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AMPLIFi 75 & 150 User Manual AMPLIFi FX100 User Manual Full List and Descriptions of AMPLIFi Amps, Cabs, and Effects AMPLIFi 30/75 / 150 / FX100 / TT - Presets List AMPLIFi 75 & 150 Firmware Release Notes AMPLIFi Remote App Release Notes CLICK HERE for a video tutorial on Bluetooth Pairing your AMPLIFi. CLICK HERE for a tutorial on updating your AMPLIFi using a Windows PC. CLICK HERE for a video tutorial on updating your AMPLIFi using an iOS device. CLICK HERE for a video overview of the AMPLIFi 30, 75 & 150 features, controls, and connections. CLICK HERE for a video overview of the outputs on the AMPLIFi FX100. CLICK HERE for a video tutorial on creating, editing, and saving tones with AMPLIFi Remote. CLICK HERE for a video tutorial on publishing and managing tones with AMPLIFi Remote. CLICK HERE for a video tutorial on calibrating the expression pedal of the AMPLIFi FX100. CLICK HERE for a video tutorial on how to perform a factory reset on your AMPLIFi FX100. CLICK HERE for a video tutorial on creating a Jimi Hendrix Tone. CLICK HERE for a video tutorial on creating a David Gilmour Tone. CLICK HERE for a video tutorial on creating a Van Halen Tone. CLICK HERE for a video tutorial on creating a Robert Smith (the Cure) Tone. CLICK HERE for a video tutorial on creating a Andy Summers (the Police) Tone. CLICK HERE for a video tutorial on creating a Josh Farro (Paramore) Tone. CLICK HERE for a video tutorial on creating a KISS Tone. CLICK HERE for a video tutorial on creating a Black Keys Tone. CLICK HERE for a video tutorial on creating a Randy Rhoads Tone. CLICK HERE for a video tutorial on creating a John Frusciante Tone. CLICK HERE for a video tutorial on creating a Pete Townshend Tone. CLICK HERE for a video tutorial on creating a Bradley Nowell Tone. AMPLIFi Series Features and Specs Bluetooth streaming audio (compatible with most Android, iOS and Mac or PC devices) 100 onboard presets Tap tempo/tuner Compatible with Line 6 FBV 3 / FBV MkII Foot Controllers USB connection AMPLIFi 30 Specs 30 watts Dual 2" 2-way custom speakers Weight: 5 lbs 6 oz Dimensions: H: 8.25"" W: 10.5" D: 5" 1/4” Guitar input and 1/8” Stereo Aux input 1/4” Headphone output Stereo Wet/Dry Effects for immersive sound USB FBV foot controller port AMPLIFi 75 Specs 75 watts 8” custom speaker 2 mid-frequency drivers 2 high-frequency drivers Weight: 20 lbs 8 oz Dimensions: H: 12.5" W: 17.5" D: 8" 1/4” Guitar input and 1/8” Stereo Aux input 1/4” Headphone output Stereo Wet/Dry Effects for immersive sound USB FBV foot controller port AMPLIFi 150 Specs 150 watts 12” custom Celestion speaker 2 mid-frequency drivers 2 high-frequency drivers Weight: 35 lbs 10 oz Dimensions: H: 16.25" W: 22.5" D: 9.5" 1/4” Guitar input and 1/8” Stereo Aux input 1/4” Headphone output Stereo Wet/Dry Effects for immersive sound USB FBV foot controller port AMPLIFi FX100 Specs Change presets and switch banks using 4 pro-quality, backlit footswitches Rugged construction with bent metal chassis Weight: 7 lbs 6 oz Dimensions: H: 3" W: 17 3/4" D: 9 1/4" 1/4" Guitar input 1/4" Headphone output, 1/4" stereo full-range balanced outputs and 1/4" Amp output USB AMPLIFi TT Specs H 3.5" D 5.75" W 9.75" 5.2 pounds 1/4" Guitar input Stereo composite outputs 1/4" Headphone output, 1/4" stereo full-range balanced outputs and 1/4" Amp output Optical Out USB FBV foot controller port AMPLIFi Remote app Specs Compatiable with iOS 10+ and Android 4.2+ 70+ amps, 100+ effects and 20+ speaker cabinets 8 simultaneous effects Remotely control amp parameters to dial in your sound Automatic tone matching instantly provides the perfect tones for jamming with songs in your music library Access thousands of tones online Share and rate tones in the cloud Backup and store unlimited presets in the cloud Q: What type of devices can AMPLIFi stream Bluetooth audio from? A: AMPLIFi’s high performance 5 speaker stereo design can stream Bluetooth audio from nearly any Android device, iOS device, and Mac® or PC equipped with Bluetooth. Q: How do I pair my Bluetooth device with AMPLIFi? A: To pair the AMPLIFi with your Bluetooth device: Enable Bluetooth on the device you would like to stream audio from. Put the AMPLIFi into ‘Pairing Mode’ by pressing and holding the Bluetooth button located on the upper left of the top panel - it will begin to flash to indicate it is in ‘Pairing Mode’. Within the Bluetooth options of your device an entry for ‘AMPLIFi’ will appear. Select the ‘AMPLIFi’ entry and pair with it - the Bluetooth LED will stop flashing and become solidly lit blue. Your AMPLIFi now ready stream audio from your device wirelessly. Q: Which specific Android devices are supported by AMPLIFi Remote? A: After updating the AMPLIFi 75/100/FX100 firmware to 2.0 or better, AMPLIFi Remote is compatible with the following Android devices: Samsung Galaxy S5 Samsung Galaxy S4 Samsung Galaxy S III Samsung Galaxy Note Pro Samsung Galaxy Note II HTC One M8 HTC One M7 Motorola Moto X Google Nexus 7 Amazon Kindle Fire HDX ASUS MeMo Pad ME176CX Asus Fonepad ASUS PadFone LG G2 LG Optimus LG F7 LG Nexus 4 Generally speaking, although not qualified, nearly any Android phone, tablet or phablet will work, provided it is able to run the required Android OS version. Q: What Apple® iOS devices is AMPLIFi Remote compatible with? A: AMPLIFi Remote requires iOS 8.0 and is compatible with the following iOS devices: iPhone 6s/6s Plus iPhone 6/6 Plus iPhone 5S iPhone 5C iPhone 5 iPhone 4S iPhone 4 iPad Pro iPad Air/Air2 iPad 4 iPad 3 iPad 2 iPad mini/mini 2/mini 3/mini 4 iPod 5 Q: How do I update the AMPLIFi’s firmware/flash memory? A: We always recommend that you run the latest flash in your AMPLIFi amplifier. Your AMPLIFi Remote application will inform you whenever a flash update is available, so you'll always know you have the latest version! Follow the instructions HERE to update the flash of your AMPLIFi. Q: What should I do if the AMPLIFi Remote app is unable to sync and connect with my AMPLIFi after applying the latest flash update? A: If you are unable to sync and connect your AMPLIFi with the AMPLIFi Remote app after applying a recent flash update to your AMPLIFi, make sure to perform the Post Update Instructions HERE. Q: How can I reset the AMPLIFi to its default settings? A: To perform a factory reset and restore a AMPLIFi 75, 150, or TT to factory settings press and hold Master Volume knob and Tone button as you power up the unit, keep holding them both down until you see the LED's around the Master Volume knob light up. To perform a factory reset and restore the AMPLIFi FX100 to factory settings press and hold the Master Volume knob and the TAP button as you power up the unit, keep holding them both until you see '01' in the LED display. Q: What can I do if I am experiencing Bluetooth connectivity issues between my Bluetooth device and the AMPLIFi? A: Make sure that you have applied the latest firmware update for your AMPLIFi as well as installed the latest version of the AMPLIFi Remote app. For additional troubleshooting steps about Bluetooth connectivity and usage check out our Bluetooth Connectivity FAQ HERE. Q: What should I do If I am experiencing connection issues with the AMPLIFi Remote app when I switch back and forth between apps on my mobile device? A: An important thing to note about the AMPLIFi Remote app functionality is that in addition to the Bluetooth connection between your AMPLIFi and your mobile device, there is a secondary 'sync' connection between the amp and the app. Each time you minimize/close the app, the connection between the AMPLIFi Remote app and the AMPLIFi will need to be re-established, even if your device is reporting that the AMPLIFi is connected via 'Bluetooth'. In this case, re-opening the AMPLIFi Remote app, will automatically re-establish the connection within a few seconds. Make