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Everything posted by Digital_Igloo
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You misspelled "awesome."
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Stranahan's or not, no one wants me touching the code in 2.8. The release notes are mine tho'. As of this writing, they're too big to copy/paste onto forums or social media. We'll have to make an Knowledge Base entry for them. Here's the bit I'm most excited about: Hotkeys Helix Floor, Helix Rack/Control, Helix LT, HX Effects IMPORTANT! The first time you update Helix/HX to 2.80, your Mac or PC may ask what kind of keyboard you have connected. Just ignore this and close the window. The Command Center can now send QWERTY hotkeys (keyboard shortcuts with or without modifiers such as Shift, Control, Option/Alt, and Command) to your Mac, PC, or iOS device via USB. You can now control virtually any software ever made, including DAWs, looping software, DJ software, media players, lighting software, video software, browsers, or video games… with your feet... or when assigned to an Instant command, from any preset or snapshot recall. From the Command Center menu, select a footswitch or Instant command and turn Knob 1 (Command) to select “Hotkey.” Turn knobs 2-5 to select the desired keystroke. If the keystroke doesn’t have modifiers, leave knobs 2, 3, and 4 set to “None." TIP: It's much faster and easier to program keystrokes from HX Edit 2.8. Open the Command Center window, select a footswitch or Instant command, and from the Command pull-down menu, select "Hotkey." Click the small keypad icon and simply enter the keystroke from your computer keyboard. Don't forget to customize the switch label! NOTE: Just like a normal computer keyboard, hotkeys won't work unless the software or app you want to control is in focus. Hotkey Templates Helix Floor, Helix Rack/Control, Helix LT, HX Effects To get you started with hotkeys, we've provided the following templates in 2.8: Cubase Pro Tools (Mac) Pro Tools (PC) Logic/GarageBand Ableton Live (Mac) Ableton Live (PC) Reaper (Mac) Reaper (PC) StudioOne Cakewalk MainStage QLab YouTube iTunes Spotify (Mac) Spotify (PC) Apple Keynote First-person shooter video games Most software has dozens if not hundreds of available hotkeys; feel free to swap ours out with the ones you use the most. With clever choices and a bit of finesse, you may be able to run a recording session (or elaborate live show with lighting and video cues) without ever touching a mouse or keyboard. Depending on your type of Helix/HX product, follow the procedure below: Helix Floor/Rack/LT—Press the PRESET knob, move the joystick left to select the Setlist column, select 8 TEMPLATES, and press the joystick. Hotkey templates begin at 06A HX Effects—Press MODE to to select Preset mode and turn the Big Knob. Hotkey templates begin at 16A NOTE: Updating the firmware does not automatically load any new presets or the hotkey templates; you must manually load them. See "STEP 5—Loading the 2.80 Factory Presets/Templates" above.
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I'm totally smitten with Stranahan's from Colorado.
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From the Input > Multi or Input > Variax block, press PAGE> once. Turn Knob 1 (Variax Settings) to choose between setting your Variax parameters globally or per preset. To assign a Variax parameter to snapshot control, PUSH AND TURN its knob. The value will appear white and in brackets. NOTE: 2.80 (out soon) adds an additional page of parameters to adjust each string's volume independently and these can also be set per snapshot.
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There are a handful of sketchy and/or downright slimy companies in this business (clinically psychopathic or narcissistic founders, CEOs who've been fired multiple times for sexual harassment, stop paying their licensees or vendors, sue everybody for perceived slights, blatantly copy designs and even hack firmware), but Fractal's one of the good ones. Kemper and Atomic are cool too. Always nice to see people supporting them.
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The Missed Connections Update IMPORTANT! 2.80 is the first firmware to utilize the new Helix Core engine, which unifies all Helix and HX products into the same ecosystem. Because there are tons of changes under the hood, presets created in 2.80 will not be compatible with earlier firmware, which means if you want to return to 2.71 for whatever reason, and you didn't back up before updating to 2.80, your presets will NO LONGER WORK. Therefore, we STRONGLY RECOMMEND everyone back up everything BEFORE updating. Transitioning to Helix Core also forces us to reset your Global Settings, but restoring your backup (STEP 5 below) restores them. No way around that. Just back everything up, okay? Instructions for backing up begin... now. Updating to 2.80 (READ ME!) Helix Floor, Helix Rack, Helix LT, HX Effects, HX Stomp STEP 1a—Backing Up Helix/HX Hardware Connect your Helix/HX processor to a Mac or PC via USB and turn it on. Do not use any sort of USB hub. Open YOUR CURRENT VERSION of HX Edit (NOT the new HX Edit 2.80). From the top File menu, select "Create Backup..." Click "Create Backup." TIP: If you want to load the 2.80 factory presets and hotkey templates, it's better to manually back up individual setlists, so you can later import them into empty setlists. To do this, from the preset library along the left side, select the setlist you want to back up and click "Export." Choose a destination folder and click "Save." Repeat for any other setlists you want to back up. STEP 1b—Backing Up Helix Native If you don't currently own Helix Native, skip this step. Open any instance of YOUR CURRENT VERSION of Helix Native (NOT the new Helix Native 1.80) within your DAW and click the "My Account" button in the lower left corner to open the Preferences window. From the General tab, click "Export Bundle." Choose the destination folder and click "Save." TIP: If you want to load the 2.80 factory presets, it's better to manually back up individual setlists, so you can later import them into empty setlists. To do this, from the preset library along the left side, select the setlist you want to back up and click the small yellow "Export." Choose a destination folder and click "Save." Repeat for any other setlists you want to back up. STEP 2—Updating HX Edit to 2.80 (YOU MUST DO THIS BEFORE UPDATING YOUR HELIX/HX FIRMWARE!) Turn off or disconnect any connected Helix or HX hardware. Log onto line6.com. Once logged in, download the latest version of HX Edit, available here: HX Edit for Max OS X HX Edit for Windows 7, 8, or 10 Read the Software License Agreement (hahaahaaa!) and click "Accept and Download." Once the software has downloaded, double-click the installer and follow the prompts. NOTE: Installing HX Edit 2.80 automatically installs the latest version of Line 6 Updater, which is required to update the firmware. STEP 3a—Updating Helix Floor/Rack/LT to 2.80 (DO NOT DO THIS UNTIL AFTER YOU'VE UPDATED HX EDIT TO 2.80!) If you have HX Effects or HX Stomp, skip to STEP 3b below instead. If you have Helix