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Found 11 results

  1. Everyone likes the end result first, so here is a pic or the board standing up. (Sorry about my lollipop photography skills) So I've been looking at the Helix a bit over the last couple of days and one thing that stuck out to me was a lack of guides for the I/O when standing up looking at the pedal. In a dark setting and at a show most of the time I'm leaning over my board to look at connections upside down and then having to combat faint text to work out where I'm at. I noticed that the design of the Helix has an angled section near the top. I thought it was a bit odd that this wasn't potentially used for ease of use with respect to the back panel. So I got to thinking. I used a label maker I had lying around at home and purchased some neon green fluorescent cartridges for it. Then, I printed a few copies of each section (adjusting the spacing if need). The method behind this was to be able to separate each section so that the 'boarder line' were in line with where the input/outputs would roughly be. Once all of them were done it as just a matter of sticking them in the order I preferred and now its much easier to deal with plugging everything I need in. Here are some photos in a dark and light setting. I hope it helps or inspires someone. - Zahn
  2. fg65082001

    Can I use 4 output on stage?

    Hey guys I have a question that confused me for a long time I don't have any stereo effect in my chain, all effect is mono. . So, I am using direct out mode XLR L out to PA Mixer And XLR R to a IEM system for myself and other members to listen to ensure my best guitar sound. and I also want to use my 1/4 out L to plug in the Amp/Cab Return as a ampflier (NOT for F.O.H.) Because I want to give the front part of audience just listen only Drums (if we don't use Amp/Cab anymore) But i heard that there is a problem that it will cause the gear break becuz of the "Ground" will be the same between 1/4 and XLR output and it will make "Electricity backfeeding" damage the console and POD HD! REALLY? Can I use 3 output or even 4 output at the same time? Can Someone help me to solve my confusion, and tell me if there's other problem not include? Thx a lot!
  3. Hello, I have not typical situation I want to help my friend who has md20 stage scape. He is totally not computer guy, he hates computers and computers hate him :) Believe me he even doesn't know too much what Google is, and he doesn't speak English :) And my friend lives 500 km from me, so I can't see his "Stage scape", so I try to help but I'm really in the dark. Maybe you could help, please very much. The problem is: he records mainly drums, and all his records have most transients equal 0db - it's not distorted (over load) but transients look like they are cut, like there is some limiter applied. And we want to record without that effect. So I told my friend to decrease all preamps/input about half of full. But the problem is still the same. I'm not sure how to turn off that effect, and exactly what is this? Limiter or something else? I read in manual about something called "Auto trim". I suppose it could be the reason. But actually in manual I can't find information if that "auto trim" is turned on by default or turned off? I suppose my friend had not turned on any function, because as I told he is moron in those type of gear. So I suppose it is turned on by default. But could you say what is this (is it really that "auto trim" or not?) and how to turn it off? Please help us. For any help great thanks in advance. Maybe you could give some step by step instruction with photos. We would be very appreciate. Best Regards, Wojtek
  4. When I am on the stage, I am very scared that if I operate any knobs or key by mistake. So is there a method to lock the key on the panel except the key by foot-press?
  5. fireball70

    HD500X with in ear headphones on stage

    Seriously considering to buy HD500X. I want to minimize my gear and think HD500X is good solution. I can not find information on the following issues: Can I use HD500X to mixed signals from the PA in in-ear headphones and so to use it as personal monitor system. If "YES" which input to use for the signal from the PA (CD/MP3, AUXIN?). Can I control the signal strength from my guitar and mix PA. Do I need additional settings to prevent the signal from the PA to be back in the mix from the processor output, ie to be heard only in the headphones. If "NO"... :( Thanks in advance for your replies :-)
  6. line6jonb

    M20d Stage Setup Examples

    M20d band setups.pdf
  7. I am excited about the new release. The fader mode is great! Can someone please explain what the 'follow stage' mode is and how it works? Also on the fader screen: Is the fx (center tab) applied to all main outputs?
  8. lil_attao

