jandrio

check out this link abt JTV-69S replacement neck for neck Fender American special

check out this post. contains the "stereo 4cm" cable connections...

r there any L6 written instructions/manual/documentation abt the available procedures when pod enters "Test Mode†?

check out perapera's Pod Hd 500 - 500x *new* Routing Schematics. think u find useful info... cld u post sound samples/patches of this "stereo 4cm" setup?

check out this one: Distortion is muddy/fuzzy/farty

not possible.

1. raise mixer levels above zero dB. 2. insert a studio EQ last in chain 'n use gain 2 increse level. b cautious abt clipping...

check out his excellent market research on monitors by ColonelForbin: http://line6.com/sup...ors/#entry44185

why don't u try it 'n post sound sample(s) + patch(es)

... empty SETLIST.zip

absolutely more than true! after all, it's all abt playing the guitar...

i also suggest further reading as foll: A. Too much noise B. Tone is fizzy C. Tone is harsh D. Tone has digital clipping E. Tone is muffled F. Distortion is muddy/fuzzy/farty G. Distortion is dirty/gritty H. Tone is thin

if clipping is the problem, lower amp volume/level . also check out this one: http://foobazaar.com/podhd/toneGuide/ampTone#gainStaging

u can not make an omelette without breaking eggs...

can u see the "start new topic" btn in the attached pic?

well, these r the ...specs of the 69s maple...

check out this one...

notes 'n other info do not- repeat - do not download from customtone. u can read them by expanding customtone view, or opening detailed view of tone under consideration... tip of the day: right-click-copy notes from custometone 'n paste in2 notepad.

check out his excellent market research by ColonelForbin: http://line6.com/support/topic/6473-pod-500-studio-monitors/?do=findComment&comment=44185

smart thinking!

bobbo, nice 2 hear from u again, hope u r doing fine. now abt patch levelling, here is a simple method i use: 1. Simulate your live play list by recording small indicative parts of intros, rhythms and solos for all songs (use Audacity or other similar software). 2. Then, just by visual (and audio) inspection of the recorded track waveform, make level adjustments. 3. Repeat process until all levels acceptable. Important: do not touch the HD500 master volume, set it at some initial position (say 11 o’clock) and leave it there during the cycle. Do all adjustments using all other level controls (eg amp ch vol, mixer level, studioEQs, etc). General rule of thumb: solos must be some db (say 2 or 3, depending upon each song) higher than rhythm parts. rgds/john ps cld u post an "executive" comparison summary betwn hd500 'n ur new digital modeller? ur opinion wld be of much interest. Attached image demonstrating clipping:

i design one or more presets per song. i also ensure that each preset uses only one fs (solo boost-gain, harmony, reverb, etc). And this single fs is "synchronized" with the bank position/letter occupied by the preset. eg I have designed 2 Aqualung presets: 2AQUALUNG1a (main riff+solo) and 2AQUALUNG clnP3- (acoustic parts). In one live setlist 2AQUALUNG1a is stored in position C, the fs 4 soloing is FS3. In nother live setlist 2AQUALUNG1a is stored in position A, the fs 4 soloing is FS1. In this way I always know that the appropriate fs is right abv the preset position letter: ie all presets in position A use FS1, all presets in position B use FS2, and so on... in this way no "brain ram" is consumed 4 memorization.

there is no objective right or wrong "input settings" rule of thumb. the only subjective one is "trust ur ears". there r some cases where "input1=guitar/variax, input2=something else" provides good results, but there r also many other situations where "input1=guitar/variax, input2=same" is a must. eg, check out this tone and hear the resulting (live) sound in this vid (patch designed 4 jtv, thus using input1=variax,input2=same).

wrong forum