Rack/Control, turn off Helix Control. Also, shut down all Line 6 software or any programs that use audio, like DAWs, iTunes, Spotify, video games, etc. Connect Helix to a Mac or PC via USB (do not use any sort of USB hub) and turn it on. Launch Line 6 Updater. The latest version was automatically installed when you installed HX Edit 2.80 in "STEP 2—Updating HX Edit to 2.80" above. Enter your Line 6 Username and Password and click "Sign In." A big green box appears with a picture of your Helix product. Click the big green box and then click "Update" next to Version: 2.80. Carefully read the instructions (HEY! DID YOU BACK UP FIRST?), click "Continue," and then "Accept." A warning dialog appears, telling you that Helix will be reset twice. Think "Hmm, maybe I should've backed up first? Nah, I insist on subverting the dominant paradigm," and click "OK." Helix begins updating. As wholly expected, because we warned you... because you always read the instructions... halfway through the update process, Line 6 Updater displays a second dialog and Helix's LCD reads "Boot Failure. Entered Update Mode!" THIS IS NORMAL. Breathe deep, everything is fine. You're almost there. Click "OK" again. When finished, Helix restarts automatically and begins rebuilding your presets. Let it finish. IMPORTANT! This may take some time. If Helix appears to not respond for many minutes, turn Helix off, connect to a different USB port on your computer, and attempt the update again If you have Helix Rack/Control, turn on Helix Control. Helix Rack reads "Helix Control must be updated to work properly. Update now?" Press Knob 6 (OK) to update Helix Control. NOTE: Updating the firmware does not automatically load any new presets. See "STEP 4—Loading the 2.80 Factory Presets/Templates" below. STEP 3b—Updating HX Effects/HX Stomp to 2.80 (DO NOT DO THIS UNTIL AFTER YOU'VE UPDATED HX EDIT TO 2.80!) If you have Helix Floor, Helix Rack/Control, or Helix LT, follow STEP 3a above instead. Shut down all Line 6 software or any programs that use audio, like DAWs, iTunes, Spotify, video games, etc. Connect your HX processor to a Mac or PC via USB (do not use any sort of USB hub) and turn it on. Launch Line 6 Updater. The latest version was automatically installed when you installed HX Edit 2.80 in "STEP 2—Updating HX Edit to 2.80" above. Enter your Line 6 Username and Password and click "Sign In." A big green box appears with a picture of your HX product. Click the big green box and then click "Update" next to Version: 2.80. Carefully read the instructions (HEY! DID YOU BACK UP FIRST?), click "Continue," and then "Accept." When finished, your HX device restarts automatically. NOTE: Updating the firmware does not automatically load any new presets. See "STEP 4—Loading the 2.80 Factory Presets/Templates" below. STEP 4—OPTIONAL: Loading the 2.80 Factory Presets/Templates IMPORTANT! The following procedure will COMPLETELY ERASE ALL OF YOUR CUSTOM PRESETS! If you want to keep them, make sure you back them up first! (See "STEP 1a—Backing Up Helix/HX Hardware" above.) Turn off your Helix/HX processor. Depending on your type of Helix/HX product, follow the procedure below: Helix Floor/LT—While holding footswitches 7 and 8 (two left-most switches on the bottom row), turn on Helix/Helix LT. Wait for "Will restore stock Presets and Setlists..." and let go Helix Rack/Control—While holding knobs 3 and 4 below the screen, turn on Helix Rack. Wait for "Will reset Presets..." and let go HX Effects—While holding footswitches 5 and 6 (middle two switches on the bottom row), turn on HX Effects. Wait for "Will reset Presets..." and let go HX Stomp—While holding footswitches 1 and 2, turn on HX Stomp. Wait for "Will reset Presets..." to appear on the screen and let go Helix Native—Click the gear icon in the lower left corner to open the Preferences window. From the Presets/IRs tab, click "Restore Factory Setlists" STEP 5a—OPTIONAL: Restoring Helix/HX Presets, IRs, and Global Settings from a Backup Connect your Helix/HX processor to a Mac or PC via USB (do not use any sort of USB hub) and turn it on. Open the NEW VERSION OF HX Edit 2.80 you installed in "STEP 2—Updating HX Edit to 2.80" above. From the top File menu, select "Restore from Backup." Browse to the backup file and click "Open." TIP: If you instead exported individual setlists and loaded the 2.80 factory presets/templates (and want to keep them), from the preset list along the left side, select an empty User setlist and then drag the saved setlist file (from the tip in STEP 1) into the preset list IMPORTANT! You may notice that after restoring from a backup (or loading in previously stored setlists or individual presets) that preset switching times are slower than normal. Restart Helix/HX, and you'll see the display read "Rebuilding preset [XXX]". Wait for it to rebuild your presets, and they will load faster. STEP 5b—OPTIONAL: Restoring Helix Native from a Backup If you don't currently own Helix Native, skip this step. Open any instance of Helix Native within your DAW and click the gear icon in the lower left corner to open the Preferences window. From the Presets/IRs tab, click "Import Bundle." Browse to the location chosen in STEP 2 above and click "Open." Whew! That wasn't too terrible, now was it? What's that... it was? Sorry. Now that Helix Core is finished, hopefully future update procedures will be less... involved. New Amp Models in 2.80 Helix Floor, Helix Rack, Helix LT, Helix Native, HX Stomp Fullerton Nrm, based on* the classic 1958 Fender® 5C3 Tweed Deluxe (normal channel) Fullerton Brt, based on* the classic 1958 Fender® 5C3 Tweed Deluxe (bright channel) Fullerton Jump, based on* the classic 1958 Fender® 5C3 Tweed Deluxe (jumped channels) Grammatico Nrm, based on* the modern 2016 Grammatico LaGrange (normal channel) Grammatico Brt, based on* the modern 2016 Grammatico LaGrange (bright channel) Grammatico Jump, based on* the modern 2016 Grammatico LaGrange (jumped channels) Revv Gen Red, based on* the red (gain 2) channel of the Revv® Generator 120 Ampeg SVT-4 PRO, based on* the Ampeg® SVT-4 PRO *NOTE: All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development. That said, the teams at Revv and Grammatico are super cool (and patient!) and you should buy their awesome amps. New Effects Models in 2.80 Helix Floor, Helix Rack, Helix LT, Helix Native, HX Effects, HX Stomp Distortion > Dhyana Drive (Mono, Stereo), based on* the Hermida Zendrive Distortion > Heir Apparent (Mono, Stereo), based on* the Analogman Prince of Tone (basically half a King of Tone) Distortion > Tone Sovereign (Mono, Stereo), based on* the Analogman King of Tone V4 (basically two Prince of Tones in one) Distortion > ZeroAmp Bass DI (Mono, Stereo), based on* the Tech 21® SansAmp Bass Driver DI V1 Distortion > Ampeg Scrambler (Mono, Stereo), based on* the Ampeg® Scrambler Bass Overdrive Filter > Asheville Pattrn (Mono, Stereo), based on* the Moog® Moogerfooger® MF-105M MIDI MuRF Filter (with both MuRF and Bass MuRF voicings) EQ > Low/High Shelf (Mono, Stereo), Line 6 Original EQ > Tilt (Mono, Stereo), Line 6 Original. Tilt is a subtle 6dB EQ that boosts high frequencies while simultaneously attenuating low frequencies (or vice versa). Great