Line6Tony

The XD-V75 receiver firmware can be updated via the mini-USB port connection to a host computer (Windows XP/Vista/7 or Mac OSX 10.5/10.6/10.7) using the Line 6 Monkey software application. In addition, the XD-V75 receiver can function as an "interface" to update other Line 6 XD-V7x Digital Wireless devices. The actual instructions are provided via the Line 6 Monkey software's step-by-step wizard. This article was created to help clarify the actual physical positioning of devices, as this will have a direct bearing on the success rate of updating the other devices in question. 1. XD-V75 Update of an XD-V75 (or XD-V70) Microphone Transmitter: note that the microphone's update chip is near the middle-top portion of the microphone; the mic is positioned sitting on top of the XD-V75's attached antenna (folded to the left/downward at a 90-degree angle), which is connected to "B OUT": 2. XD-V75 Update of a TBP12 Transmitter (physically place the transmitter as such on top of the B Out single antenna): 3. XD-V75 Update of an XD-V30 Transmitter: 4. XD-V75 Update of an XD-V70 Receiver (Note: mandatory usage of Balanced, or 'stereo' TRS 1/4" cable inbetween the XD-V75 and XD-V70):

XD-V Digital Wireless Systems Comparison Page Receiver Output Level Adjust (Digital Gain Control): default is set to Unity Gain (0 dB), but now the XD-V75 Receiver provides users with the ability to adjust output "digital" gain by -18dB up to +12dB to provide more flexibility, especially when using third party microphones. Note: +12dB gain is NOT equivalent to "line-level" signal; this is still a "mic-level" signal. 14 Channels: up from the 12 Channels on our previous XD-V70 system. 10 Microphone models (for Hand-Held System) L6 (Line 6): Line 6 Custom 58 (Shure): SM58 B58 (Shure): Beta 58 57 (Shure): SM57 835 (Sennheiser): e835 935 (Sennheiser): e935 41 (Audio-Technica): AE4100 767 (Electro-Voice): N/D767A O5 (Audix): OM5 D5 (AKG): D5 *All product names above are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. SHURE and SM58 are registered trademarks of Shure Incorporated. Sennheiser is a registered trademark of Sennheiser Electronic Corp. Audix is a registered trademark of Audix Corporation. Audio-Technica is a registered trademark Audio-Technica Corporation. Electro-Voice is a registered trademark of Telex Communications, Inc. AKG is a trademark of AKG Acoustics GmbH. 9 Custom EQ Filter models (for Lavalier/Headset/Transmitter Systems) SF1 (Speech Filter 1): Gentle High-Pass SF2 (Speech Filter 2): Gentle High-Pass and High-Cut SF3 (Speech Filter 3): Moderate High-Pass and High-Cut SF4 (Speech Filter 4): Gentle High-Pass, Mid-Cut and High-Cut SF5 (Speech Filter 5): Moderate High-Pass, Mid-Cut and High-Cut SF6 (Speech Filter 6): Aggressive High-Pass, Mid-Cut and High-Cut IF1 (Instrument Filter 1): Guitar Cable High-Frequency Roll-Off IF2 (Instrument Filter 2): Woodwind Instrument Enhancement IF3 (Instrument Filter 3): Brass Instrument Enhancement Audio Metering (LED 5) Red *Clip*: only lights up when audio signal is clipping (LED 4) -06dB: any peak signal -6dB or above (LED 3) -18dB: any peak signal -18dB or above (LED 2) -30dB: any peak signal -30dB or above (LED 1) -60dB: any peak signal -60dB or above Battery Metering (LED 5) Green: 5 or more hours left (LED 4) Green: 4-5 hours left (LED 3) Green: 3-4 hours left (LED 2) Green: 2-3 hours left (LED 1) Green: 1-2 hours left (LED 1) Red: 1 hour left (LED 1) Red *Flashing*: less than 40 minutes left Improved Dynamic Filter: minimizes unwanted handling or incidental background noise. OFF: No Filtering NORM: Filter for Singing TALK: Filter for Speaking RF Channel Scan: provides a visual map of the 2.4 GHz space in the System Setup of the Receiver Unit, enabling system technicians and performers to "map out" the 2.4 GHz spectrum when other wireless devices in proximity are active as well. It also provides visual indication of the RF1 and RF2 mode devices being operated in the range of the receiver. In short, allows the user to select channels that have lower background interference and to better avoid WiFi interference. Crypto Mode: a digital cipher scheme allowing secure open-channel communication in critical situations. Better known as encryption and allows to lock a transmitter to a receiver so that no other receiver (that doesn't have the code keyed in) to receive the transmission from that particular transmitter. This provides security for those who wish to keep their program material from being intercepted by unauthorized individuals. It is typically used in courtrooms, hospitals and board meeting rooms. NOTE: If encryption is active on one device (i.e. the transmitter) and not the other (the receiver), the error message "Blocked no transmission" will be displayed. Improved RF Out-Of-Band Isolation: improved radio front end providing better isolation from RF interference outside of the 2.4 GHz band. Normally RF signals that are not close to the tuned frequency of a receiver are ignored by that