sure to look at the main menu of the AMPLIFi Remote app and wait for it to indicate that your amp is 'connected' before moving forward using the app. If it does not automatically re-connect, close the AMPLIFi Remote app by double-tapping your iOS device's home key and then sliding the AMPLIFi Remote app window up and off the screen to fully close the app. Android devices usually have a button that lists all open programs where you can slide the app left or right to close it. Then relaunch the AMPLIFi Remote app and it should re-sync itself with the amp. Q: Can the AMPLIFi Remote App stream songs that are stored in the cloud and not on my mobile device? A: The AMPLIFi Remote App can only play back songs that are stored on your mobile device. On iOS deives, within the AMPLIFi Remote App settings, you can enable 'Hide Songs Not On Device' so that you only see songs that are stored on your iOS device when playing music from your Library. The Android app does not have this setting, but still only plays back songs stored on the device. Q: What do I do when tones differ drastically in volume? A: Tones can vary drastically in overall volume based on numerous factors within the settings of the tone such as Amp model Drive amount, Amp model Bass/mid/Treble settings, EQ/compression settings, FX settings, and most importantly the Amp Model volume. When you go into the Editor for the tone, touch the Amp/Cab icon. The slider at the the bottom of the screen labeled 'Volume' is the Amp Model Volume. This Amp Model 'Volume' sets the overall volume for tone itself. Therefore if you are having trouble balancing the level of tones, use the Amp Model volume to help match the volume of your other existing tones. A general rule of thumb is that 'clean' tones will need to have a higher Amp Model volume, while tones with lots of distortion are louder and can use a lower Amp Model volume. We also recommend that you keep the Master volume of the AMPLIFi at a lower setting when auditioning or matching tones to prevent any loud bursts of sound or feedback that can occur if the tone you load has a very loud Amp Model volume, excessive gain, or a lot of treble/bass. Q: How can I turn on and off the individual effects from my AMPLIFi presets using effects foot switches on the FBV Shortboard MKII? A: The 1.01 AMPLIFi firmware along with the AMPLIFi Remote app 1.20 update adds the ability to have your Stomp, Mod, Filter, and Delay effects assigned to the Stomp, Mod, and Delay foot switches of the FBV Shortboard MKII. When you connect a FBV Shortboard MKII to your AMPLIFi amp and open the preset editor window of the AMPLIFi Remote app, you will now notice that your ‘Stomp’, ‘Mod’, ‘Filter’, or ‘Delay’ effects icons will have a ‘S’, ‘M’, or ‘D’ badge on them to distinguish which footswitch they are assigned to on the FBV Shortboard MKII. In addition, the reverb effect will always be assigned to the ‘Reverb’ foot switch and the compressor effect will always been assigned to the ‘Function 1’ footswitch. Q: Why are the effects in my AMPLIFi presets not always assigned to the correctly labeled footswitch on the FBV Shortboard MKII. For example, my Stomp effect is assigned to the ‘Mod’ switch, my Mod effect is assigned to ‘Delay’ switch, or my Delay effect is assigned to ‘Mod’ switch, etc. A: On most factory presets the badges will be assigned to the respective effect category, meaning that Stomp effects will be assigned to the ‘Stomp’ footswitch, the Mod effects will be assigned to the ‘Mod’ footswitch, and Delay effects will be assigned to the ‘Delay’ footswitch. However, in some circumstances such as an altered factory preset or preset you might use from our ToneMatch Cloud, this may not be the case. If a Delay effect is loaded into the slot that corresponds to the Mod footswitch, then stepping on the Mod footswitch will toggle that delay on and off. Remember ““ you can create a patch that contains a Delay (or a Mod, Stomp, or Filter/Synth/Pitch effect) in all 3 assignable slots if you wish, so it is not possible to keep the labels matched with the effect type at all times. Therefore, if you wanted to create a patch with a specific effect assigned to a particular footswitch on your FBV Shortboard MKII, you would start by selecting the effect slot that contains the letter badge of the footswitch you would like to use in the AMPLIFi Remote app preset editor window. After tapping on the effects icon, tap the effects category type icon in the upper left hand side and pick the category of effect you desire. The resulting screen will allow you to select the effect you desire to use in that slot, and it will now be assigned to that FBV Shortboard MKII footswitch. Q: Can I assign a effect parameter to the 'FX' knob on-board the AMPLIFi 75 / 150 / FX100? A: Yes, you can assign one parameter from any of the effects within your tone to the 'FX' knob on-board the AMPLIFi to allow you easy access to favorite effects parameter. To do so tap and hold your finger inside the colored part of the parameter slider for the desired effect parameter you would like to assign to the 'FX' knob. You will see a confirmation dialog appear asking if you want assign 'Tweak' to the specified effects parameter, choose 'OK' to save your assignment. After you've made the assignment, a 'FX' knob icon will appear within the assigned effects slider control. You can now use the on-board 'FX' knob on the AMPLIFi to adjust the specified effects parameter. Q: Can I use a Line 6 EX-1 expression pedal along with my FBV Shortboard MKII and AMPLIFi? A: Unfortunately the EX-1 is not compatible with the AMPLIFi series even though the FBV Shortboard MKII features a 'external expression pedal' input to allow you to connect an EX-1 as a secondary expression pedal. The EX-1 does not function as a secondary expression pedal for AMPLIfi in particular, you can only use the on-board expression pedal on the FBV Shortboard MKII or FBV Express MKII with the AMPLIFi series. Q: Can I pair my AMPLIFi with more than one Bluetooth compatible device at a time? A: No, the AMPLIFi series does not support multiple Bluetooth connections at one time. If your AMPLIFi is currently paired with a Bluetooth device and you would like to pair it with another device, you can press and hold the Bluetooth button on the AMPLIFi to un-pair with the Bluetooth device that you are currently paired with and put it back into 'Discoverable' mode so that your second Bluetooth device can detect it and pair with it. Q: Can I use the AMPLIFi Remote app to load or edit tone files from my other existing Line 6 products, such as POD HD500? Will the app work with Sonic Port, Sonic Port VX, or Mobile IN? A: The AMPLIFi Remote app is only compatible with tone files created from the AMPLIFi family of products. It also only functions with AMPLIFi products. Q: What Bluetooth version is used in AMPLIFi? What Bluetooth codecs are supported? A: We use a Bluetooth solution that supports Bluetooth 2.1. We only support the SBC codec at this time. Q: Where can I register my AMPLIFi? A: After logging into or creating a Line 6 user account HERE, you can go HERE and enter in your serial number that is found on the back panel of the amp, it begins with '(21)TMA', simply fill in the remaining digits. Q: Where can I provide my feedback or make a suggestion about AMPLIFi? A: We encourage you to visit our IdeaScale page HERE and let us know about your ideas and suggestions. Q: Is there a forum where I can discuss AMPLIFi with other AMPLIFi users? A: We have a forum dedicated specifically to AMPLIFi available HERE. Q: Where can I find information on the warranty that is included with the AMPLIFi? A: You can find all of the available information on the AMPLIFi’s warranty HERE. Q: What do I do if my AMPLIFi is in need of repair? A: You can find all of the available information on how to arrange a repair HERE.

