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  1. Hey folks, Jack here from Peach Guitars. First time on the forum, so just wanted to say Hi! We recently put out a video focusing on the amazing Helix Native plugin, and I ran through a few of my own use cases for it. In case you haven’t seen it, you can check the video out below. Also, we’re currently running a deal where the purchase of any Helix or Helix LT will get you the Native software for free, so check out the web link below for more details on that, too! Hopefully some of you may find this useful - enjoy! Exploring Helix Native - Peach Guitars Line 6 Deal - Free Helix Native Cheers folks, if you have any questions please let me know! Jack
  2. I currently own a DT25 combo and a Pod HD500X which I have connected via the Line6 Link cable. I am thinking of recording some music but the Dt25 is way too loud for my bedroom therefore I cannot mic it in high volume. Of course, if I do not crank it up, I would not get the sound I would want. The LVM is not enough for quality sound since it eliminates the power amp section of the amp. I was thinking of investing on an audio interface like the UX2 to record my music. My plan is to connect my amp to the audio interface through the Direct Out of the amp. If I follow this approach, I could disconnect the amp's connection with its cabinet so I wouldn't get any sound from the amp itself but I would get my sound from the monitors connected to the UX2. So if I have the amp's master volume amp cranked all the way up, I could adjust the volume from on my UX2 according to how I want but my recordings should sound as if it's coming from a cranked tube amp. Essentially, I would like to get the sound of a cranked tube amp sound in my recordings without disturbing my neighbors. Do you think this is a viable approach?
  3. hi recently i watched gear gods and fluff's video regarding IEM setup/all in one solution for the whole band on their rack for live use and it's inspiring to imitate such setup for ease of use and avoiding complications as much as possible. on gear gods' video about it, trey included the hx stomp as the core of their sound and he said that they only need less than 6 blocks as they are a metal band and doesn't need that much complexities as oppose to helix line in terms of tone shaping features. in terms of simple yet satisfying tones, i think the hx stomp is more than enough (unless you're really picky, you might as well get the big guns) but as with trey's setup, i just don't like the thought that it's built for the pedal board along with other pedals that has the same footprint(or not). so what if the line 6 makes a version of the hx stomp but in a rack mount configuration? since basically the hx stomp is at least meant to be in a pedal board, the "hx studio"(if they decided to call it with that name) should be used primarily in a studio as your dedicated guitar/bass audio interface/multi effects platform in a small package. imagine the helix rack on the size of maybe a scarlett 2i2 occupying 2U space and just half the width of it with the screen same as of the hx stomp, a couple of needed knobs and buttons on the front panel, extra buttons and swtiches if needed if they decide to add some features because it's a dedicated studio unit minus the three footswitches, an input jack and all of the needed inputs and outputs plus midi connectivity and lastly a jack for an optional 4 or 6 button footswitch. the reason for this idealistic babbling of mine is because i wanted the hx stomp to be in a rack format following trey's all in one setup for his band. what if there were 3 guitars and one bass? it will only take 4 units of rack space thus you'll have more for other things such as power conditioner, in ear mixer, splitter, etc. i mentioned that the unit is dedicated to the studio right since i already named it "hx studio" but what if someone wanted it to be used in a live situtation? of course being a reckless human, you'd do that if you can right? lol as for the market, maybe this unit can be a direct competitor to ik multimedia's axe i/o or audient's sono as dedicated guitar/bass audio interface if they will add some features like jfet circuitry or whatever they can think of so that they can maximize the unit's power for those applications. i'm thinking of almost the same price as theirs, around $500 maybe? what do you think about this idea? do you think this will be an addition to your gear? or just a big joke your music teacher will even cringe? do you think line 6 will consider this as a perfect addition to their products? or just a stupid disruptor for the Helix/HX line of modelers? cheers!
  4. Hello, I'm new here. I was hoping to get some help with my Helix Native install and Helix Floor pedal. I just discovered HX Edit this afternoon and very much enjoyed how both the pedal and the software are synced. I was surprised and disappointed to find that this same configuration didn't port over to Helix Native on launch. I came from a Guitar Rig setup where the pedal could navigate and interact with the plugin. I didn't put much effort into that pedal, so I was kind of expecting the same results. Can anyone tell me how make Helix Native sync up like HX Edit does in FL Studio with my Helix Floor pedal? Thank you kindly for your help!