receiver, however when they are very close or very strong they may interfere with a receiver. We added an extra layer of protection and filtering to block signals from transmitters outside of the 2.4 GHz band. Mini-USB Port: for any future Firmware updates when new versions are release via Line 6 Monkey. It is now possible to update existing Relay and XD-V products via 1/4" TRS (stereo) cable or radio transmission from the XD-V75 antenna outputs with the XD-V75 Receiver. Dimensions XD-V75 Receiver: Standard 1 unit space height (1/2 width) rackmount Does USB 3.0 create interference in the 2.4GHz frequency range? USB 3.0 computer cables and peripherals, including hard drives, are known to emit radio frequency interference throughout the 2.4GHz band, which results in reduced range and/or performance for any 2.4GHz device in its proximity (including wireless keyboard or mouse, WiFi, etc.). We recommend placing any digital wireless receivers at least two meters away from the USB 3.0 device and its cabling. Below is a link to a study by Intel regarding this interference. http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Additional Links: XD-V75 Manual XD-V Digital Wireless Microphones FAQ Digital Wireless Troubleshooting USB Firmware Updating USB Firmware Updating (Device Positioning)

Deutsch Français Please review this link as a further explanation on topics that are covered in the document below: http://www.churchproduction.com/story/main/a-small-churchs-guide-to-working-with-wireless/3 As the environment is the biggest factor in wireless audio performance, there is a chance that certain environments and circumstances will not allow for satisfactory performance. This can be verified by successful performance in a different environment. This is an extremely informative video on how all wireless gear works in a WiFi rich environment RF mode switching Relay G30/50/90 and XDV70/75, if set up with the latest firmware have two RF modes. This means two separate sets of channels to choose from. First thing to try is switching your transmitter to another RF mode. Below are videos to help you switch over. Note: If you have multiple members in your band with Line 6 wireless, everyone needs to be on the same RF mode. Pre-Qualification: First Things To Rule Out: Use the factory power supply Try fresh alkaline batteries (a couple of times if it's a battery problem), not rechargables Try on more than one channel! Try in more than one place/venue Check the transmitter LEDs during drops/interference. RF dropouts result in the green LEDs going completely off. Even one green LED means the signal is present and something other than the wireless system is causing the problem. If you see full red LEDs followed by quickly shifting back to green, it means that the system has re-synced (normal if the dropout is too long). The red LEDs come on only if the intended signal from a Line 6 transmitter is not present. In this case, they are showing RF competing for the same space. Interference: Symptoms Reduction of RF LEDs on the front panel that indicate usable RF signal strength Audio signal muting Possible causes Trying to function at too great a distance Having unintentional transmitters, such as walkie talkies or in-ear monitors, too close to a receiver Significant amount of close-by RF signals within the same 2.4GHz range (Wi-Fi, microwave ovens, etc.) Suggestion "Walk test" your system in advance of an event over the entire desired range to verify that sufficient RF signal is available to avoid mutes from occurring With transmitter off and receiver turned on, scroll through the channels. Red LEDs indicate stray RF on that channel. Choose channels that exhibit the least red LEDs. Note: Line 6 wireless WILL still operate but at reduced range. Decreased Range Symptoms Reduction in range in general Reduced range indoors vs. outdoors Possible causes Blocked "Line of Sight" between the receiver's antennas and the transmitter's antennas Barriers such as walls or air-curtains can impede the path of radio waves Transmitter strength reduced if it must pass through walls Transmitting through earth (receiver in basement) Human bodies absorbing RF energy Cupping the bottom of the handheld mic (covering the antenna) Beltpack transmitter is used in pocket or next to skin Receiver antennas for the XD-V systems are very close to other intentional radiators in the same frequency band such as Wi-Fi wireless access points Incorrect cables on paddle antennas (requires low-loss 50-ohm cables; e.g. LMR-195) Suggestions Improve "Line of Sight" Use the XD-V70/G90 with remote paddle antennas and separate the antennas by several feet. G90 Users: Make certain that you have the proper antenna jacks selected in the setup window. C&D are the front antennas and A&B are the rear. The units may work even if you have it set incorrectly, but the range may be only 10-20 feet. There is also a position for "both" as the G90 can be used with 4 antennas for increased reliability. Weak