theElevators

Mode, tap tempo you are stuck with.

Nearly anything in the signal chain can be assigned to the snapshots: e.g. mix, panning, tempo, on/off, percentage.. Go ahead and explore it yourself.

Yes. You can use Command Center. Command Center allows you to assign any button to do anything you want in any imaginable layout. Effects on/off, snapshots in any place you want.

I've personally recorded several albums-worth of songs using the Helix as the sound interface straight into Logic and have had great results. Some of those got 4+ millions of views on YouTube-- so no need to get anything audio-interface-wise if you just plan on recording your guitar/vocals/other instruments through the mic with the help of the Helix. Obviously if you want to track an entire band, you need a more advanced audio interface.

I decided to recreate all my Global Settings from scratch in hopes of fixing that Left/Mono bug... so it got stuck in the snapshot mode for me as well on 3.11. Resolved it by toggling a few settings in Global Settings pertaining to the Helix Button layout: e.g. 8 stomps, 8 snapshots back and forth and it started working again. When rebooting I also lost sound, but it came back after I used the tuner. Wonderful piece of machinery....

Hey. I can say that octaver on the Helix is great and I see no need to use an external effect. Try a few: there's an octave effect, or smart harmony, where you specify the interval to be an octave. Where to place the harmonized effect? You have several options, and it depends on the sound you want. 1. very first thing in the chain. If you have distortion later in your chain, then you will hear distorted octave sound. 2. after the amp/speaker block. If you put it there, it will sound more clean. It will take your signal and add an octave to it. It tracks very well and does not glitch out for me. Compared to my old Boss MS-3 that was very finicky when processing a distorted sound, Helix works flawlessly. In my experience, harmonizer or octaver on the Helix tracks extremely well, even with all that distortion that it needs to interpret.

You would need to incorporate your mic into every guitar preset. I recommend leaving mic and guitar outputs separate. E.g. run the mic out into Return 1 while guitar comes out of XLR / 1/4”. That way you can still adjust the relative balance between guitar and vocals.

On the Helix there's "reverse delay". Try if that works for you. If you just want to make random noises, yeah that will work. But to play a shred part with the reverse guitar sound may be more tricky.... and maybe you will have to use the fade-in effect instead. But first try the reverse delay.

well, look at the 2nd photo. The last thing (bottom right) is where you configure where you preset goes, what jacks the signal will come out of, how loud and the panning. It's self-explanatory. Just put your cursor on it, and adjust it with the knobs on the Helix or in HX Edit.

see this last thing, "Multi". This is your output "block" that is always part of your preset. Adjust it. You can have it as "1/4" or "Return 1" or "Multi". And you can set how loud you want it and pan it left/right. See below! In my case I panned it Right 37, and made it 7.9 dB louder.

You can always change "master" volume setting of any preset you have. Go to the output section in your preset -- every preset has this. There you can raise the volume / lower the volume and pan the preset left / right. Also you can for example assign the "master" volume to be controlled by snapshots so the overall volume can be raised / lowered in a specific snapshot. Follow the regular procedure of assigning the output volume level to the snapshots. There's one preset where I boost my overall volume for the solo by raising the overall preset volume in my "SOLO" snapshot. I also use this overall volume setting to level off my presets AND snapshots within the presets.

Well, Pod HD 500X's effects are exactly what is in the "legacy" section of the Helix products as per my understanding. So I don't see an issue in using 2 effects processors together: use the POD HD for your effects, and Stomp as the amp + reverb / Delay for example. That way you have all those buttons you can use, and you won't suffer from the silence when you switch between your presets because you will have your reverb/delay that will still remain on to absorb the sound interruptions. HD 500 X is a great piece of equipment still if you know what you're doing. I personally know a guitarist in a very well-known band that used Pod HD 500 directly to the FOH, and before that POD X3 Live. I was actually surprised when I found out that he used a processor all those years ago, I always thought they had that great analogue tube-y surf sound. Anyway, here's how I would use it: I would put the Pod HD into the effects loop of the Stomp. I would have a master A/B switch on the Stomp to go between a clean and a processed sound by engaging the effects loop where the Pod is going to run. It depends on your exact band / sounds, but I'm sure you can figure out a creative way to combine these two great pieces of gear. Maybe the video below will give you some ideas as well.

Let me tell you about my experience... I play mainly my Brian May guitar, with the humbucker sound of 2 pickups in series (bridge and middle). That's my main meat and potato sound. I also have a Gibson Les Paul Classic guitar with humbuckers. Real Gibson humbuckers are a lot louder than my "fake" in-series mid+bridge. The difference is so drastic that I have to put my Les Paul's volume control on 4 in order to have it match my Brian May's volume on 10. So maybe the answer is simply cutting the input volume with a volume pedal. As a side note, I noticed that if you have too much volume going in, the guitar does not want to chug -- it's wooly and shapeless. Lower the input volume to 4, and all of a sudden the chug is back.

