silverhead

Are both JTVs running the latest firmware?

You may have to 'forget' the Bluetooth device on your mobile and re-establish the connection.

It should work if you use the headphones jack.

Wait... you experienced this using ONLY the factory presets prior to having downloaded anything from the cloud or previously saved My Tones presets? That seems to be a serious bug that Line 6 would want to know about asap. Can you provide the recipe to recreate this situation?

I always set the POD mixer at 0db and only adjust that as the last resort if necessary. I experiment with all other volume controls first.

Not really trying to cover your back - you don't need that by any means! Just trying to respond to the OP more quickly (I'm in the Eastern time zone).

No, you can't run one in stereo. Although each speaker cabinet has two (L2t/m) or three (L3t/m) internal speakers/cones they are designed to be distinguished on a crossover frequency basis, not a stereo L/R basis. And even if they were designed for stereo the actual proximity of the internal speakers to each other wouldn't allow for much of a stereo field. The sound you get from running the Firehawk in Line/Studio mode, including cab/mic simulations is meant to deliver the sound of a mic'd cab - similar to what you would hear in the control room of a studio. That's how recordings are made and that's how PA systems work. If you want the true feel of the amp in the room, then you need ... well.... an amp in the room. :P Whether and how much you personally will miss that 'feel' of course I can't say.

Yes - the patches will be more transferable. You shouldn't really need to tweak much if at all.

(see my responses in your other threads on this topic).

Both can do it. L6 Link is not required - just use the stereo (or mono) analog Firehawk outputs into the L3t/m Line inputs on the rear panel. I find I get the best results running the Firehawk in Studio output mode and using the cab/mic simulations in the Firehawk presets. An alternative would be to use no cab/mic simulations, use Amp output mode, and set the L3 speaker mode to Electric Guitar.

I use that setup with a pair of L3t speakers. Sounds great.

On the outputs page make sure that neither Tone is set to Mute. Also check the top right area of the X3 Live device. Make sure the Amp/Line switch is not in the middle position; this acts as a mute switch for the 1/4" outputs.

These two patch transitions definitely sound awful. But I don't really hear any 'bang'. To me it's just that the volume and tonal difference between the patches is so severe that the transition is a bit shocking. Just as an experiment I tried decreasing the amp (not Master) volume on each of 9B and 13B to less than 10% and tried the transitions again. With the volume levels more balanced there was no audible artifact (or 'bang'), although I find that the tonal differences are still displeasing to the ear.

Run Line 6 Updater again (btw... did you update the Line 6 Updater program?). It provides instructions for recovery in case the update fails.

Oh good. Didn't know that. Thanks for the correction.

Not yet for iOS 9. If the Firehawk Remote app is a critical app for you, you should not yet upgrade to iOS 9.

I want to emphasize for new users here that I am not a Line 6 employee. http://line6.com/support/page/kb/_/general-faq/line-6-community-members-experts-and-technica-r147 My opinions are my own and do not necessarily reflect Line 6 policy. They would never say what I have said here, but I stand by it.

No. Go out of the mixer (L and R) to the rear panel stereo Line inputs in a SUB (L3s). Then daisy chain L6 Link to all other speakers.

Just in time for Christmas!! :)

I agree with you 100% here. ALL parties should have taken this update seriously, users as well as Line 6. Can't explain why Line 6 is behind on this. But that doesn't absolve users of their responsibility to do their own due diligence for mission critical apps.

You connect your studio monitors to the Pod audio outputs (e.g. Headphones or 1/4" outs). Make sure Cubase is configured to use the POD and its ASIO driver as the audio device. To go into the PC using spdif you need a separate audio interface that accepts spdif input.

I think it is fair. I don't think one should just assume that all app designers (there are many more apps that don't yet work on iOS 9) have updated apps ready as soon as a new iOS is released. In most cases the app may not be critical and so it's not so important. But if you know you have a mission critical app that you will rely on soon after the update, I believe you are personally responsible for doing your research before updating. Again,Line 6 needs to release the iOS9 compatible app asap. Meantime, it's our responsibility to act accordingly. There is some user responsibility here, too. (IMHO)

Really? (...sigh...) You did that without first checking to ensure that your gig-critical apps would run on the updated iOS? I'm not saying that Line 6 has no responsibility here. They certainly do, and they need to get a fix released asap. On the other hand we all need to take personal responsibility for managing ourselves and our gear. Frankly, updating the operating system on a piece of gear that you will rely on in 2 days for your most important gig of the year..... Not prudent to say the least, whether that pice of gear is a mobile device, a desktop computer, or a guitar processor.

That's strange. There should be virtually zero latency if you are using the Line 6 ASIO driver, monitor using the POD outputs, and turn off the software monitoring in your DAW.

Try turning the Rerverb knob back and forth quickly, from min to max repeatedly, for about ten seconds. Then, before playing, set the knob to its minimum (0%) position and leave it there during patch changes. Sometimes this fixes the situation where a knob gets some dirt or dust inside, causing the sensors for the knob to sense movement from very tiny vibrations that occur without the user actually touching the knob.