Audio (thin audio output compared to other wireless systems) Symptom Weak and/or noisy audio output Possible causes Gain/trim settings on mixer need adjustment Plugging into a "line level" input Plugging into a channel with pads engaged Using a TRS plug in the 1/4" unbalanced output The "Environment Filter" may not operate correctly if signal is too weak, especially when using lav mics Suggestions Adjust gain/trim as if using a wired microphone Connect the XLR output (G90 only) on the receiver to an XLR input on the mixer Use a mono plug in the 1/4" unbalanced output, never a TRS plug Turn "Environment Filter" off Dropouts ("Audio" vs "RF" dropout: different paths to correct) Symptoms Audio signal interrupted Possible causes Transmitter on "low" power to save battery life and reduce RF interference to other devices Local conditions in one or more venues, e.g. a large Wi-Fi installation in close proximity, metal walls/roof Instruments or amps being used are faulty Signal chain issue Blocked "Line of Sight" between the receiver's antennas and the transmitter's antennas Transmitter is muted Loose antennas Antennas straight up and down or too close to walls Other XD-Vs/Relays operating on the same channel Unused transmitter too close to receiver Receiver's antennas near any transmitters such as walkie-talkies, In-Ear Monitors, etc Using a substitute power supply Batteries dying or unseated Suggestions Switch transmitter to "high" power Try a different venue to reproduce problem Try multiple instruments/amps to reproduce problem Trace signal through chain one component at a time. "Audio" LED lights when signal is received. Improve "Line of Sight" by moving receiver or taking transmitter out of pocket Unmute transmitter. On the G50/G90/V70 transmitter, the LCD screen remains lit when in mute mode. Raise antennas to 6-8 feet high while avoiding obstacles such as metal posts, walls, etc. Ensure antennas are connected firmly and splayed at 90 degrees with nothing touching them Ensure each system has its own unique channel to operate on Move intended transmitter closer to receiver than unintended transmitter to eliminate "near/far" issue. Switch closer transmitter to low power when possible. Provide ample distance between the XD-V receiver and other transmitters. The distance will depend on the strength of the transmitter and the gain of the transmitting antenna. Use the factory power supply or one that can supply the required 9v DC current: XD-V - 350 ma, G30 - 200mA, G50 - 300 mA. If you are using a pedalboard supply, it must be able to supply this amount of power to the receiver in addition to whatever else you have plugged into it. Reinstall batteries or replace them. If using rechargables, try with standard alkaline to test. Perform channel scan (XDV 70/G90 sytems only) The Scan Channel feature checks all available channels for interference, and recommends the best channels to use: • Press Channel Select button, then press the Setup Button. • The Display shows all 14 possible channels. The best channels are highlighted, and if the transmitter is on there’s also indication of which channel that’s currently set to. • Turn the Edit knob to select one of the channels that’s highlighted as best to use, and select that same channel on the transmitter Q: Does USB 3.0 create interference in the 2.4GHz frequency range? A: USB 3.0 computer cables and peripherals, including hard drives, are known to emit radio frequency interference throughout the 2.4GHz band, which results in reduced range and/or performance for any 2.4GHz device in its proximity (including wireless keyboard or mouse, WiFi, etc.). We recommend placing any digital wireless receivers at least two meters away from the USB 3.0 device and its cabling. Below is a link to a study by Intel regarding this interference. http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html References for working with wireless systems http://en.wikipedia.org/wiki/Non-line-of-sight_propagation http://www.djsociety.org/Wireless.htm Digital Wireless Audio Fehlerbehebung Bitte klicken Sie auf folgenden Link um weitere Erklärung über dieses Thema zu erhalten: http://www.churchproduction.com/story/main/a-small-churchs-guide-to-working-with-wireless/3 Da die Umgebung der größte Faktor der kabellosen Audio-Performance ist, gibt es auch eine Chance, dass gewisse Umgebungen und Umstände keine zufriedenstellende Performance ermöglichen. Dies kann anhand eines Tests in einer anderen Umgebung überprüft werden. Voraussetzungen und die ersten Dinge, die es auszuschließen gilt: Benutzen Sie das originale, mitgelieferte Netzteil. Versuchen Sie mehrere Male neue Alkaline Batterien, keine aufladbaren. Versuchen Sie es auf mehreren Kanälen. Versuchen Sie es an anderen Austragungsorten und Plätzen. Überprüfen Sie den Transmitter-LED während einer Störung oder eines Ausfalls. Wenn die grünen LEDs ausgehen, dann ist das ein RF Ausfall. Sogar nur ein grünes LED bedeutet, dass ein Signal besteht und etwas anderes ist die