I have a few https://line6.com/customtone/profile/theElevators/

Downloaded your preset, and I see you have 4 3-tone generator blocks. In reality, you can accomplish chord changes with just one 3-tone generator block. You can assign the pitch of each note to snapshots. Let me send you one of my "proof of concept" presets that does a pretty convincing Hammond B3 impersonation, complete with Leslie slow/fast switches. The glitch you describe is because you hear two tone generators at once. Also if you want the notes to switch instantaneously, then play with the attach/delay/glide parameters. Anyway, take a look at my preset, hope it helps. With snapshots, you can change any parameters of any block. In my example I change the pitch of the 3 notes. Also, I used chord inversions so that some of the notes are reused between the chords. foot organ+acous.hlx

https://www.ebay.com/itm/225046801330?hash=item3465d5abb2:g:wh0AAOSwovRit~fT Pod XT Live is amazing! Less menus, indestructible, works with the Variax.

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Agreed, they are all mostly horrible Why? Because priorities are elsewhere. A lot of gear has horrible factory presets in my not so limited experience. On the Helix there are always wild volume fluctuations, and presets are so overly exaggerated and "show-off'y", that they try to cram as much stuff into them in order to demonstrate what is possible, while making them sound unmusical. I remember when I first got my Helix, I scrolled through a couple presets, then promptly cleared every single factory preset and started building my own. I know FM9 for example has amazing presets that can be used right away. I watched some rig rundown and the guitarist said he wound up using the default factory preset during a session, that's how good it sounded. But Line 6 has its priorities elsewhere. The same reason why this Line 6 Forum has broken avatar pictures, etc...

that's the spirit! If it ain't broke, don't fix it. 3.11 is the most stable version. 3.15 is a dud.

I'm pretty sure you have a misconfigured preset. Try a default preset. You can have the top path going "nowhere", that's why you don't hear anything.

This topic has been discussed extensively. What makes the most sense is to set XLR L + R to front of the house, an amp/cabinet on stage to recreate the familiar feeling of playing through a traditional guitar rig. In my observation: yes absolutely, different physical amp + cabs drastically changes the sound. Every amp colors the sound. Every cab colors the sound. However, it's more along the lines of how certain types of amps/cabs change your sound. I have noticed that for example a Marshall 4x10" makes the sound very boomy and all the nuances like delays and reverbs virtually disapperar. Compared to that, a Peavey Classic 30 + single 12" speaker on the other hand preserves a lot of detail in the sound and sounds a lot closer to what your true Helix sound is. My recommendation: if you want to have consistent results, you need to use the same consistent gear. I personally don't like Marshalls amps / cabs as their sound is very directional, and too loud for most venues. As a result you wind up keeping it on 1, and it sounds like garbage. What I use: I bought a compact power amp: Mooer Baby Bomb. It's very small (can fit into your gig bag) and sounds very good and consistent. When I play a gig, all I need is any combo amp that has a single 12" speaker. I simply disconnect the speaker from the amp, leave the amp unplugged, and plug the speaker into Mooer Baby Bomb. For myself, I purchased an Orange 112 speaker cabinet. With all of these, I don't need to make any EQ adjustments, and it sounds very consistent, even, familiar and predictable. My setup takes me 5 minutes, whereas before I used to have to tweak my global EQ to get the sound that was decent. Since a single 12" speaker cabinet-equipped amps are very common in small clubs, I recommend trying my approach.

There are known bugs with 3.15 regarding bypassing of blocks. I had to downgrade to 3.11. So if you started seeing different behavior after upgrading to 3.15, that's no surprise. If you don't touch anything and simply upgrade, you will have no issues. If you start messing with different presets' bypass settings, you may have completely unusable buggy presets. The topic (below), page 60 has people describing various issues. If I were Line 6, I'd issue a hot fix immediately for it. But alas, it's been several months and it's still in the backlog.

I also agree that the performance view is quite useful when you are playing during daytime. To me, my signal chain view is absolutely useless when I'm performing, because I'm playing and not adjusting my presets during that time. I have 2 Helixes: Floor and LT. LT gets used outdoors, at dusty campsite gigs, questionable jams; while the Floor gets used on a clean stage indoors. There were several times where the lighting people started having too much fun at one of the gigs, and if it weren't for the scribble strips and my glowing side dots on the guitar, I'd not been able to play. As in, the only source of light that I had were the friggin' scribble strips. Like one time, the lighting people decided it'd look great to turn off all the stage lights entirely for 5 seconds, just to flash them on every downbeat for the next minute. LOL So yes, it's not unreasonable to want to be able to see BOTH: scribble strips and the performance view. It'd take almost no coding effort to allow this to exist.