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Found 12 results

  1. Ok so I'm sure you've seen this question before, but I couldn't find anything specific to my needs in the search... I'm thinking about purchasing an LT or Floor (thoughts on this welcome, too) and had a question about using it in different settings. So I've got a Vox AC30 that lives an hour away at my rehearsal space, my band practices once a week so I don't get much time with my amp. I'm thinking about a Helix because I like the idea of having a silent practice tool at home (I have three young kids and no place to play loudly, ever) and a way to create sounds for my band outside of the rehearsal space. Does anyone here have experience working with a Helix and a Tube amp where they are creating presets and shaping their sound remotely from their main source of amplification? How does it work for you? Can you create sounds leveraging the models for your amp at home then remove the amp / cab when you go 4CM with the amp in person? How does it translate? Thanks for any thoughts!
  2. Would it be possible to add a new modern pickup model or two, to the Variax software/firmware, to bring it in line with Shuriken's modern good looks? I'm sure JTV owners probably wouldn't mind this either. I know a lot of folks like EMGs, Bare Knuckle, Fishman, DiMarzio, etc. I'm sure people have lots of opinions on which they'd wish for most. Would love to know how people feel about this one.
  3. I have an hd500x that I run into my Boss Katana 50. Recently, I was testing out guitars and I plugged into a bassbreaker and was impressed by the tones I could dial in. Does anyone have a patch that would emulate the bassbreaker, particularly the crunchy tones? Or maybe an idea of how to emulate it?
  4. So I'm considering a Helix rack as my main guitar setup and the only thing that I really want to know is how good are the amp models and IR's really? I've seen plenty of youtube reviews and testimonies online about how good the uni is as an 'fx' only box, but I'd love to use it as an amp sim while using my own pedals. I'd obviously be happy to use some of the inbuilt effects when I need them, but how do the amps hold up on their own is what I need to know. Just to note as well, I mainly play clean or light crunch so I'm not hugely bothered about the Mesa or Soldano sims being 'fizzy' or whatever. Thanks in advance for the help!
  5. Can the firehawk 1500 amps do all the orange amps because I just need one amp for gigging. All my orange amps are heavy to bring around so can the firehawk 1500 do that.
  6. NOTE: We have discovered that the Cabinet Modeling switch is producing unintended results. We have fixed this in firmware 1.04, available very soon. Please download and use Line 6 Updater, found at www.Line6.com/software, to update your amp. See this article for updating instructions: How To Update the Spider V Amp The Cabinet Modeling switch was added so that if you don't want to run your guitar signal in full range with cabinet modeling, you can disable it for just the external speaker outputs. A good example for when to use this is if you have your own particular cabinet and you want to hear the natural sound of that cabinet with no cabinet modeling applied (like a traditional amp head). You can still use the direct outputs if need be in a live situation (common for our older amp products like DT50). With no external cabinet: The switch has no function. Cabinet modeling remains engaged regardless of the switch position. With an external cabinet plugged into the speaker outputs: The switch toggles cabinet modeling for the guitar signal that's sent to the speaker outputs. Switch is ON - Spider V treats the external cabinet and built-in tweeters as a full range system for guitar signals, with cabinet modeling applied in the preset. It also allows full range playback for built-in drum loops, the aux input, and USB playback. Switch is OFF - Spider V disables the cabinet block within the preset and sends the processed mono or stereo guitar signal to only the external speaker outputs. Its built-in speakers are turned off. The XLR, USB and Headphone outputs are fed with a guitar signal that is summed to mono and processed with a Spider 4x12 cabinet and SM 57 microphone model. These outputs can be used for recording or as a feed for a mixing board when playing live. Additional Information - The built-in 4" low-frequency speakers in the head switch off as soon as an external cabinet is connected. - All playback such as drum loops, the aux input and USB playback will continue to play through both the external cabinet and the built-in tweeters, regardless of the switch position.
  7. Ok so I am considering purchasing the POD HD500X because I am looking for a multi-effects processor with many different options and the ability to have many different presets. But what I want to do is run the effects from the POD but still have my particular amplifiers tone. Now I have a Bugera 333xl head with a B-52 4x12 cab, and I want to keep that tone and only use the POD for the effects. I have seen and read about the 4 cable method and I have the ability to do that with my effects loop, but when I go onstage I usually have to setup quickly, so I was wondering if it's still possible to just plug the guitar into the POD and have the other cable go straight to the front of my Bugera head and use no amp tones (from the POD) and only the effects but I can't seem to find a straight answer out there. I am looking forward to your responses and thanks in advance for the help.
  8. I just got off the phone with Line6 support who confirmed my dilemma. Here’s my situation: Solo acoustic artist Want to record every show Have an M20d, L3t, & L3m Love the L3t acoustic modeling Haven’t been able to recreate the same tone/body with M20d DSP effects/presets If I plug guitar into L3t and take its Mix Out back to the M20d, it competes with L6 Link (feedback loop) Bottom line, if I want to use M20d (which I do for recording, vocals FX, setup/scene recalls, etc), I can’t use L3t's acoustic modeling So… Has anyone found the right M20d DSP chain and dialed in the best combo of FX presets to emulate L3t’s acoustic modeling? If so, can you please share the chain & each block’s settings? I will also post this feature request as an idea for their next firmware update here -> http://line6.ideascale.com/
  9. I hope this isn't a noob question, but I still don't understand how to hook up the Pod HD to my head and only use its power amp section to power the Pod. I have tried the "4 cable method," and all I ended up with was a barely audible guitar sound. Maybe I did something wrong, I don't know. What is the proper way of doing this? Also, is there a way to get rid of mic emulation and cab emulation like on the Axe FX? I am confused and I really dig the tone of my Pod HD Pro X, and I have been dying to use it with my 4x12. What do I need to do to get it sounding best and to get all my connections right?