  5. Q: What is the KB37 used primarily for? A: It is a 37-key USB MIDI keyboard/control surface and TonePort USB audio interface. The KB37 will be able to send and receive MIDI CC information and process audio input and output across the USB connection to the host computer. Q: What are the knobs in the center top of the keyboard for? A: They are 4 software-assignable MIDI Continuous Control parameter knobs with 4 soft-buttons and a dedicated set of MIDI transport controls. The KB37 can control assignable MIDI parameters in most software synthesizer/samplers on the market today, along with most digital audio recording application sequencer track transport controls. Note: The KB37 does not have any of it's own onboard sounds. It is a MIDI controller that sends MIDI data to the computer and any installed MIDI software synthesizer/sound software. Q: What are the Audio Specs for the TonePort I/O section? A: Sample rate conversion at 16 and 24 bit at 44.1, 48 and 96 kHz. 2 XLR inputs with mic preamps and +48V phantom power. 2 Guitar/Bass Inputs – use the Pad input for guitars and basses with high level pickup outputs, or the normal input. Dual analog VU meters (software assignable to input, record send, and output levels). Q: Can I use GearBox editing software with the KB37? A: Yes, the KB37 is a GearBox software supported TonePort family device. Reference Links: Assigning KB37 Transport Keys To Logic 7 MMC Input must be enabled in Logic 7 in order to receive MMC from the KB37. From the main application menu, open Preferences>MIDI Select the Sync tab Click the MIDI Sync Song Settings button in the bottom right; this launches the Song Settings dialog. In the section labeled "MIDI Machine Control (MMC)" check the "Listen to MMC Input" option Note that this is a per-song option. To make this option global, you must modify your template file. Open Line 6 Audio/MIDI devices. Go to the MIDI tab. Click the Settings button. Choose a preset from the presets list. For each transport control, change the "To MIDI Out" parameter to "MIDI CC", assign a MIDI CC (for this example, we'll use 20-24), and change Switch Mode to Momentary. Click the Apply button, name the preset, click the Save icon and click OK. Click OK on the next screen. Assigning KB37 Transport Keys To Sonar 6 Go to Options/MIDI Devices and choose the KB37 as the input device and choose OK. Go to Options/Controllers/Surfaces. Click the Add New Controller/Surface icon. For Controller/Surface, choose ACT MIDI Controller. Input port should be the KB37. Click OK. Go to Views/Toolbars and ensure Controllers/Surfaces is selected, then close the window. In the Controllers toolbar, click the Controllers/Surfaces Properties button that is at the right end of the Control Surfaces toolbar. Although you can choose any preset, the M-Audio Ozone is laid out closest to the KB37 layout, so use it for this example. In the Controllers tab, you'll see 8 columns, each containing 4 three-row sections, three of which should be labeled "N/A". Go to the last of those 3 rows and click the n/a label to name it Rewind. Name the next 3 N/A fields from left to right: Stop, Play and Record. There is an empty field two slots below each of the labels. When you click the empty field for each of the 4 columns you just set up, press the corresponding transport button on the KB37 and it will be learned by Sonar. Go to the Options tab and under the Buttons category, drop down the second field to choose a control label and the third field to choose the transport control. Uncheck the "Exclude this button from ACT" setting each time. Click in the Presets field to name your new preset then hit the save icon. This preset will be stored and available to use with the KB37. Control Garageband With KB37 In order to control the Transport functions in Garageband with the KB37 you will need to have version 2.0.1 of Garageband or later. The Garageband software cannot do this natively and so you will need to download add-on software that permits MIDI messages to control the play and stop buttons in Garageband. GarageRemote is one such software and is available here: http://www.muratnkonar.com/otherstuff/garageremote/ This software is from the company: murat n konar Once GarageRemote is installed and set up, start GarageRemote's Listener off by default) so that it can relay MIDI notifications to GarageBand. GarageBand responds to MIDI CC 007 and 010 for current track volume and pan, and these parameters can be assigned to the existing GarageBand MIDI preset of the Line 6 Audio-MIDI Devices settings. Setting Up The KB37 Transport With Cubase The KB37 has control wheels and buttons like many other Mackie or others transport cotrollers. You can get the two working together by simply going into: device setup, click on the + button, add MIDI MACHINE CONTROL SLAVE, and select the Line 6 Toneport KB37 from the menu on the right. In order to set the control on the KB37 itself you will need to go to: Line 6 Audio Midi Devices in your Control Panel and select the MIDI tab. Setting Up The KB37 To Control Reason First, ensure that you have downloaded and installed the latest version of Line 6 Monkey. Run it and verify that your TonePort KB37 is running the latest driver, firmware and flash memory. Download the latest version of GearBox application and install it to your computer. Launch the "Line 6 Audio-MIDI Devices" program from the Line 6/Tools folder. Next, make sure the KB37 is the active device. Select the MIDI tab and from the drop-down list of Controller Mapping applications, select Reason (version #). You are now ready to use the KB37's transport, Sound Select and 4 assignable real-time parameter controls with Reason. Keep in mind that you will be using the default parameter control settings. If you wish to customize those, click on the "Settings" button to access the Parameter Map screen. The drop-down list titled "MIDI CC/Action" is where you can modify which device parameters are to be controlled by the available controllers on the KB37. Keep in mind that each Reason Device has it's specific parameter CC# assignment. To access those values, refer to the "MIDI Implementation Chart" located in the Documentation folder within the Reason application folder on your computer's hard drive.
