Guitarmaniac64

A.f.a.i.k it only happend on some few units if everyone had that problem imagine all 1000,s of post we would have about that problem and mostly on LT i have floor. Same goes for that "new" problem on 2.81 where a few units have problem with snapshots i didnt have that either.

Hmm so why dont i have a gap and many others aswell ? Is it a bug that only happens to some units or is it something else?

Wow thats crazy i read somewhere someone managed to fix it by doing several FS restores I don't have that experience at all on 2.80 mine is like yours on 2.71 on my IR try out preset It does have a little drop in volym on some of the IR's but thats beacuse they didnt have the same volym as they came from diffent vendors i of course volym match the one i like best to all my other IR's so i dont have to raise the volym in the IR block in case i gonna use it on another preset..

I have a preset with 8 snaps so i can audition 8 different IR quickly and it has the same "gap" as when i audiotion it using pedal edit mode Plz roll back FW and post a clip here that snapshot was faster on 2.71 than on 2.80.. You know memory is a tricky thing ask anyone who work on solving crimes..

Control Panel - Administrative Tools - Computer Management - Disk Management I must have done something on my studio PC as i cant save on any HD than system drive

Your correct it works on another machine i have it must be a permission issue on my main machine strange i thought i have gave parmission to all my drives hmm So NO BUG only user error LOL

Nothing new it didnt work to save on other drives on previous firmware either in fact dont think it never worked to save on a different hd than the system drive. But i welcome if they make it possible

And save preset with the 2.80 editor? (Or the existing 2.7 editor?) if i for some reason wants to go back to 2.7 or earlyer FW?

The Revv and the Hermida is what i am interrested in king of tone aswell. Oh and also try to control Reaper with my feet

I pay for data traffic so every kb that is used cost money so i choose bandwith as a lack of a better word english is not my native language So dl 80 mb for the updater is not so funny if it is included in the editor which i need to dl anyway in order to get 2.80 to work.

So latest updater want be included in the edit app anymore? Why waste bandwith downoading this if it is included in the editor?

Well they did use Mesa amps for awhile in the late 70,s They did sound like AC/DC. But my guess is that the Mesa,s didnt have that typical Marshall early 70,s late 60,s plexi sound they wanted so they did go back to Marshall

Only thing i saw was "Reverse Reverb" DI also said it was in one post on "some" forum thread some weeks ago he didnt tell WHICH forum you know he post on FB aswell and maybe on other media like instagram twitter.

Glitz Reverb The Glitz reverb is Helix's take of the modern modulated reverb sound. There are oscillators in the pre-delay sections as well as near the end of the reverb algorithm. For the latter, there is crossover where everything above the set frequency is modulated to get that glistening sound int the mix without getting too much in the way of the core tone. Controls Rundown: (excludes non-specialized controls, unless modified for this specific effect) Decay: The Decay control controls the amount of damping within the reverb algorithms, and such that as this is set higher the longer the reverb will last. (Note: Our Decay parameter has a 0-10 nondescript unit, and not a time value, as the decay is very organically tied to the reverb voicing.) PreDelay: The amount of pre-delay time between the dry and wet sound. This is modified compared to the Legacy reverbs as the delay time is very slightly modulated with the Rate and Depth parameters. More modulation effect gives the effect of being in room with moving and spinning walls. Note: If you want a less boozy reverb, this modulation can be nullified if the PreDelay is set to zero Delay: The amount delay time before the latter modulation oscillator. Rate: The speed of the modulations for all oscillators in the reverb. This is interactive through different sections of the reverb algorithm. This can be set to tap tempo values as well. Depth: The depth of the modulations for all oscillators. This is interactive through different sections of the reverb Xover: The crossover will set the frequency where the later modulations will take effect. Everything below will only have the modulations from the early sections of the effect, and above will have the extra modulation. This and the Mod Mix param can be used to completely transform the voice of the Glitz Reverb. This is a parameter where experimentation is highly encouraged! Mod Mix: The amount of extra-modulated vs non-extra modulated sounds. This does come after the crossover section, so that your voicing for this reverb is highly dependent on the Xover parameter.

A little tip copy the flanger block and paste it first in the chain turned OFF and then create a momentary FS for the intro to ATBL

First block after the IR block and 80hz-7khz and adjust to taste i have somtimes had to go as low as 4,5 khz and high as 110hz

I got the utility i have tried to convert one fractal pack but they had digital distortion and was very loud i might have done something wrong

Yes he got IR's and also a prest pack for Helix and it has the same IR files he sell on his website i know beacuse i bought IR first then the preset and found out it got the same IR in the preset pack