for quickly making tones a bit brighter or darker. The Center Freq parameter sets the frequency around which the boost and cut pivot *NOTE: All product names used in this document are trademarks of their respective owners and neither Yamaha Guitar Group nor Line 6 are associated or affiliated with them. These trademarks appear solely to identify products whose tones and sounds were studied by Line 6 during sound model development. New Features in 2.80 NOTE: For additional information on Helix Native 1.80 or HX Edit 2.80, check out the latest Helix Native and HX Edit Pilot's Guides, which are automatically installed with the new 1.80/2.80 software. Hotkeys Helix Floor, Helix Rack/Control, Helix LT, HX Effects IMPORTANT! The first time you update Helix/HX to 2.80, your Mac or PC may ask what kind of keyboard you have connected. Just ignore this and close the window. The Command Center can now send QWERTY hotkeys (keyboard shortcuts with or without modifiers such as Shift, Control, Option/Alt, and Command) to your Mac, PC, or iOS device via USB. You can now control virtually any software ever made, including DAWs, looping software, DJ software, media players, lighting software, video software, browsers, or video games… with your feet... or when assigned to an Instant command, from any preset or snapshot recall. From the Command Center menu, select a footswitch or Instant command and turn Knob 1 (Command) to select “Hotkey.” Turn knobs 2-5 to select the desired keystroke. If the keystroke doesn’t have modifiers, leave knobs 2, 3, and 4 set to “None." TIP: It's much faster and easier to program keystrokes from HX Edit 2.80. Open the Command Center window, select a footswitch or Instant command, and from the Command pull-down menu, select "Hotkey." Click the small keypad icon and simply enter the keystroke from your computer keyboard. Don't forget to customize the switch label! NOTE: Just like a normal computer keyboard, hotkeys won't work unless the software or app you want to control is in focus. Hotkey Templates Helix Floor, Helix Rack/Control, Helix LT, HX Effects To get you started with hotkeys, we've provided the following template presets in 2.80: Cubase Pro Tools (Mac) Pro Tools (PC) Logic/GarageBand Ableton Live (Mac) Ableton Live (PC) Reaper (Mac) Reaper (PC) StudioOne Cakewalk MainStage QLab YouTube iTunes Spotify (Mac) Spotify (PC) Apple Keynote First-person shooter video games Most software has dozens if not hundreds of available hotkeys; feel free to swap ours out with the ones you use the most. With clever choices and a bit of finesse, you may be able to run a recording session (or elaborate live show with lighting and video cues) without ever touching a mouse or keyboard. Depending on your type of Helix/HX product, follow the procedure below: Helix Floor/Rack/LT—Press the PRESET knob, move the joystick left to select the Setlist column, select 8 TEMPLATES, and press the joystick. Hotkey templates begin at 06A HX Effects—Press MODE to to select Preset mode and turn the Big Knob. Hotkey templates begin at 16A NOTE: Updating the firmware does not automatically load any new presets or the hotkey templates; you must manually load them. See "STEP 5—Loading the 2.80 Factory Presets/Templates" above. Variax String Level Helix Floor, Helix Rack/Control, Helix LT Helix can now remotely adjust the level of individual guitar strings on a connected Shuriken Variax, JTV, or Variax Standard. TIP: Just like with any amp, cab, or effect parameter, Variax String Level can be quickly assigned to footswitches or Snapshots. "Wait. You mean I can turn off the top three strings for the verse (Snapshot 1) and bring them back in for the chorus (Snapshot 2)? And if the high E is too shrill I can back its volume down to 85%?" Yes. "That's pretty nuts." Yes it is. Select the Input > Multi or Input > Variax block and press PAGE > three times. Turn Knobs 1-6 to adjust each string’s level. If you want to set a particular string's level separately for each snapshot, press and turn the string's knob. The value will turn white and appear in brackets. NOTE: Assigning a continuous controller (such as an expression pedal or slider on your MIDI controller) is not recommended, as it may result in minor pops and clicks; this is due to limitations in Variax DSP, not Helix. Powercab Plus Remote Helix Floor, Helix Rack/Control, Helix LT IMPORTANT! You must also update Powercab Plus! It must be running firmware 2.0 or higher. Helix can now remotely adjust parameters in one or two L6 LINK-connected Powercab 112 Plus or Powercab 212 Plus modeling speaker cabs. When one Powercab Plus 112 is connected via L6 LINK (110-ohm AES/EBU cable), it receives a mono signal from Helix; when one Powercab 212 Plus is connected via L6 LINK, it receives a stereo signal; when two Powercab 112 Plus or 212 Plus amps are daisy-chained via L6 LINK, the first cab in the chain receives the left signal and the second cab receives the right signal. TIP: Just like with any amp, cab, or effect parameter, Powercab Plus parameters can be quickly assigned to footswitches or Snapshots. Select the Output > Multi or Output > Digital block and press PAGE > once. Turn Knob 1 (Powercab Remote) to select "Per Preset" or "Global." If you don't plan on changing Powercab parameters along with Helix presets, choose "Global." Turn Knob 2 (Powercab Mode) to select the desired type of Powercab mode: Flat, Speaker, or IR. Note that certain parameters will gray out depending on the mode chosen. Turn Knob 4 (Speaker Select) to specify which Powercab you want to control—Powercab 1, Powercab 2, or both Powercabs simultaneously ("1+2 Link"). Normally, you should leave this set to "1+2 Link," which edits both Powercabs simultaneously, to maintain phase coherence. Note that with Powercab 212 Plus, "Powercab 1" targets the left speaker in each (or both) amp(s) and "Powercab 2" targets the right speaker in each (or both) amp(s). Flat Voicing—When Powercab Mode is set to "Flat," determines the type of speaker voicing Speaker Type—When Powercab Mode is set to "Speaker," determines the current speaker model Speaker DI Mic—When Powercab Mode is set to "Speaker," determines the mic model used on Powercab's XLR output(s) Spider Mic Dist—When Powercab Mode is set to "Speaker," determines the mic distance used on Powercab's XLR output(s) Speaker User IR—When Powercab Mode is set to "User IR," selects the impulse response used Speaker Low Cut—Applies a Low Cut filter to Powercab Plus for minimizing low end rumble Speaker Hi Cut—Applies a High Cut filter to Powercab Plus for minimizing high end harshness Speaker Level—Applies a level trim Speaker Color—Lets you choose the LED ring color on any connected Powercab(s) NOTE: For more information on Powercab Plus, see the Powercab Pilot's Guide. DT50/DT25 Remote Helix Floor, Helix Rack/Control, Helix LT, HX Edit IMPORTANT! Your DT amp must be running firmware 2.0 or higher. Chances are it already is (2.0 was released back in 2012) but if things are wonky, this is the first thing to check. Helix can now remotely adjust the real tube topology settings and other parameters in one or two L6 LINK-connected DT25 or DT50 amplifiers. When one DT25 or DT50 is connected