Here are the steps needed to update an AMPLIFi with Windows or OSX. The whole process should only take about 5 minutes. Click on each image to expand it. Windows users: First thing that needs to be done is to download the latest Amplifi driver from www.Line6.com/software if you haven't already. Step 1: Download and install Line 6 Updater from www.Line6.com/software. Step 2: Connect the Amplifi gear to your computer with a standard USB A/USB B cable, and then run Line 6 Updater program. Step 3: With your Line 6 user name and password, log into the program. Step 4: Click on the connected Amplifi. Here, we're updating the TT. Step 5: Click on the latest version of firmware from the top of the list. You do not have to install each previous version, just the latest. Step 6: This page shows you what you'll need to do if the update fails (we'll go over this at the end in detail). In the meantime, hit Next. Step 7: Here's the program doing its thing. Step 8: Once done, power cycle the unit. Step 9: Forget or unpair the Amplifi unit from your mobile device's Bluetooth menu. Press and briefly hold the Bluetooth button on the Amplifi until it flashes quickly. On your mobile device, go to your Bluetooth settings and select the device, as it's trying to connect. Once reconnected, launch the Amplifi Remote app. In the event that the update fails, or the gear isn't rebooting properly after the update, you'll need to enter update mode by holding down "Tone" and "Tap" while booting up. If using the FX100, hold down footswiches A and C. Note: If an update continues to fail, please try another computer's USB ports. USB port stability can vary between computers. NOTE TO FX100 OWNERS: After performing the steps below, you must perform a reset and a pedal calibration. Here are the instructions for that: http://line6.com/support/page/kb/_/effects-controllers/fx100/post-flash-update-instructions-for-fx100-r645

Deutsch Français Q: Where can I find videos on how to use the Spider IV amplifier? Spider IV movies Q: Where can I download the Spider IV Pilot's Guide and Advanced Guide? Spider IV Advanced Guide Spider IV Pilot's Guide Q: What are the presets on my Spider IV amplifier? A: The user presets and artist/song presets for the Spider IV can be seen at Spider IV presets.xlsx. There are the 64 user-programmable presets, over 350 Artist Presets, and over 200 song and effect-based presets. Be aware that the artist, song, and effect based presets cannot be saved in their current location, but you can modify and/or store these setting in one of the 64 user-programmable presets. If you would like to return your unit to the original presets, please perform a factory reset. Q: How are the preset banks categorized? A: The User, Artist, and Song Banks can be navigated by using the left/right buttons on the four-way selector. You can navigate through the banks once you are in the specific area using the up/down buttons on the four-way selector, then once you are in the specific bank you can access the individual presets by turning the presets encoder key. Q: How do I perform a factory Reset on the Spider IV series amplifiers? A: Hold the A button as you power the unit on, then press the presets encoder once. ***NOTE: If an FBV controller is connected to the Spider IV during the Factory Reset, the LCD screen on the FBV will go blank. To return the display, simply press a footswitch on the FBV or disconnect/reconnect the CAT5 cable to the FBV. Q: Where are the "bonus" presets that are not programmed into the amp? Spider IV 75, 120, 150 and HD150 - Song Settings Q: Is there an editor for the Spider IV (75, 120, 150, 150 HD) series amplifier? A: Yes, see the following link for details: Spider IV Edit v1.02 FAQ Q: What are the amp models on the Spider IV 75/120/150/150HD?* Clean Red - Based on the clean channel of the Marshall® JCM 900, the first true modern high gain amp from Marshall. Select Clean Red to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you'll need with a generous amount of bottom end. Clean Green - We developed this amp model to emulate those late 60s and early 70s clean tones. We modeled a 1973 Hiwatt® custom 100, then extended the tone control range and tightened up the low end for that big, ringing sound. Twang Red - This amp model draws on our analysis of mid 60s Fender® amps, in particular the blackface '65 Twin Reverb®. We wanted that classic, glassy high end tone, with enough snap and bite for some serious chick'n pick'n. Things don't get too crunchy until you reach the top range of the Drive knob. Twang Green - There's nothing like the sound of the classic Fender® blackface Deluxe Reverb®, the Holy Grail for many blues, country and roots rockers. Class A Red - Ready, steady....GO! This amp model is based on a Vox® AC-30 amplifier with an updated and expanded TBX tone control circuit. We wanted to capture that early pop rock tone that many British invasion bands are so well known for. Class A Green - There are some great modern amps out today based on the legendary tones of yesteryear. Here's our take on the EL84 circuit of a Divided By 13 9/15 Model. Blues Red - This amp model is inspired by that famous vintage tweed sound we all know and love. We evaluated a '53 Fender® wide panel Deluxe and this is what we came up with. Blues Green - Blues Green is based on a Gretsch® 6156, a 1960 1x10 combo from the days when rock 'n' roll took the blues to a new level. Add some reverb and a slap echo and be-bop-alu-la! Crunch Red - This sound was crafted during our studies of the '68 Marshall® Plexi 50 Watt, which was used by a number of early metal bands. Hi Gain Red provides a wider range of tone control settings than the original jumpered Marshall®, allowing you to bump up the mids even at the highest Drive settings. Crunch Green - Here's our inspired interpretation on a 2005 Orange® AD-30TC, a 30 watt, Class A head that oozes pure Brit rock tone, taking 60s crunch to a new level. Hi Gain Red - Plexi On Fire! This amp model is based on a '68 Marshall® Plexi 100 watt with a few added extras; the combination of a Variac and the jumpered input channels creates that infamous brown sound that will feel like flames are shooting