Problemquelle. Wenn alle roten LEDs leuchten und dann plötzlich auf grün wechseln, bedeutet das, dass das System neu synchronisiert hat. (Dies ist normal, wenn der Ausfall zu lange andaurt.) Die roten LEDs gehen nur dann an, wenn kein Signal vorhanden ist. Interferenzen: Symptome: Weniger RF LEDs leuchten auf der Vorderseite auf. Audio Signal verstummt. Mögliche Problemquellen: Der Versuch, das System auf zu großer Distanz laufen zu lassen. Ungewollte Sender, wie Walkie-Talkies oder In-Ear Monitore, die zu nah am Empfänger sind. Viele RF Signale im selben 2.4GHz Frequenzbereich. (WiFi, Mikrowelle, etc.) Vorschläge: Testen Sie Ihr System im Vorfeld bei benötigter Reichweite um zu überprüfen, ob genügend RF Signal vorhanden ist um Stummschaltungen durch Interferenzen zu vermeiden. Scrollen Sie durch die Kanäle während der Sender an- und der Empfänger ausgeschaltet ist. Rote LEDs bedeuten, dass das RF Signal verstreut ist. Wählen Sie einen Kanal, der am wenigsten rote LEDs anzeigt. Achtung, Line 6 Wireless wird auch bei mehr roten LEDs funktionieren jedoch mit verringerter Reichweite. Verringerte Reichweite: Symptome: Verringerte Reichweite im Generellen. Weniger Reichweite innen als außen. Mögliche Fehlerquellen: Versperrte Sichtlinie zwischen Empfänger-Antenne und Sender-Antenne. Barrieren, wie Wände oder Luft-Vorhänge können den Weg der Funkwellen beeinträchtigen. Die Stärke des Sender ist verringert wenn das Signal durch Wände muss. Senden durch Erdboden (z.B. Empfänger im Untergeschoss.) Menschliche Körper, die RF Energie absorbieren. Die Unterseite des kabellosen Mikrofons festhalten. (Mikrofon bedecken.) Beltpack Sender in der Hosentasche oder nahe der Haut. Empfänger-Antennen, wie die des XD-V Systems sind sehr nah an anderen unerwünschten Sendern in der selben Frequenzreichweite, wie z.B. WiFi Zugriffspunkte. Falsche Kabel an Paddel-Antennen angeschlossen. (benötigen verlustarme 50 Ohm Kabel, z.B. LMR-195) Vorschläge: Verbessern Sie die Sichtlinie. Benutzen Sie das XD-V70/G90 mit Paddel-Antennen und verteilen Sie die Antennen 1-2 Meter voneinander. G90 Benutzer: Stellen Sie sicher, dass Sie die korrekten Antennenanschlüsse im Setup Menu ausgewählt haben. C und D sind für die vorderen Antennen und A und B sind für die hinteren. Vielleicht funktioniert das ganze auch bei falscher Einstellung aber dann ist die Reichweite nur bei 3-6 Metern. Es gibt auch eine Postion "Both" beim G90, da es mit 4 Antennen benutzt werden kann um die Zuverlässigkeit zu verbessern. Schwaches Audiosignal. (Wenig Audio-Output im Gegensatz zu anderen kabellosen Systemen.) Symptom: Schwaches und/oder rauschender Ton. Mögliche Gründe: Die Gain/Trim Einstellungen brauchen eine Anpassung. Anschluss an einen "Line Level" Eingang. Anschluss an einen Kanal, dessen Absenkung (Pad) angeschaltet ist. Die Nutzung eines TRS Steckers mit einem 6.35mm asymmetrischen Ausgang. Der "Environment Filter" funktioniert vielleicht nicht korrekt wenn das Signal zu schwach ist, besonders wenn Sie lav Mikrofone verwenden. Vorschläge: Stellen Sie Gain/Trim ein als ob Sie ein Mikrofon mit Kabel verwenden würden. Verbinden Sie den XLR Ausgang (nur G90) auf dem Empfänger mit dam XLR Eingang des Mixers. Benutzen Sie einen Mono Stecker für den 6.35mm asymmetrischen Ausgang, niemals einen TRS. Schalten Sie den "Environment Filter" ab. Ausfälle: Symptome: Unterbrochenes Audiosignal. Mögliche Gründe: Sender steht auf "Low" um Batterie zu sparen und RF Interferenzen bei anderen Geräten zu verringern. Lokale Bedingungen auf verschiedenen Veranstaltungsorten wie z.B. eine große WiFi Installation vor Ort, die nahe Ihres Systems ist, sowie Metallwände oder Dächer. Instrumente oder Verstärker , die verwendet werden sind fehlerhaft/defekt. Problem in der Signalkette. Sichtlinie zwischen Antenne des Empfängers und Antenne des Senders blockiert. Der Sender ist stummgeschaltet. Lockere Antennen. Antennen sind vertikal aufgestellt oder zu nah an einer Wand. Andere XD-V/Relay Systeme werden im selben Kanal betrieben. Die Antennen des Empfängers sind zu nah an anderen Sender wie z.B. Walkie-Talkies oder In-Ear Monitoren. Die Nutzung eines Ersatznetzteils. Batterien wird leer oder sitzt nicht korrekt. Vorschläge: Schalten Sie den Transmitter auf "High". Versuchen Sie es in einer anderen Umgebung um das Problem zu reproduzieren. Versuchen Sie verschiedene Instrumente/Verstärker um so das Problem zu reproduzieren. Verfolgen Sie das Signal durch die Kette ein Gerät nach dem anderen. "Audio" LEDs gehen an, wenn ein Signal besteht. Verbessern Sie die Sichtlinie indem Sie den Empfänger versetzen oder den Sender aus der Hosentasche nehmen. Heben Sie die Stummschaltung auf. Auf den G50/G90/V70 Sender bleibt der LCD Bildschirm auch dann an, wenn das Gerät im Stumm-Modus ist. Bringen Sie die Antennen auf eine 2-3Meter höhere Position während Sie andere Hindernisse wie Metallpfosten oder Wände. Stellen Sie sicher, dass die Antennen ordentlich befestigt und 90Grad gespreizt sind sodass nichts sie berührt. Stellen