MGblade

Easy guys, to each his own

Armegadon

I hope before ademhalen

The switching you want is also very easy to achive, in different ways via snapshots fo instance.

Yes this is totaly possible, you can for instance send the piezo to one xlr, and mag pickups to the other or electric stereo from xlr's and the piezo stereo from the jack outs, apart from the guitar in, you can use fx return 1 and 2 as seperate inputs and asign them to one of the 4 avaiable paths. Al very very easy to asign.

After you're post i made a preset with the cali 4lead , 4 snapshots clean/crunch/drive and lead, i think i have a new favourite.

After you're post i made a preset with the cali 4lead , 4 snapshots clean/crunch/drive and lead, i think i have a new favourite.

Same here, lately i also use the stupor od from time to time.

+1 for the plexi bright model, very usable form clean to crunch and in to lead with lets say the minatour or other overdrive.

U purchased the tele, with my ibanez js (dimarzio fred) the difference is very subtle,the fred being a fairly bright midraingy pickup, but i can imagine it to make a more noticable difference with darker humbucker pickups.

Wel like trump said "America first" line 6 please Let the Netherlands be second

Expansion of the mic placement options. On /off axis + cone to dust cap placement. Would be awesome.

https://line6.ideascale.com/a/dtd/Expand-mic-placement-and-ad-off-axis-option/895188-23508

8 stomps for me, 😕

That's awesome, so if I understand correctly I can leave my helix lt on stomp mode and engage the snapshots seperatly via midi?

It worked, awesome, thanks for the help guys.

Thanks wil try that, I know this is a natural delay side effect but hopefully bypasable in the digital realm

New helix lt owner here, living it so far. But the delay's gives these glitch sound's when I, m tap the tempo during songs, is there a way to turn those of? My old hd500x didn't had this issue

sorry my bad, thought you ment the global eq, i think you mean "combo front" or "stack front" that,s where you get the lows highs and focus, but the focus is there to set the midrange to taste when you go in front of an guitar amp and use amp models, but if you only use the pod for effects, i don,t think this is necessary, studio direct should work fine, but there are no rules realy, just experiment and find the setting you like best. remember most guiarist wan't a uncoulered signal from guitar to the first stage of their amp, if you use the combo or stack front setting and use the high low and focus, you,re basicly altering the guitar signal in front of the amp (this is in case of using the pod,s effects only), but again there are no rules.

focus is the affected fequency you can lower or raise the gain on, the q is the effected frequency area, small settings give a bigger range and high settings visa versa. let,s say there is certain anoiing frequency in the tone, you raise the gain max and raise the q max and then search for the frequency with the focus by sweeping it across the frequency,s once you find it you can lower the gain of that specific frequency until it is no overwelming.

i have a jca22 head, the two channel version, it's my backup/rehearsel amp, i do get very decent results, i use it with 4 cable method with my hd500x. i use the pod's preamps and the jca22 preamp, i use the global eq to tame some of the schrill highs of the jca and some of the pods preamps, i only use the high cut section of the global eq, cutting highs from around 8k, the lowcut should help with the muddines in you're setup. for unity volume, just compare volume with guitar straight in the amp and with guitar-pod in to the amp, and set you,re pod's volume to match. you can set the pods volume with the master volume knop, or with the mixer block in you,signal chain, remember you have to place drive pedals before the mixer block, or else you,re driving you,re drive pedals.

there are a lot of ways to do this, screamer, studio eq(clean boost), a compressor, the boost comp, etc etc i use the parametric eq before front amp, "lows 40% highs 45% freq 45% Q 40% gain + 8 db"( you can sweep the freq and Q to youre own taste), this gives my amp a warm midboost for singing leads on the crunch channel and a satch like high gain lead tone on my lead channel. i use the studio eq at the end of my chain for a 4 db solo clean boost

i also tried the smart harmony.s. for some reason the pitch shifter feels better to me, i also control the mix with exp 1 good luck!!