silverhead

1) Yes - you will be able to control JTV-69S model selection within a Pod XT Live preset. However, that's about all you can do with the JTV and a Pod XT; it provides less control than a JTV-compatible Pod HD device; particularly alternate tunings and Vol/Tone knobs as controllers. 2) I don't believe you can set a global alternate tuning in Workbench. I think you have to do the alternate tuning separately for each model. However, the JTV itself provides the alternate tuning you are looking for. You'll find it (or can easily create it) in the available alternate tunings knob. Create your models with standard tuning in Workbench then engage the 'half-step down' alternate tuning on the JTV.

I've not heard of this before. These knobs on my JTV-59 rotate smoothly. You can try pulling the knobs off the shaft, placing a small piece of paper in the knob to act as a spacer, and restoring the knobs on the shaft. This will have the result of lifting the knobs just a bit - perhaps enough to free them from jamming up against the body of the guitar if that's what's happening.

Perhaps your good friend will show you how it works and connects properly to your/his computer. If he's not able to do that then I think your request for a full refund can hardly be denied.

1. No serial #? Really?? That makes me suspicious that your device may have been stolen at some time in the past and made untraceable. I'm afraid all bets are off in terms of it being useable or supportable. 2. No - you don't need to register it for it to work. But registration simplifies the firmware download/update process and qualifies you for tech support from Line 6. Good luck with it. I would try to get my money back.

Have you registered your X3 device to your Line 6 account? Go here while logged into your account: http://line6.com/account/registergear/ Have you downloaded and installed the driver? Run Line 6 Monkey, select Pod X3 Live as the device, and follow Monkey's instructions to install the driver. Pay particular attention to when you should disconnect/reconnect the device.

What happens when you select the 'continue' option rather than running Monkey?

Perhaps I've missed something but as I understand it, Krom_, you had a fautly usb interface - a hardware problem that you said you have resolved. That certainly was a problem for you, though it's not widespread as far as I know. I'm not sure that's a problem that 'must be admitted'. Is there another problem you are having now that points to something serious?

The tuner only works with Input 1. It does not recognize Input 2. That is by design. Since nothing is broken there is no 'solution'.

Yes you can plug any dynamic (not condenser) mic directly into the XLR input. It's expecting a MIC level signal so I don't think a DI box is required - maybe just a 1/4" to XLR adapter.

Do you have a cable connected to the 1/4" guitar jack on the Variax? That is the device power switch.

I would start here: http://line6.com/support/page/kb/_/computer-based-recording/computer-audio-set-up-and-troubleshooting/line-6-monkey-installation-and-faq-r502 http://line6.com/support/page/kb/_/computer-based-recording/computer-audio-set-up-and-troubleshooting/installing-line-6-software-for-a-macintosh-tig-r243 http://line6.com/support/page/kb/_/computer-based-recording/computer-audio-set-up-and-troubleshooting/mac-usb-driver-installation-r547 ... and for more general reference links: http://line6.com/support/page/kb/_/computer-based-recording/computer-audio-set-up-and-troubleshooting/

Yes - this sounds very much like a power supply issue. If possible try to get your hands on a new power supply unit. It doesn't have to be the actual Line 6 PSU: https://www.globalfulfillment.net/gfsnet/line6/10Expand.aspx?ProductCode=98-030-0041 ... but it needs to exactly match those specs, especially the DC part. If replacing the PSU doesn't work then I think its an internal h/w problem that needs servicing.

The Pocket Pod is not an audio interface for recording purposes. You need to connect it either to your computer soundcard inputs or, preferably, to a separate audio interface device that Mixcraft can recognize.

If your HD300 output is set to Line I suggest you use the Line Level inputs on the rear panel of the L2t. The Channel Mixer inputs on the L2t are designed for Instrument/Mic level inputs.

Try different USB ports on your computer. The rear panel ones tend to work better than front panel (no internal hub).

Also, make sure your Pod HD device firmware is up to date. The latest release (v2.20) focused on improvement in the L6 LINK communications. Part of that addressed Stagesource speaker modes in stored HD presets.

Make sure you are running current firmware. The Vintage Preamp was added later; it was not in the original device firmware.

Try holding down the right nav key while powering up. If it doesn't start normally, you may see a test screen display. Select REFLASH (or FLASH/MEMORY?). Then run Line 6 Monkey and reinstall the firmware. When prompted, choose to replace existing presets.

Are you running the latest HD500 firmware (v2.20)? This includes improvements to the interaction between HD500 and Stagesource speakers. I believe it addresses speaker modes saved with presets.

Yes - I would try using pre amp models with no cab/mic sim. Also, switch the output from Line to Amp (hardware switch on the HD500).

No - the fix is to have a hardware part replaced in the X3 Live device. Call Line 6 to report this, or open a support ticket, before Jan. 1. I believe this particular issue is covered under a lifetime warranty. You should only have to pay shipping if necessary.

Yes - the HD500 is a hardware audio interface like the UX2. However, your Pod Farm software license may be tied to your UX2. You may have to purchase a new hardware independent Pod Farm license to be able to use it with the HD500.

I suppose it's possible that there's a hardware problem but I really don't see how. There is no way the looper can lose any synchronicity between 'passes' of the loop because there is no synchronicity to begin with. The device has no concept of bars or tempo so there's really no way it can 'fall behind' on different passes. There is no 'right time' for the footswitch triggers to activate; they activate the instant you stomp on them. The likely explanation is that unless you and your drummer are robots your timing and hence your 'beats' will vary from loop to loop. Not much, but enough to notice while overdubbing and, especially, during repeated playback of several overdubbed passes. The longer the loop, and/or the more numerous the overdubs, the more pronounced this discrepancy will be. The looper knows and cares nothing about this.

Until and unless you're having problems, assume it is OK.

Are you having any problem with it?