Sie sicher, dass jedes System seinen eigenen Kanal hat. Bewegen Sie den beabsichtigten Sender näher an den Empfänger als den nicht beabsichtigten um so Near/Far Problemen vorzubeugen. Schalten Sie den näheren Sender auf "Low" wenn möglich. Sorgen Sie für reichlich Platz zwischen XD-V Empfänger und anderen Sender. Die Distanz hängt von der Stärke des Senders und Gain von der sendenen Antenne ab. Verwenden Sie das mitgelieferte Netzteil oder eines, welches 9V Gleichstrom (XD-V – 350mA, G30 – 200mA, G50 – 300mA) liefert. Wenn Sie ein Pedalboard Netzteil verwenden muss diese diesen Strom liefern auch mit anderen angeschlossenen Geräten. Stecken Sie die Batterien neu ein oder ersetzen Sie diese. Wenn Sie aufladbare Batterien benutzen, versuchen Sie es mit Alkaline Batterien. Entstehen Interferenzen durch USB 3.0 im 2,4GHz Frequenzbereich? USB 3.0 Computerkabel und –geräte sind dafür bekannt Interferenzen bei Radio Frequenzen im 2,4GHz Bereich zu erzeugen was zu verringerter Reichweite und Performance für alle 2.4GHz Geräte (inklusive kabellose Tastatur oder Maus sowie WiFi und viele andere) in der Nähe führen kann. Wir empfehlen alle digitalen Kabellosempfänger mindestens 2m von den USB 3.0 Geräten und deren Verkablung weit weg zu plazieren. Nachstehend können Sie einen Link zur Untersuchung von Intel über Interferenzen mit USB 3.0 finden: http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Referenzen um mit kabellosen Systemen zu arbeiten: (Englisch) http://en.wikipedia....ght_propagation http://www.djsociety.org/Wireless.htm Dépannage audio numérique sans fil: Veuillez visiter le site web suivant pour des informations supplémentaires concernant ce sujet s.v.p.: http://www.churchproduction.com/story/main/a-small-churchs-guide-to-working-with-wireless/3 L'environnement est le facteur le plus important dans la performance audio sans fil, donc il y en a une possibilité que certains environnements et cas ne permettent pas le bon déroulement. Ceci peut-être vérifié par un bon rendement dans un environnement différent. Conditions: Premières choses à exclure: Utilisez l'alimentation fournie d'usine. Essayez des batteries alcalines nouvelles. Essayez dans plusieurs places/lieus. Surveillez le LED du transmetteur au cours des interférences et chutes. Les échecs de RF causent le LED vert de s'éteindre. Un LED vert veut dire que ce n'est pas le système sans fil. Si vous voyez des LEDs rouges qui changent à vert rapidement veut dire que le système a resynchronisé (c'est une réaction si l'échec prend trop longtemps). Les LED rouges s'allument si le récepteur ne reçoit aucun signal d'un transmetteur Line 6. Interférence: Symptômes: Réduction des LEDs sur le panneau avant qui indique la puissance du signal RF utilisable. Signal audio en sourdine. Causes possibles: Essayer de fonctionner à une trop grande distance. Transmetteurs involontaires, comme walkie talkies ou moniteurs in-earqui sont trop près du récepteur. Quantité significative des signaux RF près dans la gamme 2.4GHz. (WiFi, micro-ondes, etc.) Propositions: Testez votre système avant l'événement sur la gamme de fréquences pour vérifier qu'assez de signal RF est disponible. Comme-ca vous pouvez éviter les interférences. Avec transmetteur éteint et récepteur allumé, faites défiler les canaux. Les LED rouges indiquent que le signal RF est dispersé sur ce canal. Choisissez le canal qui montre le moins LEDs rouges. Gamme diminuée: Symptômes: Réduction de gamme en général. Gamme réduite à l'intérieur par rapport à l'extérieur. Causes possibles: Ligne de mire bloquée entre le récepteur et les antennes du transmetteur. Les barrières comme murs ou rideaux d'air peuvent entraver le trajet des ondes radio. Puissance du transmetteur réduit à cause des murs. Transmettre à travers la terre. (récepteur sous-sol) Corps humains absorbent d'énergie RF. Couvrir le bas du microphone donc couvrir l'antenne. Transmetteur Beltpack en poche ou près de la peau. Câbles incorrectes des antennes paddles. (requis des câbles faible perte 50Ohms comme le LMR-195.) Propositions: Améliorez la ligne de mire. Utilisez le XD-V70/G90 avec des antennes paddles à distance et séparez les antennes 1 ou 2 mètres. Utilisateurs G90: Assurez vous que vous avec sélecté les propres jacks antennes dans la fenêtre Setup. C et D sont les antennes de devant et A et B en arrière. Peut-être que cela va fonctionner même si c'est configuré faux mais ca réduit la gamme à 3-6 mètres. Il y en a aussi une position "Both" parce que le G90 peut-être utilisé avec 4 antennes pour fiabilité augmentée. Audio faible (sortie audio maigre par rapport aux autres systèmes sans fil.) Symptômes: Sortie de son faible et/ou bruyant. Causes possibles: Réglages Gain/Trim ont besoin d'un ajustement. Brancher dans une entrée "Line Level". Brancher dans un canal avec pad atténuateur activé. L'utilisation d'une fiche TRS dans une sortie 6.35mm asymétrique. Le «Environment Filter» ne peut pas fonctionner correctement si le signal est trop faible, en