out the input jack! Hi Gain Green - Hi Gain Green was inspired by the Diezel® Herbert, the 180 watt Ducati of high performance guitar amplifiers, featuring a huge, tight low end. Metal Red - For this amp model we took the classic Mesa/Boogie® Dual Rectifier® and added a few enhancements. The resulting Amp Model has a definite modern flavor. This monster truck of tone delivers a bottom end that's big, powerful, tight and fast. Use Metal Red to get a punchy, high gain Metal sound. Metal Green - This sound was created to be an aggressive high gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. With the Mid knob is set to minimum, the distortion exhibits Fuzz pedal characteristics. When set to noon, it mimics the creamy modern high gain amp tones. And when turned up to max, its reminiscent of that maxed out Class A sound. Of course there are all the places in-between... Insane Red - This model is our "dialed in for shredding" version of the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind. Insane Green - Our goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character. As a result, you get way more bottom end and cabinet character than other small amps. Crank up the Drive control and prepare to dominate! *All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These product names and descriptions are provided for the sole purpose of identifying the specific products that were studied during Line 6's sound model development. HIWATT® is a registered trademark of Fernandes Company, Ltd. FENDER®, TWIN REVERB® and DELUXE REVERB® are registered trademarks of Fender Musical Instruments Corporation. VOX® is a registered trademark of Vox R&D Limited. MARSHALL® is a registered trademark of Marshall Amplification Plc. GRETSCH® is a regustered trademark of Fred W. Gretsch Enterprises, Ltd.ORANGE® is a registered trademark of Orange Personal Communications Services Ltd. MARSHALL® is a registered trademark of Marshall Amplification Plc. MESA/BOOGIE® and RECTIFIER® are registered trademarks of Mesa/Boogie, Ltd. DEIZEL is a regiustered trademark of Deizel GMBH. Q: What is 'Manual Mode'? A: When the Manual button is lit, Spider IV is operating in 'Manual Mode', meaning that all of the controls are active and the sound of the amp is determined by the current knob settings. If you are not in Manual Mode and would like to be, simply press the 'manual' button. You can exit manual mode by selecting the 'manual' button again, or pressing the buttons for A-D. Q: What are the specifics of the Smart Harmony effect on the Spider IV (75-150) Series? A: The Smart Harmony can be placed 'pre' or 'post' amp, and can perform diatonic harmony for any root note (A through G#) from a unison (no change) to a ninth interval (up to seven steps) above or below the root note. The scales included in the Smart Harmony include Major, Natural Minor, Pentatonic Major, Pentatonic Minor, Harmonic Minor, Melodic Minor, Whole tone, and Diminished scale. The overall mix of the Smart Harmony effect can be programmed and stored per patch from 0-100%. Q: What are the specifics of the Pitch Glide effect on the Spider IV (75-150) Series? A: The Pitch Glide can be placed pre' or 'post' amp, and the Heel and Toe positions of the FBV can be programmed two octaves above or below the incoming note in ½ steps (semi-tones) increments. Be aware that the number '7' in this situation equals 3.5 steps (because of the half step measurements) rather than an interval of a seventh (5.5 steps) that would be heard when using the Smart Harmony effect. The overall mix of the Pitch Glide effect can be programmed and stored per patch from 0-100%. Q: Where can I learn more about using the Smart Harmony and Pitch Glide features? Q: I already have an original FBV controller, will this work on the Spider IV 75-150 series? A: The FBV (Mk I) controllers will control most of the standard functions on the Spider IV 75-150 series with a few limitations. Here is a breakdown of the limitations: FBV Express 1. The FBV Express (Mk I) cannot punch in and out overdubs. It just starts record once for a single pass. The FBV Express Mk II can control the overdub feature. 2. The FBV Express (Mk I) cannot arm the Quick Loop. The quick loop must be armed by pressing the amp front panel. The FBV Express MkII can arm the Quick Loop by pressing down either the A+B or C+D footswitches. This is what takes you out of Looper mode as well. FBV Shortboard The FBV Shortboard (Mk I) cannot arm the Quick Loop. The quick loop must be armed by pressing the Quick Loop button on the front panel. The FBV Shortboard MkII can arm the Quick Loop by pressing the (new) Function 2 button. Overdubbing works on both original and current Shortboards. All other functions are available on the FBV Mk I pedals as their Mk II counterparts. Due to the new effects layout, the FBV Shortboard FX Loop button will activate the Boost setting in the Spider IV 75-150. On the FBV Shortboard Mk II this button is labeled 'Function 1'. Q: What are the specifics on the Looper function of the Spider IV (75-150) Series? A: The Spider IV (75 and above) has a 14 second looper on the amplifier that can be activated by the face of the unit or the FBV Mk II series controllers. See the following video for more looper information: Q: How do I connect the Spider IV 150/HD to the Spider Cabinet? A: The Spider IV 150 and HD is designed to see a load on *both * speaker outputs by connecting the left and the right inputs to the Spider cabinet with speaker cables. Running the Spider IV 150/ HD into a 4 ohm load may result in damage to the amplifier. Please see the following link for more information: Cabinet Connection and Ohm F.A.Q Q: Can I use two Spider cabinets with the Spider Series HD 150? A: The Spider IV 150 and HD were designed to power a single Spider Stereo Cabinet with a stereo 8 ohm load. Using two Spider cabinets would require a modification to each cab so that they are each rewired to produce a 16 ohm mono load. This modification would preferably be done by an authorized Line 6 service center, which can be located from the Service Center link on the Support page. Q: How do I connect external speakers to my Spider IV 150 amplifier? A: Line 6 recommends disconnecting the internal speakers (covering the dry-solder clips with electrical tape) and connecting both external speaker outputs to an 8 ohm (or 16 ohm) load. Do not connect just one side, as this may cause a power amp failure. Powering the internal speakers along with a external speakers may cause a power amp failure and is not supported. Q: What type of speaker is used on the Spider IV series? Spider IV 15: Custom 15 (4 ohm) Spider IV 30: Celestion G12E50 (4 ohm) Spider 1V 75/150: Celestion G12P80 (8 ohm) Spider IV 120: (2) Celestion G10P80 (8 ohm) Q: Where can I get a cover or replacement knobs for my Spider IV amplifier? A: Line 6 Store Wo kann ich Videos zur Nutzung des Spider IV Verstärkers finden? Spider IV movies Wo kann ich Benutzerhandbücher herunterladen? Spider IV Advanced Guide Spider IV Pilot's Guide Welche Presets kann ich auf dem Spider IV finden? All User, Artist und Song Presets können Sie hier finden: Spider IV presets.xlsx Insgesamt sind 64 selbsteinstellbare Presets, über 350 Artistenpresets sowie über 200 Song- und Effektpresets enthalten. Die Artist, Song und Effekt Presets können nur verändert und abgespeichert werden indem Sie sie in eine der 64 User Banken abspeichern und dann von dort aus editieren. Wenn Sie das Gerät zurück auf die Originalpresets zurückstellen wollen, dann müssen Sie das Gerät auf Werkseinstellungen zurücksetzen. Gibt es verschiedene Kategorien für die Presets? Die Presets sind in User, Artist und Song Presets eingeteilt. Nutzen Sie zur Auswahl einfach die rechts-links Pfeiltasten. Sobald Sie dann in einer der Abteilungen sind, können Sie die Bank anhand der rauf-runter Pfeile auswählen und hier können Sie dann die verschiedenen Presets mit dem Preset Knopf ansteuern. Wie kann ich das Gerät auf Werkseinstellungen zurücksetzen? Halten Sie dazu den A Knopf beim Starten des Gerätes gedrückt und drücken Sie den Presets Knopf einmal. Achtung, wenn ein FBV Controller während des Zurücksetzens angeschlossen ist, dann wir der Bildschirm sich leeren. Um wieder ein Bild zu bekommen brauchen Sie nur einen Fußschalter zu drücken oder das CAT5 Kabel neu einzustecken. Wo sind die Bonus Presets, die einprogrammiert sind? Spider IV 75, 120, 150 and HD150 - Song Settings Gibt es einen Editor für die Spider IV 75, 120, 150 und 150HD Verstärker? Ja: Spider IV Edit v1.02 FAQ Welche Verstärkermodelle gibt es auf dem Spider IV? Clean Red: Auf Basis des Clean Kanals eines Marshall® JCM 900, der erste moderne High Gain Verstärker von Marshall. Wählen Sie Clean Red für knackigen, klaren Sound und warme Jazz Töne. Zusätzlich bietet das Modell Viel Bass. Clean Green: Dieses Modell wurde dazu entworfen nach den sauberen 60er und 70er Tönen zu klingen. Wir haben dazu einen Hiwatt® custom 100 als Vorlage verwendet und die Tonreichweite modifiziert für einen tollen klingelnden Sound. Twang Red: Dieses Modell ist das Resultat unserer Analyse von Fender® Verstärkern der 60er Jahre, ganz besonders des 65er Blackface Twin Reverb®. Unser Ziel war ein klassisch glasiger Ton, der aber nicht zu krass nach oben hin klingen soll, wenn man Drive aufdreht. Twang Green: Auf basis des einzigartigen Fender® Blackface Deluxe Reverb®. Class A Red: Auf Basis eines Vox® AC-30 mit modifizierter TBX Kontrolleinheit für tollen englischen Pop Rock Sound. Class A Green: Es gibt viele modern Verstärker, die auf Tönen von alten Verstärkern basieren. Hier ist unser Modell nach einem EL84 Schaltkreis eines Divided By 13 9/15. Blues Red: Auf Basis eines 53er Fender® Deluxe. Blues Green: Auf Basis eines Gretsch® 6156, eine 1x10 Combo von 1960. Crunch Red: Auf Basis eines 68er Marshall® Plexi 50 Watt. Crunch Red hat mehr Ton Kontrolle als der original Marshall Verstärker sodass Sie die Mitten auch bei hohen Drive Einstellungen noch aufdrehen können. Crunch Green: Unsere Interpretation eines 2005er Orange AD-30TC 30Watt. Purer englischer Rock Sound der Klasse A. Hi Gain Red: Auf Basis des 68er Marshall Plexi 100Watt mit ein paar kleineren Extras. Für den berüchtigten „Brown Sound“. Hi Gain Green: Auf Basis eines Diezel® Herbert, ein 180Watt Verstärker mit ungleublicher Performance. Metal Red: Für dieses Modell haben wir den Sound eines Mesa/Boogie® Dual Rectifiers® modelliert und leicht verändert für einen etwas moderneren Ton. Nutzen Sie Metal Red für druckvollen High Gain Sound. Metal Green: Ein aggressives High Gain Modell mit einzigartiger Kontrolle über die Mitten. Auf dem Minimum können Sie Fuzz Karakteristiken erzeugen, auf 12 Uhr bekommen Sie einen modernen High Gain Sound und voll aufgedreht bekommen Sie einen Class A Sound und dann gibt es natürlich noch alles dazwischen. Insane Red: Unsere Shredding Version des roten Kanals eines Mesa/Boogie® Dual Rectifiers®. Eine Kombination von Metal Red mit mehr Mitten. Insane Green: Dieses Modell soll so viel Input Gain wie nur möglich liefern mit extremer Verzerrung. Das Modell behält bei der abgefahrenen Verzerrung aber immernoch die Definition und den Charakter. Mehr Bassbox Karakter als die meisten kleineren Verstärker liefern können. *Alle in diesem Dokument erwähnten Produktnamen sind Marken der jeweiligen Besitzer, welche weder zu Line 6 gehören noch mit Line 6 assoziiert sind. Die vorher genannten Marken werden in diesem Dokument nur zur Identifikation der Produkte verwendet, deren Sounds und Klänge Line 6 studiert hat während des Sounddesigns der verschiedenen genannten Line 6 Modelle. HIWATT® ist ein eingetragenes Warenzeichen von Fernandes Company, Ltd. FENDER® TWIN REVERB® und DELUXE REVERB® sind eingetragene Warenzeichen von Fender Musical Instruments Corporation. VOX® ist ein eingetragenes Warenzeichen von Vox R&D Limited. MARSHALL® ist ein eingetragenes Warenzeichen von Marshall Amplification Plc. GRETSCH® ist ein eingetragenes Warenzeichen von Fred W. Gretsch Enterprises, Ltd. ORANGE® ist ein eingetragenes Warenzeichen von Orange Personal Communication Services, Ltd. MESA/BOOGIE® und RECTIFIER® sind eingetragene Warenzeichen von Mesa/Boogie, Ltf. DIEZEL® ist ein eingetragenes Warenzeichen von DIEZEL GmbH. Was ist der „Manual Mode“? Wenn der Manual Mode Knopf leuchtet, dann ist der Manual Mode eingeschaltet, der Ihnen volle Knotrolle