  6. Hi, I am pretty new on home studio. I have been playing gigs all the time and went to studios to record. Unfortunately I don't have any idea about recording setup. I've got a Line 6 SPider V 240HC and a Mac with Logic Pro, but no audio interface. How can I record guitar track on Logic Pro using my Spider v 240 HC. Thanks
  7. I just bough a helix LT. it should be here tomorrow... also, assuming it would work, I bought a pair of Presonus Eris 4.5 monitors. later after thinking about it more, and studying the inputs of the speakers, I'm wondering if I made a poor choice. what are you using for home practice+setting up your patches? budget is $300 MAX (I have a helix to pay off ;) ) I mainly play at home, but I also play with the church on the weekends... the idea is set my patches up at home for live use. some ideas that I have kicked about: Laney IRT-X a PA speaker like the Alto TS112 or TS110 Behringer EuroLive Pa speaker (surely not the best, but the same we use at church, this way home sound could be easily matched to church) pair of studio monitors with XLR (this was the thinng I thought I was getting with the presonus eris... but the ones I ordered do not have XLR, so I'm wondering if the patches would require tweaking to go from studio to live) I can also bypass the cab IR, and run into the return on my tube amp, through a 1x12... but same thing as the studio monitors without XLR, I'd have to tweak, and turn on a cab IR for live. what other budget-minded options are there for home? am I sweating the output selection too much?
  8. Hi guys! Got a Helix for about 1,5 year now. Thought that I can share some recording where I used it. 1 guitar - Helix (with IRs) 2 guitar - Line6 POD HD500 + Torpedo CAB (for the IRs) The song is from album "Bullets" made by my band - Spiral. Whole album was recorded that way. We actually used real amp once in this album in one short guitar phrase. At the time of the recording I had it for about month, so did not fiddle a lot around :) https://www.facebook.com/Spiralmusicband/videos/10155172946121839/ Since then - second guitarist also obtained Helix and we used it live on two tours, it never failed us :) If the sound is somehow appealing to you - I can share the presets that we use on this song. Have a nice day!
  9. Hi, so I've just started using the Torpedo Wall Of Sound VST as the cab sims in the Pro X just weren't doing it for me for home recording - besides the WoS. Just after a little help on how to get the best out of this please, running with the Pod as the interface in USB mode. 1) Am I right in thinking use the "Pre" versions is the way to go or is that subjective? 2) Even with the cabs off on the Pod, it still seems to be coloured by the mic selection - is there a way around this? 3) I'm currently in studio/direct mode, would another mode be better suited for this? 4) Any general observations when using VST cab impulses with the HD Pro X / similar line 6 products?
  10. Hey guys, I just got the Helix for my project studio yesterday. I have the flooorboard model for now, as there was a mix up with my order. Next week I will be returning the floorboard model when the rack version gets here. I have been doing a ton of research on it, and I have several years experience with recording bands. I built my on pc for it, and I am pretty tech savvy. I purchased the Helix to upgrade from Podfarm plugin for guitar tracking. First, please allow me to explain my setup so you will understand better what I am asking. Because I do not have a properly treated room for live mic recording (mainly solid drum recording), I use electronic drums connected to my PC through midi to trigger VSTi plugins like Superior Drummer 2.0 and I do a lot of direct recording for guitars. For a while now, I would record guitars direct/dry and use Podfarm plug-in to generate the guitar tones. My main audio interface is a Focusrite 18i20, and I have 4 main JBL monitors connected to that for playback/monitoring. I also have a 6 channel headphone amp routed from the Focusrite interface for monitoring as well. I run Reaper as my recording DAW. I know the Helix is actually a recording interface as well when connected through USB, and I know it can be used to record guitar tracks through the USB port by switch to it in Reaper. I also know that if I switch to Helix as an interface, my guitar players will have to use the Helix headphone jack for monitoring during tracking, because the Helix will take over the Daw and NOT send the audio through my Focusrite which has the monitors and headphone amp connected to it. However, here is where I am not sure what I should do... Like I said, in the past I have used Podfarm plug-in after recording guitars direct/dry so we can change the guitar tones on the fly during the mix after the guitar tracks have been finished. I know there is the Helix Native plug-in coming out soon, and I am assuming I can use the same approach as I have in the past where I would be able to use it to change a tone on the fly after it has been tracked. But, until Helix Native comes out, or until I decide to buy it or not, I was wondering what I should do for tracking. Does the Helix have the option to send a processed tone to my daw as well as an unprocessed tone at the same time? And if so, how would we take the un-processed tone and send back to Helix to change the tone? Should we use the interface options in Helix to do this? Or should we send Helix to my Focusrite via XLR? I am sorry if I have confused anyone. Any help/feedback will be appreciated!
