

    Black Lion Audio mods for the Helix??!!

    Working for a living as an Electronic Engineer and after reading these potential improvements for the Helix (and other stuff from other vendors) I understand that most probably EE's designing Helix did a stupidly wrong job providing the wrong OPAMPs and decoupling / coupling capacitors or power supply filters to take the most of out of relatively good (relatively expensive) converters. Not only this. Also EEs from the other companies listed also chose really bad components around their converters and DSPs, when they could have got all the potential performance from them. This must be a generalized case of really bad engineering. Add that these claims are not supported with measurements or numbers, showing how bad existing designs are, and how badly an improper supply decoupling degrades the ADC performance of the Helix. And therefore how many dBs of performance they can recover by substituting the side components so improperly chosen. Just to quantify how well spent is the cost of the mods! In short... I think I am entitled to be at least a bit skeptical.
  7. Parapentep70

    The LAST Block in the signal line turns off

    Same for me. Last block in my patches is always a "Return" block I use to mix dry signal from a keyboard, sometimes the keyboard was muted for this reason. Thanks to the forum now I understand why.
  8. Parapentep70

    Is it just me or does Teemah! mix the dry signal?

    I came to the same conclusion. I don't know the internal signal path but Teemah! definitely sounds as if it had a dry path. In fact in my notes for "bass usability" I wrote "includes a dry path" but... in reality I don't know. I strongly recommend to try it for bass guitar for this reason, it works on its own really well without the need for dual paths with or without crossover (and their associated drawbacks).
  9. Parapentep70

    Free Helix Back Panel Inputs/Outputs Label sticker.

    I was going to print it... and noticed that there is a small issue. The text is oriented in the best possible way, but then the labels for the external loop connections should show "Returns / Sends" or perhaps add some "R's" and "S's". I noticed when I did my poor and ugly version... written on a white PVC tape, I initially made the same mistake. Very good work, thanks a lot for sharing.
  10. Parapentep70

    Any decent free and modern bass IRs?

    Maybe this hint is useful to you and other bass players... Many Helix guitar cabs are useless for bass primarily due to the microphone and mic distance used by default cutting all bass. But some of them are really interesting with bass with just a change in the microphones used. Fortunately Helix guitar cabs are not destroyed due to too much bass content the way the real speakers might be! I found that the 414 Cond mic model at 1'' distance works OK, it tends to be very flat down to low frequencies. Then the ribbon 121 at 1'' boosts some bass frequencies. In case you need more bass. Coles 4038 Ribbon model can do the trick. Other microphones might be useful... but I have not worked much with them. I discarded most Dynamic mic. models because they tend too cut bass under 70...100 Hz too much to be used for bass guitar. My favourite guitar cabs for bass are: Soup Pro Ellipse (with 414 Cond, 1''). Relatively "dark". 1x12 Cali IV (with 414 Cond, 1''). "Scooped". Less bass than Soup Pro Ellipse. 1x12 Cali Ext, 2x12 Double CN, 2x12 Mail C12Q (same mic) --> Similar to Cali IV, therefore I did not used them much. 4x12 1960 T75 Marshall (with 414 Cond, 1'') --> "Good balance" in my notes. 4x12 Uber T75 (with 414 Cond, 1'') --> "Good balance" in my notes. 4x12 Slolead EM (with 414 Cond, 1'') --> "Good balance" in my notes. 4x12 Cali V30, 4x12 XXL V30 (With 121 Ribbon, 1'') --> Decent, usable. The former also sounds good with 4038 Ribbon to boost bass. I also found that 4x12 Greenback 20 or 25 and also 4x12 Mandarin don't work with bass too well, even micing with 4038 ribbon at shortest distance. The rest of guitar cabs are very usable (as much as a default 1x15 Tuck'n'Go) with the "bass" microphones at 1'' (121 ribbon or 4038 ribbon). Bass cabs: IMO 1x15 Tuck'n'Go lacks bass! But it can be improved with 121 Ribbon at 1''. Sometimes cutting bass is a good thing... but I prefer not to cut THAT much! 2x15 Brute Mesa Boogie sounds good by default, but also improved with 121 Ribbon at 1''. Same for 6x10 Cali Power. 8x10 SVT might have too much bass (the ONLY case in Helix): Increasing mic distance (or even using 57 Dyn!) could cut excess bass if needed. I do not like 1x18 Woody Blue, too "muddy", no real bass but simply complete lack of mids. It might work with distortion but... I prefer to filter somewhere else. Definitely not a versatile cab. I try to avoid too much EQ on low frequencies, I think it is bad for tight "punch". So I don't use extra High Pass Filter (miking is an adequate HPF... that I cannot remove anyway). If 414 Cond is OK, I prefer not to use 4038 ribbon. I agree with you, I'd like to have more bass cab modelled by Line6!
  11. Parapentep70

    Sustainer/Sustainiac recreated in Helix?