über den Verstärker verleiht. Alle Einstellungen sind also aktiv und der Ton des Verstärkers hängt vollkommen von den Einstellungen der Knöpfe ab. Drücken Sie einfach den „Manual“ Knopf um den Manual Mode ein- und auszuschalten. Was sind die Spezifikationen des Smart Harmony Effektes auf den Spider IV 75-150 Verstärkern? Der Smart Harmony Effekt kann auf Pre oder Post gestellt werden und liefert eine diatonische Harmonie für alle Grundtöne vom Einklang zum neunten Intervall über oder unter der Grundnote. Enthalten sind Major, Naural Major, Pentatonisches Major, Pentatonisches Moll, harmonisches Moll, melodisches Moll, voller Ton sowie eine verminderte Skalierung. Der Mix das Effektes kann von 0 bis 100% eingestellt und einzeln auf Patches abgespeichert werden. Was sind die Spezifikationen des Pitch Glide Effektes auf den Spider IV 75-150 Verstärkern? Der Pitch Glide Effekt kann auf Pre oder Post gestellt werden und die zwei Pedal Stellungen des FBV können auf 2 Oktaven rauf und runter in Halbschritten programmiert werden. 7 bedeutet in diesem Fall also 3,5 Schritte anstelle eines siebtel Intervalls, wie man es sich eigentlich vorstellen könnte. Der Mix das Effektes kann von 0 bis 100% eingestellt und einzeln auf Patches abgespeichert werden. Wo kann ich mehr über Smart Harmony und Pitch Glide lernen? Ich habe bereits einen original MkI FBV Controller, funktioniert dieser mit dem Spider IV 75-150? Die meisten Hauptfunktionen sind auf den MkI Boards belegt mit ein paar wenigen Ausnahmen: FBV Express: Es kann keine Overdubs benutzen, es fängt einfach an aufznehmen. Dieses Problem besteht nicht bei dem MkII. Der Quick Loop funktioniert nur bedingt, Sie müssen Ihn am Frontpanel des Verstärkers starten. Beim MkII kann Quick Loop ganz einfach durch den Druck der Fußschalter A+D oder C+D gestartet werden. FBV Shortboard: Der Quick Loop funktioniert nur bedingt, Sie müssen Ihn am Frontpanel des Verstärkers starten. Beim MkII kann Quick Loop ganz einfach durch den Druck des Function 2 Knopfes gestartet werden. Overdubbing funktionert auf MkI sowie MkII. Alle anderen Funktionen sind auf dem MkI (dem originalen Shortboard) funktionstüchtig. Aufgrund des neuen Layouts jedoch, aktiviert der FX Loop knopf am alten Shortboard die Boost Einstellung und am neuen (MkII) heißt dieser Knopf „Function 1“. Was sind die Spezifikationen der Looper Funktion auf den Spider IV 75-150 Verstärkern? Der Spider IV (75 oder höher) hat eine 14 Sekunden Looper Funktion eingebaut die vorne auf dem Verstärker aktiviert werden kann. Wie kann ich mein Spider IV 150/HD an ein Spider Cab anschließen? Die Spider IV 150 und 150 HD sind dazu entworfen eine Last auf beiden Lautsprecherausgängen zu haben. Schließen Sie also bitte beide Ausgänge an die Box anhand von Lautsprecherkabeln an. Den Verstärker an eine 4 Ohm Last anzuschließen kann den Verstärker beschädigen: Cabinet Connection and Ohm F.A.Q Kann ich zwei Spider Boxen an den Spider 150 HD Verstärker anschließen? Der Verstärker ist dazu entworfen eine einzige Box angeschlossen zu haben mit stereo 8 Ohm Last. Um 2 Boxen anzuschließen, müssten beide Boxen modifiziert werden um 16 Ohm Mono zu erzeugen. Die Modifikation kann bei einem Line 6 Service Center durchgeführt werden. Wie kann ich externe Lautsprecher an den Spider IV 150 anschließen? Wir empfehlen die inneren Lautsprecher vom Verstärker zu trennen und beide externe Lautsprecher Ausgänge an 8 oder 16 Ohm anzuschließen. Aber schließen Sie immer beide Seiten an, nicht nur eine einzelne denn dies kann zu Endstufenproblemen führen. Die internen zusammen mit externen Lautsprechern anzuschließen kann auch zu Fehlern in der Endstufe führen und ist nicht unterstützt. Welche Lautsprecher werden in die Spider Verstärker eingebaut? Spider IV 15: Custom 15 (4Ohm) Spider IV 30: Celestion G12E50 (4Ohm) Spider IV 75/150: Celeston G12P80 (8Ohm) Spider IV120: 2x Celestion G10P80 (8Ohm) Wo kann ich Ersatzteile oder in Schutzhülle für mein Spider IV kaufen? Line 6 Store Ou puis-je trouver des vidéos sur l’utilisation du Spider IV? Spider IV movies (Attention, les vidéos sont en anglais.) Ou puis-je télécharger le mode d’emploi du Spider IV ? Spider IV Advanced Guide Spider IV Pilot's Guide Quels sont les presets sur l’ampli Spider IV? Trouvez tous les presets User et Artist/Song ici : Spider IV presets.xlsx . Le Spider IV a 64 presets User, plus que 350 presets Artiste et 200 presets Song et sur base d’effets. Les presets Artist, Song et sur base d’effets ne peuvent pas être enregistrés dans la position courante mais vous pouvez les modifier ou enregistrer dans une des banques User. Si vous voulez retourner votre appareil à cause d’une erreur ou un problème. Comment est-ce qu’on classe les presets en catégories ? Vous pouvez naviguer entre presets User, Artiste et Song avec les boutons gauches et droite. Si vous êtes dans une banque, vous pouvez naviguer pour chercher Comment puis-je réinitialiser l’appareil ? Maintenez enfoncé le bouton A en allumant l’appareil. Après ca, poussez le bouton Presets. Attention, si un contrôleur FBV est connecté au Spider IV pendant la réinitialisation, l’écran du FBV se vide. Poussez un des commutateurs aux pieds ou reconnectez le câble CAT5 pour réactiver l’écran. Ou puis-je trouver les presets « bonus » pas programmé dans l’ampli ? Spider IV 75, 120, 150 and HD150 - Song Settings Y a t il un éditeur pour les Spider IV ? Spider IV Edit v1.02 FAQ Quels sont les modèles d’ampli sur les Spider IV ? Clean Red: Basé sur le canal clean du Marshall® JCM 900 le premier amplificateur moderne à gain élevé. Sélectez Clean Red pour un son clair, un ton jazz chaud et beaucoup du basse. Clean Green: Ce modèle était développé pour les sons clairs des amplis des années 60 et 70. Ce modèle est basé sur un Hiwatt® 1973 custom 100. Twang Red: Ce modèle est le résultat de nos analyses des amplis Fender® des années 60. En particulier, le Le 65 Blackface Twin Reverb®. On a essayé d’imiter ce son classique, de gain élevé. Le son ne devient pas trop crunchy jusqu’à ce que vous tourniez au bouton Drive. Twang Green: Basé sur le Fender® Blackface Deluxe Reverb®. Class A Red: Basé sur un Vox® AC-30 avec circuit de contrôle TBX modifié. On a essayé d’enregistrer le on pop rock des groupes anglaises. Class A Green: Basé sur le circuit EL84 d’un Divided By 13 9/15. Blues Red: Basé sur un Fender® Deluxe de 1953. Blues Green: Basé sur un Gretsch® 6156, un combo de 1960 1x10. Crunch Red: Basé sur un Marshall® Plexi 50 Watt de 1968. Crunch Green: Basé sur un Orange® AD-30TC de 2005. 