  11. Currently I have PodHd500X, Steinberg UR22 (audio interface) and Garageband. For recording, should I directly use the USB from POD into the computer? Or should I plug the output of the Pod to the input of UR22? Which method will give me better recording quality? If I use the UR22, is it better to use the balanced (XLR) output of the Pod or the unbalanced output? I tried messing around with both the methods but can't seem to distinguish much in quality. Your suggestion will be highly appreciated.
  12. I just picked up a used HD500 mostly for use as a headphone practice amp. With dogs and neighbors and all, I can't fire up my real amps very often at the house. Problem is every amp sounds fuzzy. Not a good fuzzy. A digital fuzzy. No effects, some effects, doesn't matter. Clean is digitally fuzzy, distorted amp is fuzzy. I've been through the tone guide, I've been through pretty much every parameter via the edit software, I've tried everything and it all sounds horrible. Output is set to studio. I've loaded the latest firmware. Whatever I try, it just sounds cheap and fuzzy. Anyone have a solution for this? Thing is, I have an old kidney bean pod and it sounds great through headphones. No fuzz, no cheap, just warm and pretty real. How does a product several generations newer sound waaaaaay worse? You could say, Go back the old pod then, dummy, and that'd be fair enough, but then I lose out on all the power and flexibility of switching cabs and mics and effect order and values, etc. I really was looking forward to newly remodeled versions of the old amps. The old Plexi is really not a great model for a holy grail amp. It feels like it's missing the old A.I.R. II technology, which made the pod sound really good through headphones. Is that somewhere in the setup where I can't find it? Without that, it just sounds like a cheap spider amp. How do people use these for recording? I just can't get it to sound like a true amp.
  13. Hi. I've got HD500X and I love it. I'm going to rehearse in studio with it and my question is> will I need addition guitar amp using with HD500X? Or is it enough to play just with HD500X and back closed cabinets? Will I get that deep fat distortion through cabinets only with HD500X? Thank you.
  14. First let me tell you my setup. I have a hd500x, dt25 combo, focusrite 18i8, behringer ultragain digital ADA8200 mic pre and Reaper. What is the best way to get great tones into Reaper from the hd500x. I tried using the balanced left and right out of the HD but the signal was wayyyyyyy low. The best i have come up with is run a USB and mono unbalanced out into the focusrite. Is there a better way ? Should i be running left and right to the focusrite? Suggestions?
  15. I used the Helix for the vocals and bass guitar. Used the Helix with my DT 50 amp like this for the rhythm and lead guitars: Guitar -> Helix -> Send from Helix to 1/4" input of DT50 amp with topology on I for the clean sound and IV for the lead (with all preamps, cabs, and mics turned off in DT 50) -> Speaker cable from DT 50 Amp to Riviera Rock Crusher Power Attenuator-> Line signal 1/4" out of Rock Crusher back to Helix Return-> Marshall Cab IR 3" from cone -> XLR out of Helix into VS2480 Digital Studio Here is the result: https://soundcloud.com/robbie-boyette/stirred-up-the-funk
  16. So bought a GX Pod (Off E-Bay) after I had already upgraded the day before. Besides the fact the Line 6 Monkey will not let me register I also get this error message in Audacity, Reaper and the included software or a variation: Error while opening sound device. Please check the input device settings and the project sample rate. So any ideas on what I can do? The Line 6 does show up in the input/output, but every time I try and hit record the above shows up.... Love the tones etc but if I cannot record what's the point? Any help would be appreciated.