via L6 LINK (110-ohm AES/EBU cable), it receives a mono signal from Helix; when two DT250 or DT50 amplifiers are daisy-chained via L6 LINK, the first cab in the chain receives the left signal and the second cab receives the right signal. TIP: Just like with any amp, cab, or effect parameter, DT parameters can be quickly assigned to footswitches or Snapshots. From the Output > Multi or Output > Digital block, press PAGE > three times. Turn Knob 1 (DT 25/50 Remote) to select "Per Preset" or "Global." If you don't plan on changing DT topology settings along with Helix presets, choose "Global." Turn Knob 2 (DT Select) to specify which DT amp you want to control—DT 1, DT 2, or both DT amps simultaneously ("1+2 Link"). Normally, you should leave this set to "1+2 Link," which edits both DT amps simultaneously, to maintain phase coherence. DT Channel—When set to Channel A, the DT switches to Channel A and its preamp is bypassed for when using a preamp model in Helix. When set to Channel B, the DT switches to Channel B and its preamp is activated TIP: Assign a stomp footswitch (or snapshots) to simultaneously bypass a Helix preamp block AND switch a connected DT amp to Channel B. This gives you a wider variety of tones in the same preset, without the DSP overhead required to run two simultaneous Preamp blocks DT Topology—Changes the DT amp's negative feedback loop topology. Choose "I (Tight)" for behavior reminiscent of the great American Blackface amps of the 60’s, choose "II (Loose)" for dialing in echoes of classic British amps, choose "III (ZNF)" for a very open or dynamic feeling amp, or choose "IV (Resonant)" to add low frequency resonance that pairs well with high gain tones DT Power Amp—Sets the DT amp's operating class, wattage, and bias type. Choose "Class A" for more dynamics with greater touch sensitivity; choose "Class AB" for greater headroom and power DT Tube Config—Changes the configuration of the DT's power tubes. Chose "Pentode" for clear and commanding tone; choose "Triode" for quieter and rounder sounds with a more vintage feel DT Reverb—Turns the DT amp's built-in spring reverb on and off DT Rev Mix—Determines the amount of built-in spring reverb DT 12AX7 Boost; DT50 only—When Low Volume Mode is off, applies a volume boost DT Feedbk Cap; DT50 only—Sets the DT amp's feedback capacitor type DT B+ Voltage; DT50 only—Sets the DT amp's phase inverter B+ voltage NOTE: For more information on DT amps, see the DT25 Pilot's Guide or the DT50 Pilot's Guide. Snapshot Bypass Helix Floor, Helix Rack/Control, Helix LT, Helix Native, HX Effects, HX Stomp, HX Edit There may be situations where you don't want Helix's snapshots to control a particular block's bypass state; that is, you'd prefer to turn it on and off manually. For example, you may want manual control of a boost pedal at any time without worrying whether a particular snapshot might turn it on or off. Depending on your type of Helix/HX product, follow the procedure below: Helix Floor/Rack/LT—Select a processing block, press ACTION, and set Knob 5 (Snapshot Bypass) to "Off" to disable snapshot control of that block's bypass state HX Effects—Select a processing block, press ACTION, and press the "Snapshot Bypass" switch to disable snapshot control of that block's bypass state HX Stomp—From Edit view, select a processing block, press ACTION, press PAGE >, and set Knob 3 (Snapshot Bypass) to "Off" to disable snapshot control of that block's bypass state Helix Native/HX Edit—Right-click (Mac: control-click) on a processing block and uncheck "Snapshot Bypass." Alternatively, right-click (Mac: control-click) the Bypass button to uncheck "Snapshot Bypass." Hardware Compatibility Mode Helix Native Helix Native can now reflect the signal flow and model set of all Helix and HX hardware devices, so transferring presets to and from your DAW is even easier. In addition, Hardware Compatibility can be disabled entirely, so the simultaneous model count is now limited only by the speed of your computer. Open any instance of Helix Native within your DAW and click the gear icon in the lower left corner to open the Preferences window. Click the Hardware Compatibility tab. From the "Current Hardware Compatibility Mode" pull-down menu, select one of the following options: Off—Disables Hardware Compatibility and lets you add as many blocks (of any type) as your computer's horsepower will allow. Choose this setting if you don't own any Helix or HX hardware Helix Floor/LT/Rack (the default)—Configures Helix Native such that any presets made can be easily loaded into Helix Floor, Helix Rack/Control, or Helix LT HX Effects—Configures Helix Native such that any presets made can be easily loaded into HX Effects. In this mode, no Amp or Cab models will be available HX Stomp—Configures Helix Native such that any presets made can be easily loaded into HX Stomp Click OK. Depending on the current Hardware Compatibility Mode, Helix Native may repopulate the preset list to reflect that of the selected hardware. For example, if you choose "HX Stomp," HX Stomp's factory presets will appear and the signal flow will be limited to six blocks Click "Set as Default" to ensure any new instances of Helix Native open in the selected mode. IMPORTANT! Each Hardware Compatibility Mode incorporates its own, independent preset library. Therefore, you will see the Helix Native preset library automatically repopulate to reflect that of the selected hardware. Helix/HX Preset Sharing Helix Floor, Helix Rack/Control, Helix LT, Helix Native, HX Effects, HX Stomp, HX Edit All Helix and HX hardware and software now live within the same ecosystem. Using multiple windows within HX Edit and/or multiple instances of the Helix Native plug-in, both blocks and entire presets can be freely dragged and dropped or copied and pasted between units. Aside from the obvious caveats below, all Helix and HX products can now share the same content. IMPORTANT! Due to the vast differences in how Helix/HX products manage controllers, snapshots, and Command Center messages, there is no guarantee that every single tiny detail of a preset will translate properly. You can now drag/drop, copy/paste, or otherwise load: HX Effects or HX Stomp presets into Helix Floor/Rack/LT and Helix Native. If an HX Effects preset has 9 blocks, the ninth block will be routed to Path 2 Helix Floor/Rack/LT, Helix Native, or HX Stomp presets into HX Effects. However, there are caveats. To avoid an error message, the source preset must: Contain 9 or fewer blocks Not contain any Amp+Cab, Amp, Preamp, or Cab blocks Contain no more than one Split and Merge block Fit within one path worth of DSP processing Helix Floor/Rack/LT, Helix Native, or HX Effects presets into HX Stomp. However, there are caveats. To avoid an error message, the source preset must: Contain 6 or fewer blocks Contain no more than one Split and Merge block Fit within one path worth of DSP processing Helix Floor/Rack/LT, HX Effects, or HX Stomp presets into Helix Native NOTE: A dialog box will appear if the source preset cannot be accommodated by the current Hardware Compatibility Mode (see above). At this point, you may choose to switch the current Hardware Compatibility Mode to that of the source