AlexKenivel

By disabled, do you mean no amp, or there is an amp and it's bypassed? If that's the case, the channel volume will turn into bypass volume, and I believe the default is 100%. Turn it down to zero and the bypass sound will no longer be there. if there isn't an amp in path b, make sure there is no guitar input selected for path b. Or perhaps it's time for a pedal recalibration..

I'm slowly chipping away at mine whenever I can find time. you don't really realize how many models there are in this thing until you sit here and start to make presets out of all of them

I just happened to be eating olives at the time..

I couldn't last three minutes listening to this anal doosh . I'd rather cut off my hand by stabbing it repeatedly with an olive Fork

you could always just... You know, do nothing and don't come back..

my mom was a cellist and my father turned down a bassist gig for Ace Frehley's Comets. my grandparents and their grandparents were musicians. seems only right that I was born with a guitar in my hands. guitar was my pacifier

IRs in this case are basically a cab/mic sims. The epsi is an IR loader. I used IRs while recording with my Daw with the Pod cabs off

I had a tough time getting good metal tones at first and used IRs for a quick easy fix. Now I just use onboard stuff. Your track sounds good on my phone :)

https://youtu.be/JnC07A-N9JY

but there is a big jump between steam trains and current methods of transportation. with current technology, gadgetry and commodities, not much changes but software and small processors. I'm no tech expert but I grew up working on compuers in the 90s. a lot of things these days are built to be bought and replaced so it seems

A little delay, Octo verb and then a particle verb after. Gets the job done for me

Yes!

Preset spillover would require briefly having two patches loaded at the same time. The unit would need a LOT of DSP set aside just for spillover. I know this thread is all in good fun, but I don't think the price point is right. Now a neural connection on the other hand... :D

Have you tried turning up the recording level inside audacity? Its the slider with the microphone icon next to it

Hold the view button and you'll get a 11 or so page menu. Flipping through this, you can change a lot of stuff you can't change on the editor, global EQ, ABCD vs FS1-8 mode, etc. I believe the input settings are on page 2

These might help you out. hd500 dsp test summary (table).pdf HD500 Effects DSP Usage Estimations (collapsed version 1 page).pdf

A 500X into another 500X. Sounds like a poor man's Helix. :) if my reading comprehension is on par today, it sounds like you have most of your effects for the front of the amp as external pedals, so you could probably just get away with using the amp modeling and any post effects you want without running into any DSP limits.

No, just a lollipop :D

I think I'm going to do the same thing more or less... It'll be interesting to hear your takes on the models compared to mine

edit is pretty glitchy. I only use it when I have to. Like today, I decided to reorganize my patches, and to silence my guitar input I had turned the tuner on. Doing so (I assume) made things save funny and I lost a patch because of it

So the one set list you've created has saved to all the other set lists?

Does the amp section of the combo plug in to the speaker section? This is the only way I can imagine things working. It wouldn't be 4CM the way I'm thinking though. Pod>Poweramp>Speaker, bypassing the preamp on the SL5

Yes, i used the same patches, though I basically had just 1 clean, 1 crunch, and 1 high gain patch. I originally made them almost a year ago, listening through some desktop speakers that I had used for recording, and the patches sounded fine through amp and cab. Then I made the switch and the sound translated pretty well, but they've always been evolving and still are. Now with a loud, flat response 12 inch speaker moving the air I can really hear nuances in peram changes in my patches and have made a bunch more. My old high gain patch was the Panama and Big Bottom amps, which had been refined into my current 5150 patch.

Mine usually do too, for the most part

Thanks. I set up the outputs to direct. I built the tones through my Alto TS112a wedge using an Ibanez SIR27FD with DiMarzio Ionizers. I use the Tread cab for just about all my tones and often kill the bass to more focus the mids. The uber sounds pretty close to my 5150 patch (the one I use the most and have had the longest) and I literally threw those other patches together in no time.