Another post on TGP from Sam Hwang this time about Glitz Reverb Glitz Reverb The Glitz reverb is our take of the modern modulated reverb sound. There are oscillators in the pre-delay sections as well as near the end of the reverb algorithm. For the latter, there is a crossover where everything above the set frequency is modulated to get that glistening sound that cuts clearly without getting too much in the way of the core tone. Controls Rundown: (excludes non-specialized controls, unless modified for this specific effect) Decay: The Decay control controls the amount of damping within the reverb algorithms, and such that as this is set higher the longer the reverb will last. Note: Our Decay parameter has a 0-10 nondescript unit, and not a time value, as the decay is very organically tied to the reverb voicing. PreDelay: The amount of pre-delay time between the dry and wet sound. This is modified in the unit as the time is very slightly modulated with the Rate and Depth parameters. More modulation effect gives the effect of being in room with moving and spinning walls. Note: If you want a less boozy reverb, this modulation can be nullified if the PreDelay is set to zero Delay: The amount delay time before the latter modulation oscillator. Rate: The speed of the modulations for all oscillators in the reverb. This is interactive through different sections of the reverb algorithm. This can be set to tap tempo values as well. Depth: the depth of the modulations for all oscillators. This is interactive through different sections of the algorithm Xover: The crossover will set where above the set frequency that the latter modulations will take effect. Everything below will only have the modulations from the early sections of the effect, and above will have the extra modulation. This and the Mod Mix param can be used to completely transform the voice of the Glitz Reverb. This is a parameter where experimentation is highly encouraged! Mod Mix: the amount of extra-modulated vs non-extra modulated sounds. This does come after the crossover section, so that your voicing for this reverb is highly dependent on the Xover parameter.

Oh a sort of "neutral" IR is pretty simple to create. You know there is such thing called omnidirectional mic? wich is said to be "flat" Also sometimes called meassurement mics as you use those to meassure your studio room before you do acoustic treatment. Anyway you can create a sort of neutral IR with just an EQ curve that is mimic a specific speaker in a specific cab like 1x12 Ideascale is very SLOW page and really painful to use i.mo It also contains 1000's of doubles as nopbody even care to search if it is already there. But people whouse to enter the post in here instead of ideascle dont have a chance to get it upvoted and way less chance to see it in Helix in future updates. There has been some discussion over at TGP about the input impediance and the respons from Eric from Line 6 was (It has very few upvotes on ideascale and other thing is more wanted on ideascale for Helix)

I have done a comparison of many of the "cabs" with same distance of the mic However i think it was a problem with the closest positions as on either the IR's or the stock cab you could'nt get the exact same distance. To my ears they sounded fairly close but i felt the IR's sonded more like a real cab but when i made som high cuts on the stock it got closer to the IR's BUT if i added that high to the IR's the IR's sounded even better than without a high cut. Oh i might say that you notice the difference between stock cabs and IR's way better on distorted and high gain tones then you do on clean tones. Hence why so many non high gain players say they dont hear the difference between stock cabs and IR's. YOU CAN get great high gain tones out of stock cab but you are very limited to few options and always a ribbon mic. The studio standard SM57 is not an option there you find IR sounding much better.

Line6 folk has more or less confirmed that stock cabs is created out of a netrual IR and than they use software calculation aka EQ curve to mimic the sound of the moved mic position backwards in center posistion of the cap that will say we dont have off axis or move towards the edge of the cone like Redwirez REAL IR's has. Oh and b.t.w zolko60 when you post an idea on the ideascale thread here on the forum it is meant for the users to find a link of that idea on ideascale as if you post it here with no idea on ideascale (yes i searched for your ideascale and all other new ideas in that has been posted lately and sadly never got it to ideascale) it wont get upvoted. Iit is a stupid thread that needs to shut down plz MOD lest do it?

Bumblefoot looks to be using Helix live nowadays In this clip from a live show in Lyon in august we see a Helix laying on the floor and if i am correct it is NOT Billy Sheehans Helix. https://www.facebook.com/bumblefoot/videos/342512949640018/

I just found out about the Epic amp on TGP and its from ben Adrian "Another rundown on the Epic amp from Ben Adrian: It's based on the Soldano lead channel, but with more gain and a smoother transition into clipping on all the gain stages. This means that as sustained notes decay they don't "fall out" of distortion. It's unrealistically smooth. This is why players will still put an overdrive in front of a high gain amp; to get that kind of "liquid lead" sound. We did it in small doses throughout the length of the preamp."

I think OP has miss the point of this update. I believe this update was to sync the NEW HARDWARE HX Stomp with the rest of the Helix family aka a new Edit software and of course the fix of the tuner and some bugs. There has been some point upgrades before that was only fix bugs and no new stuff. Just be PATIENT there will be more new amps and effects and probably other cool stuff aswell I say a very flexible routing system is a very under-rated way of crating tones that probably few guitarist know anything about. So if we get a more complex routing system i would be very happy more so than a new amp or effect. The OP just want's more amps ever since he bought his Helix https://line6.com/support/topic/21324-where-are-the-amps-aka-beating-a-dead-horse/?tab=comments#comment-161382 In this thread he starded over two years ago he say i would have leaved for Fractal Why did you keep your Helix? As apperently you need MORE amps two years have gone and we got tons of new stuff since then So buy a Fractal get those 200+ amps you want so much and be HAPPY instead of ranting here for a few more years to come Or buy a Kemper and download or buy 10 000,s of amp profiles and be happy.