silverhead

There is no button labelled HOME. I'm pretty sure the OP means the VIEW button.

I don't use any regular amp model for acoustic sounds. I tend to use the Vintage Preamp model (found in the EQ FX section) along with a compressor (usually before the Preamp), an EQ or two, usually a small amount of reverb, and optionally a chorus and/or delay.

Personally I think the logos should be free. Why not encourage the display of your corporate logo? Sounds like free advertising to me. But maybe that's just me.....

I have a Vax300 and a JTV. I replaced the LR Baggs on the V300 with Graphtech and I noticed a big improvement in the sound of the modeling. On the JTV, however, the factory installed LR Baggs piezos are themselves a big improvement over the original Variaxes. I don't hear any real difference between the JTV piezos and the Graphtechs. So my recommendation would be to upgrade to Graphtech on older Variaxes, but not on the JTV.

Sorry - my mistake. ASIO is for Windows systems - your Mac driver should be Core Audio.

In Logic, make sure you are using the UX1 ASIO driver for the device - not some other driver such as ASIO4ALL. Also, when recording, make sure you turn OFF the Record Monitoring feature in Logic; use the UX1 as the monitor.

Here's an HD500 preset I posted in customtone some time ago that is designed for guitar and vocal. It can be a starting point for you. http://line6.com/customtone/tone/215659 To record both tracks simultaneously you have to select a different Source Input from the HD500 (L or R) for each track when you arm them for recording.

I'm running an HD Pro in Studio/Direct mode to an L3s and a couple of L3t. The HD Pro presets all use amp and mic/cab simulation. The speakers are all in PA/Reference mode. The sound is fantastic, whether I use L6 LINK or the HD Pro audio outputs. I find L6 LINK simplest to use because it minimizes cabling and handles the stereo routing.

I think litensirens' advice is good. The L3t or L3m will give noticeably better low-end response for the bass and drum machine. I think you would be happoer with these than the L2m. For me, the L3t with the onboard mixer is great value vs. the L3m for the price difference. A good compromise would be one L3t and one L3m.

So here we have it - s for Sub, t for Tower, and m for Monitor - with the numbers 2 and 3 (e.g. L3 vs. L2) representing the number of speakers involved.

It is a useable looper. I use it frequently to practice my solos over a chord sequence, and to experiment with different tones/FX while a loop is playing back. But I don't find it useful for gigs. That doesn't surprise or disappoint me. The device is an amp/FX modeler; it is not a fully functioned looper and should not be compared to a standalone looper such as the Line 6 JM4.

The HD400 does not use the program called Line 6 Edit. It uses a program called HD400 Edit. If you are using Line 6 Edit instead of the proper HD400 Edit program, that would explain your problem. Use Line 6 Monkey to help you download and install the HD400 Edit program.

My main suggestion is that if your HD500 is new (still under warranty) you should not open the HD500 to clean the interior. That will void your warranty. For the exterior I use a vacuum cleaner with brush attachment occasionally to remove dust. For the knobs, simply rotate them vigorously back and forth through their full range many times. This should clear any dust/dirt from the shafts (do this prior to vacuuming). For the switches - they should not be problematic on a new HD500 after only five months. If your HD500 is still under warranty and the switches are failing you should take it to a Line 6 service center. If it is not new I would take it in for servicing anyway, and pay for it. http://line6.com/service_centers/

Yes. To do this you must create a dual-path preset with no Amp or FX appearing before the path split. Here is a sample preset that I posted in Customtone some time ago, designed for an acoustic guitar and a mic/vocal: http://line6.com/customtone/tone/215659 Of course you will need to customize the Inputs, the Amp/FX selection in the paths, and perhaps the Mixer panning. The important part is to NOT put anything before or after the path split. This will keep the processing of your 2 inputs completely separate and independent. Please come back with more questions if this doesn't help you do what you want.

That's true at the output stage - the HD500 has two L/R outputs (1/4" and XLR) but both carry the same (i.e. a single) stereo signal. However, internally the HD500 has the ability to carry and independently process two stereo paths - Path A and Path B. These can be, but are not necessarily, mapped directly to Input 1 and Input 2. These are summed into a single stereo output at the final stage.

Yes, I remember that post of yours in the old forum. Here it is: http://line6.com/support/message/425684#425684 Very useful info - thanks for sharing.

There is really just one significant difference: the L3t has 2x10" speakers while the L2t has one. They both have the same high frequency speaker/transducer. Yes, the L2/3t have the side panel 2-Channel mixer while the L2/3m do not.

Here is some info from the X3 Advanced Guide: MIDI Ch (POD X3 Live & POD X3 Pro only) – choose from MIDI Channel 1-16, or select Omni to have POD X3 Live & Pro respond to all MIDI channels, while transmitting on Channel 1. The MIDI channel chosen from the display user interface will be used as the Channel for Tone 1. Tone 2 will use the next MIDI Channel. When program change messages 0-127 are received, POD X3 Live & Pro will recall User Presets 01A-32D, and will transmit those same program changes as presets are selected from the POD X3 Live & Pro hardware. It also echoes all program change messages it receives, so it can be connected “thru†to another MIDI device.

Really useful stuff, pfsmith0. Thanks for sharing this.

I've never really heard any complaints about the X3L converters versus any competitor, so I think you would find them good.

HD500 Edit provides what you want, and much more. The HD500 needs to be connected to your computer but it's worth it when you know you want an editing session more than a playing session. There is no computer-based editor for the M-series devices.

Can you define what you mean by 'good'? They're good in my experience - but you might not think so depending on how you would measure it.

First off, let me say that I also would LOVE for this device to be upgraded so that it is a useful audio interface. I agree with you, antonioctd, that right now it is not. So I am behind the spirit of your thread (but not the title) and would love to see the update that addresses the latency. But just a couple of comments .... The USB port is useful to record to a USB storage device, in addtion to the SD card capability. So it is not useless - and it is also useful for the initial audio streaming of a recording to your DAW (as advertised). The problem lies in using the M20d as a general audio interface, where low latency is required for overdubbing and adding more tracks. ASIO4ALL is not a compliant ASIO driver, and I hope Line 6 never designs non-compliant ASIO interfaces.

I use D'Addario 10-46. I've also used Elixir but I keep coming back to the d'ads. I've also tried 9s and 11s - too light and heavy respectively for my taste.