  17. Bonjour à tous. Pour m'enregistrer, le Pod Studio UX1 que j'ai acheté il y a quelques jours me semblait être un moyen parfait! Malheureusement, je n'ai même pas pu essayer le produit que les ennuis commencent... Je suis les instructions que je trouve sur la boîte et je me lance dans l'enregistrement de mon produit sur le site Line6, afin de pouvoir bénéficier des avantages. Mais, alors que je rentre le numéro de série, la date de commande et tout ce que l'on me demande sans erreur, on me dit qu'il y a une erreur et que mon produit n'est pas reconnu. Du coup, j'imagine que c'est pour cette raison que je n'arrive pas à ouvrir le logiciel Pof Farm 2 sur mon ordinateur sans que cela mette "Pod Farm 2 not authorized". Ou peut-être n'est ce pas pour cette raison et il y a autre chose qui ne va pas? Je vous avoue avoir du mal et me sentir dépassé par tout ça, si quelqu'un avait la gentillesse de m'aider en m'expliquant de façon détaillée ce que je peux faire je lui en serais très reconnaissant. Merci beaucoup.
  18. I am using Pod HD500x and Audio Technica M50x headphones. If I connect my headphones directly to the Pod HD 500, the sound I get is amazing. However, when I use the Pod for recording with USB and listen to the sound of he monitor of DAW with PodHd500X being the output, it is not that great and the quality drops a lot. How can I get the sound of Pod HD 500 (the one I get directly from headphones) into my recording? I can't seem to prevent the quality from dropping.
  19. So I just bought studio ux1 yesterday and downloaded POD Farm 2 after long time of researching (seems like it isn't be working on yosemite but I managed to download it), Line 6 Monkey, and license manager. The problem is not matter how I set the settings on the computer itself's or POD farm 2, guitar and microphone won't sound yet they are plugged in. For guitar, I thought I'll just have to plug it in to ux1 and open POD farm 2 for it to work, right? For microphone I really don't have a clue, please help me :( Also I can't download GearBox, is that a long term problem for mac yosemite already?
  20. I am rehearsing with my symphonic metal band, and we are searching for a way to monitor our backing tracks. Is there a way to use the POD studio UX1 to send seperate stereo signals to the Phones and analog out outputs?
  21. From Dust Studios is giving away TWO free Podfarm preset packs. All you have to do is like the page www.facebook.com/fromduststudios and then share the video example of the tones. Best of luck!!
  22. I would like to use StageScape Mixer for recording and mixing of band rehearsal. I have pair of studio speakers and pair of power speakers. I would like to have both playing stereo main output and I need to be able to mute one pair of speaker. For mixing I want to use studio monitors, for recording I want to use power monitors without studio monitors. In some cases I want both playing same stereo mix. I use auxs for power monitors, but this is not in stereo and I cannot control volume of both power speakers at once as main input. It would help if I can send main signal to pair of auxs and control it. Is it possible? Thanks Honza
  23. Hello all, I am in the process of building a new studio in the house and I am considering ordering the line 6 hd500x rack. I was actually convinced I was going to get it after checking it out but after the gear lust period died down I figured I would come ask a few questions. How does this processor compare to amplitube 3 and guitar rig 5? I have been using those and I am happy however they eat up a ton of cpu after awhile and the line 6 would free this up in theory. I just want to make sure the tone is as good or at least close. I threw together a quick recording using amplitube 3 for reference (excuse the vocals and production its early and not finished writing it). Can I get a similar sound quality with line 6? https://www.youtube.com/watch?v=wbGZibXDJUI
  24. Hello there, I bought a POD studio UX1 a few years ago and as far as i can remember it used to work fine. I decided to start using it again yesterday but found that i cant because; The LED doesnt light up at all when it is plugged in the UX1 is not recognised and is listed as an 'unknown' device I feel i have tried everything, i have; uninstalled and re-downloaded/installed all relevant software multiple times, I have gone and bought a new USB cable which does exactly the same thing I have checked all USB ports in my laptop and they work perfectly with all other devices I have done the obvious such as restarting the laptop and waiting for a while.. The only other coclusion i can think of is that the UX1 is faulty, but i cant see why as its been looked after and barely ever used. I would also like to mension that when i plug the USB cable in, it does make a sound, not the 'da ding', a USB device should make, it makes a 'dung dung' sound, not the 'di dong' one when you unplug a device. thats the only way i can describe it, and that also means the cable should be working. I am also running on Windows 7. Somebody please have a solution to this because i was really looking forward to actually using my UX1 Thanks
  25. I hope this is the right section. I have a little issue with my drivr for the pod studio gx. When i try to install it it is stuck abut half way to the end. I've also left it over night and it did not move. I don't know what else to do. I have a win xp machine. It wont move after this.
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