  10. I have had a bunch of Line6 gear over the years. A Spider 2x10 and 2x12 in red, two Spider II 2x12s in gray and a Spider Jam, which I bought thinking I could use it to, well, "Jam!" I've been a rhythm play for a hundred years but lately I've been wanting to branch out a little, maybe take a spotlight and a solo now and again, or at least freshen-up some of my rhythm playing. So, I popped for the Jam. My problems basically boil down to probably not spending enough time with it, but it's so frustrating that my time with my Spider Jam isn't... pleasant. I'll find a sound that I like, and then can't ever seem to get it back if I don't save it as one of my limited tracks. I've got a short pedal, an FBV Express, but can't seem to use it to start recording, play a verse and a chorus and then stop recording and play back what I've done so I can work on a solo. The instructions for both left a little to be desired. There are some videos on YouTube which have been a little more helpful, but I really felt like this would be a better bargain, when I bought it. I don't feel like I'm getting much value out of it, now. Is there a source somewhere that can tell me what jam tracks are installed and how to get to them? Suppose I found a bluesy rock jam and didn't want to burn one of my own channels—how to get back there, again? Are they in some kind a .pdf somewhere? And is there a quick and easy way to get from one to another? How do you clear them all out and get back to just a standard Line6 Spider amp, without any other settings involved? And what's the trick to getting my FBVExpress to run the loops, please? I've been around computers for thirty years and guitars for forty! But this thing is a real challenge. I love it, but I just don't feel like I'm getting much out of it, really. Thanks!
  11. GearBox 3.72 is the most current version of our amp/effects modelling software editor for compatible USB hardware devices. Download the bundled installation file from our Downloads page at: http://line6.com/software/ From the "Software" drop-down list, select GearBox. Click on the red "GO" button to the right. On the following page, the most current version of our bundled installer should be at the top of the list. Version 3.72 is the most current as of this document. Click "Get Download", then accept the licensing agreement. Choose: "Save" to begin transferring the bundled installation file to your local hard drive. Once this file has been completely saved, find it on your hard drive. Make sure your USB hardware device is NOT connected yet. Double click the GearBox installer file to begin installation of bundled components (USB Device Drivers, Line 6 Monkey*, GearBox Editor and optional Plug-In files). Please read through the manual by selecting the "F1" key when gearbox is open. You can also save the PDF file on your computer for later viewing ot dowmload it at the following link: Gearbox 3.72 manual Line 6 Monkey is a USB device firmware/flash memory utility application only. It will enable you to update the firmware and flash memory (if available on your device). For certain devices (PODxt/X3), it can also archive patch bundles and restore saved patch bundles. GearBox is the current Amp/Effect modelling software editor application for the following USB Audio Interface devices: GuitarPort, TonePort, POD Studio, PODxt and POD X3 series devices. With it, you can do the following two primary functions: Open up saved (and downloaded) .l6t patches from your hard drive for editing. Afterwards, you can re-save the modified patch file back to your hard drive or sync/transfer the patch to your USB hardware device connected. ***NOTE: POD Farm 2 tone files will NOT load into the Gearbox software. The top-half of GearBox is where you can select Stomp, Amp Model, EQ, Modulation, Delay, Reverb parameters and adjust them via mouse-click/drags to affect the input signal on your connected USB hardware device in real-time.
  12. If you are having trouble with one of our four-button stompbox modelers, please try the following. - Use a different guitar, cables, and amp to make sure they are working correctly - Remove all other pedals between your instrument and the amplifier. Ensure that: - The cables you are using to test work correctly by plugging directly from the instrument into the amplifier. - All jacks and nuts on the pedal are tight. - The unit is receiving sufficient power from the correct power supply (Line 6 DC-1 for Tone core pedals, PX-2 for Modeling pedals). Do not use old batteries to test pedals. For Tonecore Pedals: * Lighter taps will set the tap tempo function while a heavier foot motion will activate the pedals on/off function. Make sure that you are activating the switch to turn the pedal on by putting your full weight on the pedal (sometimes it take a while for the actuator switch to be broken in). * Try a different Line 6 module in your dock, and try your module with a different dock to see where the malfunction is. For Stompbox Modeling Pedal (4-Button): Reset the pedal by having the power plugged in and pressing the A & D ('Tap' on the DL-4) button when plugging in the left mono input. If you are still having difficulty you will need to get the unit repaired at an authorized service center. All Line 6 Pedals carry a 12 month parts and labor warranty from the date of purchase. Please take a copy of the dated proof of purchase to ensure the warranty is covered. Product Repair Line 6 Product Warranty
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