30Watt classe A. Hi Gain Red: Basé sur un Marshall® Plexi 100 Watt de 1968 avec des extras. Hi Gain Green: Basé sur un Diezel® Herbert 180 Watt. Metal Red: Basé sur un Mesa/Boogie® Dual Rectifier® amélioré. Le modèle est un peu moderne. Metal Green: Un modèle de gain élevé très agressive avec un contrôle des mis spéciale. Le bouton des mis sur le minimum et vous recevez des distorsions comme un pédale Fuzz. Sur le maximum, c’est un son comme un ampli Classe A. Insane Red: Basé sur un Mesa/Boogie® Dual Rectifier® avec plus de mis. Insane Green: Le maximum de distorsion d’entrée possible. *Tous les noms de produits dans ce document sont des marques déposées des propriétaires respectifs. Ces noms de produits ne sont pas affiliés ou associés avec Line 6, ils sont uniquement utilisés pour identifier les produits de ces fabricants. HIWATT® est une marque déposée de Fernandes Company, Ltd. FENDER®, TWIN REVERB® et DULXE REVERB® sont des marques déposées de Fender Musical Instruments Corporation. VOX® est une marque déposée de Vox R&D Limited. MARSHALL® est une marque déposée de Marshall Amplification Plc. GRETSCH® est une marque déposée de Fred W. Gretsch Enterprises, Ltd. ORANGE® est une marque déposée de Orange Personal Communications Services Ltd. MESA/BOOGIE® et RECTIFIER® sont des marques déposées de Mesa/Boogie, Ltd. DIEZEL® est une marque déposée de Diezel GmbH. Qu'est-ce que le « Manual Mode » ? En mode manuel, tous les contrôles sur le Spider IV sont activés et le son de l’ampli est déterminé par les postions des boutons. Poussez le bouton Manual pour entrer le mode manuel. Poussez le bouton encore une fois pour désactiver ce mode. Quels sont les spécifications pour l’effet Smart Harmony sur un Spider IV ? Vous pouvez le mettre en Pre ou en Post et peut faire une harmonie diatonique pour tous les notes de base d’un unisson à au 9ième intervalle (c’est jusqu’à 7 étapes) dessous ou dessus de la note originale. Inclus sont : Majeur, Mineure naturelle, Pentatonique majeur, Pentatonique mineur, Mineure harmonique, Mineure mélodique, Ton entier, et échelle réduite. Le mix peut être programmé et enregistré par patch de 0 à 100%. Quels sont les spécifications pour l’effet Pitch Glide sur un Spider IV ? Vous pouvez le mettre en Pre ou en Post et les deux positions du contrôleur FBV peuvent être programmées pour deux octaves dessus ou dessous la note d’entrée en incréments de ½. 7 veut dire que ce sont 3,5 étapes. Vous pouvez aussi programmer le Mix de l’effet et l’enregistrer entre 0 et 100% par patch. Ou puis-je apprendre plus sur ces deux effets ? J’ai déjà un contrôleur FBV original, est-ce qu’il fonctionne avec le Spider IV? Oui, mais avec quelques limitations : FBV Express : Vous ne pouvez pas configurer les overdubs. Il simplement enregistre une fois. Vous ne pouvez pas utiliser Quick Loop. Lancez-le avec le panneau de l’ampli. FBV Shortboard : Vous ne pouvez pas utiliser Quick Loop. Lancez-le avec le bouton Quick Loop. Quels sont les spécifications pour la fonction Looper sur les Spider IV ? Les Spider IV 75 et ci-dessus on un looper de 14 secondes. Comment puis-je connecter le Spider IV 150/HD à un baffle Spider ? Vous devez toujours connecter les deux sorties gauche et droit au baffle avec des câbles d’haut parleurs. La connexion du Spider IV à une 4 Ohm Impédance peut endommager l’ampli : Cabinet Connection and Ohm F.A.Q Puis-je utiliser deux baffles avec le Spider HD 150? L’ampli doit être modifié pour faire fonctionner deux baffles avec un ampli. Un Line 6 Centre Service peut faire cette modification. Comment puis-je connecter des haut-parleurs externes à mon ampli Spider IV 150 ? Déconnectez les haut-parleurs internes et connectez les deux sorties haut parleurs à 8 ou 16 Ohm. Ne connectez pas seulement une côté. Ne connectez pas des haut-parleurs externes ET les internes en même temps, ce peut endommager l’ampli. Quels haut-parleurs sont utilisés dans les amplis Spider IV ? Spider IV 15: Custom 15 (4Ohm) Spider IV 30: Celestion G12E50 (4Ohm) Spider IV 75/150: Celestion G12P80 (8Ohm) Spider IV 120: 2x Celestion G10P80 (8Ohm) Ou puis-je acheter des remplacements ou une couverture pour men ampli? Line 6 Store

Q: If the AMPLIFi product works as a sound card through USB, what would be the way for connecting a pair of studio monitors to do the mixing with? How does the IO on AMPLIFi with USB recording enabled work? Is it a 2-in/2-out? If so, does AMPLIFi act as the 2-out monitor? A: The AMPLIFi amp becomes your sound card when using USB to record, so while you're recording using an amp, it's easiest to monitor computer playback through the amp – it really does sound great. You could always use the headphone outs to get a direct signal into studio monitors via a mixing board or other solution, but the intent is to use the amp for monitoring – at lease while you are recording. Once you are done recording, you can can mix using whatever setup you like. For AMPLIFi TT or AMPLIFi FX100, you would just connect monitors to the main outs on the units. Q: What bit depth and sampling rate can you use when recording with the AMPLIFi series? A: The AMPLIFi series can record in 24bit with sampling rates from 44.1k up to 96k on Windows and in 24bit with sampling rates of only 48k on MAC OSX. When using the AMPLIFi series for operating system audio you can adjust these within Control Panel on Windows and System Preferences on MAC OSX. When using the AMPLIFi series within a DAW, you can adjust these within the Audio Preferences/Options of the DAW. Q: What operating systems are the AMPLIFi series USB audio drivers compatible with? A: Our Windows ASIO USB audio driver is compatible with Windows 7 and Windows 8 and can be downloaded from our software HERE. The AMPLIFi series is CoreAudio compatible on MAC OSX 10.7 and above, therefore does not require the installation of any additional drivers.

