jbuhajla

The sends and returns should also have their own level adjustments, so you are not stuck with what just the preamp models output is.

If it were me, I would just monitor through the wedges so you hear the entire band and yourself. If you have control over your own mix in your wedges, even better. If you are set on having the additional guitar amp as part of your monitoring, you can pull down a parallel path down before your amp/cab model blocks and run that parallel path to 1/4" out to connect to your amp. You won't be able to have a parallel path with no blocks on it, so I would drop in an EQ block in case you want to tweak before it hits your amp. You will just have to get a little creative with where all your effect are in your preset.

Have you tried using snapshots to change your delay settings? I use snapshots for this all the time and it works great.

4 cable method. Lots of vids on the Youtubes.

I notice your output is set to digital. What are you playing through with your output signal?

So what is your goal? Are you going to be running to front of house, your main monitoring system (2 powered wedges), AND through your Blackstar amp?

To me it is nice to not have my delays effected when set to a time value just in case I accidentally hit the tap switch with my foot. Some of my delays I have a set time value, then others I have set to note values so I can program the tempo manually per snapshot if necessary.

I don't have any presets that I use two amps simultaneously. I'll have to give it a try to see if I can duplicate. Can you post a screen shot of your preset so we can see the signal flow?

The built in cab models are impulse responses that have some added functionality built into the block. They sound great. You can also import third party impulse responses, which also sound great. Some people post about them being a weakness, but that is mostly because when they drop the model into their signal chain, it doesn't instantly reproduce the sound that they are trying to achieve. That is of no fault of the hardware/firmware.

Sean's explanation video of WDW is more like wet/dry in the digital realm, going into one cab/IR block. True WDW incorporates 3 different amps/speakers, which you still can do in the digital realm without the physical speakers.

Line 6 will still take care of the issue since it will still be under warranty. Open a support ticket with Line 6.

The transmitter will go to sleep in about 4 minutes when in the guitar (or any time the micro switch is depressed), but it is still powered on looking for a signal. It will deplete in sleep mode after some time. If you aren't going to use it for a few days, pull the transmitter out a bit so that the micro switch is not engaged.

When running into the front of your amp, only use effects and not amp models. You can use amp models if you connect via 4cm.

You can also set your main volume knob to control just your monitor and not effect the direct out to house, which is quite handy. I always go direct to the house via XLR so there is nothing in between to go wrong.

Ditto that. The unit is probably getting well above 150 degrees F. I wouldn't feel comfortable with my electronics getting blazing hot.

That is really weird. IR won't have an effect on your sound like you mention. Perhaps something else in your signal chain is creating this. What else do you have going on in your preset and how are you monitoring your sound?

Your FRFR speaker for feedback is a great idea. You are still going direct out to the board, but the FRFR speaker pointed at you will get you feedback that you cannot achieve purely in the digital realm.

Usually when you have a number list of items in a procedure, it is understood that you go from step 1 to step X in sequence. You are correct though, it is not explicitly written to follow the steps in order.

Mac driver should not be necessary to use anyway.

Even better!

Spring ends June 20th at 11:59pm.

Fantastic idea!

I believe you are correct. I think the new tapped time will show in the parameter display.

Yep, if you hit the mode foot switch, it will change it to stompbox mode and display only stomps that you have programmed. The reason the bottom row was blank is because those normally display presets and you didn't have stomps programmed into those. Hit the mode switch one more time with your foot, and good to go.

The controls need to know the note division because that's how delays work. 1/4 note divisions give you a repeat for every time you tap the switch. If you are trying to tap a "slapback" type delay in, you will need to be able to tap the switch at about 100ms repeat time, or 10 taps per second if it is set to 1/4 note divisions. If you absolutely need to be able to tap in a slapback, you may have to use 1/8 (5 taps/second) or 1/16th divisions (2.5 taps/second) for a 100ms repeat. My suggestion for a slapback delay is that you create a delay block with the time interval set appropriately, then switch that delay on/off when needed. For everything else, you can just tap using the 1/4 not divisions. If you don't have space in your signal chain for another delay block, then you will have to set your note divisions appropriately.