preset, or attempt to translate the preset into the current Hardware Compatibility Mode, given the caveats above. See the Helix Native Pilot's Guide for more information—click the question mark icon in the lower left corner of the plug-in. Undo/Redo Helix Native, HX Edit Both the Helix Native plug-in and HX Edit now support multiple levels of undo/redo. Click the Undo button to undo the most recent edit. Click the Redo button to redo the most recent undo. MIDI Learn Helix Native (Helix Floor, Helix Rack, Helix LT, HX Effects, and HX Stomp already have this feature) Helix Native can now learn an incoming MIDI CC message and automatically assign it to a parameter. Right-click on a parameter and select Controller > MIDI Learn. A small brain icon flashes. If you change your mind, click the icon to cancel. Send Helix Native a MIDI CC message. The parameter is automatically assigned to it. TIP: In Helix Native, right-click (Mac: control-click) on a processing block to open a pull-down that lets you manually assign a MIDI CC to block bypass. Right-click (Mac: control-click) on a parameter slider to open a pull-down menu that lets you manually assign a MIDI CC to parameter control. NOTE: Not all DAW software automatically routes incoming MIDI data through to any plug-in, especially those instanciated as an insert on an audio track. See your DAW's documentation for more information. The new MIDI In indicator in the lower right corner flashes if Helix Native receives MIDI data. Hands-free Pedal Edit for Input/Output Blocks Helix Floor, Helix Rack/Control, Helix LT In addition to Amp, Effect, Cab, IR, Split, and Mixer parameters, Input and Output Block parameters can also now be edited with your feet, including the new Variax String Level, Powercab Plus remote, and DT25/DT50 remote parameters. Press and hold MODE to enter Pedal Edit Mode. The switches flash. If necessary, press MORE one or more times to view additional blocks and press the Input 1A (or 1B, 2A, or 2B) or Output 1A (or 1B, 2A, or 2B) footswitch. If the block has more than one page of parameters, press FS8 (<PAGE) or FS9 (PAGE>) until you find the parameter. Press the footswitch displaying the parameter you want to adjust and use an expression pedal to adjust the parameter. For fine adjustment, press FS10 (VALUE–) and FS11 (VALUE+). Hold FS10 (VALUE–) or FS11 (VALUE +) for faster adjustments. When finished, press FS12 (EXIT). If you want to save any changes made to the preset, hold FS12 (EXIT) for two seconds. Snapshot Reselect Helix Floor, Helix Rack/Control, Helix LT, HX Effects, HX Stomp Currently, pressing the currently active Snapshot switch will reload the stored state of that snapshot. With 2.80, you can now choose to instead toggle between it and the previously selected snapshot. For example, if you're on Snapshot 2 and switch to Snapshot 8, pressing the Snapshot 8 footswitch will seamlessly toggle between Snapshot 8 and Snapshot 2. From the Global Settings > Preferences menu, turn Snapshot Reselect to choose "Reload" or "Toggle Prev." "Reload" remains the default. Stomp Select Helix Floor, Helix Rack/Control, Helix LT (parameter is already in HX Effects and HX Stomp) Currently, briefly touching a stomp footswitch jumps to select its assigned items' parameters; it's a super fast and simple way to navigate your various amps and effects. For those neanderthals of you who play barefoot, you can disable this functionality from Global Settings > Footswitches > Touch Select. With 2.80, this parameter has now changed to Stomp Select, and lets you choose whether touching a switch, pressing a switch, or both instantly jumps to display the assigned items' parameters. Depending on your type of Helix/HX product, follow the procedure below: Helix Floor/Rack/LT—From the Global Settings > Footswitches menu, turn Knob 1 (Stomp Select) to choose "None," "Touch," "Press," or "Touch+Press." "Touch" remains the default HX Effects/HX Stomp—From the Global Settings > Footswitches menu, turn Knob 1 (Stomp Select) to choose "Touch," "Press," or "Both." "Touch" remains the default Swap Up/Down Switches Helix Floor, Helix Rack/Control, Helix LT, HX Effects Some users have requested the ability to press the DOWN switch to select the next bank, preset, or snapshot. With 2.80, Up and Down can be swapped: From the Global Settings > Footswitches menu, turn [Swap Up/Down] to choose "Off" (normal) or "On" (reversed). SHORTCUT: Touch (but don't press) the Up and Down switches together for one second, and then press Knob 6 [FS6 on HX Effects] (OK). The up and down switches are now swapped. Turn Joystick to Select Blocks Helix Floor, Helix Rack, Helix LT Currently, turning the joystick encoder scrolls through available models for the selected block. With 2.80, you can now choose to instead turn the joystick to quickly move across the signal flow. From the Global Settings > Preferences menu, turn Knob 5 (Joystick Encoder) to choose "Model" or "Selection." "Model" remains the default. SHORTCUT: Pressing and turning the joystick will provide the opposite setting; that is, when set to "Model", press and turn the joystick to quickly move across the signal flow. When set to "Selection," press and turn the joystick to scroll through available models for the selected block. Tempo Indicator Helix Floor, Helix Rack/Control Press TAP/TUNER two or more times to enter a new tempo. The TAP/TUNER scribble strip briefly displays the entered tempo. SHORTCUT: To fine-tune the tempo, briefly touch the TAP/TUNER switch. The Tempo panel opens. Turn Knob 6 (BPM) to manually set the tempo. Pedal Position Indicator Helix Floor, Helix Rack/Control A new Global Settings > Displays > Pedal Position Display parameter lets you determine whether the scribble strip above the expression pedal temporarily displays the expression pedal position ("Temporary") or remains visible ("Persistent"). Move the built-in expression pedal. The EXP scribble strip displays a position indicator (0 ~ 100%). Helix Native Pricing Helix Native It's not technically a feature, but Helix Native is now $99.99 US for all registered owners of Helix Floor, Helix Rack, Helix LT, HX Effects, and HX Stomp ($300 off). Helix Native brings the amps, cabs, effects, and IR loading from Helix to your Mac or PC's recording software without the need for time-consuming re-amping. Depending on your computer's horsepower, you may be able to add an entire Helix's worth of processing to multiple guitar, bass, synth, vocal, drum, bus, slide whistle, and nose flute tracks. Helix Native along with Helix hardware is also an immeasurably helpful tool when trying to rebuild studio tones for your tour, or tones built on the road for the next record—What used to take weeks (or hiring an expensive programmer) now takes seconds. Helix Native can be purchased here. Other Changes and Improvements in 2.80 The Global Settings > Preferences > Tap Tempo Pitch (Authentic, Transparent) setting now also affects tempo changes taking place across snapshot changes, not just when pressing the TAP switch (Helix Floor/Rack/LT, HX Effects, HX Stomp) On a Cab > Dual block, changing the first cab no longer changes the second cab (Helix Floor/Rack/LT, Helix Native, HX Edit [feature is