brain-donor Posted November 18, 2017 Share Posted November 18, 2017 Just curious which amp models you end up using the most because you find them the most useful or exactly what you're shooting for etc. Here are my favorites that I end up using most often: Essex A-30 US Double Norm Brit 2204 PRS Archon Matchstick Which are yours? Quote Link to comment Share on other sites More sharing options...
robbieb61 Posted November 18, 2017 Share Posted November 18, 2017 Archon and Litigator are the only 2 I am currently using for all my presets and snapshots. I have clean, dirty, heavy crunch, 70's Lead, and saturated lead tones all from that. Quote Link to comment Share on other sites More sharing options...
Ichil Posted November 18, 2017 Share Posted November 18, 2017 Badonk, Archon, Hiwatt, Mark IV lead. Quote Link to comment Share on other sites More sharing options...
MGblade Posted November 18, 2017 Share Posted November 18, 2017 plexi jumped litigator ubersonic Quote Link to comment Share on other sites More sharing options...
requietus666 Posted November 18, 2017 Share Posted November 18, 2017 jazz rivet or us double norm for cleans solo lead od, brit plexi brt or panama for drives 1 Quote Link to comment Share on other sites More sharing options...
jerseyboy Posted November 18, 2017 Share Posted November 18, 2017 jazz rivet or us double norm for cleans solo lead od, brit plexi brt or panama for drives I could've wrote this... Quote Link to comment Share on other sites More sharing options...
DunedinDragon Posted November 18, 2017 Share Posted November 18, 2017 WhoWatt Tweed Blues Brt Interstate Zed Jazz Rivet Essex A30 Brit Plexi Brt Solo Clean Matchstick Litigator Quote Link to comment Share on other sites More sharing options...
mikebruno Posted November 18, 2017 Share Posted November 18, 2017 Me, I have my signature tone with this one amp: Soldano clean and crunch I have all my gain stage with this. Quote Link to comment Share on other sites More sharing options...
Rocco_Crocco Posted November 18, 2017 Share Posted November 18, 2017 jtm 45 L6 Epic Quote Link to comment Share on other sites More sharing options...
rzumwalt Posted November 18, 2017 Share Posted November 18, 2017 Divided By 13 US Double Verb Bright L6 Litigator Mark IV Crunch Mark IV Lead Quote Link to comment Share on other sites More sharing options...
Verne-Bunsen Posted November 18, 2017 Share Posted November 18, 2017 Twin Deluxe + Bassman parallel JTM-45 Plexi Quote Link to comment Share on other sites More sharing options...
bsd512 Posted November 18, 2017 Share Posted November 18, 2017 ENGL Fireball Archon Lead Soldano Lead Bogner Uber Matchless L6 2204 Brit Plexi Brit 2204 + appropriate IRs of course. :) Quote Link to comment Share on other sites More sharing options...
duncann Posted November 18, 2017 Share Posted November 18, 2017 Guitar: Mark IV Lead Archon Clean Bass: SVT Bright But the amps to me are fairly inconsequential. More important are cabs and/or IRs. Quote Link to comment Share on other sites More sharing options...
AlexKenivel Posted November 19, 2017 Share Posted November 19, 2017 Guitar: Mark 4 Lead. I can get any sound from clean to mean with this 1 amp model Bass: Woody blue Quote Link to comment Share on other sites More sharing options...
erniedenov Posted November 19, 2017 Share Posted November 19, 2017 Litigator Cali Rhythm 1 Matchstick Channel 1 Archtype Lead Cali Rectifier Quote Link to comment Share on other sites More sharing options...
dmock66 Posted November 20, 2017 Share Posted November 20, 2017 I'll have to check out the couple amps that seem to be on most people's short list. I've played a couple gigs and at church a few times since I got the LT. It's been all thru mainly one preset. Brit Plexi Brt I played my really clean stuff on a: Deluxe (plus dirt pedals to spice it up a bit) Quote Link to comment Share on other sites More sharing options...
jondufour Posted November 25, 2017 Share Posted November 25, 2017 Current preset is Jazz Rivet Mandarin 80 I'm using the expression pedal to go between full clean on the Jazz and and full dirty on the Mandarin which still has about 60% of the Jazz mixed in. On the Mandarin I'm doing 8.5 gain with master and bias at 10 but I found a fun thing was turning the Hum up to 7 or just a tiny bit higher. Makes this cool overtone type thing happen when bending notes up. Lead drive is Tube Screamer with gain 0 tone 3 level 7.5 I'm also using the free IR from Celestion, found I really like that one over all the other IR's I have. Quote Link to comment Share on other sites More sharing options...
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