AMPLIFi User Manual AMPLIFi FX100 User Manual AMPLIFi 75 & 150 Factory Presets Chart Full List and Descriptions of AMPLIFi Amps, Cabs, and Effects Your AMPLIFi device has a killer selection of presets to get you started on your journey to great guitar tone. The presets are organized into banks that each deliver to you a unique aspect of the AMPLIFi experience. In order to access these Factory Presets first make sure you have updated your AMPLIFi to firmware version 1.01, instructions for updating your AMPLIFI's firmware are available HERE. Afterwards, in the app, look under Tones and tap 'AMPLIFi 30/75/150/TT' to access these presets. You can also use a FBV Shortboard MKII to access these presets. AMPLIFi Greatest Hits: The first bank of 4 presets is designed to deliver a variety of sounds that will get you by in a pinch if you can't connect to a mobile device or footpedal. Song Based Banks: These banks are tones that match a variety of iconic guitar songs, organized by genre. Acoustic: This bank delivers a variety of sounds when using an acoustic guitar with a built-in piezo pickup system. Model Showcase: The Model Showcase banks are designed to feature particular individual amps and effects. Performance Banks: These banks each deliver a "Ready to Rock" bank tailored to specific genres. Each bank contains a basic rhythm, clean, solo boost and effected sound dialed in to work together as a bank. FX Heavy: This bank shows off some of the more esoteric and wacky capabilities of AMPLIFi. User Bank: While any patch location can be customized and overwritten, this bank offers you a blank canvas to create your own sound, or just to store some of your favorite online tonematches without disturbing the rest of the presets. AMPLIFi Factory Presets AMPLIFi: Greatest Hits 1A: Fidelity Rhythm 1B: Lead the Way 1C: American Clean 1D: Ambient Delays SONG: Classic Rock 1 2A: Heartbreaker 2B: Back in Black 2C: Life in The Fast Lane 2D: Wind Cries Mary SONG: Modern 1 3A: Everlong 3B: Locked Out of Heaven 3C: American Idiot 3D: Moves Like Jagger SONG: Pop Rock 4A: Streets Have No Name 4B: Do I Wanna Know 4C: Day Tripper 4D: Steady As She Goes SONG: Modern Metal 5A: Symphony of Destruction 5B: Woman 5C: Man in the Box 5D: The Pot SONG: Classic Rock 2 6A: Another Brick 6B: Smokin' 6C: Aint Talkin Bout Love 6D: Still Of The Night SONG: Blues 7A: Everyday I Have the Blues 7B: Right Next Door 7C: Slow Trem Blues 7D: Cold Shot SONG: Modern 2 8A: In Bloom 8B: Hysteria Octave Synth 8C: Seven Nation Army 8D: Creep SONG: Classic Metal 9A: Crazy Train 9B: Iron Man 9C: Number of the Beast 9D: Master of Puppets SONG: Clean 10A: Heartbreak Hotel 10B: Bayou Tremolo 10C: Every Breath You Take 10D: Falling Away From Me ACOUSTIC 11A: Acoustic: Rhythm 11B: Acoustic: Rhythm Chorus 11C: Acoustic: Finger Style 11D: Acoustic: Bright MODEL SHOWCASE: Hi Gain 12A: Brit J-800 12B: Tread Dual 12C: ANGEL P-Ball 12D: Line 6 Insane MODEL SHOWCASE: Effected 13A: So What Octave Synth 13B: P-Haze Octave Solo 13C: Spacy Flange 13D: Let's Go Crazy Fuzz MODEL SHOWCASE: Clean 14A: Jazz Clean w Chorus 14B: Blackface Lux 14C: Double Verb 14D: Class A-30 Top Boost MODEL SHOWCASE: Mods 15A: Machine Gun U-Vibe 15B: Layla Rotary 15C: Auto Wah 15D: Breathe In The Air MODEL SHOWCASE: Crunch 16A: Citrus D-30 16B: Super O Breakdown 16C: Bomber Uber 16D: Solo 100 Head PERFORMANCE: Rock 17A: Rock: Rhythm 17B: Rock: Clean 17C: Rock: Crunch 17D: Rock: Solo PERFORMANCE: Metal 18A: Metal: Rhythm 18B: Metal: Clean 18C: Metal: Flange 18D: Metal: Solo PERFORMANCE: Indie 19A: Indie: Rhythm 19B: Indie: Clean 19C: Indie: Lead 19D: Indie: Solo PERFORMANCE: Blues 20A: Blues: Rhythm 20B: Blues: Clean 20C: Blues: Lead 20D: Blues: Rotary PERFORMANCE: Modern 21A: Modern: Class A-30 Clean 21B: Modern: Class A-30 DDL 21C: Modern: Class A-30 Rhythm 21D: Modern: Class A-30 Push PERFORMANCE: Country 22A: Country: Clean Trem 22B: Country: Slap 22C: Country: Lead 22D: Country: Lead Boost PERFORMANCE: Jazz 23A: Jazz: Solid State 23B: Jazz: Full and Clear 23C: Jazz: Set & Match 23D: Jazz: Dirty FX HEAVY 24A: Shoeglaze Lead 24B: The Bees 24C: Seismik Synth 24D: Sample & Hold USER BANK 25A: User 1 25B: User 2 25C: User 3 25D: User 4

Mac: Click on link and choose Save File PC: Right Click on link and choose Save File As Spider IV 75, 120, 150 & HD150 - Song Settings, Part 1 Download PDF Song settings included: Ariels Come Out and Play Sabotage What's My Age Again Back in Black Day Tripper Anarchy in the UK Smoke on the H2O Rock the Casbah Crazy Train 7 Nation Army I Wanna Be Sedated Iron Man Purple Haze Welcome to the Jungle Boys Don't Cry Take It Away I'm Not Ok Lifestyles Head Like a Hole Sober Loser Everlong Say It Ain't So Satisfaction Smells Like Teen Spirit White Wedding Freak on a Leash Master of Puppets NEW! Spider IV 75, 120, 150 & HD150 - Song Settings, Part 2 Download PDF Song settings include: Voodoo Child Smooth Beat It (Rhythm / Lead) Are You Dead Yet Beast and the Harlot Inside The Fire (Rhythm / Lead) Your Betrayal (Lead / Rhythm) Into The Mirror Raining Blood Amber (Clean / Echo) Panama Seek & Destroy Surrender Starship Trooper (Rhythm / Lead) Use Somebody Fade To Black (Clean / Lead / Rhythm) Lucy in the Sky with Diamonds Suck My Kiss Sweet Child O' Mine (Intro & Rhythm / Lead) Stricken Stairway To Heaven (Clean / Crunch) You Give Love A Bad Name Want to make your own settings? Download the blank PDF. spiderIV75Up_blank.pdf Own an FBV Express MkII or? FBV Shortboard MkII? Head over to? line6.com/customtone to start sharing tones.