already in HX Stomp]) Page indication has changed from small colored dots to the right of the inspector to a scrolling inspector header line (similar to the one in HX Stomp). This allows Impulse Response blocks to display longer IR names. Oh yeah—speaking of which... (Helix Floor/Rack/LT) Impulse Response blocks now display as many IR file name characters as will fit in the inspector header (Helix Floor/Rack/LT, Helix Native) In previous versions, only the last value would be recalled via Snapshots (example: In Program messages, only the PC value could change). With 2.80, all values are recalled via Snapshots (example: In Hotkey messages, all modifiers and the keystroke can change, so each snapshot could have different sets of key commands). (Helix Floor/Rack/LT, HX Effects) Additional values have been added to recall snapshots remotely via MIDI. CC69 Value 8 will select the next snapshot and Value 9 will select the previous snapshot (Helix Floor/Rack/LT, Helix Native, HX Effects [feature is already in HX Stomp]) Command Center > CC Toggle, CV Toggle (Helix Floor only), and Amp Control messages have an additional Type parameter that lets one determine whether the footswitch is latching or momentary. Previously, you would have to assign a processing block (set to momentary) to the same footswitch to make the Command Center message momentary (Helix Floor/Rack/LT, HX Effects) An additional "None" value has been added to Command Center > Instant > Amp Control messages (Helix Floor/Rack/LT, HX Effects) The "Pac Man" shortcut where moving the joystick right from the Output block jumps to the Input block (and vice versa) now also works when moving the joystick up and down (Helix Floor/Rack/LT) On the Save Preset, Rename Preset, Rename Snapshot, Rename Setlist, and Customize screens, moving the joystick right from the last character jumps to the first (and vice versa) (Helix Floor/Rack/LT [feature is already in HX Stomp and HX Effects]) The boot screen now displays a red progress bar (Helix Floor/Rack/LT [feature is already in HX Stomp]) While in the Command Center menu, pressing SAVE twice to save a preset no longer exits you all the way to the Home screen (Helix Floor/Rack/LT, HX Effects) Pressing Up and Down together from Snapshot mode now exits to the previous mode (same as pressing EXIT) (Helix Floor/Rack/LT, HX Effects) Turning the PRESET knob past the last preset in each setlist now jumps back to the beginning of the setlist (and vice versa) (Helix Floor/Rack/LT [feature is already in HX Stomp and HX Effects]) Helix Native 1.80 now responds to MIDI program change messages as well as MIDI CC32 (values 0-7) to recall setlists (AU/AAX only) (Helix Native [feature is already in Helix Floor/Rack/LT, HX Effects, and HX Stomp]) A small indicator in the lower right corner of the plug-in window flashes whenever a MIDI message is received (Helix Native) Automation and MIDI/controller assignments can now be managed together from the Automation/Controller Assign tab (Helix Native, HX Edit) Blocks assigned to controllers or automation now display their category name in brackets. Parameters assigned to controllers or automation display a small icon to the left of their parameter sliders. In addition, pop-up menus now display controller or automation assignments, if any (Helix Native, HX Edit) From the Controller/Automation tab, right-click (Mac: control-click) an assignment to open a pull-down menu, letting you clear one or all assignments (Helix Native, HX Edit [feature is already in Helix Floor/Rack/LT, HX Effects, and HX Stomp]) The Preferences menu in HX Edit now lets you set FS3, FS4, and FS5 functions (HX Edit [feature is already in HX Stomp]) A new "Restore Factory Settings" button has been added to the bottom of the Preferences window (Helix Native, HX Edit [feature is already in Helix Floor/Rack/LT, HX Effects, and HX Stomp]) Helix Native can now take advantage of Ableton Live 10.1's support of VST3 Helix Native's default tempo is now set to "Host Sync" instead of "Per Preset" In HX Edit, snapshots can now be selected while the Command Center window is open In HX Edit, the parameter tab will now be in sync with the Helix display for Amp+Cab and Cab > Dual blocks When a Shuriken Variax is connected, HX Edit now displays its bank names properly Wow, you're still reading this? Congratulations; you're way cooler and better looking than other Helix/HX owners. Celebrate your superiority with some delicious tacos As Ampeg is now Line 6's sister company, all pre-2.80 Ampeg models have been renamed: Amp > Bass > Tuck n' Go is now called "Ampeg B-15NF" Amp > Bass > SV Beast Nrm is now called "Ampeg SVT Nrm" Amp > Bass > SV Beast Brt is now called "Ampeg SVT Brt" Cab > 1x15 Tuck n' Go is now called "1x15 Ampeg B-15" Cab > 4x10 Rhino is now called "4x10 Ampeg HLF" Cab > 8x10 SV Beast is now called "8x10 Ampeg SVT E" Numerous stability and performance improvements Lots of other little things Bug Fixes in 2.80 On rare occasions, with dirty footswitches, a single press can generate two Command Center messages. We've added a small timeout to ensure this doesn't happen, regardless of the condition of the footswitches Pressing the Cab > Mic parameter knob now returns the value to default When importing a preset into Helix Native, the Output 1B setting is now preserved In Helix Native, Output 1B and Output 2B Level and Pan controls now function properly In Helix Native, the Input Gate on paths 1B and 2B now functions properly In Helix Native, presets containing IR blocks now initialize the IRs properly when presets are loaded While HX Edit is running, double-clicking a preset, setlist, or bundle file on the desktop or any finder window will load the file In HX Edit, background windows now properly reflect the connected state of the device In HX Edit, preset names are now preserved in setlist, bundle, or backup files if an empty preset was renamed Many other minor bug fixes Known Issues in 2.80 The first time you update Helix/HX to 2.80, your Mac or PC may ask what kind of keyboard you have connected. This is due to the new Hotkey feature. Just ignore this and close the window Assigning a Command Center > Hotkey message to a footswitch that already has a block assigned to it (set to latching, which is the default) will cause the keystroke to be repeatedly sent to your Mac/PC. To avoid this behavior, either assign the Hotkey message to an empty footswitch or set the footswitch's mode to Momentary On Helix Floor, Rack, and LT, you cannot currently rename a footswitch assigned to the 1 Switch Looper In rare cases, dragging a Looper block across a Split or Merge block may cause a subsequent preset to appear blank. If this happens, simply reload the preset and it should appear as expected Switching Helix presets that remotely change speaker modes in an L6 LINK-connected Powercab Plus can sometimes cause a very brief volume increase Changing a delay or mod block's Time or Speed parameter from ms/Hz to note values (or vice versa) is not remembered by Undo/Redo. Changing the actual ms/Hz or note value itself, however, is remembered correctly
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How many people would like to see a medium size Helix?