    Well, I do know there is some idea out there, I have not seen any mention to it. It is called somewhere "spectral hold". I think the idea is to synthesize an antificial sound with the spectral content of the incoming signal at the moment the player pushes certain "hold" switch. Now I cannot remember where I have seen it, but I know I have used it to extend certain sound in time. The result is similar to enable a very radical reverb to extend certain sound with insufficient sustain. I don't know if the "FreqOut" device works like this or not. EDIT: I've found it. The idea comes from Cockos, implemented in Reaper (A DAW, by the way the one used by Line6 to test Helix Native :) ), it is a JS plug-in (therefore Open Source code!) and it is called "Spectral Hold". This might be a nice idea to implement in Helix, the computational requirements should not be demanding ;) LATER EDIT: Of course usign "Spectral Hold" in a DAW is a lot more flexible. The live (Helix) version would need a switch to hold and some "decay" parameter to fade-out the sound once the player stops pushing the "hold" switch. Or a way to control the output level using an expression pedal... I am sure it is doable, not very complex adn interesting for a few users.
  12. This is possibly described somewhere else, but I honestly did not find it and it might be useful to others, so I share just in case. Using many different cabs in the same preset can be difficult and subject to limitations. I think it is not possible to use more than 4 cabs per preset or 2 per dual path (so that it is possible to enable any of them using switches or snapshots). However, using Impulse Responses, it is possible to use the impulse response file name (i.e. cab type) as a parameter... and different snapshots to select 8 cabs. It is even possible to pick 1 out of 128 cabs while in the same preset and snapshot by simply sweeping the expression pedal. This can be useful to audition impulse responses. Or to use less resources to define a preset with different cabs in each snapshot.
  13. Parapentep70

    Helix for Bass & Elec Guitar Sideman - Questions?

    I was in a similar situation, I Haved not looked back since I started using the Helix. I use it for bass, keyboards and mandolin in the same gigs. Your questions: 1) Mackie Thump as the optimum FRFR: Bass is a bit tricky for FRFR loudspeakers. Using tops with sub-woofers is too much to monitor a bass onstage. Using SOME tops without subs is sometimes too little to monitor bass on-stage. I would say that at certain price / weight / power, PA FRFR speakers without tops are sometimes a tad weaker than some typical bass amps. That said the Mackie Thump should be more than enough to hear yourself in reasonable conditions. A very good trade off between price, weight and sound pressure if you go the FRFR way. In my rig I decided to build my own bass-specific speaker, but I considered the thump to be a good sub-optimum. In the market you can find slightly better options... at much higher price. If interested, take a look at Barefaced 12'' active speakers (and the explanation why they are ideal as bass monitors). Slightly better performance at significantly higher price... Market is not so big! 2) You might need to use one of the 4 possible paths for this. But definitely possible. You'll quickly learn to create new patches that contain certain standard configuration, like the "personal monitoring path". 3) Definitely! I sometimes use 1/4 outs for my FRFR, sometimes I use left and right XLR one to PA, the other to my FRFR monitor (I take advantage that I never use stereo paths!).
  14. Parapentep70

    Helix with a Keyboard???

    I use Helix with my Roland FA-06 keyboard. Also with bass and mandolin, no guitar :). To change FA presets the Helix is OK, but the resources inside FA06 are much better. No point at least for me. You can use the keyboard to launch synth sounds in the Helix. Again no point for me, the internal synth in the FA is much better (to begin, it is velocity sensitive). My idea about using Helix with FA was to control the FA synth engine with Helix MIDI commands: Use some footswitches to "play" FA sounds, and also send controllers to FA06. This works perfectly as predicted. I also tried to use the Helix controllers to avoid carrying my 3 synth pedals (expression, sustain and "S1" normally used to control rotary speaker simulation). Again it works... but not very practical: My 3 "hardware" pedals send commands to ALL MIDI channels where they are enabled. The helix sends MIDI commands just to ONE MIDI channel of my choice. My FA06 patches are not organized to use just only ONE MIDI channel with control pedals, sometimes I use 3...8 channels to layer sounds or just to switch sounds live inside the same preset. I don't wanna do things in a way that I MUST use the Helix for any gig where I need just keyboards. Then I found another reason not to keep trying: Reliability. I just changed the 3 synth pedals for something more practical. Another reason is that stage spaces are limited, if Helix "synth pedals" are in the ideal place, then they are not accesible when playing bass or vice-versa. And... I play keyboards stand-up! In summary, I'd use the link Helix--> Roland FA06 only to play limited synth sounds with my feet (No velocity!) in very special occassions while I play bass (a la Geedy Lee) or other instruments. FOr example playing mandolin and drones at a time in Zeppelin's "Battle of Evermore". But I'll always keep some synth inside Helix to avoid dependence on complicated stuff. I already have a path in the Helix called "Evermore" that does this. :) One caveat: When "tap dancing" over "momentary" controls in the Helix with moderate activity, SOMETIMES the control becomes latching (obvious bug, I think it has to do with firmware timing). I saw this bug reported somewhere in this forum. What I do with the helix is to route and mix the keyboards to my local power amp without an additional mixer. It is safe, convenient and simple. I saved one rack mixer and moved the power amp to a small light rack without any cable inside. But it's nothing to write home about. I am considering to use this mixing and routing capability to provide 2 outputs to general PA, one for "basses" (either from FA06 or real bass) and the other for "typical keyboards". But... I am lazy.
  15. Parapentep70

    HELIX, When will we get a new firmware update??

    I truly appreciate that the update included a new bass amplifier. As a bassist I also think the new Line6 fuzz will be very useful. I am looking forward to install 2.30 after my next 2 gigs, now I have no time. Thanks Line6! A Happy bass player (using Helix also to route / mix keyboards and for electro acoustic Mandolin)