particulier lors de l'utilisation des micros à lav Propositions: Ajustez Gain/Trim comme avec un micro à câble. Connectez la sortie XLR (seulement pour le G90) du récepteur avec une entrée XLR du mélangeur. Utilisez une fiche Mono dans la sortie 6.35mm asymétrique. Jamais un TRS. Désactivez le "Environment Filter". Décrochages: Symptômes: Signal audio interrompu. Possibles causes: Le transmetteur est sur puissance "Low" pour économiser la batterie et réduire les interférences RF à autres appareils. Conditions locales comme une installation WiFi large en proximité ou des murs en métal. Instruments ou amplis utilisés sont défectueux. Erreur de la chaîne de signaux. Ligne de mire bloquée entre le récepteur et les antennes du transmetteur. Transmetteur en sourdine. Antennes relâchés. Antennes exactement verticales ou trop près du mur. Autres appareils XD-V/Relay sui fonctionnent sur ​​le même canal. Transmetteur inutile trop près du récepteur. Antennes du récepteur trop près à autres transmetteurs comme walkie-talkies, moniteurs in-ear, etc. L'utilisation d'une alimentation de remplacement. Batteries qui meurent ou sont relâchés. Propositions: Mettez le transmetteur sur "High". Essayez un autre lieu pour reproduire le problème. Essayez autre instruments et amplis pour reproduite le problème. Tracez le signal à travers de la chaîne un composant à la fois. "Audio" LED lorsque le signal est reçu. Améliorez la ligne de mire en déplaçant le récepteur ou prenant l'émetteur hors de la poche. Réactivez l'émetteur. Pour les transmetteurs G50/G90/V70, l'écran LCD reste allumé si en mode en sourdine. Déplacez les antennes 2-3 mètres vers le haut en évitant les obstacles comme des poteaux métalliques, murs, etc... Assurez-vous que les antennes sont connectées correctement et évasés à 90 degrés sans rien les toucher. Assurez-vous que tous les systèmes ont un canal séparé. Déplacez l'émetteur destiné plus proche du récepteur que l'émetteur non désirées pour éliminer le problème "near / far". Mettez l'émetteur plus proche sur "Low" lorsque c'est possible. Donnez une distance suffisante entre le récepteur XD-V et autres transmetteurs. La distance dépend de la puissance du transmetteur et du Gain de l'antenne qui transmet. Utilisez l'alimentation fournie d'usine ou une alimentation de 9V CC: XD-V – 350mA, G30 – 200mA, G50 - 300mA. Si vous utilisez une alimentation pedalboard, il doit livrer cette énergie à l'émetteur. Réinstallez les batteries ou remplacez-les. Si vous utilisez des rechargeables, essayez des alcalines pour tester. Est-ce que USB 3.0 crée des interférences dans la gamme de fréquences 2,4 GHz? Les câbles et périphériques USB 3.0 sont connus pour émettre des interférences de fréquence radio dans la bande 2,4 GHz, que cause une gamme et/ou performance des appareils 2.4 GHz réduite dans la proximité. (Y inclus sont les claviers ou souris sans fil, WiFi, etc.) Nous recommandons de placer le récepteur sans fil numérique au moins 2 mètres loin des appareils USB 3.0 et ses câbles. Voici un lien vers une étude réalisée par Intel au sujet de cette interférence: http://www.intel.com/content/www/us/en/io/universal-serial-bus/usb3-frequency-interference-paper.html Références pour travailler avec des systèmes sans fils: (anglais) http://en.wikipedia.org/wiki/Non-line-of-sight_propagation http://www.djsociety.org/Wireless.htm

This is 4-part video tutorial for Spider Valve MKII users on dialing in tones created by Line 6 Expert, Rowbi. Dialing In Spider Valve MKII Tones (Parts 1-4)

Deutsch Français 1: Connect the Mobile In to your iPhone or iPad using the 30-pin dock connector. 2: Connect your guitar or other audio source to Mobile In: Connect the 1/4" Tip Sleeve side of the cable into the output of your instrument, then Connect the 1/8" Stereo Male end of the cable to the 'GUITAR IN' on the Mobile In adapter. Connect both of the 1/4" Tip Sleeve cable connections to the left and right outputs of your audio source, then connect the 1/8" Stereo Male end of the cable to the 'LINE IN' on the Mobile In adapter. 3: Launch GarageBand. From the Instruments Menu, select the Guitar Amp. From the Guitar Amp Screen, tap the guitar cable button in the upper left hand corner and turn the monitor on. From the Instruments Menu, select the Audio Recorder. From the Audio Record Menu Screen, tap the guitar cable button in the upper left hand corner and turn the monitor on. From the Instruments Menu, select the Sampler. From the Sampler Screen, tap the guitar cable button in the upper left hand corner and turn the monitor on. For more information on using GarageBand checkout the the User Manual Here. For a Video on Mobile In Connections, . Handhabung des Mobile In mit GarageBand für iOS: 1. Verbinden Sie Ihr Mobile In mit Ihrem iPhone oder iPad anhand des 30-Pin Steckers. 2. Verbinden Sie Ihre Gitarre oder andere Audioquelle mit dem Mobile In: Stecken Sie den 6.35mm Stecker in den Ausgang Ihres Instrumentes und dann den 3.5mm Stecker in das "Guitar IN" des Mobile In Adapters. Stecken Sie beide 6.35mm Stecken in den linken bzw. rechten Ausgang Ihrer Audioquelle und verbinden Sie dann das 3.5mm Ende mit dem "LINE IN" des Mobile In. 3. Starten Sie GarageBand. 