Digital_Igloo replied to Retro-Rick's topic in Helix
Perhaps public sentiment has changed since DigiTech's iPB-10, but "headless" modelers that require a Mac/PC/iOS/Android editor to access a large portion of its functionality have traditionally been seen as... let's say risky. That said, plenty of live rackmount mixers are now headless, so maybe things are changing. There's an up-and-coming small venue in Encino/Tarzana without a front of house at all—everything is controlled by the sound guy walking around with an iPad, controlling a single stagebox/rack mixer to the left of the drums. I can imagine a headless Helix Floor the size of a Helix Control. And then years later, Apple/Microsoft/Alphabet breaks compatibility and we're all stuck with doorstops. Until then, make sure your phone/tablet is charged! -
How many people would like to see a medium size Helix?
Digital_Igloo replied to Retro-Rick's topic in Helix
Pedal Edit Mode? 2.80 even adds the ability to edit Input and Output blocks with your feet. -
How many people would like to see a medium size Helix?
Digital_Igloo replied to Retro-Rick's topic in Helix
The problem is that $825 is a weird price point. The closest workable one is $799, but I'm not sure there's a path to get there with your design, unfortunately. Consider removing or minimizing several of the following to help get you there: 1 SHARC vs. 2 SHARCs Big display (use the one on HX Stomp instead) VDI L6 LINK | AES/EBU Additional footswitches Metal chassis Internal power supply Might want to instead think about adding stuff to HX Stomp, as $799 is closer to it than Helix LT. -
How many people would like to see a medium size Helix?
Digital_Igloo replied to Retro-Rick's topic in Helix
Anything's possible, but a lot of people would be upset by the lack of effects loops and single TRS 1/4" output (and including the splitter would cost more than just keeping separate 1/4" jacks). Rough guess is that it'd cost maybe $100 less. So basically, Helix LT's price before tariffs forced us to raise it. And the Volume knob is too close to the switches. If you made it smaller and moved it to the right of the UI cluster (display should be centered above A B C anyway) and added a step down above the top row (a la HX Effects), you could move the whole forehead in by an inch or more. :) -
How many people would like to see a medium size Helix?
Digital_Igloo replied to Retro-Rick's topic in Helix
Generally I agree with this. However, if enough people agree on a specific form factor and price—and it's derivative enough for us to crank out easily without disrupting either sustaining work on Helix firmware or new products we have cooking—we wouldn't rule anything out, especially if it fits neatly into a price point we don't currently reside in. For example, it'd be relatively easy for us to make an 18-switch Helix with two expression pedals for $1900-2000, but only like a dozen people would want something that big. (Upon reading this, Headrush quietly cancels their 18-switch Pedalboard.) The problem is that when people design their ultimate Helix box, they rarely account for two really important things: the amount of space required for UI and I/O, and parts pricing. In other words, "Make a Helix with all the switches, scribble strips, and I/O of the big guy except make it HX Stomp size!" Or "Make a Helix with all the switches, scribble strips, and I/O of the big guy except remove this one tiny thing I don't personally care about and charge half price!" That's not what OP's asking for, but others do. -
Compared to Helix, the differences with Helix LT are: • No scribble strip LCDs (middle eight footswitch assignments appear on Helix LT’s colorful Performance view) • Fewer Ins and Outs: • 2 Sends/Returns as opposed to 4 (can be stereo linked) • No mic preamp • No Aux In • No S/PDIF In/Out • Exp 2 In and dual Ext Amp Out share a single jack (function is globally selectable) • No Exp 3 jack • No CV Out jack • Less expensive chassis: • Folded steel top chassis as opposed to extruded aluminum • Folded steel expression pedal as opposed to cast aluminum • Impact-resistant ABS side panels with rubber overmolding (like those on Helix Control) as opposed to cast aluminum side panels • No separate Phones knob (headphone volume is controlled by main Volume knob) • No 10 Stomp footswitch mode; Stomp mode is limited to 8 switches • Pedal Edit select view displays 8 blocks at a time instead of 10
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It needs meters because unlike with Helix/HX hardware, we have no control over input level. There's nothing stopping someone from boosting their interface's gain knob and suddenly Helix Native sounds like someone put 20 boost pedals in front.
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Gotcha. Cool—thanks, Craig!
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Very very cool, but I wonder if Craig knows about the Split > Crossover type? Might save some block locations.
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Best method of setting patches levels to the same volume??
Digital_Igloo replied to JLEpperson's topic in Helix
Even if you move the goalposts to speak only to those who monitor through controlled playback systems like IEMs (which, considering the audience here, is likely a small contingent), leveling presets and snapshots by ear, in situ, will still provide much better results than using meters. -
[HX STOMP] How do i turn on tuner if i have set FS3 to STOMP?
