jester700

Either your 1/8" plug is not making contact with all 3 conductors in the 1/4" adapter or you have the wrong adapter. The adapter should have a tip, ring, and sleeve: If it only has 2 conductors, you'll either get a mono signal, no signal, or lots of hum depending on how far you plug it in: Adapters are cheap in any case, so that's where I'd start.

In that case, phase won't be an issue. It's the mixing back together of the dry sound that would cause any issues, which won't happen in your scenario. As always, let your ears decide.

You'll still get phase issues if the delay introduced by the two paths isn't exactly the same - which is likely. You can try to adjust for this using a delay, but you'll have to judge whether it works for you. Maybe you'll actually like the effect. I'd buffer the signal before the split, as you'll change the impedance seen by the modelers by splitting. And if you're summing the signals afterward, use a mixer of some kind, not just a Y cable.

I have no problem with 2 different USB-C hubs with either my LT or my HX Stomp. But hubs are different, so that's no guarantee you won't have issues.

Yeah. On rereading it I see your meaning. In that case, total agreement. :-)

A nerdy quibble: though they're designed for flat response, very few monitors come anywhere near a flat response at 20Hz - and usually not at 20k either. Not that it matters all that much, as most listeners don't have speakers that'll do that either (clubs might). Most will roll off over an octave above 20Hz. Though *in comparison to guitar amps*, yeah - these things are ruler flat! To the OP: As others have said, get what fits your space, and add a sub if you need to. I like my JBL 308s quite a bit with my Helix.

+1 on monitors. If you'll be sitting/standing in the same area, monitors will give you the most accurate sound in a typical room. That's what they're designed for.

I wouldn't sweat it if you're using Helix for guitar signals. The difference made by adding dither noise in going from 24 to 16 bit is a very subtle thing on the best of audio signals. On electric guitar it's buried by all the other noise.

I've had good luck with cheap mixers from Mackie, Soundcraft, and Behringer. None have negatively impacted the audio, and they give a lot of routing and monitoring flexibility for under $100. Makes life a lot easier if you ever want to podcast as well.

Excellent post! Tech nerd note: audio latency is actually ~1ms/ft, not ~1ms/10ft. So 50 ft of distance gives you roughly 50ms delay.

No judging by me - Vito Bratta is my favorite 80's player! I'm guessing you mean the album PRIDE, which was their second (and best) album. But also check out the third album BIG GAME, which had the awesome tune "Little Fighter" on it. The first and fourth albums were nowhere near as good. OK, now I gotta go break out my CDs...

Yup. But I'd actually say "any era". History is replete with human weirdness.

Well, the devil's in the definitions. ;-) I get your point, but by "know" I didn't mean "believe really, really strongly". Of course there are those (though maybe not billions; IME most theists aren't fundamentalists). I was mostly arguing against the popular idea of a theist > agnostic > atheist continuum by saying MOST folks would admit they don't know for sure, but believe certain things anyway. And participate in various communities despite questioning those beliefs. That's why I prefer the "agnostic theist" and "agnostic atheist" labels. And we didn't evolve to be logical. We evolved to survive; thus snap decisions followed by justification.

Which pretty much makes us ALL agnostics. And is, in fact, the only logical position for humans. So, there are us agnostic atheists who don't know but remain unconvinced of any deity, and agnostic theists who don't know but believe in one (or more). What a fascinating conversation. And props to qwerty - well formulated posts, IMO. They reflect my thinking but are worded better than I would have done!

Not that I dance around naked or anything... But with a Pod GO, TWO cheapo $50 guitar wireless systems, and this hack to make one an in-ear system (bring your own buds) you have a wireless setup for $550. AND a full blown modeler. I do this with my Helix and it works well - very little latency. One caveat: it IS mono. www.youtube.com/watch?v=uXTZNY5Ta-o

I used to work at an electronics retailer, and they REALLY pressed us to hammer customers to buy extended warranties. It was the only thing I wasn't good at (because I knew they were overpriced) and was the reason I quit the job. IIRC, most insurance policies are priced so they payout over 50 percent. That is, the policy is designed to be under 50% profit. Extended warranties were over 85% profit when I looked into it. They're not necessarily worthless; just way overpriced. As they said back in the day "it's the most profitable item in the store". So, I'd return it. Then take care of your Helix! The only time that doesn't make sense is if your $$ situation is so tight that you couldn't afford to have the Helix fixed if it had a problem. But $250 is a BIG chunk of the purchase price - bank that, and you'll HAVE fix money. After 3 years, if you didn't need it (which is likely) you'll have $250+interest.

Good advice above. Of course, in your situation you can't HAVE a "cranked cabinet in the room" sound or feel, and that's the point of your search. There are many great modeling paths. If HX Stomp and Pod GO were out when I bought my Helix LT I may have chosen one of those, as I just wanted a good quality sound with basic effects in a modern unit (and they're smaller). I was already pretty happy with my Digitech GNX3000, through headphones or studio monitors. But I'm glad I got the Helix - I've made some pretty complex presets that the lesser units wouldn't be able to do. Still...it's BIG... ;-)

I like Litigator because I prefer a smooth breakup with little bite for this sound. But it's all preference, really.

Hmm. Helix Jr. I'm interested in what kind of power it has vs. the HX stomp. Will it be the $800 in-between machine?

There are some great lightweight digital bass amp heads out there. It's amazing how small and light an 800 watt package has become. But any good amp design of the same wattage will do the same thing - bass head, PA amp, or guitar power amp. After that, it largely depends on the cabinet.

Those look good. There are many wireless headphones tested at https://www.rtings.com/headphones/tests/connectivity/non-bluetooth-wireless For latency as well as other things. Most other review sites I've seen don't address latency well, if at all.

I saw this video: https://www.youtube.com/watch?v=uXTZNY5Ta-o and figured for $50 it was worth a shot. Much lower latency than Aptx-LL bluetooth. It actually works well at home in close range, but I can't speak to it in a gig situation. For that I'd probably pony up the $$ for a pro solution. Not the most high fidelity solution for a full mix, and it's mono, and clunky with the unneeded 1/4" plug and no clip, but it's cool to be untethered when practicing. The above caveats regarding 2.4GHz apply. I'd like to see a 5.6GHz version of this, since my cheapo 5.6GHz unit has good range and hasn't given me any interference grief.

That's it. Some driver is poorly written and is holding onto an interrupt longer than it should, denying access by your USB audio devices for too many milliseconds. nVidia graphics and wireless networking are common culprits on laptops, and sometimes you never find a way around it. With desktops you can at least switch out hardware. Or disable devices in device manager if you don't need them - or better yet, in BIOS. That way drivers don't load, interrupts aren't taken, system runs smoother.

No. It's the same algorithm. The Whammy 5 is just slightly more complicated to use if all you want is a "drop pitch detuner" and is bigger. But it also gives you the ability to pitch upwards and the whammy effects. I got mine just because I got it used for the same $$ as a used Drop. But after buying it, I mainly use it to drop pitch and would prefer the smaller unit.

A polyphonic pitch block has been a request for at least 4 years. This was on Idea Scale 4 years ago with almost 800 votes: https://line6.ideascale.com/a/dtd/Polyphonic-Pitch-Shift/776657-23508 There are several similar requests: https://line6.ideascale.com/a/ideas/search?templateId=0&query=polyphonic+pitch I assume this is a difficult thing to do, either in DSP power or programming, though Digitech and EHX have done it. I'd love to see it in Helix, but for now my Whammy V works well.