    Podhd500x Live Application

    Hey what's up guys. A new user to the forum, but I've been using line 6 products for quite some time. Do a lot of mixing/AE work and looking to get better. That's besides the point :P So, I just picked up a PODHD500X and this thing is pretty amazing thus far. Have gotten some really great tones out of it already with the many custom amp/cab tweaks you can make. - We want to run this in a live application for gigs, however going into a cab does not give enough output volume to even be mic'd + the guitarist would like to hear what he's playing. - We have run this direct -in, however the monitor feedback gets a bit 'whiny' when standing too close to the monitors and is not a preferred method of running the pod. (Unless we go in-ears, but that's dropping a bit of cash) I've gone over the pedal settings a lot and as far as I know, I have all the volume settings adjusted at max, but it's still not cutting it. TL;DR- Running this into a cab, how do you maximize sound output? Cheers!
  9. Anyone had this weird problem - I use the pitch glide setting to create a dive bomb effect when playing the intro to 'lonely boy' and twice playing it on a local festival stage, the pitch glide has either failed completely (which somewhat ruins the intro!) or has been intermittent. This has never happened in any other rehearsal or gig. The only issue I could come up with is that walkie talkies, which have been used by the stage crews in each instance, may have been causing radio interference with the RJ45 cable connecting my FBV Shortboard to my amp (a Spider IV 150). And because the pitch glide effect requires a non-static or changing signal, from Shortboard to amp, this was somehow failing to be transmitted 'cleanly' along the RJ45 cable. I have now bought a more robust RJ45 which claims to have better insulation from radio interference. Then again we have also now dropped that song from our live set - just in case it happens again! Thoughts/comments/shared experiences anyone....?
  10. Is is possible to use the M20d as a personal monitor mixer? Just like the Roland M-48? The roland m-48 uses cat-5 connectors, and I was wondering if the AES/EBU connection can be used for digital signal input other than the L6 Link? I wanted know if I can use the m20d as a slave mixer (onstage).
  11. Deutsch Français See attached document for StageScape M20d specifications. Inputs/Outputs 12 high-performance, digitally controlled, auto-sensing mic/line inputs 4 additional auto-sensing line inputs 2 digital streaming inputs direct from computer, USB drive or SD card Stereo line input for integrating MP3 players or other sound sources 4 auto-sensing monitor outputs on balanced XLR connectors 2 auto-sensing main outputs on balanced XLR connectors L6 LINK multi-channel digital networking for integrating L6 LINK-enabled speaker systems Control and Recording Touchscreen visual mixing environment Remote control capability via one or more iPad 2 or better devices* Wi-Fi host capability via USB Wi-Fi adapter Multi-channel recording to computer, USB drive or SD card Quick-capture recording to internal memory for sound check Processing Internal 32-bit floating point audio processing0 Massive DSP power provides parametric EQs, dynamic EQs, compressors, multi-band compressors, gates, delays, limiters and more. Multi-band feedback suppression on every mic input. 4 stereo master effects engines including reverbs, delays and vocal doubler. Virtually unlimited I/O Setups, Scenes and Channel Preset memories. Back up Setups, Scenes, Presets and more directly to USB stick. *iPad and Mac are trademarks of Apple Inc. registered in the U.S. and other countries. Line6 M20d Specifications.pdf StageScape M20d: Eigenschaften: Angehangen befindet sich zusätzlich ein Dokument über die technischen Daten des M20d. (in Englisch) Eingänge/Ausgänge: 12 digital gesteuerte Hochleistungsmikrofon-, lineeingänge mit automatischer Erkennung. 4 zusätzliche symmetrische Line Eingänge mit automatischer Erkennung. 2 digitale Streaming-Eingänge für den Computer, USB Stick oder die SD Karte. 1 Stereo Line Eingang für integrierten MP3 Player oder andere Tonquellen. 4 Monitor Ausgänge auf symmetrischen XLR Anschlüssen mit automatischer Erkennung. 2 Main Outs auf symmetrischen XLR Anschlüssen mit automatischer Erkennung. L6 LINK digitales Mehrkanalnetzwerk für integrierte L6 LINK-fähige Lautsprechersysteme. Steuerung und Aufnahme: Visuelles Mischen per Touchscreen. Fernsteuerbar durch ein oder mehrere iPad2 (oder besser) WiFi über WiFi USB Adapter. Mehrkanalaufnahme auf den Computer, die USB Festplatte oder eine SD Karte. QuickCapture Aufnahme auf internen Speicher für Soundchecks. Verarbeitung: Internet 32bit Gleitkomma-Audiobearbeitung. Massive digitale Signalverarbeitung versorgt parametrische EQs, dynamische EQs, Kompressoren, Multiband-Kompressoren, Gates, Delays, Limiter und mehr. Multiband Rückkopplungsunterdrückung auf jedem Mikrofoneingang. 4 "Stereo Master Effect Engines" inklusive Reverbs, Delays und Vocal Doubler. Virtuell unbegrenzt viele I/O Setups, Szenen und Kanal Presets. Absicherung von Setups, Szenen, Presets und mehr direkt auf den USB Stick. *iPad und Mac sind Marken von Apple Inc., registriert in den Vereinigten Staaten und anderen Ländern. Line6 M20d Specifications.pdf Spécifications StageScape M20d Entrées/Sorties: 12 entrées mic/line d'haute performance, contrôlés digitalement avec détection automatique. 4 entrées line symétriques avec détection automatique. 2 entrées pour streaming digitalement du ordinateur, clé USB ou carte SD. 1 entrée stéréo line pour intégrer un lecteur MP3 ou une autre source audio. 4 sorties "Monitor" sur connecteurs symétriques XLR avec détection automatique. 2 sorties "Main Outs" sur connecteurs symétriques XLR avec détection automatique. L6 LINK réseau numérique multicanal pour intégration des haut-parleurs L6 LINK activé. Contrôle et enregistrement: Écran tactile: Environnement de mixage visuel. support pour controle à distance par un ou plusieurs iPad2 (ou mieux) Capacité WiFi via adaptateur WiFi USB. Enregistrement multicanal sur ordinateur, clé USB ou carte SD. Enregistrement de façon Quick-capture à la mémoire interne pour des tests de son. Traitement: Traitement audio interne de façon 32 bit virgule flottante. Puissance massive DSP fournie les égalisateurs paramétriques, les EQs dynamiques, les compresseurs, les compresseurs multibandes, les délais, les gates, les limiteurs et plus. Suppression feedback multibande sur chaque entrée de microphone. 4 "stereo master effects engines" y compris le Reverb, Delay et le Vocal Doubler. I/O Setups, Scenes et Channel Presets virtuellement illimités. Sauvegardez Setups, Scenes, Presets et plus directement sur une clé USB. *iPad et Mac sont des marques d'Apple Inc. Registrés dans les États-Unis et autres pays. Line6 M20d Specifications.pdf
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