Digital_Igloo replied to tonylau310's topic in Helix
IIRC, it's ACTION and PAGE> together, but that was added with 2.70, so make sure you're updated. -
Best method of setting patches levels to the same volume??
Digital_Igloo replied to JLEpperson's topic in Helix
Correct. You have to level your presets in situ. Anyone expecting to mitigate surprises at a gig by leveling in their presets alone in their studio or practice space (whether by ear or with a meter) is gonna have a bad time. I don't think anyone's saying meters are useless—I'm certainly not. I just maintain that they're useless (actually, worse than useless—detrimental) when used specifically to level preset and snapshot changes. -
"Thanks for meeting me for coffee. My wife of 40 years passed away and it's been hard getting back into the dating scene. I've read your entire dating profile but am disappointed that you haven't provided an exhaustive list of how you're different from my dead wife." If you know how POD HD500 works with DT over L6 LINK, reading the Helix manual is all you need to compare the two. If you don't know how POD HD500 works with DT over L6 LINK, then who cares?
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There's no connection between Helix Amp blocks and DT channel selection. You can assign a single footswitch to toggle between (Helix Amp On + DT Preamp Off [Ch A]) and (Helix Amp Off + DT Preamp On [Ch B]). You can assign the topology settings to footswitches or snapshots. L6 LINK audio has always been downstream only; there's never been any 4CM over L6 LINK. Unless I'm misunderstanding the question.
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Best method of setting patches levels to the same volume??
Digital_Igloo replied to JLEpperson's topic in Helix
Leveling in this context is ensuring that when you switch from preset to preset or snapshot to snapshot, your playback level doesn't jump out, get buried, or otherwise sound jarring or egregious in some way. If you only play by yourself in a controlled environment with the same guitar and playback system every time, leveling is much easier. But as soon as you change instruments, playback systems, environments, number of other musicians playing with you, or a dozen other factors, your meticulous leveling—whether you did it with a meter or your ears—goes out the window. Suddenly presets that were just right are too soft and others are too loud. Meters don't account for any of that. But if you and all your friends are robots, then sure. dB values are all you need. -
You can't lose anything if it was never there to begin with. Helix is not a POD and we've been 100% transparent about its capabilities over L6 LINK from day one. POD HD400 works one way, POD HD500 works another way, Stagescape M20d works another way, and Helix works another way. It's like trading your 1998 Ford in for a 2019 Tesla, and then complaining that Elon made you "lose the cassette deck."
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Best method of setting patches levels to the same volume??
Digital_Igloo replied to JLEpperson's topic in Helix
Meters are great for lots of things, but hot garbage for leveling presets. Say you're in the studio, and the meters tell you Preset 01A is 4dB louder than Preset 01B. You get to the gig, and now Preset 01B sounds way louder! What gives? 01A may have a ton of low end energy which registers higher on the meter. 01B may be more mid heavy and the monitor at the venue may have a bump in those frequencies. The rest of the band may be playing softer when 01B is active or maybe they're playing in a different register whereas when 01A is active, everyone is playing in unison and drowning each other out. Maybe there's a resonant frequency in the room that causes those peaks in 01B's curve to jump. Dozens of things affect perceived loudness of presets (even temperature and humidity!), and meters account for only one of them. Here's an analogy: Say you're in a closet and your spouse says "banana" right into your ear, half an inch away. Now you're in a loud club, and even when shouting "WATERMELON!" into your ear, you can barely hear them. Now which one would've registered higher on a meter, banana or watermelon? This is why we've been hesitant to add output meters in Helix. People will actively misuse them for leveling presets and then claim they're inaccurate. Not having output meters forces users to level presets by ear, which is the ONLY correct way to do it. -
The Helix manual was made public before the first unit shipped and explained exactly what L6 LINK accomplished. Here, I'll even copy and paste it for you: L6 LINK Output Alternatively, the digital XLR connector can be used for L6 LINK output (use of a 110ΩXLR cable is recommended). L6 LINK provides easy digital audio connectivity between Helix and Line 6 StageSource speakers and/or DT-Series amplifiers. Two StageSource speakers or DT amps can also be connected in series via L6 LINK and your stereo Helix signal is intelligently split, with the left channel going to the first StageSource/DT and the right channel to the second. If you have one StageSource/DT connected, the Helix output is collapsed to mono and fed to the StageSource/DT. Connecting an L6 LINK device to Helix automatically disables S/PDIF out and routes audio out the digital XLR connector - no adjustments of the Global Settings > Ins/Outs > Digital Audio or Sample Rate options are necessary. TIP: With an L6 LINK connection to a DT-Series amp, often the Helix Preamp models are a better choice than Amp or Amp+Cab models. Manually configurethe analog power amp options on the DT amp for more sonic possibilities! TIP: It is possible to use Helix to remotely control several parameters on your DT-Series amp (channel select, power amp topology, reverb, etc.) via MIDI. Connect a 5-pin MIDI cable from Helix Rack's MIDI Out to the DT amp's MIDI In and use the Helix "Command Center" to configure the desired MIDI commands for any preset. Start by loading the Helix TEMPLATES > 04D DT25-DT50 Remote preset since it has several handy DT commands already mapped to Helix switches for you. You can customize this template and create your own sets of controls to add to your Helix presets. Also see the DT MIDI Implementation Guide for a complete list of MIDI commands, available from http://line6.com/support/manuals/ Before Helix, the following products had L6 LINK ports: POD HD400 POD HD500 DT50/DT25 StageScape M20D StageSource L3/L2 They ALL used L6 LINK differently. Two PODs—announced at the the same time—used L6 LINK differently! "Even though Line 6 owes me nothing, they finally added remote support for the tiny amount of Helix users who still have DTs, MADE IT WAY BETTER, but it's not the same confusing, inconsistent, and crippled implementation used in a completely different product from nine years ago!" <facepalm.jpg>
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Before 2.80, Helix <—> DT over L6 LINK was limited to sending the left signal to the first of two DTs, the right signal to the second of two DTs, and merged mono to a single DT. That's it. People here asked if Helix <—> DT over L6 LINK was going to get some communication love, and the answer was always "we'd like to, not sure if or when it'll happen (IdeaScale, etc.), but if it does, it won't be the same as how HD500 works." IIRC, I even got into the details a bit, because we had already designed it. TONS of features are already designed and specced, just so we don't paint ourselves into a corner if and when we have time and resources to pursue them. If we had the ability (we don't) to implement and release every feature we've designed up until now, Helix could get updates for decades. One of my life's greatest regrets: "Oh crap! I forgot to find spikey and remind him of what I wrote three years ago!" ;-)