4. Im Instrumente Menu, klicken Sie auf Guitar Amp. 5. Von diesem Fenster aus klicken Sie oben links auf das Gitarrenkabel und schalten Monitor an. 6. Im Instrumente Menu, klicken Sie auf Audio recorder. 7. Von diesem Fenster aus klicken Sie oben links auf das Gitarrenkabel und schalten Monitor an. 8. Im Instrumente Menu, klicken Sie auf Sampler. 9. Von diesem Fenster aus klicken Sie oben links auf das Gitarrenkabel und schalten Monitor an. Für weitere Informationen über GarageBand sollten Sie das Benutzerhandbuch zu Rate ziehen. Für ein Video über die Mobile In Anschlüsse, klicken Sie dann . L'utilisation de Mobile In avec GarageBand pour iOS: 1. Connectez votre Mobile In à votre iPhone ou iPad en utilisant le connecteur 30 broches. 2. Connectez votre guitare ou source audio au Mobile In. Connectez la prise 6.35mm à la sortie de votre instrument et la prise 3.5mm au "GUITAR IN" du Mobile In. Connectez les prises 6.35mm à la sortie droite et gauche de votre source audio et la prise 3.5mm au "LINE IN" du Mobile In. 3. Démarrez GarageBand. 4. Sélectez "Guitar Amp" dans le menu Instruments. 5. Dans cette fenêtre, tapez le câble guitare dans le coin supérieur gauche et activez Monitor. 6. Sélectez "Audio Recorder" dans le menu Instruments. 7. Dans cette fenêtre, tapez le câble guitare dans le coin supérieur gauche et activez Monitor. 8. Sélectez "Sampler" dans le menu Instruments. 9. Dans cette fenêtre, tapez le câble guitare dans le coin supérieur gauche et activez Monitor. Pour des informations supplémentaires sur l'utilisation de GarageBand, utilisez ce mode d'emploi. Pour un vidéo sur les connexions Mobile In, .

Q: What are Mobile In digital input adaptor and Mobile POD® app? A: Mobile In is a digital input adaptor that connects your guitar or a stereo line-level audio source to your Apple® iPhone® 4S, iPhone® 4, iPad® (3rd generation), iPad® 2 or iPad®. Also works with iPhone® 5 but requires an Apple-branded Lightning to 30-in adapter cable. Learn more Mobile POD is a free app that lets you rock anytime you want with 64 fully tweakable Line 6 models. Hear them in action Q: Why doesn't Mobile In work with my iPod touch 4G? A: At this time, iPod touch 4G only works with digital audio interfaces that include both audio inputs and audio outputs. This limitation is built into the iPod touch and nothing that the interface manufacturer can affect. Some digital guitar interfaces for iOS devices, including Mobile In and models from other manufacturers, contain inputs but no outputs and as a result aren't recognized by iPod touch 4G. This is why Line 6 does not list iPod touch 4G as a supported iOS device for Mobile In. Q: Will a Lightning adapter work with Mobile In? A: As it stands, we do know that using an adapter works. It is not packaged with the unit because we cannot assume that all users will need it. Q: How many models are in Mobile POD app? A: There are 64 fully adjustable models based on celebrated vintage and modern gear. 32 guitar amplifiers, 18 stompbox and rack effects, and 16 guitar cabinets. Learn more Q: What kind of inputs does Mobile In have? A: Mobile In has two inputs: 1/8-inch guitar input with 110 dB dynamic range and 1/8-inch stereo line input with 98 dB dynamic range. (One high-quality 6-foot guitar cable with 1/8-inch and 1/4-inch ends included.) Mobile In supports up to 24-bit/48 kHz digital audio. Q: Can I use Mobile In with other CoreAudio apps beside Mobile POD app? A: Mobile In works with many other apps besides Mobile POD. It's compatible with any app that uses CoreAudio for audio input, starting with iOS 4.2.1. Q: What Apple® devices are compatible with Mobile In and Mobile POD app? A: Mobile In and Mobile POD app are compatible with iPhone® 4, iPad® 2 and iPad®. Q: What does Mobile In come with? A: Mobile In comes with everything you need to get great guitar tones (or capture any stereo line-level audio signal with pristine quality) right of the box: Mobile In digital input adaptor and a high-quality 6-foot guitar cable with 1/8-inch and 1/4-inch ends. Q: Where do I download the Mobile POD app? A: Mobile POD app can be downloaded for free directly from your Apple® devices using the App Store app. Q: What kind of cable do I use to connect my instrument to the Mobile In? A: To connect a instrument to the Mobile In, use the included 1/8" to 1/4" guitar cable. Connect the '¼' plug into the output of your instrument, then Connect the 1/8" plug into the 'GUITAR IN' on the Mobile In adaptor. for a video tutorial on Mobile In Connections. Q: What kind of cable do I use to connect my stereo line level keyboard or mixer to the Mobile In? A: To connect a stereo line level audio source such as keyboard or mixer to the Mobile In, use a 1/8" Stereo Male to Dual 1/4" Tip Sleeve Male cable. Connect both of the '¼' Tip Sleeve