phil_m

Are you saying the 2ms latency is compared to the real-time performance? It sounds like you're talking about the latency introduced by the converters themselves. I'm not sure I agree that most interface drivers will automatically compensate for this.

Yes, you’d leave the output mode set to Studio Direct in both of those cases.

This is the expected behavior. None of the Line 6 processors have this sort of spillover between presets. The Helix has a feature called snapshots that offers a different way of offering seamless transitions from one sound to another.

This is a little big, but something like this would work (the foam insert can be removed) : https://www.amazon.com/dp/B06XXFQB8M/ref=cm_sw_r_cp_tai_hcu4Db70HM3YV A hard case might be a little overkill. A soft microphone bag would probably work ok as well.

No, the looper has no sync feature like that. It's totally independent from any of the tempo/BPM settings in the Helix.

Actually, for both of these scenarios, you'd want the output mode to be set to Studio Direct anyway. The output modes compensate for the cab/mic modeling when plugging the unit into non-FRFR systems. For effects-only scenarios like the 4CM, you don't want to use any other output mode but Studio Direct since you wouldn't be using the cab/mic modeling.

It's not possible.

Seems like a Waveform bug. https://www.kvraudio.com/forum/viewtopic.php?p=7161064#p7161064

The Stomp only has one setlist with 126 presets, hence no way to change to a different one.

That label is so ubiquitous because of the dumb California law that it has lost all meaning... The state that cried cancer...

It depends on how you want your sound to react to the volume pedal. If you put at the end of the chain, it will act like a master volume knob for the preset. When you bring the pedal down, everything will be muted. If you have it up front, it just mutes the signal coming from your guitar and all the tails from your effects will ring out. Personally, I always like having it in front as this is most useful for things like volume swells, imo. It's just a matter of personal preference.

As others have mentioned, there's no way to do this currently. Don't forget, though, that you always have access to Pedal Edit Mode, and that you can access any of these parameters without having to bend down.

I've used the XLR out a few times when playing acoustic. Most of the time even when playing an acoustic, though, I'll use a processor of some sort, so I have to put that after the receiver. The XLR out would be a lot more useful to me personally if there were an effects loop on the receiver.

Very minimal... No one is going to be able to tell you the exact value, though. The values in that chart aren't really exact values. They were arrived at through deductive reasoning. It's still a good general reference, though.

Hi, I moved your post into its own topic here so it didn't get lost in the Helix forum. What type of computer/OS are you using?

Yes, it's very simple with MIDI clock. Just attach a MIDI cable from the Helix's MIDI out to the Stomp's MIDI in go to the Global Settings>MIDI/Tempo menu of each device. Set Tx MIDI Clock to "MIDI" in the Helix and and Rx MIDI Clock to "MIDI" in the Stomp. You would also want to set MIDI PC Tx to "Off" (or MIDI PC Rx to "Off" in the Stomp) in the Helix so changing presets on the Helix doesn't affect the Stomp. I guess another thing you could do is set the Stomp to a different MIDI channel from the Helix. That will make sure there are no errant MIDI messages that affect anything. MIDI clock is transmitted on all channels, so the Stomp would still respond to that.

You have to select which type of IR block you want to use first - 2048 or 1024 - and insert that into your preset. Then you can then select the slot you have the IR loaded into by changing the IR Select parameter in the IR block.

It’s impossible to say with certainty without being able to test it with another power supply. Are you using the power supply that came with it?

They’re in pages 45-54 in the HX Edit manual: https://line6.com/data/6/0a020a4024285d8d400160c84/application/pdf/HX Edit Pilot's Guide - English .pdf#page46

Sounds like what you’d typically hear with a dying battery in your guitar.

Make sure you have HX Edit closed when running Line 6 Updater, for one. That’s probably the most common reason for this.

Any difference would be negligible.

I guess... For the record, I own the BigSky as well. I don't think the biggest difference between the Line 6 and Strymon reverbs is the pitch shifting. It's hard to explain completely, but to me there's a certain airy quality to the Strymon reverbs that makes them sound different from other things.

Well, the Helix shimmer verbs at octave settings sound fine with chords. At other intervals, you can get artifacts. I have actually tried shifting the wet signal from the reverbs before (putting the pitch shift block after the reverb block). It sounds fine to me. That's how I created the reverb from this track, actually. I put the looper block after the amp/cab block but before the reverb effects here so I could maintain continuity in the wet signal while the loop wrapped around. I turn the pitch shifting on at some point... Somewhere around half way through.

Anyway, to get back to the original post, I would try some different shimmer verbs with the on a parallel path with the Mix set to 100 and then try perhaps a reverse delay afterwards to get some of the motion that this has. There's a lot of different thing you could try.