connections to the left and right outputs of your audio source, then connect the 1/8" Stereo Male end of the cable to the 'LINE IN' on the Mobile In adaptor. for a video tutorial on Mobile In Connections. Q: What kind of cable do I use to connect my stereo CD/MP3 player to the Mobile In? A: To connect a stereo CD/MP3 player to the Mobile In, use a 1/8" Stereo Male to 1/8" Stereo Male cable. Connect one end of the 1/8" Stereo Male to the output of your CD/MP3 player, then connect the other end of the 1/8" Stereo Male cable into the 'LINE IN' on the Mobile In adaptor. for a video tutorial on Mobile In Connections. Q: How do I use the Mobile In with CoreAudio Apps like GarageBand? A: Check out our instructions on using Mobile In with GarageBand here. Q: How do I use the Mobile POD app with the Apple's Inter-App Audio? A: Check out our video tutorial on how to use the Mobile POD App with Apple's Inter-App Audio HERE. Q: How do I use the Sonic Port with the Audiobus App? A: Check out our instructions on using Sonic Port with Audiobus HERE. If you want to use the Mobile POD app to process the sound and then record the processed audio into a third party app then you'll need to purchase and use the Audiobus app. For a list of all of other current Audiobus compatible apps CLICK HERE. Q: How can I play along with songs from my iTunes® library? A: Launch Mobile POD, tap the 1/8th note icon in the lower right hand corner of the app. The in-app player will launch, tap the 'playlist' icon located on the bottom left hand corner of the app to choose which song from your iTunes® library you like to play along with. After selecting your song, the app will return to back to the normal amp screen at which point you can play, fast forward, rewind, and loop the track. Q: Does Mobile In interface work with the AmpliTube iRig apps? A: Sorry, no. It appears that the IK Multimedia apps only work with the low-fi analog audio input on the earbuds jack, not the high-resolution digital audio input on the dock connector that Mobile In uses. Q: What should I do if my Apple® device is not recognizing the Mobile In adaptor when it is plugged in? A: Check your iPhone or iPad to be sure the latest version of the iOS operating system is installed update if necessary, instructions to do so can be found here. Disconnect the Mobile In adaptor and reconnect it, making sure the Mobile In adaptor is firmly connected to your iPhone or iPad's device's 30 pin dock connector. Check Settings > General > Accessibility, and then turn Mono Audio off. If the adaptor is still not being recognized by your Apple® device, it may be necessary to backup and restore your current iOS installation using Apple's instructions located here. Q: Can I use Airplay or Bluetooth headphones with Mobile In? A: The current version of Mobile POD does not support the use of airplay or bluetooth headphones. Q: Does the Mobile In work with Android products? A: Many of you have asked why Line 6 mobile products only work with Apple devices, not Android. Since many smartphone and tablet manufacturers support the Android operating system and have different connectors, it is unfortunately very difficult to develop and support products for these various hardware configurations. Apple devices share a standard, 30-pin dock connector which is why we're able to create a single hardware solution for these devices.

*NOTE: Any customization/modification performed will void the warranty if it results in damage to the guitar. JTV-59 JTV-69 JTV-89

If you are experiencing problems in trying to log into your account on the Line 6 website and/or support forums, here are a few tips to try to help you get logged in: Clear the cookies, temporary internet files, and cache within your internet browser. This can typically be done within the Preferences or Options of the internet browser you are using. ***NOTE: Clearing these items may result in losing your browsing history, saved passwords, and other offline files that have been cached for navigating websites. [*]Try a different internet browser. There are several internet browsers that are available for free to browse the internet with such as: Internet Explorer, Mozilla Firefox, Google Chrome, Firefox, Safari, Opera, etc. [*]Disable any anti-virus, pop-up blockers, anti-spyware, or download accelerators. [*]If none of the tips above help, please contact your internet service provider to check for any problems with your internet connection.

On both Mac and Windows computers with a vertical screen resolution of 800 pixels or less, the Dock or Taskbar may partially obscure the bottom of the POD HD 300/400/500X/500 Edit software which is used to display the 'No Hardware' message. A workaround is to set the Dock or Taskbar to Auto-Hide. Mac:? Click on the Apple icon at the top left of the screen, then, select Dock>Turn Hiding On. Windows:? Right-click the Taskbar and select 'Properties.'? In the window that pops up, check the box for 'Auto-hide the taskbar,' then hit Apply, and Ok.